Put the outfit on. Film the walk.

15-second vertical 9:16 fashion lookbook music video. The only person is the person from image 1: same face, hair, skin and body in every shot, only the outfit changes. Premium editorial fashion photography meets Y2K magazine design: black-and-white base, electric cobalt blue accents, oversized typography, scan lines, crosshairs, grids, thin borders, subtle film grain. Camera controlled, model always centered. Structure: 0-1.5s white studio, the brand name from your card expands huge behind the model. 1.5-3s fast push-in to a close-up, direct eye contact. 3-12s six complete outfit changes, one every 1.5 seconds on the beat, each with a new wordless magazine layout and a new pose: natural stance, one step forward, half-turn, lean-in with a smile under the same name in cobalt, a full deep squat sitting on the heels, then standing again. 12-15s final look in a sharp suit: the model walks to camera, stops, crosses arms, the brand name appears large across the lower frame, freeze on the last beat. Outfits: seven looks read from the outfit sheet by position. Brand: read from the brand card. Text rule: the only letters ever on screen are the brand name copied from the brand card, exactly three times, huge and exact. No numbers, no other words, no small print. Audio: music only, a confident runway electronic beat at 120 BPM, no voice, no lyrics. Avoid: face drift, extra limbs, distorted hands, misspelled or invented text, cartoon or CGI look, watermark, subtitles.

4 steps525153.1K

【REFERENCE】 @image1 is a completed 2 columns × 2 rows 4-panel fashion editorial board featuring the same single subject in 4 different outfits. Define top left as PANEL_01／LOOK_01, top right as PANEL_02／LOOK_02, bottom left as PANEL_03／LOOK_03, bottom right as PANEL_04／LOOK_04. @image1 is an absolute lock for appearance: take face, hair, age appearance, skin tone, body type and proportions from it exactly and hold them identical across all LOOKs, with no drift or reinterpretation in any SHOT. Inherit clothing, shoes, accessories, background composition, base colours, accent colours and text only within the corresponding LOOK for each PANEL. Poses and shooting angles within PANELs are visual references from the start and not fixed. Do not newly set characters, outfits or colours on the text side; do not mix faces, bodies, outfits or colours between PANELs. Usage order is PANEL_01→02→03→04→01→02→03→04. Do not output 2×2 boards, borders, multiple people, or pans/zooms on sheets into the video; expand the corresponding PANEL into an independent full-frame space for each SHOT. 【CONDITION】 All 8 SHOTs, high-quality live-action fashion editorial video. Give all 8 SHOTs equal screen time; no SHOT runs noticeably longer or shorter than any other. Do not make it a video switching between 8 still posters. Ensure each SHOT establishes "starting pose → one clear fashion action → ending pose different from start," with stillness held only at the very end of the final SHOT. Combine natural one or half-step, body and shoulder direction turns, arm and hand position changes, weight shifts, head and gaze, and hair and outfit sway for the subject. Not dancing. Move subject, camera, text and colour blocks simultaneously. Base the entire edit on horizontal panel movement, without vertical scrolling. Within each SHOT, also move text, colour blocks, rectangles and lines left and right at 8–20% differing speeds. For each transition, shift the old LOOK's graphic plane 40–55% of screen width to one side, leaving about half, enter the next LOOK's colour block and text horizontally from the opposite side, pass through a brief uneven split screen, then fully reveal the next LOOK. Vary direction, width and speed per transition; do not repeat the same full-screen wipe. Only one subject during splits. Hard cut subject and outfit at edit points; do not use morphs or crossfades. Displayed text is only FASHION, IN MOTION, LOOK 01, LOOK 02, LOOK 03, LOOK 04, 02, 03. Same Helvetica Neue Condensed family as the adopted board. Make major text fully readable once before moving, without covering the face. 【SHOT FLOW】 [Shot 1] PANEL_01. Full body slightly to the right. From reference pose, move half a step, shift weight and arm position, stop in a different pose facing shoulder and gaze to camera. Camera short horizontal move opposite the subject. After FASHION and LOOK 01 establish, text and rectangle shift half screen left, LOOK_02 colour block enters from right. [Shot 2] PANEL_02. Full body with margins. While stepping horizontally, swing body to 3/4, change hand position to face front. Arc, base colour block and thin lines move horizontally at speeds different from the subject. At end, exit these background elements horizontally, enter PANEL_03 slope horizontally from opposite side. [Shot 3] PANEL_03. From start, the subject's full body fits centre-right on screen and does not follow the background slide. Without walking, from front-facing pose, relax one knee to shift weight to the hip, place one hand on the hip, return outward gaze to camera. Hair and hem sway naturally once with delay. Prohibit off-screen entry, horizontal move, sharp turns. Short push in. 03, slope, halftone and barcode accelerate horizontally, barcode strip slides horizontally to open LOOK_04. [Shot 4] PANEL_04. Full body. Step forward to open the shoulders, land in a pose with changed arm and leg placement. Short pull back. Arc, light colour block and IN MOTION shift left and right, at end retreat half to screen right, restart LOOK_01 grid from left. [Shot 5] PANEL_01. 3/4 to medium. During short push in, twist the upper body, quickly change one arm position and gaze to make the pose different from the first cycle. FASHION, rectangle and grid move horizontally in reverse direction parallax, connect to LOOK_02 rectangle. [Shot 6] PANEL_02. Pull back from medium to full body. Step forward to camera, change shoulder and hand position to land in a different full body pose. Base colour block, arc and thin lines three-layer horizontal move at differing speeds, at end exit these background elements horizontally, enter PANEL_03 slope horizontally from opposite side. [Shot 7] PANEL_03. From start, the subject is in screen centre and does not follow the background slide. During pull from knee-up to full body, slowly rotate about 90 degrees on one foot axis in place, turn the body then face front. Naturally lower both arms to stop in an upright pose. The long hem alone draws one large arc with delay. Maximise sway amplitude, do not increase subject speed. Prohibit off-screen entry, walking, fast horizontal move. Camera also short horizontal move. 03, slope, halftone and barcode cross left and right, open arc plane horizontally to connect to LOOK_04. [Shot 8] PANEL_04. Slowly pull from medium to full body. The subject steps forward to change arm, leg and weight, converging to a hero pose different from the first cycle. Arc and thin lines decelerate horizontal move, hold the end on a fully readable IN MOTION end screen. Do not return to 4 panels. 【NEGATIVE】 Prohibit sequence of still images, long stills per SHOT, repetition of reference poses, motion only at transitions, vertical scrolling, 2×2 board display, multiple people, subject duplication, pans/zooms on sheets, reading order changes, added people/outfits/colours/text, mixing between PANELs, different people, morphs of face/outfit/body, crossfades, all SHOTs same central full body or same scale, same-direction full-screen wipes, text cutoff, text covering face, subtitles, brands, logos, watermarks, limb distortions. overall_soundscape: Very soft, brief clicks and fabric swishes occur only at shot changes, mixed clearly below the music. No dialogue, narration or system voice. non_diegetic_music: A continuous instrumental fashion beat led by a dry kick drum, tight closed hi-hats and a steady synth-bass pulse at 118 BPM. It starts at a clearly audible level on the first frame, remains the dominant audio layer without ducking or fading, and continues through the final frame. No vocals.

4 steps63434.7K

A sensual high-fashion film follows aa @avatar flowing through ten precise poses. The film unfolds in one uninterrupted 15-second shot inside a minimal white cyclorama with hard strobes, faint haze, glossy floor reflections, a satin sheet and scattered proof sheets. The camera follows one physically continuous path, accelerating between poses and braking sharply on every lock. 0:00-0:01.5 Pose 1: Centred frontal medium-close-up. @avatar faces forward with one hand gently brushing the hair beside their ear as the camera makes a restrained push-in. 0:01.5-0:03.0 Poses 2-3: @avatar turns into a three-quarter stance and subtly lifts their chin. @avatar then lowers their gaze as both hands settle softly near their collar and hair. The camera descends in a fast controlled arc, then pauses precisely on their eyes. 0:03.0-0:04.5 Poses 4-5: @avatar rotates into a strict left profile. @avatar rolls one shoulder forward while the edge of their dress catches a sharp side light. The camera whips smoothly past @avatar’s cheek and settles into a close pass. 0:04.5-0:06.0 Poses 6-7: @avatar gathers a fold of the clothes at their waist, then releases it and turns their face toward the lens in an over-the-shoulder look. The camera dives naturally to torso level and rises into a close facial pass. 0:06.0-0:07.5 Poses 8-9: @avatar lowers themselves onto the satin sheet with one knee raised. @avatar then extends one bare foot toward the lens, creating strong natural foreground foreshortening. The camera rockets forward at floor level and briefly holds on the perspective. 0:07.5-0:09.0 Pose 10: @avatar rises into a three-quarter stance with one hand resting near @avatar’s collarbone and the other touching their hair as the dress naturally skims along their leg. The camera slides rapidly across @avatar’s waistline before easing into a portrait hold. 0:09-0:11.0: Without repeating any previous pose, @avatar folds inward and closes their eyes for one controlled breath, then opens into a long upward stretch. The camera circles in a tight continuous orbit, moving slowly during the pose locks and rapidly through transitions. 0:11.0-0:13.0: @avatar twists into a rear three-quarter shoulder silhouette, then turns just enough for @avatar’s jawline and the deep-V neckline of the dress to catch the same sharp flash. The camera continuously skims from shoulder to face with pronounced natural parallax. 0:13.0-0:15.0: The camera grazes past @avatar’s eyes, follows the deep-V neckline, then arcs outward and lowers as @avatar settles into a confident dominant full-body pose, looking down into the lens. End on a clean wide hold beneath a final white flash bloom. VISUAL DIRECTION: Photorealistic human fashion-film aesthetic, realistic skin texture, natural facial details, physically accurate anatomy, realistic hair strands and movement, authentic fabric behaviour, cinematic studio lighting, glossy floor reflections, subtle atmospheric haze, high-end editorial fashion photography, sharp hard frontal flashes, defined side rim lighting, controlled exposure, realistic depth of field.

2 steps10620K

LANA is the only person. @image1 is her FACE — photocopy bone structure, long wavy blonde hair, skin, age. Do not keep the ivory coat or cat-eye sunglasses from that still. Same woman in every shot. Lana's face wins over the look-model if they disagree. OUTFITS, SHOES, JEWELRY, SETS from the look photos — photocopy: LOOK 01 @image2: black turtleneck halter knit, charcoal pinstripe wide trousers, black belt with gold ring, dark jacket draped at hip, black pointed heels. Concrete + black block studio. Pose: standing square to camera, both hands in pockets, jacket hanging off one hip. Then she takes a slow half-step, weight shift, still facing camera. LOOK 02 @image3: forest-green belted wool coat, ivory shirt, gold chain necklace, camel trousers, tan pumps. Green/grey studio with white plus-mark. Pose: walking toward camera, one foot mid-stride, coat swinging, then stop 3/4 and look into lens. LOOK 03 @image4: burgundy satin backless halter gown, burgundy heels. Burgundy/terracotta diagonal studio. Pose: over-the-shoulder, both hands on hips, back of the gown visible, then a slow 90° turn toward camera with the satin skirt arcing. Never walk in from off-frame. LOOK 04 @image5: mustard oversized sweater, blue satin shirt cuffs, gold collar necklace, brown leather midi skirt, brown knee boots. Mustard/cream studio. Pose: hands on hips, feet planted, then one step forward into a hero stance. GRAPHIC LAYER — CRITICAL, MATCH THE BOARD (@image6): All type and numbers live BEHIND her, on the studio wall, like a magazine set. She walks IN FRONT of them. Never overlay letters on her face, hair, torso, or legs. Never a floating HUD in front of the body. Huge outlined numerals filling 40–70% of the background: LOOK 01 has giant "01", LOOK 02 giant "02", LOOK 03 giant "03", LOOK 04 giant "04" — thin white/grey outlines, same as the 4-panel board. They drift slowly left-right BEHIND her as she moves. Small labels LOOK 01 / LOOK 02 / LOOK 03 / LOOK 04 sit in corners, never covering her. FASHION is huge condensed black type across the top of LOOK 01, behind/around her head — readable but not plastered on her face. IN MOTION is huge condensed black type across the bottom of LOOK 04, behind her boots/skirt, fully readable on the last hold. Plus-marks, dotted grids, thin circles, barcode sit on the walls behind her, parallax slower than her walk. Type never morphs onto her body. If a letter would hit her silhouette, it stays in the background and she occludes it. 15 SECONDS, 1:1, 8 SHOTS. Living fashion film. Strong editorial poses, real walk/turn/weight-shift. Horizontal wipes between looks (40–55% of frame). Never show the 2×2 board as a grid. No extra people. No brands besides the set graphics above. Shot 1 0–1.7s LOOK 01: hands-in-pockets stance, half-step, giant 01 behind her, FASHION on the wall. Wipe to 02. Shot 2 1.7–3.4s LOOK 02: walk toward camera, coat swing, giant 02 behind. Wipe to 03. Shot 3 3.4–5.1s LOOK 03: already in frame, hands on hips over-shoulder, giant 03 behind, hair and gown settle. Wipe to 04. Shot 4 5.1–6.8s LOOK 04: hands on hips then one step, giant 04 + IN MOTION behind. Wipe back to 01. Shot 5 6.8–8.6s LOOK 01 medium, different pose than shot 1, short push-in, 01 still behind her. Shot 6 8.6–10.4s LOOK 02 pull to full, one step, new pose. Wipe to 03. Shot 7 10.4–12.3s LOOK 03 centered, slow 90° turn back-to-face, gown arc, 03 behind her the whole time. Shot 8 12.3–15s LOOK 04 medium to full, step forward, hero, hold 0.5s with IN MOTION readable behind her legs. Do not return to the 4-panel board. AUDIO: 118 BPM dry kick, hats, synth bass, no vocals. Soft fabric swish on cuts. No speech.

2 steps33116K

Generate a commercial like video of your avatar in your outfit of choice.

3 steps16912.2K

Generate a 1960s fashion campaign film on a coastal cliff road.

4 steps7611.6K

@image1 is an absolute character lock for the figure: face, body, hair, outfit, materials and colour are taken exactly from it and must not drift or be reinterpreted at any point. @image2 is the graphic system and holds its off-white ground, mid-grey panel, sage teal and dusty rose blocks, thin black rules, corner tick brackets and type style throughout. @image3 is the storyboard and is followed exactly — same beat order, same framing, same staging, same scale. Style: a high-end editorial fashion lookbook. Photorealistic live-action figure, physically lit against a clean studio seamless, composited inside a flat Swiss-editorial graphic layout that rebuilds itself around them. Real skin, real denim, real jersey, fine fabric texture, natural depth of field, calm neutral colour, no heavy grade. The graphics stay flat, hard-edged and print-clean with no shadow or bevel. Movement is unhurried and confident throughout, never posed or bouncy, the whole piece reading as one continuous studio take with the layout changing around a figure who never cuts away. The figure walks toward camera in a relaxed three-quarter turn, one leg swinging through, arms loose at the sides. They continue the turn away from camera, then look back over one shoulder, the hips staying angled off. They come back around and walk straight toward camera, square to lens, arms swinging naturally with the stride. They arrive and settle, bringing one hand to rest on the hip as the weight drops onto one leg. They hold still and square with the arms at the sides, standing smaller in the frame with more ground around them. The camera moves closer to frame them from mid-thigh up, and they stand relaxed with the shoulders level. They turn slightly off axis at that same closeness, the weight shifting across, one shoulder easing toward camera. The camera draws back to full length and they finish with one hand on the hip, chin level, holding the pose. Through all of it the graphic layout rebuilds itself around the figure between beats: the masthead FASHION holds across the top, the labels LOOK_01, LOOK_02 and LOOK_03 exchange positions at the left and upper right, and the teal and rose blocks, thin rules and corner brackets slide and resettle into a new arrangement each time. The type is crisp, correctly formed and stable while on screen, never garbled, never flickering, never warping. （A calm minimal electronic music bed, soft and even, no vocals.） The figure is never duplicated and no second person enters. Do not generate any text beyond FASHION, LOOK_01, LOOK_02 and LOOK_03. Do not generate a logo. Do not generate a watermark. No filming equipment visible in frame. Skin and movement look like real footage, not AI-generated imagery, with no distorted hands, no extra fingers and no smeared contact where a hand meets the body.

5 steps1807.1K

ELARA is the only person. Same woman in every frame: silver-grey hair, brown eyes, her face from the look photos. Photocopy FACE from the stills. Hair STYLE, outfit, shoes, jewelry, and LOCATION from that look's photo. She MOVES in every beat (walk, turn, look-back, hair/cloth). Never a frozen JPEG. ONE GIRL ONLY. No crowd, no extra faces. 15 SECONDS, 9:16 VERTICAL (TikTok / Reels), 24fps. High-energy live-action fashion transformation MV. Every strong beat changes outfit + location + composition. Hard cuts / energy wipes, not a still grid. GRAPHIC LAYER — CRITICAL: All type lives BEHIND her, on walls / glass / night sky / concrete / mirrors, like a magazine set. She walks IN FRONT of the letters and OCCLUDES them. Never overlay letters on her face, hair, torso, legs, or boots. Never a floating HUD in front of the body. Never type across her chest. If a letter would hit her silhouette, keep it in the background — she covers it, the letter does not cover her. Giant bold English, same energy as MODE ON filling a wall behind an elevator. In 9:16, stack letters vertically on the LEFT and RIGHT gutters and on the wall above her head, not through her body. English ONLY. No Korean. No Hangul. Never write SOLVÉRA, SOLVERA, OUT NOW, or any brand end-card. Each section a DIFFERENT English graphic style: oversized white sans, pink condensed, sticker handwriting, thin serif, metallic 3D chrome, diagonal stretched on garage walls, outlined poster serif, minimal luxury caps. Never the same white bold font twice. LOOKS — photocopy garments, hair, set from these refs: LOOK 01 @image1: midnight navy satin one-button blazer and matching trousers, deep plunging neckline, silver chain at waist, navy pointed pumps. Dark blue textured studio. Hair slicked back long silver. Stand square, then one slow step toward camera. Huge MODE ON on the wall behind her; she occludes the middle. LOOK 02 @image2: black leather bomber over white tank, ripped denim shorts, black leather over-the-knee stiletto boots, sunglasses on head. Wet graffiti alley, rain on asphalt. Hair wavy silver, look back over shoulder while walking. STREET MODE on shop signs / sky behind her, not on her jacket. Two polaroid cards from @image9 at the SIDES, behind her silhouette, never on her face. LOOK 03 @image3: dusty-pink fuzzy cardigan, white crop tee, grey pleated mini, grey suede over-the-knee heels, small silver shoulder bag. Bright pink-white convenience store aisle. Playful, hold the bag strap, small turn. Sticker SO CUTE and PINK MODE on fridge doors and shelves behind her, never on her clothes. LOOK 04 @image4: ivory silk mini slip, charcoal wool coat slipping off shoulders, gold chain, cream knee boots. Sunset rooftop, city haze, hair blowing. Turn into wind toward camera. Thin serif AFTER GLOW / RUN THE NIGHT in the sky behind her. LOOK 05 @image5: silver sequin mini, spaghetti straps, crystal drop earrings, wide silver cuff, black patent knee stiletto boots. Hair in a high silver ponytail. Backstage vanity with round bulbs. Adjust earring, look into lens. Metallic chrome ICON on the mirror wall BEHIND her head; FLASH READY on the counter/mirror below, never across the dress. LOOK 06 @image6: cropped black leather biker, black bandeau, zip leather mini, silver chain belt, black leather over-the-knee boots. Underground parking garage, fluorescent tubes. Walk toward camera. ATTITUDE and NO RULES painted on concrete walls behind her, parallax slower than her walk, never across her body. LOOK 07 @image7: black crystal-studded mock-neck mini with sheer sparkle sleeves and a sheer sparkle train, black ankle-strap sandals, drop earrings. Hair long silver loose. Dark studio spotlight. Powerful stand, small weight shift. Huge outlined OWN THE LOOK on the back wall; she occludes the center. LOOK 08 @image8: floor-length liquid silver cowl slip, spaghetti straps, silver stiletto sandals. Hair long silver down. Pale grey seamless studio. Walk two steps and stop. Minimal LAST LOOK on the floor/wall behind her boots and to the sides, never across the gown. @image9 = two cream-bordered POLAROID / photo-booth cards of Elara (sunset slip close-up + ponytail sequin close-up). Use as INSERTS only — floating photo cards. Never replace living Elara with a still. BEATS: 0.0–1.5s LOOK 01. Fast push-in. MODE ON wall behind. 1.5–3.0s LOOK 02 alley. Low-angle walk + look back. Polaroids at sides behind her. 3.0–4.5s LOOK 03 store. 4.5–6.0s LOOK 04 rooftop. 6.0–7.5s LOOK 05 vanity. 7.5–9.0s LOOK 06 garage. 9.0–10.5s LOOK 07 dark studio. 10.5–12.0s LOOK 08 silver studio. No SOLVÉRA. 12.0–15.0s FINAL HERO: night terrace. Elara holds center in the LOOK 08 silver slip. Polaroids and magazine pages from @image9 FLY IN around her, behind and beside, never on her face. English behind her only: CUTE high on the sky, then IS POWER on the terrace wall behind her legs. End 0.5s fashion-cover freeze. NO end-card. NO SOLVÉRA. NO OUT NOW. NO Korean. Realistic skin, hair, fabrics. Identity locked. No logos, no UI, no watermarks in-scene. AUDIO: high-energy fashion MV punchy beat, no vocals, no speech.

2 steps874.6K

CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Frame 1 is already in the scene — never a studio portrait, grey backdrop, or the attached still as an opening plate. Use they/them throughout. No other people. An 8-second ultra-vertical 9:16 ADHD-cut fashion film. Super-fast cuts, massive sound design. Photoreal + light-streak graphic. @image1 is the FIRST FRAME: extreme close-up of THIS woman's real eye. Keep that exact iris colour, lashes, skin. Do not turn it green. Do not recast. @image2 is the same woman in the burgundy faux-fur coat. Preserve her face. She WEARS the coat in every face/body flash. NO LOGO. No emblem, no letters, no Nike, no swoosh. No green eye. No cat eye. No animal eye. AUDIO: huge hits, whooshes, sub drops, no lyrics, no voiceover. [0-1.5s] HOLD the first frame then a tiny live micro-move: HER eye, real colour, looking into camera. Smash. [1.5-4s] Chrome light-streaks, smoke, then HARD CUT — her full face fills the frame, powerful, burgundy fur collar. Smash. [4-6s] Coat texture macro, burgundy pile, gold bangle, then her three-quarter in the coat, ripped away by light. [6-8s] Faster: face / coat / black. Final hold: her face in the coat, or black. NEVER a logo card. NEVER a green eye. NEGATIVE: green iris, cat eye, animal eye, any logo, extra people, Nike, slow holds.

3 steps91065.3K

A locked static camera, eye level, subject centred and framed head to feet with the floor visible. The camera never moves, zooms or reframes. The setting is one modern apartment living room, unchanged from first frame to last: warm honey-toned wide-plank wood floor, cream-white walls, a low beige sofa with olive-green cushions along the back wall, a squared wood-slab coffee table holding a small stack of books, framed artwork on the left wall, tall black open shelving on the right with a trailing green plant, an open doorway at the right edge, soft even daylight. Along the bottom of the frame sits a row of four small circular white buttons, each holding a tiny icon of one garment. A small white arrow cursor moves between them. They stand centred in their own clothing, weight shifting from one leg to the other, hands settling at the waist, shoulders turning slightly. The cursor slides to the first button and taps it, and the outfit from @image1 replaces what they are wearing in a single instant snap. They smooth the skirt down and lift one hand to the brim of the hat. The cursor taps the second button and the outfit from @image2 snaps into place. They straighten, roll one shoulder to settle the pauldron, and take a half step. The cursor taps the third button and the outfit from @image3 snaps into place. They turn a few degrees to one side, set a hand on the hip, and let the weight shift open the slit. The cursor taps the fourth button and the outfit from @image4 snaps into place. They raise both hands to the back of their head, lower them again, and settle facing camera. Every outfit change is instantaneous, one frame to the next. No dissolve, no morphing, no transition, no fabric growing or unfolding. Room tone only. No dialogue, no speech, no singing, no music. Avoid generating any text, subtitles, captions, logos or watermarks.

6 steps13528K

Generate a royal fashion film in a palace, wearing an outfit you choose.

3 steps14213.3K

THREE FACES — PHOTOCOPY THE STILLS. Do not invent people. @image1 = LANA, MAIN. Photocopy face, long wavy blonde hair, black cat-eye sunglasses. She is the bookend: first and last looks. Do not keep the ivory wool coat for this film — she wears a lime-green and yellow ribbed zip track jacket, high collar, over a navy turtleneck, chunky gold earrings. Same Lana every time she appears. @image2 = MEI. Photocopy face. Mid looks: dark ponytail, white ribbed sports crop with yellow trim, yellow neck scarf, white shorts, squat pose, yellow nails. Same Mei. @image3 = ERIK. Photocopy face. Mid looks: chrome/cyborg limbs and neon lime shorts, then a close-up in a clear visor / transparent-tech chest plate. Same Erik. Identity only — not a spa robe. 9 SECONDS, 1:1. Electric cobalt-blue studio, black letterbox, glitch collage: sliding rectangles, X marks, yellow/cyan bars, offset layers. Fast fashion-edit cuts. No brand logos, no trefoil, no wordmarks. 0–2s Lana, green-yellow track jacket, red-tinted cat-eyes, cobalt behind, glitch overlays, she poses and the layers slide. 2–4s smash to Mei squatting, crop + scarf, glitch boxes over the shorts. 4–6s Erik chrome-limb run / neon shorts, then visor close-up, more glitch. 6–9s back to Lana, same jacket, she moves toward camera, glitch, hold. No titles. AUDIO: punchy electronic beat, whooshes on cuts. No speech.

2 steps40310.7K

@image1 (nine-look reference sheet) is an absolute appearance lock. Read it left to right, top row first: cells 1 through 9 are the nine looks, in that order. Face, body and skin tone are identical in every shot and taken from the sheet. Hair and clothing change only to the next cell's look, with no drift, reinterpretation or invented variation. [Style] Studio photography quality, warm beige solid-colour background, portrait lighting, smooth beat-based transformation rhythm. [Scene] The seamless warm beige studio background remains unchanged throughout. Front softbox portrait lighting, slight rim light on the hair edges. Background colour, light direction and exposure are identical from the first shot to the last. [Camera] Fixed vertical medium close-up from just above chest height, subject centred and facing the camera. The camera never moves. [Transition mechanism] Every change of look uses the same cut: at the end of a beat the subject turns their head to the side and whips their hair, the fast hair movement throwing motion blur across the frame and briefly covering the face, and the cut lands inside that blur. They turn back already wearing the next look. All nine transformations use this transition, with the spoken hairstyle name and a centred subtitle switching at the same moment. [Beats] All nine beats carry equal weight and equal screen time. None is rushed and none is held longer than the others. Beat 1, cell 1 — they face the camera and say "Long black straight." Turn and whip hair. Beat 2, cell 2 — the curls bounce with the turn as they say "Wool curls." Turn and whip hair. Beat 3, cell 3 — they raise a hand to say hello and say "Big waves." Turn and whip hair. Beat 4, cell 4 — the hair ends sway slightly as they say "Shoulder-length bob." Turn and whip hair. Beat 5, cell 5 — the ponytail swings with the movement as they say "High ponytail." Turn and whip hair. Beat 6, cell 6 — the hair falls gently as they say "Collarbone-length hair." Turn and whip hair. Beat 7, cell 7 — they say "Princess cut." Turn and whip hair. Beat 8, cell 8 — they make a heart shape to the camera and say "Egg roll curls." Turn and whip hair. Beat 9, cell 9 — they turn back with a wink and say "Super short hair." The subtitle pops up and they settle into a held final pose. [Audio] Upbeat beat-driven music underneath. Each turn and whip is paired with a whoosh of hair cutting through air and a click. The ending carries a rising freeze-frame sting. Spoken lines and subtitles are in English. Do not generate any text other than the nine subtitle lines named above. No logo, no watermark, no additional captions. The background never changes colour or texture. No camera movement, no zoom, no orbit, no push.

3 steps31629.1K

Generate a video of your avatar with 3 different product.

6 steps33718.1K

@image1 is an absolute character lock: face, body, hair and the outfit are taken from it exactly, with no drift or reinterpretation in any shot. Filmed on a phone propped in place at a fixed angle, phone-vlog framing, with the pace carried by quick jump cuts between takes rather than by camera movement. Nobody ever reaches toward the camera. Photographic realism throughout: natural skin texture with visible pores and flyaway hair, true-to-life colour, soft even daylight, shallow natural depth of field. A fast-paced influencer-style "Get Ready With Me" video of someone preparing for a lunch hangout with their friends, focusing only on outfits and accessories. They turn to the camera, energetic, wearing something casual, and say, "GRWM for lunch with my friends—let's pick a cute outfit!" Quick jump cuts at a full-length mirror as they swap out of the casual outfit, with a stylish transition between the looks. They settle into the outfit from @image1 and add its finishing accessories, saying, "Okay this is giving effortless but cute!" They step into the shoes, settle the bag, and check themselves in the mirror with confident poses. They pick up their phone, smile at the camera, and say, "Alright I'm ready—see you at lunch!" Upbeat music, snappy edits, and strong influencer vlog energy throughout. Do not render: illustration, 3D render, cel shading, anime or cartoon styling, airbrushed or plastic skin, beauty-filter smoothing, on-screen text, subtitles, captions, watermarks or logos.

3 steps20712.8K

ASSET MAP — every reference is bound here and cited by tag below: @avatar — the model. This is the person; gender, face, hair, skin and body proportions come entirely from @avatar and not from this text. Its clothing, pose, framing, background and lighting are ignored completely. @product — the sunglasses. Frame shape, frame colour and finish, lens shape and lens tint come entirely from @product and not from this text. ATTACHED IMAGES ARE MANDATORY AND FINAL: @avatar is the person in every shot and @product are the only sunglasses in the film. The attached images outrank every word written below them: wherever an image and this text disagree, follow the image. CHARACTER LOCK: @avatar keeps the same facial identity, facial structure and proportions, eye shape and spacing, eyebrows, nose, mouth, jawline, exact skin tone and skin texture, hairline, hairstyle, hair length, texture and colour, distinctive marks, apparent age, build and body proportions in every shot, from the first frame to the last. The gender presentation of @avatar stays exactly as shown in that reference; do not masculinize, feminize or otherwise reinterpret it. Do not redesign, beautify, slim, age or de-age @avatar. PRODUCT LOCK: the two lenses of @product are not the same shape as each other, and that difference is preserved in every shot — never regularised into a matching pair. The frame surface of @product is smooth and unmarked, and the inner face of the temple never comes into frame. Every letter visible on @product is a letter that exists in its reference. WARDROBE (from THIS TEXT, never from @avatar): @avatar wears the same outfit in every shot — a colour-blocked nylon windbreaker in white, cyan and magenta panels worn open over a plain white cotton tee, high-waisted acid-wash straight-leg jeans, white canvas high-tops with slouched white socks. Every garment is cut unisex and keeps that same cut whoever appears in @avatar: the tee is a plain crew-neck whose hem reaches below the waistband of the jeans, and the jeans are straight and reach the ankle. Each garment keeps its design, cut, proportions and colour; only its drape adapts to the body. ONE-SENTENCE SUMMARY @avatar models @product against a flat scarlet paper backdrop in a fast-cut 1987 sunglasses campaign film, with ice cream, bubble gum and a cold drink between editorial poses and macro passes over the frames. DETAILED PLOT — nine shots, fast hard cuts, roughly one and a half seconds each Held through every shot: one flat scarlet paper backdrop with a hot-spot where the hard key lands; the same outfit; @product worn on the face except where a shot says otherwise. The cutting is fast but the motion inside each shot stays small and coherent — no lunging, no whipping, no sudden turns. Shot 1 opens already in motion on a readable face, never on an empty frame or a fade from black. Shot 1: Fixed camera, close-up. @avatar takes a small bite from a vanilla ice cream cone while wearing @product and smiles into the lens. The hard key from the left lays a crisp shadow of the frames on the cheek and a cyan rim traces the jaw. <the crisp bite of the cone> Shot 2: Cut to a fixed camera, full-body wide. @avatar walks four steps toward the lens on the red paper in the white crew-neck tee and the full-length acid-wash jeans, the colour-blocked windbreaker swinging open, and settles into an editorial stance. <soft footsteps on paper> Shot 3: Cut to a fixed camera, medium close-up shot at a hard ninety-degree side angle, so only the profile of the face is seen and the edge of one lens and the temple of @product read as a clean silhouette against the red. <room tone> Shot 4: Cut to a fixed camera, close-up masked into a soft-edged circle like a 1980s television ident. @avatar blows a pink bubble-gum bubble until it fills the circle, then pops it and laughs. <the snap of the bubble> Shot 5: Cut to an extreme macro that tracks slowly across @product worn on the face, from the bridge along the browline to the edge of one lens, specular glints running over the tint. <room tone> Shot 6: Cut to a fixed camera, medium close-up. @avatar holds @product flat on one open palm, raised toward the lens and filling the middle of the frame, with the face soft behind it. <fabric shifting> Shot 7: Cut to a fixed camera, side view. @avatar lifts a plain glass bottle of dark cola, takes a sip, lowers it and grins at the lens, @product still on, wearing the white crew-neck tee and the acid-wash jeans. The bottle is smooth unmarked glass with straight parallel sides and a short plain neck, the drink inside a deep cola brown, with no label, no foil, no cap and no fluting or embossing anywhere on the glass. <the fizz of the drink> Shot 8: Cut to a fixed camera, close product shot with no person in frame: @product stands on a small off-white card laid on the red paper, rotating slowly through three quarters. A white bounce card shields the frame from the red paper so the colour of @product reads as it does in its reference, and the hard key lays a crisp shadow beside it. <room tone> Shot 9: Cut to a slow macro close-up of @product on the face of @avatar, the tint catching the scarlet of the backdrop, held to the final frame. <room tone> LIGHT AND STYLE Shot on 35 mm for a 1987 fashion campaign: saturated primaries, a dense scarlet backdrop, high contrast with clean blacks, warm halation around the brightest highlights, visible fine film grain and a faint gate weave. Period studio light, not modern beauty light — one hard tungsten key with crisp shadow edges, a cyan gelled rim from behind, a magenta bounce opening the shadow side, hard specular sparkle on glossy surfaces. Skin keeps real texture with visible pores and fine hair. Punchy period grade, dense reds, no teal-orange. CAMERA Fixed shots and slow push-ins only, one movement per shot. Hard cuts between shots, no dissolves and no speed ramps. HANDS AND PROPS Hands stay anatomically correct with five fingers on each hand wherever a hand is visible. The cone, the gum and the bottle stay separate objects in the grip. The ice cream stays a plain pale scoop, and the bottle stays smooth unmarked glass with straight parallel sides and a deep cola-brown drink inside — no label and no printed or embossed mark of any kind. AUDIO (a 1980s synth-pop groove at about 112 BPM — gated snare, drum machine kick, analog synth bass, bright bell stabs and tambourine, with thin tape hiss under it) CONSTRAINTS Keep it subtitle-free. Do not generate a logo, a brand name or a product label on any prop, garment or surface. Do not generate a watermark. Throughout the video, characters with completely identical appearance, clothing and accessories are prohibited; do not generate duplicate avatars or a twin effect, and keep only a single corresponding character in the same frame. The face of @avatar remains stable without deformation; movements are natural and smooth, with no stutter or flicker.

2 steps458.3K

Subject: one figure. @image1, @image2 and @image3 are three wardrobe references of the SAME figure — face, body, proportions and surface finish are identical across all three and must not drift, be recast or reinterpreted in any shot. Hands in long matte-black gloves operate from off-frame and dress the figure remotely, never touching them. Shot 1: the figure @image1 stands centered, full-body, in their starting state. The outfit from @image1 flies in and physically dresses them. The figure @image1 strikes an editorial pose. One sharp gloved swipe pulls the outfit off and it falls to the floor. Shot 2: the outfit from @image2 flies in and dresses the figure @image2. The figure @image2 takes a strong pose. Both gloved hands pull the outfit away and the garments fall beside the first look. Shot 3: the outfit from @image3 assembles onto the figure @image3 layer by layer. Precise gloved gestures remotely tailor the waist, shoulders, lapels and cuffs with realistic fabric tension. Shot 4: the figure @image3 holds a powerful final fashion pose, surrounded by the discarded clothes. Shot 5: a gloved hand reaches forward. The figure @image3 physically takes the hand and walks confidently toward the fixed camera until their outermost layer naturally covers the lens and the frame goes to black. Scene: black seamless studio. Lighting and color: cinematic rim lighting, premium coffee palette with a burnt-orange accent. Camera: one locked frontal camera, no camera movement in any shot. Visual style: ultra-photorealistic premium fashion film. Realistic silk, leather, cashmere and wool. Realistic cloth physics, gravity and inertia. Seamless continuity between shots. Constraints: no magic, no glow, no portals, no particles, no morphing. Avoid generating any text or subtitles. Do not generate a logo. Do not generate a watermark.

5 steps1265.8K

@image1 is LANA — photocopy her exact face, long blonde hair. IGNORE ivory coat and sunglasses. Eyes visible. She MOVES. @image2 is the OUTFIT. Photocopy: forest-green belted wool coat (open, hem in motion), cream silk shirt, gold chain, camel trousers, tan pumps. NEVER a brown puffer. NEVER cargo pants. NEVER a studio cyclorama. 10-second 9:16. Ultra-real 35mm street fashion. Busy New York — yellow cabs, pedestrians, lights. LANA is ON the CROSSWALK (white stripes), walking toward camera mid-stride. Coat flares. Crowd and traffic are BEATS. [TIMELINE — 10 SECONDS] 0–2s: She steps onto the crosswalk, green coat moving, NYC behind. 2–6s: Walks toward camera on the stripes. Cabs. People around her. 6–10s: Closer, slight head turn, coat still moving. Designed hold. Audio: city, footsteps, horns far. No lyrics.

3 steps494K