SUBJECT. The same @avatar throughout — 25, long honey-blonde hair with sun-lifted ends in a low messy bun with loose strands around their face, green-hazel eyes, freckles across their nose and cheeks, warm sun-kissed skin with real texture, minimal makeup, slim. Soft-yellow sleeveless knit top, loose light-grey trousers, white retro sneakers, dark-green shoulder bag, silver bracelet. Keep face, hair, outfit and accessories identical in every shot. 0–5s. @avatar leaves home with a shopping bag, locks the door, checks their keys, tucks a strand back into their bun, smiles at the camera, walks off down the street. 5–10s. @avatar buys a cup of cold cut mango with lime at the corner store window. Takes a bite, reacts to the sour lime, laughs, offers the cup toward the camera. 10–15s. A small dog behind a chain-link fence notices @avatar and wags. @avatar crouches to let it sniff their hand through the gap. The dog trots along the fence beside them, then turns back. 15–20s. Dry leaves and a few bougainvillea petals drop from the banyan onto their shoulder and hair. @avatar looks up and brushes the leaves away. The camera zooms in awkwardly. @avatar says, "Again?" 20–25s. @avatar sits on a low garden wall and finishes the fruit while a bicycle passes and a neighbour waters plants with a hose. Warm breeze in their hair and clothes; @avatar wipes their hands and adjusts their bag. 25–30s. @avatar walks toward the end of the street, turns back with a playful smile and says, "Let's go." Walks around the corner; the camera follows; abrupt cut to black. AUDIO. Location sound only — cicadas, birds, footsteps on cracked pavement, a bicycle bell, distant scooters, leaves, the hose, the dog, neighbourhood voices, a TV through an open window, camera-handling noise. No music, no narration, no captions.
Single unbroken handheld take throughout. @avatar is sitting pensively on a sofa inside a large bright suburban Parisian house, summer daytime, sunlight through the windows, young adults dancing and laughing around her holding drinks, loud music implied by energetic crowd movement. 0-4s: @avatar rises from the sofa empty-handed and walks toward a kitchen table lined with alcohol bottles and glasses. The handheld camera follows closely behind @avatar’s shoulder with slight natural shake. 4-8s: @avatar pours herself a glass of champagne and takes a sip. Leaves the glass on the same table after she takes a sip. The camera remains close behind @avatar. 8-13s: @avatar moves through the dancing and laughing crowd toward a large glass bay window. Some guests are standing while others sit and talk on the sofas. The camera continues following @avatar without a cut. 13-16s: @avatar steps into the garden, revealing a large pool filled with young adults swimming and laughing. The camera smoothly rotates from behind her to face @avatar. @avatar looks toward the pool, smiles. 16-20s: @avatar turns around toward the camera, removes their shirt and places it on the back of the lounge chair, then removes shorts and places them on the chair, revealing a swimwear underneath. The camera holds a medium frontal shot with slight handheld movement. 20-24s: @avatar turns around and walks toward the pool as the camera moves behind @avatar again. @avatar then breaks into a run, with the handheld camera following closely and matching @avatar’s pace. 24-27s: @avatar dives into the pool while shouting "take care," landing among the other swimmers. The camera dives into the water with @avatar and remains briefly submerged. 27-30s: @avatar resurfaces laughing and joins the people nearby. The camera rises into the air, revealing a wide aerial view of the house, garden, and pool. Bright natural summer daylight, warm sunlit color palette, candid documentary energy, and slight handheld lens wobble throughout. Background party guests and swimmers should remain generic and unnamed. No text overlays, flickering, ghosting, morphing artifacts, or hard cuts. Natural skin tones and stable continuous handheld motion throughout.
0.0–3.8 Its free hand lifts off the railing within half a second and sweeps loose strands behind its ear, leaving flyaways in the breeze. @avatar1 is already mid-sentence, relaxed American English, creator tone: "No one is telling you how to make AI characters look this real." Brow lift and head shake on "no one"; chin dip straight into the lens on "this real". Open-palm turn, a soft point on "you", hand resting near its collarbone. Eyes mostly on the lens with small drifts to the preview. Breeze in its hair, the banana leaves and the bougainvillea. Sun glitter on the sea, two or three gulls as distant specks. 3.8–4.5 "The skin" @avatar1 says it as the phone arm pushes 15–20cm closer to its cheek and eyes — a physical arm move, never a zoom — while its fingertips glide across its cheekbone and down its cheek in one pass. Focus snaps onto pores, sheen, peach fuzz and asymmetry. No smoothing. Its voice warms from mic proximity, one small audible breath. Do not reset the framing. 4.5–5.1 "hair" @avatar1 angles the phone screen right, putting its hair against the hazy water, head following slightly. Its free hand lifts a section near its face and lets it fall. A stronger gust separates individual strands against the sea. Focus locks on the strands; exposure shifts for the bright water then settles. 5.1–6.4 "the way they talk and move" The phone eases back to the opening framing. On "talk", relaxed rhythmic gestures near its chin including a small open-hand roll. On "move", a casual shoulder roll and side sway while its hand sweeps down and outward. Believable, never choreographed. The frame sways with its body; slight blur on the fast hand pass. Necklaces swing and catch light. 6.4–6.9 silence @avatar1 finishes, holds a small closed-mouth smile, blinks. A bird flies in from upper right, lands on the white pillar by the railing and turns its head toward the left edge of frame. Focus stays on @avatar1, so it sits slightly soft. 6.9–7.9 @avatar2 On the bird's head turn @avatar2 walks in from screen left — striped shoulder and forearm first, then its face — and settles just behind its right shoulder, leaning toward the phone like joining a selfie. Into the lens, playful half smile, laid-back slight Californian: "But I will." Chin dip and brow lift on "I". Right hand holds the Canon at its chest, strap over the shoulder, left arm relaxed. @avatar1 turns slightly toward @avatar2 with a knowing smile, no dialogue. Focus stays on @avatar1 so @avatar2 sits in depth; its voice reads farther from the mic. 7.9–9.0 flash @avatar2 raises the Canon to its right eye, left hand cradling the lens, aimed straight down the phone lens; the phone briefly refocuses toward it. At 8.4s the shutter clacks and the flash fires into the camera — highlights clip, the image blows to pure white within a few frames and holds pure white to the end. No ghost image, no vignette, no fade back. Breeze and gulls continue faintly under the white. AUDIO Phone mic only. Its voice close and clear, louder on "The skin"; @avatar2 farther back. Faint wind and leaves, distant gulls, a wing flutter as the bird lands, the shutter at 8.4s. No music.
Five steps, one render. Steps 1 and 2 are your two avatars: Avatar 1 brings the gift and ends up running, Avatar 2 gets the gift and becomes the tiger. Any gender, any pairing, the prompts never say he or she. Step 3 builds one two-frame character sheet of both avatars in the film's wardrobe (Nano Banana Pro): this is where faces get locked and where you may recolor hair or restyle, never in the video prompt. Step 4 is one clean photo of your product, any product. Step 5 is the 30s video: @image1 is the sheet, @image2 is the product, all beats timestamped, the twist at 19s, the only camera move is the push-in on the product at the end. Fire as ONE 30s 9:16 Seedance 2.5 render with audio, 720p. Two traps: a small product is tiny in a wide shot, so the final beat pushes in on it while the tiger stays seated; and never let the product end up on the floor, that is where Avatar 1's shoe goes.
@avatar is the same real person in every shot — same face, same bone structure, filmed on location. Real skin with visible pores, individual hair strands, correct hands, natural expressions and anatomy. @avatar wears white wired earphones throughout, the cable bouncing with every movement. 0–4s CITY HOOK. Rain-wet street, cool daylight. 24mm, inches from the lens. @avatar gives a playful knowing smile, then turns and runs. Handheld chase. A red bus crosses extremely close and covers the frame. 4–8s OLD MARKET. The same stride continues into an atmospheric old town. Cream jacket, olive loose trousers. Real pedestrians, bicycles, stone, warm shopfronts. @avatar looks back laughing, then jumps a puddle. The camera dives toward the splash until water fills the frame. 8–12s MOUNTAIN REVEAL. The splash becomes the reflective floor of a glass lift. @avatar steps in, the doors close and reopen onto an enormous valley above the clouds. @avatar smiles back and runs out. Cold mist, huge depth, real wind. 12–16s COAST. The stride carries onto a golden-hour coastal road, ocean and cliffside architecture beyond. Deep-red track jacket, denim. The camera tracks alongside. @avatar spins, laughs, pulls the jacket off while still moving and throws it into the lens until red fabric fills the frame. 16–20s NEON NIGHT. The fabric clears into a rain-soaked neon city. Black leather jacket. Deep blacks, cyan reflections, red practicals, steam, real crowds. @avatar walks straight at the camera. A passing tram blocks the frame. 20–23s ABOVE THE CLOUDS. The tram windows become a cable-car window. Navy jacket. @avatar stands against the glass over mist-covered peaks, its reflection laid over the landscape. @avatar catches the camera in the reflection, smiles, and leaves frame. The camera whip-pans after it. 23–26s LOST. The whip resolves into a lively blue-hour plaza. The camera searches through real moving crowds. @avatar appears, disappears behind pedestrians, gone. Then a tap on the camera from behind — a fast whip around reveals @avatar standing there with a friend @avatar2, both laughing, and they run. 26–30s HERO ENDING. The camera chases them across the plaza. They hold hands, run, spin, laugh. Pigeons lift ahead of them. They turn back and throw their arms up. @avatar runs straight at the camera, laughing, and covers the lens with its hand. Hard cut to black. LOOK. Feature-film cinematography — 24mm chases, 35mm movement, 50mm portraits, handheld micro-movement, 180-degree shutter, real motion blur. Fine 35mm grain, subtle halation, soft bloom, expensive highlight roll-off. Colour runs cool rainy city, warm market, cyan mountain, golden coast, cyan-and-red neon, cool cable car, rich blue-hour finale. Skin stays naturally warm throughout. TRANSITION RULE. Every transition is physically motivated: bus wipe, splash, lift doors, jacket wipe, tram wipe, reflection whip, crowd reveal, hand to lens. Locations never visibly morph. No portals, no liquid transforms, no speed ramps, no floating camera. The cuts should be clean enough that a viewer replays the film to work out how they happened. REALISM. Weighted hair and clothing, real footsteps, physically correct reflections and splashes, the earphone cable always bouncing. Background people move independently — never frozen, never duplicated. No warped architecture, no plastic skin, no beauty filter. SOUND. Footsteps, traffic, the splash, a lift ding, wind, tram rumble, cable-car hum, crowd ambience, fabric, pigeon wings, real laughter. Music is a driving 120 BPM cinematic-electronic instrumental: minimal at the open, building through the chase, a melodic hook at the coast, deeper at neon night, stripped back for the cable car and the search, hard drop on the friend reveal, strongest for the final run. No voiceover, no lyrics.
A sensual high-fashion film follows aa @avatar flowing through ten precise poses. The film unfolds in one uninterrupted 15-second shot inside a minimal white cyclorama with hard strobes, faint haze, glossy floor reflections, a satin sheet and scattered proof sheets. The camera follows one physically continuous path, accelerating between poses and braking sharply on every lock. 0:00-0:01.5 Pose 1: Centred frontal medium-close-up. @avatar faces forward with one hand gently brushing the hair beside their ear as the camera makes a restrained push-in. 0:01.5-0:03.0 Poses 2-3: @avatar turns into a three-quarter stance and subtly lifts their chin. @avatar then lowers their gaze as both hands settle softly near their collar and hair. The camera descends in a fast controlled arc, then pauses precisely on their eyes. 0:03.0-0:04.5 Poses 4-5: @avatar rotates into a strict left profile. @avatar rolls one shoulder forward while the edge of their dress catches a sharp side light. The camera whips smoothly past @avatar’s cheek and settles into a close pass. 0:04.5-0:06.0 Poses 6-7: @avatar gathers a fold of the clothes at their waist, then releases it and turns their face toward the lens in an over-the-shoulder look. The camera dives naturally to torso level and rises into a close facial pass. 0:06.0-0:07.5 Poses 8-9: @avatar lowers themselves onto the satin sheet with one knee raised. @avatar then extends one bare foot toward the lens, creating strong natural foreground foreshortening. The camera rockets forward at floor level and briefly holds on the perspective. 0:07.5-0:09.0 Pose 10: @avatar rises into a three-quarter stance with one hand resting near @avatar’s collarbone and the other touching their hair as the dress naturally skims along their leg. The camera slides rapidly across @avatar’s waistline before easing into a portrait hold. 0:09-0:11.0: Without repeating any previous pose, @avatar folds inward and closes their eyes for one controlled breath, then opens into a long upward stretch. The camera circles in a tight continuous orbit, moving slowly during the pose locks and rapidly through transitions. 0:11.0-0:13.0: @avatar twists into a rear three-quarter shoulder silhouette, then turns just enough for @avatar’s jawline and the deep-V neckline of the dress to catch the same sharp flash. The camera continuously skims from shoulder to face with pronounced natural parallax. 0:13.0-0:15.0: The camera grazes past @avatar’s eyes, follows the deep-V neckline, then arcs outward and lowers as @avatar settles into a confident dominant full-body pose, looking down into the lens. End on a clean wide hold beneath a final white flash bloom. VISUAL DIRECTION: Photorealistic human fashion-film aesthetic, realistic skin texture, natural facial details, physically accurate anatomy, realistic hair strands and movement, authentic fabric behaviour, cinematic studio lighting, glossy floor reflections, subtle atmospheric haze, high-end editorial fashion photography, sharp hard frontal flashes, defined side rim lighting, controlled exposure, realistic depth of field.
@avatar is a rising pop star and social-media creator documenting the day before a show. STYLE: early-2000s consumer DV camcorder footage mixed with handheld selfie video and a few locked-off shots. Hand tremor, autofocus hunting, auto-exposure shifts, mild motion blur, imperfect framing. No gimbal, no drone, no beauty filter, no commercial polish. The camera is never visible. REFERENCE IMAGES, in this order: 1. head-and-shoulders portrait — @avatar's identity lock 2. full-length: the ivory bathrobe look 3. full-length: the cream ribbed sweater look 4. full-length: the black bomber and acid-lime crop top stage look WARDROBE — three outfits, taken from those references. Do not mix the outfits. Do not carry one into another beat. • LOOK A, 0–6s, apartment: reference 2. Ivory waffle bathrobe over a white sleep tee, bare feet, hair undone. • LOOK B, 6–16s, car: reference 3. Cream ribbed knit sweater, two thin gold necklaces, gold hoops, dark navy trousers, white sneakers, hair loose. • LOOK C, 16–30s, backstage and stage: reference 4. Open black cropped bomber over an acid-lime cropped tank, high-waisted black cargo trousers, chunky black platform trainers, silver chain, silver hoops, hair back off @avatar's face. 0–6s — APARTMENT. HARD LOCATION: sunlit New York apartment, white bedding, tall window, brick building outside. LOOK A. @avatar wakes, sits up, reaches for a phone on the bedside table, then ties @avatar's hair up at a mirror and steps into shoes by the door. Locked-off, then jumpy handheld. Voiceover, quiet: "Some days start before I'm ready for them." 6–12s — CAR. HARD LOCATION CHANGE: inside a black luxury van, leather seats, city sliding past the windows. LOOK B. @avatar holds the phone at arm's length in selfie mode, tired but happy, then rests @avatar's head against the window for a second. Window light flickers across @avatar's face. Voiceover: "The road feels more familiar than home now." 12–16s — CAR. Same van, LOOK B. Handheld inserts with no face: earphones going in, a cold drink in a cupholder, @avatar's sneakers tapping the floor mat, reflections travelling across the glass. Road noise. 16–21s — BACKSTAGE. HARD LOCATION CHANGE: concrete backstage area, mirror-lit makeup station, flight cases, wardrobe rails, crew moving through frame. LOOK C. Quick handheld montage — a brush at @avatar's cheek, a hand adjusting @avatar's hair, a hand straightening the bomber collar. Then @avatar stops at the lit mirror and takes one slow breath. Voiceover: "And then everything happens at once." 21–25s — CORRIDOR. HARD LOCATION CHANGE: dark concrete corridor, cables on the floor, white light spilling from the far end. LOOK C. Handheld follow from behind as @avatar walks toward the light. A crew hand squeezes @avatar's shoulder in passing. Crowd noise builds through the walls. @avatar turns back to the camera and smiles, exactly once. 25–30s — STAGE. HARD LOCATION CHANGE: huge concert stage, thousands of phone lights in a dark arena, hard stage lighting, haze in the beams. LOOK C. Wide shot as @avatar walks out into the light and raises one hand, then a handheld close-up as @avatar looks straight into the lens, breathing hard, lit from behind. Voiceover: "This is why I keep going." AUDIO: natural apartment, vehicle, backstage and crowd sound throughout. The three voiceover lines are calm and slightly imperfect, like a private thought, not a narrator. Music builds from almost nothing into energetic modern pop, peaking on the stage reveal.
1940s train sceneRecreate workflow