AI fashion video generator. Put the outfit on. Film the walk.

Your model in four outfits on a burgundy velvet sofa, the camera swooping over them with slow-motion holds and palm-leaf outfit changes. Upload a model photo; outfits optional. 15 s, vertical, with music.

The viral elevator outfit reveal for your boutique: the doors open on your model in a new look five times, and the finale walks out to the camera. Upload your model and 5 outfits. Vertical.

6 steps

The reference image is the person already dressed in the costume on the set: keep their face, hair, skin tone and body exactly as in that image in every shot, and keep every costume detail. Real broadcast footage of a huge fashion show in a dark arena: glossy black runway, audience in the dark on both sides, cyan and teal spotlight beams cutting down from the ceiling through light haze. Nine shots with hard cuts. Shot 1 (0-1.8s): side tracking shot at runway level, they stride past the camera from right to left, the giant gold organza billows sideways across the frame. Shot 2 (1.8-3.4s): very wide symmetrical shot from the end of the runway, cyan spotlight beams fan down behind them, they are small in the distance walking toward the camera. Shot 3 (3.4-4.8s): closer symmetrical shot, same angle, they walk toward the camera, the wings glowing in the backlight. Shot 4 (4.8-6.2s): low close shot of the legs walking with long slow strides, gold heels on the black floor, organza swirling around the legs. Shot 5 (6.2-7.4s): medium shot, the camera tilts up slowly from the floral corset to the shoulders. Shot 6 (7.4-8.8s): close-up of the face, calm and confident, a glance to the side and then into the lens, gold wings soft behind. Shot 7 (8.8-10.4s): wide frontal shot under a single cyan spotlight, they stop at the end of the runway and strike a pose, one hand on the hip. Shot 8 (10.4-12.6s): medium-wide frontal shot, they raise both arms out to the sides and the gold organza wings open wide like a huge glowing cape filling the frame. Shot 9 (12.6-15s): medium shot, they turn to the side and walk away, the long organza sweeps across the camera in a wave of gold. Realism: real human skin with visible pores and small natural imperfections, normal human leg proportions with soft natural muscle tone, real fabric weight and creases, natural stage lighting with light haze, slight camera noise and real lens depth of field; the same person with the same face in every shot; two arms and two hands only. Sound: the attached song plays as the soundtrack, slow and sultry, with each step landing on its beat.

2 steps10

REFERENCES @image1 = THE COSTUME (locked): silver rhinestone bralette with long dangling crystal fringe, short sheer silver-white chiffon mini skirt with thin crystal hip-harness straps, stacked crystal bracelets, clear transparent stiletto mules, huge white feather angel wings. @image2 = THE MODEL: her exact face, eyes and hair, already wearing the costume, at the top of the runway. GLOBAL A glamorous televised fashion-show runway film, 9:16, made of six shots joined by HARD CUTS, like a live broadcast of the show. The same woman from @image2 in the same costume from @image1 in every shot; her face stays exactly the same. A long glossy black mirror runway in a huge dark-blue arena, blinding white stage lights, haze, sparkling star-like lens flares, the audience on both sides holding up phones. She walks like a top runway model: confident catwalk, hips swaying, one foot in front of the other, wings bouncing gently with every step. Natural anatomy, two arms, five fingers each. SHOTS (15 s) 0.0–2.5 s — WIDE, low and frontal: she appears as a dark silhouette at the very top of the runway in front of a blinding white backlight with haze, wings spread wide, and takes her first steps forward. 2.5–5.0 s — WIDE, frontal, camera slowly tracking back: she walks toward the camera down the glossy runway, her reflection in the floor, wings swaying. 5.0–7.0 s — CLOSE-UP of her face and shoulders, feathers behind her: she glances over her shoulder and gives a slow confident smile. 7.0–9.0 s — DETAIL, camera at floor level, framed from the knees DOWN only: her feet in the clear transparent stiletto mules step one after the other along the glossy mirror runway toward the camera, sharp reflections of the heels in the floor, sparkles of light; nothing above the knees is in frame. 9.0–12.0 s — WIDE from the side of the runway: she strides past the crowd, people cheering and filming her with phones, star flares sparkling in the lights. 12.0–15.0 s — MEDIUM-WIDE, frontal, at the very end of the runway: she stops, spreads both arms wide to the sides, the wings fully open behind her, silver glitter confetti falls from above, she holds the pose with a radiant smile. SOUND An energetic glamorous runway pop beat with a heavy bass, crowd cheering and whistling, camera shutters clicking. No voices, no speech, no singing. TEXT AND LOGOS No on-screen text, no logos, no brand names anywhere. QUALITY Photorealistic, broadcast quality, sharp crystals and feathers.

2 steps

Fast-paced, smooth luxury fashion editorial film. @image1 is an absolute character lock: face, body, hair, wardrobe, materials and colours are taken from it exactly and stay identical in every shot, at every distance, with no drift and no reinterpretation. @image2 is an absolute location lock: the wall, the height chart, the floor and the lighting are taken from it exactly. @image3 is the storyboard and is followed exactly — framing, body position, eyeline and prop placement match it. Storyboard panel 1 is shot 1, panel 2 is shot 2, panel 3 covers shots 3 and 4, panel 4 is shot 5, panel 5 is shot 6, panel 6 is shot 7. Performance throughout: playful, confident, slightly mischievous. Shot 1 The subject@image1 stands squared to camera in a full-body composition in front of the height chart, looking straight down the lens, then gives a single playful wink. Camera pushes in slowly and smoothly. Shot 2 The subject@image1 holds a hand-held placard reading 【WANTED FOR BEAUTY】 up toward camera and tilts it slowly forward with attitude. Camera holds steady. Shot 3 Rapid detail inserts in close framing: the mouth as the lips part into a smile, the hands, the lollipop lifted toward the mouth. Camera snap-zooms in on each detail. Shot 4 Rapid detail inserts continuing: the textures of the outfit and its accessories, the sunglasses held in the hand. Camera whip-pans between each detail. Shot 5 The subject@image1 returns to the full standing composition, leans weight casually onto one side while holding a confident stance, puts on the sunglasses, looks over the top of them straight into the lens and smiles. Camera orbits smoothly around them. Bright flash bursts fire intermittently from off-frame, like photographers crowding in. Shot 6 Fast montage across the styling: each piece of the outfit, the lollipop, the mouth, the eyes, the sunglasses. Sheets of newspaper fly across the frame between details. Camera moves continuously and smoothly through the sequence. Shot 7 The subject@image1 is back in the full mugshot composition, holding the placard forward toward camera. The placard now reads 【WANTED FOR BEING TOO BEAUTIFUL】. They raise one eyebrow and smile. Camera pushes rapidly toward the face. A sheet of newspaper sweeps across the lens and the frame cuts to black. Lighting and colour: hard institutional overhead light on the wide shots, clean even light on the inserts, glossy high-end editorial grade, rich blacks, true colour. Camera: one controlled move per shot — push-in, snap zoom, whip pan, orbit, or rapid push. Always fluid and deliberate, never handheld jitter. Editing: very short cuts throughout, seamless whip transitions, subtle speed ramps, newspaper wipes, beat-synced cutting rhythm. Fast but polished — never slow, never dreamy, never jittery, never chaotic. Visual style: glossy magazine fashion editorial crossed with a cinematic booking-room mugshot, playful troublemaker energy, fashion-editorial motion blur, premium campaign finish. Image quality: ultra photorealistic live action, realistic human anatomy, realistic fabric and metal, sharp and clean. Constraints: do not generate a logo. Do not generate a watermark. Do not generate any on-screen text other than the wording on the placard. Do not alter the wardrobe, the face or the location from the reference images.

4 steps34835.1K

CHARACTER LOCK — HIGHEST PRIORITY (applies separately to @image1 and @image2): Each person in every shot is exactly the person in their own reference image. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Use they / their / them only. Do not beautify, slim, de-age or restyle them. No face changes, no identity drift between the two of them. ATTACHED IMAGES ARE MANDATORY AND FINAL: The attached images outrank every word written below them: wherever an attached image and this text disagree, follow the image. ASSET MAP: @image1 — the first character. Photocopy face, hair, makeup, jewelry and the outfit they are wearing in @image1. @image2 — the second character. Photocopy face, hair, makeup, jewelry and the outfit they are wearing in @image2. SCENE vs STILL: @image1 and @image2 are the two people only. The colourful backstage room, clothing racks, vanity bottles, oval frame, extra figures, and the plain studio backdrop in the stills are NOT the set. The set is a real independent art gallery opening night. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. OTHER PEOPLE: background gallery guests and a photographer may appear but are never named, aged, or described by ethnicity/gender — only by role and action. They never share a face with @image1 or @image2. 10-second photorealistic live-event footage at an art gallery opening night. @image1 and @image2 walk together through the gallery space toward a wall of large abstract paintings, where a small cluster of guests and a photographer are gathered. Unbranded: no logos, no brand names, no visible labels, monograms, gallery names or readable signage anywhere in frame — walls show only abstract artwork, no text. The atmosphere feels like a real independent gallery opening: soft track lighting on the paintings, ambient chatter, occasional camera flashes, natural crowd movement in the background. 0–3 seconds: @image1 and @image2 walk side by side through the gallery, relaxed and elegant, natural synchronized movement, outfits moving naturally with each step. They occasionally glance at each other and smile. 3–5 seconds: They arrive near the artwork wall, stop, turn toward the photographer, and naturally adjust their poses. @image1 gives a playful, charming smile while @image2 poses confidently beside them. 5–8 seconds: A handheld camcorder approaches from among the guests, slightly shaky and imperfectly framed, like authentic behind-the-scenes footage. @image1 and @image2 notice the camera, look directly into the lens, smile, wave casually, and pose together. 8–10 seconds: The camera moves closer and slowly pans from @image1 to @image2. They lean slightly toward each other and start laughing naturally and playfully, genuine spontaneous expressions. End on both of them smiling toward the camera, abstract paintings visible but unreadable in the background. CAMERA / REALISM: real handheld camcorder, documentary event footage, slightly shaky operator movement, imperfect framing, subtle autofocus hunting, natural exposure shifts, realistic motion blur, slight lens breathing, authentic camera sensor noise, occasional guest flash photography, practical gallery lighting, realistic skin texture, natural hair movement, realistic fabric physics, candid event photography, no overly smooth gimbal movement. FACIAL PERFORMANCE: natural eye movement, subtle smiles, spontaneous laughter, genuine interaction between the two of them, no frozen expressions. Do not generate any duplicated people, extra limbs, distorted hands, artificial beauty filter, plastic skin, exaggerated body movement, cartoon/anime appearance, or slow-motion effect. No subtitles, no BGM, no watermark, no logos, no brand names or readable text anywhere. Overall feeling: an authentic candid recording from a real gallery-opening photographer, elegant but imperfect, spontaneous and believable. AUDIO: native gallery-opening ambience only — soft chatter, distant footsteps, occasional camera shutter/flash. No music, no voiceover, no lyrics.

Your model in four luxury looks, revealed one by one behind the rear door of a burgundy G-Class, ending with a walk toward a villa. Upload a model photo; outfits optional. 30 s, vertical, with music.

The skull cap trend, starring you and your cap: goofy before, the cap over the lens, a hard cut to a cold, confident after under red light. Upload a selfie and a photo of your cap. 10 s, vertical.

REFERENCES @image1 = THE COSTUME AND THE STAGE (locked): COLOSSAL golden angel wings — a thick curved top arch of dark bronze and metallic rose-gold feathers, with huge sheets and long ribbons of shiny translucent gold organza hanging and billowing down to the floor, the wingspan about three times her height; a sheer champagne-nude lace corset top with vertical boning and a straight-across neckline, matching champagne lace high-cut briefs, thin brown leather harness straps, big gold drop earrings, gold strappy heels; the dark arena with a tall glowing lavender light panel, a glossy black mirror runway, spotlights from above. @image2 = THE MODEL: her exact face, eyes and features and her own hair in voluminous glamorous waves, already wearing the costume. GLOBAL A glamorous televised fashion-show runway film, vertical 9:16, six shots joined by HARD CUTS, like a live broadcast. The same woman from @image2 in the same costume and colossal wings from @image1 in every shot; her face stays exactly the same. The wings are so huge they reach past both edges of the vertical frame; the gold organza ribbons flow, ripple and trail behind her with every step. She walks like a top runway model: confident catwalk, one foot in front of the other, hips swaying. Dark teal-blue arena, haze, sparkling lights, the audience in the dark filming with phones. Natural anatomy, two arms, five fingers each. SHOTS (15 s) 0.0–3.0 s — WIDE, low, frontal: she walks toward the camera down the glossy runway in front of the lavender light panel, the giant golden wings spread wide beyond the frame, organza ribbons billowing and trailing on the floor, her reflection in the mirror floor. 3.0–6.0 s — MEDIUM, waist up, frontal: she raises both arms high and grips the inner edges of the wings above her shoulders, chin up, a confident knowing look straight into the lens, earrings swinging. 6.0–8.5 s — CLOSE-UP of her face and shoulders, bronze feathers behind her: she opens her arms wide to the sides and breaks into a radiant smile. 8.5–10.5 s — DETAIL at floor level, framed from the knees DOWN only: her gold strappy heels step along the glossy mirror runway while long gold organza ribbons sweep and slide across the floor behind her; nothing above the knees is in frame. 10.5–13.0 s — MEDIUM-WIDE at the end of the runway: she does one slow elegant spin on the spot; the colossal wings and the gold organza swirl around her like a golden wave of fabric, catching the spotlights. 13.0–15.0 s — WIDE from behind: she walks away up the runway toward the lavender light, the giant wings swaying and the gold ribbons trailing behind her, the audience on both sides filming with phones. SOUND An energetic glamorous runway beat, instrumental only, heavy bass, crowd cheering, camera shutters. No voices, no speech, no singing, no lyrics. TEXT AND LOGOS No on-screen text, no logos, no brand names anywhere. QUALITY Photorealistic, broadcast quality, sharp feathers, organza and lace.

2 steps10

GYARU GLOW-UP — GET READY WITH ME, STEP BY STEP. One continuous cinematic take, full realtime speed, an extreme Japanese gyaru makeover shown clearly and in order, every item picked up by hand from the vanity and visibly applied over time, building to a bold final look. AUDIO MIX (ranked, three separate layers): 1. MUSIC — loudest, dominant from the very first frame: a hyper, upbeat J-pop / para-para instrumental with bright synths, a bouncy beat and a catchy hook; original, instrumental only. 2. SFX — quiet, under the music: soft brush strokes, the click of a compact, a light sparkle chime at the end. 3. VOICE — none; the person stays silent the whole clip. Audio suppressor: no voiceover narration, no dialogue, no spoken words, no singing vocals, no lyrics, no library audio bed, no muffled murmuring, no subtitles. The music resolves on a final hit and silence holds the final 0.5s. TWO references of the SAME person: @image2 is the person BEFORE — their natural bare face and natural hair, how the clip begins. @image1 is the same person AFTER — the finished gyaru look the clip builds up to and ends on: copy the final makeup, hair and accessories exactly from @image1. The face, eyes, nose, lips and identity are the same person in every frame from start to finish. Preserve their gender presentation exactly as shown. Use they / their / them only. SETTING (same as @image1): a bright kawaii vanity — ring-light mirror, pink neon heart, plushies on shelves, and on the vanity table in view from the start: a tanned foundation bottle and sponge, a white cream palette with brushes, a contact-lens case, strips of thick false lashes, a sheet of heart and star face stickers, a white lip gloss, bundles of pastel rainbow hair extensions with colourful clips, and a tray of charm necklaces. BEATS (20s), each item visibly taken from the vanity by hand before it goes on, the look growing step by step from @image2 to @image1: 0–4s: the person sits at the mirror looking exactly like @image2, bare natural face and natural hair; picks up the sponge and pats the warm tanned foundation over the face and neck, the colour spreading under each press. Camera: close push-in on the face. 4–9s: THE EYES — picks up a brush and paints the thick bright-white patches around both eyes and the white stripe down the nose; then puts a circle lens into each eye from the lens case; then lifts the thick false lash strips one at a time and presses them along the top and bottom lids. Camera: tight on the eyes. 9–12s: peels the heart and star stickers off the sheet one by one with a fingertip and places them high on each cheek, then paints the lips glossy white. Camera: on the face and fingers. 12–16s: THE HAIR — clips the pastel rainbow extensions into the hair section by section, the colour building up, then snaps in the colourful clips and smooths the hair straight with both hands until it matches @image1. Camera: rise around the head. 16–20s: lifts the charm necklaces from the tray and clasps them on, then turns to the mirror fully in the @image1 look, flips the rainbow hair, throws a big open-mouth smile and a peace sign as glitter sparkles. Camera: ease back to a hero shot matching @image1, holding to the last frame. LOOK: ultra-photorealistic cinematic, bright glossy kawaii grade, shallow depth of field, real skin, lashes, hair and glitter, natural motion blur, film grain, clean frame with no on-screen text, captions, logos or watermark.

2 steps

THE BAG: a small beige shoulder bag THE SLEEPWEAR: plain soft light-grey pyjamas ATTACHED IMAGES ARE MANDATORY AND FINAL: @image1 is the person — reproduce them exactly and never invent a different face, hairline, hair colour, skin tone, body or age. @image2 is THE OUTFIT and @image3 is THE SHOES — reproduce every garment and the shoes exactly as photographed, never inventing a different cut, colour, fabric, sole, lace or detail, and never adding a logo or lettering. The attached images outrank every word written below them: wherever an attached image and this text disagree, follow the image. CHARACTER LOCK — HIGHEST PRIORITY: @avatar is the person in @image1, exactly as shown. Preserve facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build, body proportions and gender presentation exactly as shown. Do not beautify, slim, de-age or restyle. @avatar is the only person in the film, with a soft morning expression and realistic skin texture. Every reference to the person in this prompt is @avatar — no pronouns, no description. THE OUTFIT: in SCENES 1 and 2 @avatar wears THE SLEEPWEAR, barefoot. From SCENE 3 to the end @avatar wears exactly the outfit shown in @image2 — the garments are fixed, only their drape adapts to @avatar's body — with THE SHOES from @image3 on both feet, identical in every scene. ASSET MAP — bind every reference before the story starts: @image1 — @avatar: the face, the hair and the build. @image2 — THE OUTFIT. @image3 — THE SHOES. Create a cinematic photorealistic morning routine video featuring @avatar throughout the entire video. SCENE 1 — WAKE UP (0–5 sec): Soft golden morning sunlight enters a cozy modern bedroom through the window. @avatar, in THE SLEEPWEAR, slowly wakes up in bed, sits up naturally and looks toward the window. Calm peaceful morning atmosphere, cinematic camera movement, realistic lighting. SCENE 2 — WINDOW VIEW (5–9 sec): @avatar, still in THE SLEEPWEAR, walks to the bedroom window and gently looks outside. The camera stays inside the bedroom the whole time: the window frame, the glass and the curtains always surround the view. Through the glass, a beautiful morning street view: warm sunlight, quiet residential street, trees moving slightly in the breeze, peaceful atmosphere. The camera then returns to @avatar's face lit by the window. SCENE 3 — PUTTING ON SHOES (9–14 sec): @avatar, now dressed in THE OUTFIT, sits near the entrance with both feet already in THE SHOES and fastens them exactly as their design allows. Close-up of @avatar's hands on THE SHOES, both feet in THE SHOES, then a medium shot of @avatar standing up in THE OUTFIT and THE SHOES. SCENE 4 — BRUSHING (14–18 sec): @avatar stands in the bathroom and brushes @avatar's hair naturally in front of the mirror. Keep the exact same hairstyle, face, outfit and accessories. Clean modern bathroom, soft natural morning light. SCENE 5 — COFFEE (18–23 sec): @avatar prepares a warm cup of coffee and takes a relaxed sip near the kitchen window. Visible steam from the coffee, warm sunlight, cozy cinematic atmosphere. Keep @avatar's appearance and clothing perfectly consistent. SCENE 6 — GOING OUT (23–27 sec): @avatar picks up THE BAG, opens the front door and walks outside into the peaceful morning street. Smooth tracking camera following @avatar from behind and then moving beside @avatar. SCENE 7 — FINAL WALKING VIEW (27–30 sec): Wide cinematic shot of @avatar walking down the beautiful morning street. Show @avatar's full outfit clearly while walking away naturally. Warm golden sunlight, trees, soft shadows, peaceful city atmosphere. End with a beautiful wide establishing shot. STYLE: Photorealistic cinematic quality, natural human movement, realistic facial expressions, realistic hands, realistic hair physics, consistent lighting, smooth transitions, shallow depth of field, subtle camera motion, premium lifestyle commercial aesthetic, highly detailed. IMPORTANT CONSISTENCY: @avatar's face, facial features, hairstyle, hair colour, skin tone and body proportions stay IDENTICAL to @image1 from the first frame to the final frame — the same person and the same age in every scene. From SCENE 3 onward THE OUTFIT stays identical to @image2 and THE SHOES stay identical to @image3 on both feet. Hands keep five fingers and read correctly at every scale. AUDIO: quiet morning ambience — birds outside the window, soft footsteps on wooden floors, the coffee pouring, the front door opening, a calm street. Do not add subtitles. No subtitles.

An extremely fast-paced luxury fashion editorial film. High-fashion magazine campaign look, cinematic overhead photography, dramatic hard sunlight and deep black shadows, glossy beauty lighting, realistic skin and hair, deep red accents, restrained luxury editorial grade. Constant visual movement and very quick cuts throughout, cut tightly to a punchy fashion beat, with speed ramps, whip transitions, snap zooms and real motion blur. Photographic throughout — not illustration, not animation, not a 3D render. @image1 is the character sheet and is an absolute character lock: face, build, hair, the garment, the sunglasses, the pearl jewellery, the red nails and the red lip are taken from it exactly, with no drift and no reinterpretation in any shot. Preserve their gender presentation exactly as shown. Use they / their / them only. @image2 is the set board and is an absolute set lock: the newspaper carpet, the hard raking sunlight, the deep shadows and the petals are taken from it exactly. @image3 is the storyboard and is followed exactly: six shots in that order, matching its framing, subject scale and composition. POSE — the person lies on their back on the newspaper for the entire film and the pose of the body never changes: no standing, no walking, no sitting up, no rolling over, no change of how the torso, hair or legs are placed. The arms and hands move, the hair and the paper move, the camera moves, the light moves. The body holds its placement while everything around it moves. Shot 1 — the full overhead of the figure lying among the newspaper. A rapid push-in straight down toward them, then an immediate hard cut to a macro of the mouth as a lipstick bullet is drawn across the lower lip. Shot 2 — a burst of ultra-fast beauty cuts, each on screen for a fraction of a second: lips, the lipstick stroke, the sunglasses, the nails, the pearls, the eyes. Snap zooms into each and whip transitions between them. Shot 3 — back to the full overhead composition. One hand comes up and pushes the sunglasses straight while loose sheets of newspaper fly rapidly across the frame, and the camera arcs fast around the figure in a quick circular move. Shot 4 — a faster macro montage, harder cuts again: the lipstick closing, light across the lips, sunlight catching a lens, the nails gripping and bending a curled edge of paper, a pearl swinging clear of the neck, hair shifting across the newsprint. Aggressive editorial cutting, speed ramps and flash transitions. Shot 5 — return to the overhead. The lipstick is drawn across the lips again, unhurried, while the newspaper swirls rapidly around them and red rose petals fall from above, layering movement around a pose that does not change. Shot 6 — a last rapid run through the eyes, the lips, the sunglasses, the nails and the pearls, then a sudden overhead pullback that opens out to reveal the entire newspaper-covered composition. Sheets fly directly across the lens and carry the final cut. Audio is a punchy fashion beat driving the edit, with the cuts landing on it. No voice, no dialogue, no narration. No subtitles, captions, on-screen text, logos or watermark are burned into the frame. No legible headlines or readable words on the newspaper.

4 steps28629.7K

The reference image is the person already dressed in the costume on the set: keep their face, hair, skin tone and body exactly as in that image in every shot, and keep every costume detail. A high-energy fashion show edit in six shots with hard cuts, on the pink runway between silver glitter curtains, in the flower-branch wings, flower bralette, neon green sheer skirt and green high heels. Their walk in every walking shot is a fierce supermodel prance: knees lifted high, each foot crossing in front of the other, heels striking the floor hard, strong hip swing, shoulders back, chin up, fast powerful rhythm. Shot 1 (0-2s): low angle from the runway floor, wide, they storm toward the camera with the high-knee prance, wings bouncing. Shot 2 (2-3.5s): extreme close-up at floor level, a green high heel slams down on the glossy floor in sharp focus, its reflection below. Shot 3 (3.5-5s): side tracking shot at knee height, the legs cross in front of each other with each powerful stride, natural human leg proportions. Shot 4 (5-6.5s): slow motion from behind the shoulder, the flower wings sway and tiny flowers tremble under the stage lights. Shot 5 (6.5-8s): medium close-up, they whip their hair over one shoulder and lock eyes with the lens. Shot 6 (8-10s): wide, they stop at the end of the runway, one hand on the hip, chin up, a fan blows their hair back, they hold the pose. Same face, same skin, same build in every shot; two arms and two hands only. Realistic runway footage. Sound: the attached track plays as the soundtrack, a deep bass thump on each heel strike and crowd cheering.

2 steps

FASHION WEEK — THE GRAND RUNWAY FINALE. One sleek continuous take, full realtime speed, a huge, grand, star-making couture show. AUDIO MIX (ranked, three separate layers): 1. MUSIC — loudest, dominant from the very first frame: a chic, pulsing electronic fashion-show beat with a cool confident groove building to a big triumphant hit; original, instrumental only. 2. SFX — quiet, under the music: rapid camera shutters, a rising crowd cheer and applause. 3. VOICE — none; @image1 stays silent the whole clip. Audio suppressor: no voiceover narration, no dialogue, no spoken words, no singing vocals, no lyrics, no library audio bed, no muffled murmuring, no subtitles. The music resolves on a final hit and silence holds the final 0.5s. TWO references with strictly separate jobs: @image1 provides the FACE, head, hair and identity — the headline star — kept EXACTLY the same the whole time (same face, bone structure, eyes, nose, mouth, skin tone, hairline), always centre-frame and in focus. Preserve their gender presentation exactly as shown. Use they / their / them only. @image2 provides ONLY the OUTFIT: take only the dress from @image2 — its exact shape, silhouette, length, colour, pattern, fabric and details — and fit it naturally onto @image1 for the whole clip. If @image2 shows a model's face or body, that is not used; the person is always and only @image1. @image1 is clearly the most important model in the room, wearing the @image2 dress. SETTING: an enormous grand fashion-show hall — a very long, wide, brightly illuminated glossy catwalk stretching far into the distance, towering lights and giant screens, a huge packed audience in glamorous outfits seated and standing along both sides, and banks of photographers crouched at the end. BEATS (20s), showing the full scale and that @image1 is the star: 0–4s: a wide high establishing shot reveals the vast hall — the enormous runway, the huge crowd on both sides, dramatic lights — as @image1 emerges through a grand backlit entrance at the top of the catwalk in the @image2 dress and begins to walk. Camera: high and wide, then easing down toward @image1. 4–9s: @image1 strides down the vast catwalk as the clear star, the fabric of the @image2 dress moving with each step, while several other elegant runway models walk in spaced formation behind and ahead of @image1 — @image1 stays centre and in front — as the crowd rises to their feet and hundreds of camera flashes fire from both sides. Camera: tracking backward ahead of @image1. 9–14s: the glamorous audience is on their feet applauding and filming on phones, photographers firing cameras up at @image1, who commands all the attention walking straight toward the lens. Camera: low hero angle looking up at @image1 with the crowd and flashes behind. 14–20s: @image1 reaches the end of the runway and strikes a powerful pose in the @image2 dress as the flashes peak and the other models fan out in a line behind; @image1 turns and leads them back up the catwalk. Camera: pull up and wide to reveal the whole grand scene, holding to the last frame. LOOK: ultra-photorealistic cinematic runway grade, crisp bright show lighting, shallow depth of field, real fabric, skin and crowds, natural motion blur, film grain, clean frame with no on-screen text, captions, logos or watermark.

Generate a luxury Paris fashion film of you walking in your outfit and shoes.

Cinematic luxury fashion commercial. Concept: FROM EVERYDAY TO ICON. STYLE: photorealistic luxury fashion campaign, cinematic 35mm photography, premium editorial lighting, realistic skin and fabric texture, subtle atmospheric haze, shallow depth of field, physically accurate fabric movement, elegant restrained camera choreography, a sophisticated visual evolution from bright and pale to dark and rich. One person, held completely consistent from first frame to last: the same face, hair, body proportions and identity throughout, with no drift and no reinterpretation at any point. Preserve their gender presentation exactly as shown. Use they / their / them only. They begin in an everyday outfit in a bright modern interior and end in a black couture coat and heeled boots in a dark fashion studio. One continuous forward walk in one continuous shot. No cuts, no teleportation, no sudden camera changes. They stand in the bright interior and begin walking forward with calm confidence, expression natural and unforced. Camera follows smoothly on a cinematic 35mm lens, holding a full-body or near-full-body composition. They keep walking through the beam of daylight and the fabric of the everyday outfit starts to change, the weave becoming progressively finer and more lustrous, the lower garment gaining richer texture and a more refined surface. The change happens continuously while they move, never as an instant swap. They keep walking and the garments continue evolving toward couture, the upper garment becoming a couture top, a long coat skirt opening and flowing from the waist, the footwear resolving into refined heeled boots. Fabric holds realistic weight, folds, tension and movement throughout. They keep walking and the space itself changes around them, the walls, furnishings and windows darkening and dissolving into a dark fashion studio, soft light and delicate haze taking over. The room transforms around them; they are never teleported into it. They reach the centre of the studio and slow to a stop, now fully in the couture coat and heeled boots. Camera eases from tracking into a subtle elegant arc as the skirt flows around them, and they turn slightly toward camera with a calm, confident editorial expression. Camera settles and slowly pulls back into a refined hero composition, rim light outlining hair, shoulders and silhouette. STRICT CONSISTENCY: same face, same hair, same body proportions, same identity throughout. One continuous forward walk. The wardrobe change is gradual and physically believable. The location change is gradual and seamless. Correct anatomy, two arms, two hands, two legs and realistic feet. No flickering, no disappearing clothing, no clipping, no extra limbs.

6 steps721.3K