Viral Effects

Step 1 — Product Shot Turn the shoe in your reference photo into a clean, isolated product shot — same design, straps, heel and colours preserved exactly. Neutral studio background, soft even lighting, three-quarter angle. Ultra-realistic, sharp focus. Step 2 — Flower @image1 is your product shot. Generate a real flower (rose, tulip, orchid, daisy — whichever fits) whose species and petal colour echo @image1's own colour, material and silhouette. Sitting on a warm, softly lit surface. Extreme macro, natural botanical detail, no plastic, no glass, no crystal. Step 3 — Final Video @image1 is the finished shoe — the foot must end up wearing exactly this. @image2 is the flower the foot steps onto — same species and colour. Extreme macro close-up, camera slowly orbits around the foot and the flower@image2. A bare foot lowers onto the flower@image2 on a warm-lit marble surface. As the foot presses down, the petals unfold and wrap around the foot and ankle as it sinks in — straps forming, embellishments appearing, the heel taking shape — until the petals fully resolve into the exact shoe@image1. Motion is continuous and graceful throughout. Warm golden lighting, elegant mood, ultra-realistic textures. AUDIO: soft elegant music (piano or strings) with gentle petal-rustle and skin-contact foley, one soft chime as the shoe fully forms.

3 steps352460K

Live-action rustic product film with glowing golden line-drawings rising out of the steam above the mug.

2 steps1999.5K

10 seconds, 16:9, five shots, bright music. @image_1 films a selfie vlog through a pastel-pink shopping lane and the phone filter draws pink augmented-reality effects over the picture. @image_1 is the only attached asset and the same person in every shot. ATTACHED IMAGES ARE MANDATORY AND FINAL: @image_1 decides the face, hair, skin and build in every frame. Where this text and the attached image disagree, the attached image wins. Preserve the gender presentation of @image_1 exactly as shown. Every hand in frame has five separate fingers. WARDROBE LOCK: one outfit for the whole film - a plain fitted black crew-neck t-shirt and small gold hoop earrings, hair worn down, at whatever length and texture @image_1 already has. The garment is fixed; only its drape adapts to the body of @image_1. THE PLACE: a narrow pedestrian shopping lane on a bright overcast day, storefronts in pastel pink and cream, café tables and folding chairs out front, chrome balls and pink parasols along the paving, Korean shop signage on the fascias, soft even daylight. CAMERA: phone front camera at arm's length on a very wide, slightly barrel-distorted lens. The first two shots sit inside a soft round vignette; from the third the frame opens to the full rectangle. Natural phone colour, handheld drift, focus and exposure a beat late. THE EFFECTS: pink augmented-reality graphics drawn over the live picture the way a phone filter lays them on - a ribbon of light that writes itself through the air, small chrome hearts turning with real reflections, little square photo stickers with soft white borders, and one large glowing heart outline. They sit flat on top of the image, in front of everything including the arm, cast no light on the face and never hide it. [0-2s] Already filming. @image_1 looks into the lens and starts talking, one hand up near the collarbone, inside the round vignette. [2-4s] @image_1 sweeps one hand through the air and a ribbon of pink light follows it and writes a heart that hangs there, sparkling, before it fades. [4-6s] The frame opens out. Two chrome hearts and two photo stickers drift in, turning slowly. @image_1 winks and brings both hands up beside the jaw. [6-8s] Cut wide, the camera no longer in their hand: @image_1 walks away down the middle of the pink lane and turns back over one shoulder. [8-10s] Back to the selfie. A large glowing pink heart outline draws itself around the head and shoulders of @image_1, who makes a small finger heart close to the lens and laughs. A bright light instrumental at one even level with street ambience under it; @image_1 talks brightly to the lens throughout, the words under the music rather than over it. The five shots run back to back with no gaps and no black frames; the first frame is already lit and already moving. Writing in frame is only the shop signage that belongs to the place. No subtitles.

2 steps973.2K

Generate a two-shot action video that hard-cuts on a kick from a bedroom to a night street.

3 steps301.1K

An 8-second vertical 9:16 hyper-realistic CGI product advertisement. Sleek, powerful, sophisticated. No on-screen text, no subtitles, no logos, no brand names. Single full-frame shot only. Never a split screen, never a comparison, never model-name labels. @product is the car in the reference image. Lock it exactly: long-hood muscle-coupe silhouette, split navy-blue and brushed-silver body, dual hood stripes, cyan LED outlines along the body and wheel lips, five-spoke silver wheels, cyan-ringed tires, quad headlamps, HUD windshield. Same shape, colours, lights and wheels in every frame. One car, never duplicated. Setting: infinite minimalist virtual studio, deep black void, polished black obsidian floor that mirrors the scene. No people. Lighting: cool-white (6000K) softbox from above. Silver-white and electric-blue light from the sphere, throwing dynamic reflections on the floor. Transformation Start: a single dense sphere, painted in the exact colours of @product — navy blue and brushed silver, with a thin cyan light line around its equator — sitting on the obsidian floor. End: @product, fully solid, settled on the floor. AUDIO — required: sphere rolling on glass-like stone, then a burst, metallic crackles, panels locking, electric-motor hum. No dialogue, no lyrics. 0-2 seconds Already in the scene: the two-tone sphere rolls across the black mirror floor toward camera, rotating so navy and silver catch the light. About one full second of continuous roll. Macro-to-medium, 85mm. 2-5 seconds The rolling sphere bursts outward in zero-gravity. Liquid-metal tendrils in navy, silver and cyan stretch into the wireframe of @product, traced by glowing electric-blue energy lines. 5-7 seconds Metal flows over the energy frame, solidifying into the exact body panels, paint split, cyan light lines and wheels of @product. 7-8 seconds @product gently settles onto the reflective obsidian floor. Headlights flash on. Hold. Negative: extra cars, extra people, readable text, logos, split-screen, hovering drop that never rolls, studio still of the reference photo as frame 1.

2 steps12505

TWO LEADS — PHOTOCOPY BOTH STILLS. Do not invent faces. @image1 = WOMAN. Photocopy face, bone structure, silver-grey hair in a low updo with snowflake pins, body. ALSO photocopy her outfit from that photo: ice-blue off-the-shoulder beaded satin gown, crystal starburst on the left shoulder, sheer balloon sleeves, drop earrings. Ice-blue glow in the irises is allowed as VFX. Same woman, same gown, every frame. @image2 = MAN. Photocopy face, bone structure, short brown hair, stubble, body. ALSO photocopy his outfit from that photo: fitted black crew-neck t-shirt, dark olive trousers, brown leather belt. Fire can wrap him as an aura; do not strip the shirt off. Same man, same clothes, every frame. Never swap outfits. Never a third person. Never OPENCLIPS.AI type. SETTING from the source film: dark wet stone courtyard at night, mist, rain on the ground, dim architecture behind. 15s, 9:16. STORY: fire and ice meet, then go quiet. 0–4s already face to face, close. She looks up at him; he looks down, jaw tight. Frost crystals along her sleeves; orange fire aura crawls his arms and shoulders over the black tee. Handheld, slightly low, rain. 4–8s they step in. Fire and ice collide between them — steam blast, embers, ice shards. Camera orbits a few degrees. They do not fight; they close the gap. 8–12s she puts her arms around his neck; he holds her waist. Steam swallows the frame then thins. Fire on him dies back to a faint glow. Her gown still ice-blue, his black tee intact, wet. 12–15s forehead to forehead, eyes almost closed. Her hands on his jaw. Quiet. A few leftover sparks and frost motes. Last frame still in the hold. No titles, no freeze-cut. AUDIO: rain, fire crackle that fades, steam hiss, breath. No BGM. No speech.

3 steps94170.8K

Two steps, one generation. Step 1 is the visitor's photo (@image1): shot at eye level, vertical or croppable to 9:16, with 3 or 4 clear objects in view (vehicles, boats, furniture, anything) and at most one small person, no dense crowd. Streets work best because everything already moves. Step 2 is one unbroken 15s 9:16 Seedance 2.5 render with @image1 attached as the first frame. The prompt never names a city, a brand or a specific object, it picks the largest object, a smaller moving one, a third one and a person if present, so the same recipe works on any photo. Known traps: dense crowds make Seedance 2.5 fail, crop them out before uploading; a face filling the frame gets blocked by moderation, keep people small; the original viral version shouts Biu! on every hit, this recipe swaps that for a sparkle reveal chime so nothing has to be translated.

2 steps43620.5K

A 15-second photoreal 1:1 cinematic. Start from @image1 as the first frame. No on-screen text, no logos. Keep the glass corporate office tower and the lava-veined black bull-demon. @image1 is the opening: the demon is ON ALL FOUR LEGS in the plaza, low and animal, lava cracks in the hide, horns, chains, spiked shoulders. Glass offices behind. Not standing upright. Not the Colosseum. AUDIO: rumble, glass, a building roar. No dialogue. [0-3s] FIRST FRAME LOCK then motion: the demon is on all fours, prowling the wet plaza toward camera. Office workers watch from windows. Steam, lava pulse. [3-5s] It RISES onto two legs in one heavy, dynamic stand-up — not a cut. Camera low, push in. [5-15s] At 5s it GOES FERAL. Mouth wide, a roar. Fire and lava burst from the chest cracks. Visible sound-shockwaves slam the glass. EVERY window on the tower shatters in a cascading burst. Office workers are thrown BACKWARD off their chairs, papers fly. Debris, sparks, more roar. Dynamic, violent, no still holds. End on the standing demon roaring at the broken facade. NEGATIVE: Colosseum, arena, remaining on all fours after 5s, a quiet still pose, on-screen text, extra demons, no glass breaking.

A crisp autumn afternoon on a tree-lined city path takes an unexpected turn when a passing cyclist clips your avatar's shoulder mid-stride. In that instant, time suspends — earbuds, a latte cup and a small parcel are caught in extreme slow-motion bullet-time, rotating through warm autumn light as coffee arcs and leaves drift mid-air. Time resumes, everything falls, and your avatar turns to camera with a perfectly deadpan "did that really just happen" expression. A polished, 15-second cinematic bullet-time moment blending high-fashion editorial style with a touch of everyday comedy.

2 steps211.4K

CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Frame 1 is already in the scene — never a studio portrait, grey backdrop, or the attached still as an opening plate. Use they/them throughout. No other people. A 10-second photoreal vertical 9:16 commercial. No on-screen text, no subtitles, no logos, no brand marks, no hotel names. @image1 is the rider. Preserve their face, hair, skin, age and build exactly. Do not beautify, slim, de-age or restyle. No other people. @image2 / @product is the suitcase. Lock it exactly: same shell colour, ribbing, handle, wheels, proportions. One suitcase. MOTORCYCLE (shape locked, colour follows the suitcase): a compact futuristic streetfighter / naked electric bike — sharp angular nose, split LED headlamp, black front forks, black disc brake, black wheels, sculpted side panels, under-seat tail, gold-accent LED strip along the mid-body. Body-panel paint takes the dominant colour of @product (if the suitcase is mustard yellow, the side panels and tank are mustard yellow; black mechanical parts stay black). Same bike every frame until it morphs. No manufacturer badge. Wardrobe on the rider: black zip jacket, beige cargo trousers, white sneakers, slim sunglasses. Fit to @image1's body. Setting: a luxury desert-resort plaza at golden hour — pale stone paving, tall palms, glass-and-timber hotel canopy, long shadows. Empty of other people. AUDIO — required: electric bike hum, tyre on stone, a mechanical folding whoosh as the bike becomes the case, suitcase wheels on stone. No dialogue, no lyrics. 0-3 seconds Already in the scene: @image1 rides the colour-matched streetfighter slowly toward camera across the plaza. Tracking three-quarter, low. Palms and hotel behind. 3-5 seconds They slow and put a foot down, still astride. Camera orbits slightly. Bike panels clearly show @product's colour. 5-7 seconds They step off. The bike compresses and folds in one continuous CGI move: wheels tuck, body panels collapse inward and become @product standing on its spinner wheels, handle rising. Same colour throughout. 7-8 seconds @image1 takes the telescopic handle of @product. 8-10 seconds They walk away toward the hotel entrance, pulling @product. Rear three-quarter. Empty plaza. End. Negative: extra people, crowd, BMW badge, readable signage, split-screen, a different suitcase than @image2, studio portrait as frame 1.

3 steps15143