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Seedance 2.516:9
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Inspired by @kingofdairyqueon X

SUBJECT. The same @avatar throughout — 25, long honey-blonde hair with sun-lifted ends in a low messy bun with loose strands around their face, green-hazel eyes, freckles across their nose and cheeks, warm sun-kissed skin with real texture, minimal makeup, slim. Soft-yellow sleeveless knit top, loose light-grey trousers, white retro sneakers, dark-green shoulder bag, silver bracelet. Keep face, hair, outfit and accessories identical in every shot. 0–5s. @avatar leaves home with a shopping bag, locks the door, checks their keys, tucks a strand back into their bun, smiles at the camera, walks off down the street. 5–10s. @avatar buys a cup of cold cut mango with lime at the corner store window. Takes a bite, reacts to the sour lime, laughs, offers the cup toward the camera. 10–15s. A small dog behind a chain-link fence notices @avatar and wags. @avatar crouches to let it sniff their hand through the gap. The dog trots along the fence beside them, then turns back. 15–20s. Dry leaves and a few bougainvillea petals drop from the banyan onto their shoulder and hair. @avatar looks up and brushes the leaves away. The camera zooms in awkwardly. @avatar says, "Again?" 20–25s. @avatar sits on a low garden wall and finishes the fruit while a bicycle passes and a neighbour waters plants with a hose. Warm breeze in their hair and clothes; @avatar wipes their hands and adjusts their bag. 25–30s. @avatar walks toward the end of the street, turns back with a playful smile and says, "Let's go." Walks around the corner; the camera follows; abrupt cut to black. AUDIO. Location sound only — cicadas, birds, footsteps on cracked pavement, a bicycle bell, distant scooters, leaves, the hose, the dog, neighbourhood voices, a TV through an open window, camera-handling noise. No music, no narration, no captions.

2 steps3.1K357.5K
Seedance 2.530s · 16:9
Inspired by @SimplyAnnisaon X

@avatar is a rising pop star and social-media creator documenting the day before a show. STYLE: early-2000s consumer DV camcorder footage mixed with handheld selfie video and a few locked-off shots. Hand tremor, autofocus hunting, auto-exposure shifts, mild motion blur, imperfect framing. No gimbal, no drone, no beauty filter, no commercial polish. The camera is never visible. REFERENCE IMAGES, in this order: 1. head-and-shoulders portrait — @avatar's identity lock 2. full-length: the ivory bathrobe look 3. full-length: the cream ribbed sweater look 4. full-length: the black bomber and acid-lime crop top stage look WARDROBE — three outfits, taken from those references. Do not mix the outfits. Do not carry one into another beat. • LOOK A, 0–6s, apartment: reference 2. Ivory waffle bathrobe over a white sleep tee, bare feet, hair undone. • LOOK B, 6–16s, car: reference 3. Cream ribbed knit sweater, two thin gold necklaces, gold hoops, dark navy trousers, white sneakers, hair loose. • LOOK C, 16–30s, backstage and stage: reference 4. Open black cropped bomber over an acid-lime cropped tank, high-waisted black cargo trousers, chunky black platform trainers, silver chain, silver hoops, hair back off @avatar's face. 0–6s — APARTMENT. HARD LOCATION: sunlit New York apartment, white bedding, tall window, brick building outside. LOOK A. @avatar wakes, sits up, reaches for a phone on the bedside table, then ties @avatar's hair up at a mirror and steps into shoes by the door. Locked-off, then jumpy handheld. Voiceover, quiet: "Some days start before I'm ready for them." 6–12s — CAR. HARD LOCATION CHANGE: inside a black luxury van, leather seats, city sliding past the windows. LOOK B. @avatar holds the phone at arm's length in selfie mode, tired but happy, then rests @avatar's head against the window for a second. Window light flickers across @avatar's face. Voiceover: "The road feels more familiar than home now." 12–16s — CAR. Same van, LOOK B. Handheld inserts with no face: earphones going in, a cold drink in a cupholder, @avatar's sneakers tapping the floor mat, reflections travelling across the glass. Road noise. 16–21s — BACKSTAGE. HARD LOCATION CHANGE: concrete backstage area, mirror-lit makeup station, flight cases, wardrobe rails, crew moving through frame. LOOK C. Quick handheld montage — a brush at @avatar's cheek, a hand adjusting @avatar's hair, a hand straightening the bomber collar. Then @avatar stops at the lit mirror and takes one slow breath. Voiceover: "And then everything happens at once." 21–25s — CORRIDOR. HARD LOCATION CHANGE: dark concrete corridor, cables on the floor, white light spilling from the far end. LOOK C. Handheld follow from behind as @avatar walks toward the light. A crew hand squeezes @avatar's shoulder in passing. Crowd noise builds through the walls. @avatar turns back to the camera and smiles, exactly once. 25–30s — STAGE. HARD LOCATION CHANGE: huge concert stage, thousands of phone lights in a dark arena, hard stage lighting, haze in the beams. LOOK C. Wide shot as @avatar walks out into the light and raises one hand, then a handheld close-up as @avatar looks straight into the lens, breathing hard, lit from behind. Voiceover: "This is why I keep going." AUDIO: natural apartment, vehicle, backstage and crowd sound throughout. The three voiceover lines are calm and slightly imperfect, like a private thought, not a narrator. Music builds from almost nothing into energetic modern pop, peaking on the stage reveal.

5 steps22418.6K
Seedance 2.516:9
Pool party

Single unbroken handheld take throughout. @avatar is sitting pensively on a sofa inside a large bright suburban Parisian house, summer daytime, sunlight through the windows, young adults dancing and laughing around her holding drinks, loud music implied by energetic crowd movement. 0-4s: @avatar rises from the sofa empty-handed and walks toward a kitchen table lined with alcohol bottles and glasses. The handheld camera follows closely behind @avatar’s shoulder with slight natural shake. 4-8s: @avatar pours herself a glass of champagne and takes a sip. Leaves the glass on the same table after she takes a sip. The camera remains close behind @avatar. 8-13s: @avatar moves through the dancing and laughing crowd toward a large glass bay window. Some guests are standing while others sit and talk on the sofas. The camera continues following @avatar without a cut. 13-16s: @avatar steps into the garden, revealing a large pool filled with young adults swimming and laughing. The camera smoothly rotates from behind her to face @avatar. @avatar looks toward the pool, smiles. 16-20s: @avatar turns around toward the camera, removes their shirt and places it on the back of the lounge chair, then removes shorts and places them on the chair, revealing a swimwear underneath. The camera holds a medium frontal shot with slight handheld movement. 20-24s: @avatar turns around and walks toward the pool as the camera moves behind @avatar again. @avatar then breaks into a run, with the handheld camera following closely and matching @avatar’s pace. 24-27s: @avatar dives into the pool while shouting "take care," landing among the other swimmers. The camera dives into the water with @avatar and remains briefly submerged. 27-30s: @avatar resurfaces laughing and joins the people nearby. The camera rises into the air, revealing a wide aerial view of the house, garden, and pool. Bright natural summer daylight, warm sunlit color palette, candid documentary energy, and slight handheld lens wobble throughout. Background party guests and swimmers should remain generic and unnamed. No text overlays, flickering, ghosting, morphing artifacts, or hard cuts. Natural skin tones and stable continuous handheld motion throughout.

2 steps
Seedance 2.516:9
Inspired by @frametheory058on X

@avatar is the same real person in every shot — same face, same bone structure, filmed on location. Real skin with visible pores, individual hair strands, correct hands, natural expressions and anatomy. @avatar wears white wired earphones throughout, the cable bouncing with every movement. 0–4s CITY HOOK. Rain-wet street, cool daylight. 24mm, inches from the lens. @avatar gives a playful knowing smile, then turns and runs. Handheld chase. A red bus crosses extremely close and covers the frame. 4–8s OLD MARKET. The same stride continues into an atmospheric old town. Cream jacket, olive loose trousers. Real pedestrians, bicycles, stone, warm shopfronts. @avatar looks back laughing, then jumps a puddle. The camera dives toward the splash until water fills the frame. 8–12s MOUNTAIN REVEAL. The splash becomes the reflective floor of a glass lift. @avatar steps in, the doors close and reopen onto an enormous valley above the clouds. @avatar smiles back and runs out. Cold mist, huge depth, real wind. 12–16s COAST. The stride carries onto a golden-hour coastal road, ocean and cliffside architecture beyond. Deep-red track jacket, denim. The camera tracks alongside. @avatar spins, laughs, pulls the jacket off while still moving and throws it into the lens until red fabric fills the frame. 16–20s NEON NIGHT. The fabric clears into a rain-soaked neon city. Black leather jacket. Deep blacks, cyan reflections, red practicals, steam, real crowds. @avatar walks straight at the camera. A passing tram blocks the frame. 20–23s ABOVE THE CLOUDS. The tram windows become a cable-car window. Navy jacket. @avatar stands against the glass over mist-covered peaks, its reflection laid over the landscape. @avatar catches the camera in the reflection, smiles, and leaves frame. The camera whip-pans after it. 23–26s LOST. The whip resolves into a lively blue-hour plaza. The camera searches through real moving crowds. @avatar appears, disappears behind pedestrians, gone. Then a tap on the camera from behind — a fast whip around reveals @avatar standing there with a friend @avatar2, both laughing, and they run. 26–30s HERO ENDING. The camera chases them across the plaza. They hold hands, run, spin, laugh. Pigeons lift ahead of them. They turn back and throw their arms up. @avatar runs straight at the camera, laughing, and covers the lens with its hand. Hard cut to black. LOOK. Feature-film cinematography — 24mm chases, 35mm movement, 50mm portraits, handheld micro-movement, 180-degree shutter, real motion blur. Fine 35mm grain, subtle halation, soft bloom, expensive highlight roll-off. Colour runs cool rainy city, warm market, cyan mountain, golden coast, cyan-and-red neon, cool cable car, rich blue-hour finale. Skin stays naturally warm throughout. TRANSITION RULE. Every transition is physically motivated: bus wipe, splash, lift doors, jacket wipe, tram wipe, reflection whip, crowd reveal, hand to lens. Locations never visibly morph. No portals, no liquid transforms, no speed ramps, no floating camera. The cuts should be clean enough that a viewer replays the film to work out how they happened. REALISM. Weighted hair and clothing, real footsteps, physically correct reflections and splashes, the earphone cable always bouncing. Background people move independently — never frozen, never duplicated. No warped architecture, no plastic skin, no beauty filter. SOUND. Footsteps, traffic, the splash, a lift ding, wind, tram rumble, cable-car hum, crowd ambience, fabric, pigeon wings, real laughter. Music is a driving 120 BPM cinematic-electronic instrumental: minimal at the open, building through the chase, a melodic hook at the coast, deeper at neon night, stripped back for the cable car and the search, hard drop on the friend reveal, strongest for the final run. No voiceover, no lyrics.

3 steps14722.7K
Seedance 2.530s · 9:16
"Real" AI charactersSeedance 2.5 · 16:9Recreate workflow