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REFERENCES: @image1 is the person. @image2 is the PRODUCT — a single-serve packet of drink mix powder. @image3 is the PACK — the box the packets come in. CHARACTER LOCK — HIGHEST PRIORITY: @image1 is the person, exactly as shown. Preserve facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build, body proportions and gender presentation exactly as shown. Do not beautify, slim, de-age or restyle. @image1 is the only person in focus; no other person is ever in the foreground and nobody interacts with @image1. The person is @image1 — no pronouns, no description. PRODUCT LOCK: the PRODUCT and the PACK keep their exact shape, colour, finish, proportions, labels and markings from @image2 and @image3 in every shot; never redesign them, never invent text or logos, never duplicate the PACK. Ignore the backgrounds of the reference images. The footage is NOT mirrored; all lettering reads correctly. TEXT AND LOGOS: no on-screen text, captions or subtitles. Lettering appears only on the PRODUCT and the PACK — never on glasses, gym equipment, walls, laptops or clothing. All clothing is plain, with no logos, prints or text. WARDROBE: at the table @image1 wears plain, comfortable at-home clothes in colours that suit @image1; in the gym and boxing shots plain training clothes. FORMAT: an authentic phone-shot UGC testimonial, 9:16. A-ROLL: @image1 seated at a wooden table in a warm, dim home kitchen at night, a tall clear glass of ice water on the table, talking straight to the camera with matching lip-sync. B-ROLL: full-screen clips; during B-ROLL the same voice continues as a voiceover and @image1's lips do not mouth the words. Fast hard cuts. ACTING: relatable, animated creator energy — expressive eyebrows, hand gestures, a knowing smile, talking fast and naturally; never cartoonish. MOTION: real-time natural speed, no slow motion; objects move only when a hand moves them; powder pours and dissolves believably. TIMELINE (20 s): 0–3s: A-ROLL. On frame one @image1 lifts the glass of ice water toward the lens, eyebrows raised, mid-sentence. On camera: "Drinking a ton of water and STILL feeling drained?" 3–5s: B-ROLL, a gym with machines, other gym-goers far in the background, strongly out of focus and facing away. @image1 pushes the leg press platform away twice, legs extending, then drops the head back, exhausted. Voiceover: "Yeah… that was me." 5–8s: A-ROLL. @image1 leans in and points at the lens. On camera: "Turns out I wasn't missing water — I was missing this." 8–10s: A-ROLL. @image1 lifts the PACK up beside the face with both hands, front of the PACK to the lens, and grins. 10–13s: B-ROLL, close-up on the table. @image1's hands tear the top off one PRODUCT packet and pour the powder into the glass of ice water; the water turns colour; a spoon stirs it once. Voiceover: "One packet. No junk." 13–15s: A-ROLL. @image1 takes a big sip from the glass, eyes widen, nods. On camera: "And honestly? It tastes SO good." 15–16.5s: B-ROLL, gym. @image1 pushes a chest press machine with ease, focused. Voiceover: "Now I feel locked in —" 16.5–18s: B-ROLL, a small boxing gym. @image1 throws two quick punches into a hanging heavy bag. Voiceover: "all day." 18–20s: A-ROLL. @image1 holds the glass up beside the face with one hand and points at the lens with the other, confident smile; holds on @image1 and the glass until the end. On camera: "Try it — thank me later." SPEECH: @image1 says ONLY the lines written above, word for word. No other words, no ad-libs, no filler, no brand names. SOUND: @image1's natural voice close to the phone mic, every word fully clear; light kitchen room tone; gym clatter and a punching-bag thud in the B-ROLL. QUALITY: anatomically correct — two arms, two hands, five fingers per hand, no extra or detached limbs; natural movement and believable physics; the same face and hair in every shot; the PRODUCT and PACK exactly as in their references; realistic smartphone footage, not glossy commercial.

A 20-second UGC "one product for every mood" ad: @image1 (you) shows @image2 (your product) on a cozy day at home, getting ready for a night out, on errands and at the gym — talking to the camera in every shot, quick cuts, outfit change per mood. TIMELINE (20 s): 0–2s: @image1 bursts into frame and thrusts @image2 at the lens for the hook. 2–5s: cozy day: curled in the armchair under a knit blanket, @image1 holds @image2 beside the face. 5–9s: night out: at the bathroom mirror in an evening outfit, @image1 uses @image2 once. 9–12s: errands: @image1 drops @image2 into a tote bag and slings it over the shoulder. 12–16s: gym: @image2 stands on the yoga mat while @image1 does three quick squats. 16–20s: close-up: @image1 holds @image2 beside the face and asks the viewer which mood they are in, holding to the last frame. Upload your face and your product.

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VERTICAL 9:16 8 seconds. Seedance 2.5. Ultra-photorealistic viral smartphone POV. Handheld phone, micro-shakes, imperfect framing, daylight. NOT a cinematic ad. ONE uninterrupted take. No cuts. No captions. No music. RIGHT-SIDE UP from frame 0. NEVER a studio still as frame 0. No spoken brand names. CHARACTER LOCK: the driver is exactly @image1. Preserve face, hair, skin, age, build, gender presentation. Use they / their / them only. @image1 = FACE only. Photocopy this person. Delivery look: red cap and red jacket. Completely normal about hovering hundreds of feet up. @image2 = THIS product. Photocopy it. NEVER a different bag. They hold @image2 and hand it through the window. @image3 = THIS car. Photocopy it. NEVER a different vehicle. It is the hovering delivery car outside the window. SET: first-person from inside a luxury Manhattan high-rise. Open window, enormous drop, yellow taxis far below, overcast day. VEHICLE: @image3 floats horizontally outside the window, stable, no cables, no rotors. WHEELS: WHITE FOG / white vapor shoots from the wheels the whole time. 00:00–00:02 POV through the open window. @image3 already hovering. Tilt down: taxis far below. Aligns with the window. WHITE FOG from the wheels. 00:02–00:04 Door opens. They lean out, casual smile, extend @image2. Customer’s bare arm enters from bottom-right. 00:04–00:06 Handoff. Customer grabs the handles. They release only after a firm grip. Bag swings with real weight. THEY say: “Enjoy!” 00:06–00:08 Customer pulls @image2 inside. Look down the drop, then back. @image3 glides away, WHITE FOG still from the wheels. AUDIO: city traffic, horns, electric hum, bag rustle, the line. No music. Same person as @image1. Same product as @image2. Same car as @image3.

REFERENCES: @image1 is the person. @image2 is the PRODUCT, a reusable cup. CHARACTER LOCK — HIGHEST PRIORITY: @image1 is the person, exactly as shown. Preserve facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, makeup, freckles and distinctive marks, apparent age, build, body proportions and gender presentation exactly as shown. Do not beautify, slim, de-age or restyle. @image1 is the only person in focus; no other person is ever in the foreground. The person is @image1 — no pronouns, no description. WARDROBE: in every shot @image1 wears the same outfit — the clothes worn in the @image1 photo, or simple casual everyday clothes in colours that suit @image1. Never a robe. PRODUCT LOCK: the PRODUCT keeps its exact shape, colour, finish, lid, proportions, label and markings from @image2 in every shot; never redesign it, never invent text, stickers, barcodes or logos, never duplicate it — exactly ONE product exists in the film. Ignore the background of @image2. Only the FRONT of the PRODUCT, with its printed lettering, ever faces the camera; its back is never shown. Other drinkware in the film — a clear glass café cup and an old plain white ceramic mug — is plain, unbranded and clearly a different object from the PRODUCT. DRINKING: whenever @image1 drinks from the PRODUCT, it is done the way this cup is really drunk from — @image1 opens or uses the lid exactly the way the lid in @image2 is built and drinks through it, or drinks with the lid off. Never sipping from a closed lid. ORIENTATION: the footage is NOT mirrored. The product's lettering reads correctly, left to right, exactly as in @image2, in every shot, including the car selfie shots. TEXT AND LOGOS: no on-screen text, captions, subtitles, split screens or picture-in-picture. The product's markings appear only on the product — never on cars, cups, mugs, shelves, boxes, signs or clothing. FORMAT: an influencer UGC testimonial filmed on a phone, 9:16, full-screen hard cuts that alternate between A-ROLL (@image1 talking straight to the camera from the driver's seat of a parked car, natural daylight, steering wheel in the lower corner, the phone held by the off-screen hand at arm's length) and full-screen B-ROLL clips of @image1's day. In the A-ROLL @image1 speaks the lines on camera with matching lip-sync; in the B-ROLL the same voice continues as a voiceover and @image1's lips do not mouth the words. ACTING: dramatic, excited influencer energy — big eyes, raised eyebrows, gasps, hand gestures, leaning toward the lens, real enthusiasm, talking fast and naturally; never cartoonish. MOTION: real-time natural speed, no slow motion; objects move only when a hand moves them; liquids pour and land believably. TIMELINE (25 s): 0–3s: A-ROLL, car. On frame one @image1 is already mid-sentence, leaning toward the lens and holding the PRODUCT up beside the face, front lettering to the lens; the free hand points at it; eyebrows up. @image1, on camera: "Okay — everyone on a budget NEEDS to know about this cup!" 3–5.5s: B-ROLL, a sunny outdoor café table. @image1 sips a creamy latte with a thick layer of milk foam from a clear glass café cup held in both hands, eyes closing in bliss. Voiceover: "I was spending an insane amount on café coffee," 5.5–8s: B-ROLL, home kitchen. @image1 takes a sip from an old plain white ceramic mug and pulls a dramatic disgusted face, nose scrunched. Voiceover: "because it just tasted SO much better than mine." 8–10s: A-ROLL, car. @image1 tilts the PRODUCT toward the lens, front lettering visible, eyes wide, finger raised. On camera: "And then I figured out why…" 10–12s: B-ROLL, top-down close-up: @image1's hand holds the old white mug toward the camera; its inside is stained brown. Voiceover: "It's the inside of your cup —" 12–14s: B-ROLL, top-down close-up: @image1's hand holds the PRODUCT, lid off, toward the camera, showing its clean inside. Voiceover: "it literally changes how your coffee tastes!" 14–16s: B-ROLL, kitchen counter close-up: rich dark coffee pours from a plain clear glass carafe into the open PRODUCT, front lettering facing the camera, steam rising, the PRODUCT filling up. 16–19s: A-ROLL, car. @image1 opens the PRODUCT's lid the way it is built in @image2, sips from it, eyes close, a delighted "mmm", then grins at the lens. On camera: "This one? Café-good. Every. Single. Time." 19–22s: B-ROLL, grocery store aisle with shelves of plain unbranded food packages — cereal boxes and snacks, no cups or drinkware on the shelves. @image1 walks toward the camera holding the PRODUCT, opens the lid the way it is built in @image2, takes a sip and grins. Voiceover: "And it comes with me literally everywhere." 22–25s: A-ROLL, car. Medium close-up: @image1 holds the PRODUCT next to the cheek — beside the face, not covering it — front lettering to the lens, points at it with the other hand and gives a knowing, excited look; holds on @image1 and the PRODUCT until the end. On camera: "Trust me — you have GOT to try this!" SPEECH: @image1 says ONLY the lines written above, word for word. No other words, no ad-libs, no filler, no brand names. SOUND: @image1's natural, energetic voice close to the phone mic, every word fully clear; a light upbeat pop beat low underneath; soft café, kitchen and store ambience in the B-ROLL. QUALITY: anatomically correct — two arms, two hands, five fingers per hand, no extra or detached limbs; natural movement and believable physics; the same face, hair and outfit in every shot; the PRODUCT exactly as in @image2; realistic smartphone footage, not glossy commercial.

CHARACTER LOCK — HIGHEST PRIORITY: @image2 is the person, exactly as shown. Preserve facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build, body proportions and gender presentation exactly as shown. Do not beautify, slim, de-age or restyle. @image2 is the only person in focus and the only person in the foreground. The person is @image2 — no pronouns, no description. PRODUCT LOCK: @image3 is the product. Keep its exact shape, colour, finish, proportions and markings in every shot; never redesign it, never invent a logo, never duplicate it. Ignore the background of @image3 — only the product itself carries over. @image1 shows how the product looks while it is in use: from 0:05 to the end, the product is in use exactly as in @image1 and nothing else of it is held or visible. PRODUCT STATE — a strict timeline: 0:00–0:03 the product is in @image2's right hand. 0:03–0:05 @image2 puts the product into use exactly as in @image1. From 0:05 to 0:20 the product appears only in use, as in @image1. LOGOS: the product's markings appear ONLY on the product itself — never on carts, bags, cups, dumbbells, gym equipment, shelves, walls, clothing or signs. Every other object is plain and unbranded. WORLD: authentic phone-shot UGC day-in-the-life reel, 9:16, natural daylight and real store light, handheld smartphone look with natural shake, real skin texture. Four places: a bright home hallway, a grocery store aisle, a café pickup counter, a gym floor with dumbbell racks. @image2 wears the same outfit in every shot. In the grocery aisle, the café and the gym, two or three other people are far in the background, out of focus, facing away, never looking at the camera and never interacting with @image2. ACTING: high-energy, genuine creator delivery — quick grins, eyebrows up, animated hands, lively pace, natural laughs; real enthusiasm, never cartoonish. CAMERA: hard cuts between shots, each cut landing on a beat of the music; allowed verbs: crash zoom, push-in, whip pan, speed ramp. No on-screen text, captions or subtitles, no store signage text. SPEECH: @image2 says ONLY the lines written below, word for word, with a short breath between lines. The café staff says only "Order up!". No other words, no ad-libs, no filler. TIMELINE (20 s): 0–3s: HOME HALLWAY. @image2 steps into frame from the right edge and pushes the product toward the lens in the right hand, with a big grin and raised eyebrows; crash zoom on the product. @image2, own voice, excited, to camera: "This solved a problem I didn't even know I had!" 3–5s: HOME HALLWAY, close-up. @image2 puts the product into use in one quick continuous motion, ending exactly as in @image1; @image2 lets out one short laugh. @image2, own voice: "Every part of my day needed something different." 5–8s: GROCERY AISLE, low candid angle from the front of a shopping cart. Product in use as in @image1. @image2's left hand takes one plain snack bag off the shelf, holds it over the open cart and lets go; it falls straight down into the basket and stays there; @image2 glances at the lens and grins. @image2, own voice: "Errands? Got it." 8–11s: CAFÉ PICKUP COUNTER. Product in use as in @image1. An iced coffee cup already stands on the counter. Off-screen café staff voice, first: "Order up!" Then @image2's left hand grabs the cup and @image2 takes one sip through the straw while turning toward the camera. @image2, own voice, grinning: "Coffee run? Got it." 11–14s: GYM FLOOR, @image2 standing upright beside the dumbbell rack. Product in use as in @image1. @image2 does exactly three standing dumbbell curls with the right arm using a plain black hex dumbbell with no text, letters or markings, breathing hard, eyes on the lens; speed ramp on the third curl. @image2, own voice, slightly out of breath: "Gym? Still got it." 14–17s: GYM FLOOR, same spot, standing. @image2's right hand sets the dumbbell back on the rack; the right index finger points at the product where it is in use; @image2 laughs. @image2, own voice: "One for everything." 17–20s: HOME HALLWAY. Close-up: @image2 leans one shoulder against the wall, product in use as in @image1, and winks once at the lens; push-in; holds on @image2 and the product until the end. @image2, own voice, playful: "Thank me later." QUALITY: anatomically correct — two arms, two hands, five fingers per hand, no extra or detached limbs; natural movement and believable physics; objects move only when a hand moves them; same face and same product in every shot; realistic smartphone footage, not glossy commercial. SOUND: 0:00–0:05 only @image2's voice and light hallway room tone, no music. At 0:05, the instant the product is in use, an upbeat feel-good indie-pop / house track kicks in at about 120 BPM — bright synths, punchy kick, handclaps — mixed low under @image2's voice, every line fully clear. The beat hits on every hard cut and whip pan, lifts slightly in the gym, and resolves with a soft final chord under "Thank me later." Natural store, café and gym ambience underneath.

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VERTICAL 9:16 22 seconds. Handheld selfie UGC in an SUV, driver’s seat. Hard cuts. ONE person. No on-screen captions. CHARACTER LOCK: the person is exactly @image1. Preserve face, hair, skin, age, build, gender presentation. Use they / their / them only. @image1 = FACE only. Photocopy this person. Do not copy studio wardrobe from the lock. Casual car clothes: plain t-shirt, no hat. @image2 = THIS drink, FRONT. Photocopy the can exactly as in @image2, its colours and label as printed. NEVER a different can. @image3 = THIS drink, BACK / nutrition label. Photocopy the label panel. NEVER invent a different label. They hold the real @image2 can whenever the can is in frame. 0.00–6.00 Driver’s seat selfie. Holds @image2 up to camera. ON CAMERA: “All right, hot take here, but this is way more important than coffee in my cup holder in the morning. Like, I don’t leave without it.” 6.00–9.00 Hard cut. Close-up of @image3 nutrition label, readable. ON CAMERA: “And look at what’s in it.” 9.00–13.00 Speaks to camera, then cut to close-up of @image2 front of the can. ON CAMERA: “It’s so good and it just hits every time. I literally bought a whole case again last night.” 13.00–22.00 Points at the label on the can, then talks to camera. ON CAMERA: “See that? That’s my drink, and I reach for it every day. Don’t sleep on this. If you’re looking for your new favourite, this is it right here.” Same person. Same can as the photos, both sides. SUV interior. No extra people. Never a studio still as frame 0.

REFERENCES: @image1 is the person. @image2 is the CASE — the brand's glasses case. Every reference image after @image2 is a pair of the eyewear being advertised. PAIR A is the FIRST eyewear reference (@image3). PAIR B is the LAST eyewear reference. PAIR C is any eyewear reference between them. When only one eyewear reference is attached, PAIR A and PAIR B are that same single pair. CHARACTER LOCK — HIGHEST PRIORITY: @image1 is the person, exactly as shown. Preserve facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build, body proportions and gender presentation exactly as shown. Do not beautify, slim, de-age or restyle. The only eyewear @image1 ever wears is the advertised eyewear — never any other glasses. The person is @image1 — no pronouns, no description. PRODUCT LOCK: every pair keeps its exact frame shape, colour, finish, lens tint, bridge, temples and proportions from its own reference image in every shot; never redesign, never swap one pair's details onto another, never invent logos or text, never duplicate a pair. The CASE keeps its exact shape, colour and lettering from @image2, and it stays CLOSED for the whole film — it is never opened. Ignore the white backgrounds of all product images. Only one pair is ever on @image1's face; a pair not being worn rests on a surface or in the hand. TEXT AND LOGOS: no on-screen text, captions or subtitles. Lettering appears only on the eyewear and the CASE as in their references — never on clothing, signs, shop windows, records, cups or walls; storefronts and posters are plain colour blocks. Any lettering that appears reads correctly; the footage is not mirrored. WARDROBE: @image1 wears the same outfit in every shot — a simple casual everyday outfit in colours that suit @image1. Plain fabrics, no logos. WORLD: an energetic, colourful phone-shot UGC reel, 9:16, fast hard cuts every 1.5–2 seconds, each shot starting mid-movement. Four lively places: a sunny city street with colourful storefronts; a café with green tiled walls and warm lamps; a vintage record shop with colourful shelves; a rooftop at golden hour with a city view. Other people only far in the background, strongly out of focus, never interacting with @image1. Handheld, natural light, real skin texture. ACTING: high-energy, confident, playful creator — walking toward the lens, quick head turns, raised eyebrows, a wink, laughs, talking fast with attitude; never cartoonish. MOTION: real-time natural speed, no slow motion; objects move only when a hand moves them; glasses go on and off by the temples, the natural way. TIMELINE (20 s): 0–1.5s: STREET. @image1 strides toward the lens and pushes PAIR A onto the face mid-step. On camera: "Okay, glasses people —" 1.5–3s: STREET. Crash zoom on @image1's face wearing PAIR A, one eyebrow up. On camera: "— you need to see this." 3–4.5s: CAFÉ, green tiles. @image1 drops into a seat; the closed CASE lies on the table; @image1 takes PAIR A off and turns it in the fingers, amazed. On camera: "These are crazy light." 4.5–6s: CAFÉ, macro. A fingertip slides along PAIR A's temple to the hinge. Voiceover, same voice: "Like, I forget they're on." 6–7.5s: RECORD SHOP. @image1, wearing PAIR A, walks between colourful shelves and snaps the head round to the lens. Voiceover: "And the details?" 7.5–9s: RECORD SHOP, close-up. @image1 taps the frame of PAIR A and grins. On camera: "Unreal." 9–10.5s: STREET, bright sun. @image1 pulls PAIR A off with one hand and slides PAIR B on with the other in one quick motion. On camera: "Then the sun comes out…" 10.5–12s: STREET, sun. @image1 lowers PAIR B down the nose with one finger and winks at the lens. On camera: "…and I switch." 12–14s: ROOFTOP, golden hour. Side profile of @image1 wearing PAIR B, wind in the hair, a laugh. Voiceover: "Zero effort." 14–16s: ROOFTOP. On the ledge, every advertised pair rests in a neat row beside the closed CASE; @image1's hand picks one pair up. Voiceover: "Whatever the day throws at me." 16–18s: STREET. @image1, wearing PAIR A, walks toward the lens pointing at the glasses. On camera: "Honestly?" 18–20s: Close-up, @image1 wearing PAIR A, confident grin into the lens; holds until the end. On camera: "Time to upgrade." SPEECH: @image1 says ONLY the lines written above, word for word, fast and lively. No other words, no ad-libs, no brand names. SOUND: @image1's energetic voice close to the phone mic, every word fully clear; street, café and rooftop ambience. QUALITY: anatomically correct — two arms, two hands, five fingers per hand, no extra or detached limbs; natural movement and believable physics; the same face, hair and outfit in every shot; every pair and the CASE exactly as in their references; realistic smartphone footage, not glossy commercial.

REFERENCES: @image1 is the person. @image2 is PRODUCT 1. @image3 is PRODUCT 2. @image4 is PRODUCT 3. CHARACTER LOCK — HIGHEST PRIORITY: @image1 is the person, exactly as shown. Preserve facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build, body proportions and gender presentation exactly as shown. Do not beautify, slim, de-age or restyle. No other people in frame. The person is @image1 — no pronouns, no description. PRODUCT LOCK: PRODUCT 1, PRODUCT 2 and PRODUCT 3 each keep their exact shape, colour, finish, proportions, label and markings from their own reference image in every shot; never redesign, never swap one for another, never invent text or logos, never duplicate. Ignore the backgrounds of the product images — only the products carry over. Only ONE product is in @image1's hands at a time; the others stand on the tray. After using a product, @image1 sets it back on the tray. TEXT AND LOGOS: no on-screen text, captions, subtitles, circles or picture-in-picture insets. Lettering appears only on the products' own labels — never on the tray, towel, walls, furniture or clothing. WORLD: an aesthetic golden-hour morning skincare routine filmed on a phone, 9:16. Warm low sunlight through a sheer curtain, soft leaf shadows on a beige wall, a wooden vanity table; on it, a round white marble tray with a thin gold rim holding the three products, a few dried flowers beside it. A small balcony with a city view. Real skin texture, handheld with gentle natural movement. Hard cuts on the music's beats. MOTION: everything moves at real-time natural speed — no slow motion. Hands move lightly and quickly like a real person doing a familiar routine: quick light fingertip taps, short smooth strokes. Each product comes out of its own packaging the way that packaging really works — poured, dropped, pumped or squeezed — and the product visibly lands on the palm or fingertips. EXPRESSIONS: influencer-style, playful and confident facial expressions with the mouth closed or smiling — never talking to the camera. TIMELINE (25 s): 0–3s: BALCONY, low sun. The film opens mid-motion: on frame one @image1 is already pulling a white towel off the head, the hair coming free in the sunlight, exactly as in @image1; @image1 tips the face up into the sun, then looks straight into the lens and winks once, landing on a beat. 3–5.5s: VANITY, white towel turban on the head. @image1 walks into frame from the left toward the vanity and stops in front of the marble tray; eyes light up at the products with raised eyebrows and an excited closed-mouth smile; the right hand picks up PRODUCT 1. 5.5–7s: Close-up: @image1 holds PRODUCT 1 beside the face toward the lens, label to camera, one eyebrow raised in a playful half-smile. 7–7.7s: Full-screen macro: PRODUCT 1 coming out of its own packaging onto the palm or fingertips, glistening in the sun. 7.7–11s: @image1 applies PRODUCT 1 with quick light pats over cheeks and forehead, eyes closed, a content smile and a small head tilt; then sets it back on the tray. 11–12.5s: Close-up: @image1 holds PRODUCT 2 toward the lens, label to camera, with a delighted "wow" face — eyes wide, lips parted in a smile — then a satisfied nod. 12.5–13.2s: Full-screen macro: PRODUCT 2 coming out of its own packaging onto the fingertips, glistening. 13.2–16.5s: @image1 taps PRODUCT 2 into the skin with the fingertips, quick and light, eyes half-closed, pleased smile; then sets it back on the tray. 16.5–18s: Close-up: @image1 holds PRODUCT 3 beside the face toward the lens, label to camera, blows a small kiss-pout toward the lens and winks. 18–18.7s: Full-screen macro: PRODUCT 3 coming out of its own packaging onto the fingertips, glistening. 18.7–21s: @image1 smooths PRODUCT 3 across the cheek in short strokes, side-lit by the sun, satisfied smile. 21–25s: RESULT, back on the balcony in the low sun, no towel, hair exactly as in @image1: close-up of @image1's glowing skin; @image1 lightly touches the jaw with the fingertips, gives the lens a confident, knowing look and a soft smile; slow push-in; holds on this until the end. VOICEOVER — @image1's own warm, intimate voice heard off-camera; @image1's lips never mouth the words. Say ONLY these lines, word for word, no other words: 0:00: "Watch what five minutes of golden hour does to my skin…" 0:07: "Step one — this. Quick, gentle, done." 0:13: "Then this one… press it in." 0:18.5: "And this, to lock it all in." 0:22: "No filter. Just this light… and that glow." SOUND: from the very first frame, a warm, catchy dreamy pop / R&B track at about 100 BPM — soft synth chords, finger snaps, a groovy bassline and a crisp beat — clearly audible throughout the whole film, dipping only slightly under each voiceover line and coming straight back up between lines. A beat hit lands on the wink at 0:03 and on each product reveal; the track opens up on the balcony at the end and resolves on a warm final chord. Every voiceover word stays fully clear. Light room tone underneath. QUALITY: anatomically correct — two arms, two hands, five fingers per hand, no extra or detached limbs; natural movement and believable physics; objects move only when a hand moves them; the same face in every shot; each product exactly as in its reference; realistic smartphone footage, not glossy commercial.

CHARACTER LOCK — HIGHEST PRIORITY: the person is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions. Preserve their gender presentation exactly as shown. Do not beautify, slim, de-age or restyle them. No other people in frame. Use they / their / them only. ATTACHED IMAGES ARE MANDATORY AND FINAL: the attached images outrank every word written below them. ASSET MAP: @image1 — the person, exactly as shown in the photo, unchanged and not regenerated throughout. Face, hair, skin, build, clothing and any accessories exactly as photographed. Ignore the grey studio pad around @image1 — that pad is not a set. Never freeze on the attached still as frame 0. Never show a checkerboard or transparency grid. @image2 — the product, exactly as shown, unchanged and not regenerated — same shape, colour, materials, label/logo/patch and hardware in every shot it appears. No invented branding or text added. Ignore the grey studio pad around @image2 — that pad is not a set. SUBJECT LOCK — HIGHEST PRIORITY: @image1 stands at a bright kitchen counter, speaking directly to camera with lips naturally in sync with every spoken line. @image2 is held in @image1's hand or resting right beside them, clearly visible in every single moment of the video until the end card. Do not beautify, restyle or redesign either subject. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned. SINGLE SUBJECT: only @image1 appears as a person — no crew, no other people, no second hand. Only one instance of @image2 exists. CAUSALITY LOCK: the camera’s slow pull-back at 12–16s is a smooth continuous move that reveals the empty room — no tripod, no lights, no crew, nobody else present; @image1 reacts to what the pull-back shows with a small amused look. Nothing appears or disappears without a visible cause. PACING: the video opens already in motion, mid-sentence energy, no still establishing shot. Real continuous motion throughout (gestures, small movements, steam rising from a cup, soft light shifting). Never freeze on the reference still. SCENE: a bright kitchen counter, soft morning window light, shallow depth of field, realistic handheld-style framing that stays steady. Photoreal live-action. 0–2s: Close, steady framing. @image1 holds @image2 up beside their face and speaks straight to camera. DIALOGUE (@image1): “I hate being on camera.” 2–5s: A small knowing smile, @image2 turned slightly toward the lens. DIALOGUE (@image1): “So I didn’t film this.” 5–9s: @image1 lifts @image2 a little higher and counts on the free hand. DIALOGUE (@image1): “One selfie. One product photo.” 9–12s: @image1 gestures with the free hand, relaxed and confident. DIALOGUE (@image1): “That’s everything I gave it.” 12–16s: The camera pulls back smoothly and reveals the whole kitchen: empty, with no camera crew, no lights, no tripod. @image1 glances around, then back to camera, amused. DIALOGUE (@image1): “Who’s filming? Nobody.” 16–21s: The camera settles back in close. @image1 steps toward the lens and offers @image2 toward camera. DIALOGUE (@image1): “Your face. Your product. Your ad.” 21–27s: @image1 sets @image2 down, then picks it up again as if starting over, confident and light. DIALOGUE (@image1): “Swap in your own and run it again.” 27–30s: Cut to a clean end card on a plain dark background, centred text only. ON-SCREEN TEXT (end card only): “Sign up at openclips.ai. No card.” ON-SCREEN CAPTIONS (0–27s): word-timed captions of every DIALOGUE line, bold clean sans-serif, large, bottom third, one key word per line highlighted in a bright accent colour, readable with the sound off, no captions during the end card. AUDIO: @image1's own natural voice speaking the DIALOGUE lines, clear and close, lips in sync, with soft kitchen room tone (a quiet cup clink, a faint hum). Light, warm background music under the voice throughout, never louder than the voice, fading out during the end card. No sudden volume jumps, no crackle. No watermark. No logos anywhere except the plain end-card text and the product’s own marks from @image2.

VERTICAL 9:16 30 seconds. Handheld selfie GRWM, close on the face. Hard cuts. ONE person. Light grey walls. No on-screen captions. No brand names spoken. CHARACTER LOCK: the person is exactly @image1. Preserve face, hair, skin, age, build. Preserve their gender presentation exactly as shown. Use they / their / them only. @image1 = FACE only. Photocopy this person. Do not copy studio wardrobe from the lock. WARDROBE: a simple plain top. Any jewellery exactly as in @image1. Hair DONE — styled, not wet, not in a towel. Skin exactly as in @image1, fresh and healthy-looking, lashes naturally defined. SHOW EACH PRODUCT TO CAMERA BEFORE THEY USE IT. @image2 = THIS tinted sunscreen. Photocopy it exactly as in @image2, label as printed. NEVER a different product. @image3 = THESE brightening drops. Photocopy the bottle. @image4 = THIS concealer. Photocopy it exactly as in @image4. @image5 = THIS lip liner pencil. Photocopy it. @image6 = THIS lip balm. Photocopy it exactly as in @image6. TALKING vs VOICEOVER: 0.00–4.00 INTRO — they TALK to camera, lips match. 4.00–21.00 VOICEOVER — lips still, they do the steps. 21.00–30.00 they TALK again, lips match. 0.00–4.00 Smiles at camera, hair already done. ON CAMERA: “Hey everyone. My favorite kind of makeup look is skincare makeup, and I’m gonna show you how I do it.” 4.00–15.00 FIRST hold @image2 and @image3 up to camera, both readable. THEN mix BOTH on the FACE: apply the @image2 tinted sunscreen onto cheeks the way its own packaging dispenses it AND add the drops onto the same spots so both products are visibly on the skin at once, then rub in. VO: “I mix this tinted sunscreen with these brightening drops. It gives such a luminous, glowy effect. This is what I do when I want that skincare makeup look—it just evens out my skin tone.” 15.00–21.00 FIRST hold @image4 to camera. THEN a tiny dot on the chin, blend with a finger. VO: “If I am breaking out, I just add a little dot of concealer and blend it with my finger.” 21.00–26.00 They TALK. Hold @image5 to camera, then draw: ON CAMERA: “Then just a little lip shaping” Then hold @image6 to camera and apply: ON CAMERA: “and some lip balm.” 26.00–30.00 Adjusts hair, glowy skin, smiles. ON CAMERA: “And this is it. Very light, still glowy, but more on the skincare side than makeup.” Same person. Same products as the photos. No extra people. Never a studio still as frame 0.