Drag the clip sideways
A hyper-realistic one-take water-park obstacle challenge: @image1 taps the device @image3 (a smartwatch or a phone), says "Let's track my time," and runs a floating obstacle course — slipping, swinging on a rope, kicking an inflatable and wiping out into the pool — while @image2 watches and laughs. Photoreal, single continuous handheld shot, swimwear, natural sound, subtle device showcase.
subject_definitions: @image_1 is the performer. Gender, face, hair, skin and body proportions come entirely from @image_1 and not from this text. @image_1 defines identity only - its clothing, pose, framing, background and lighting are ignored. The sprite is a fictional cartoon invented from this text alone and comes from no reference: a tiny 2D cel-shaded character with clean black outlines and flat colour fill, pointed ears, large round eyes, a simple pink-and-white tunic and translucent pink wings. The sprite stays flat 2D in every frame and is roughly the size of @image_1's hand. summary: [reference generation] The target video is a 15-second 16:9 live-action film in which @image_1 and one tiny 2D cartoon sprite play off each other across eight shots inside an empty neon roller rink at night, ending with both of them facing camera. retention_analysis: @image_1 (appears in [Shot 2], [Shot 3], [Shot 4], [Shot 5], [Shot 6], [Shot 7], [Shot 8]): fully_preserved - gender, face, hair, skin and body proportions stay exactly as in @image_1 in every shot. detailed_description: The target video is live-action and cinematic, lit only by hard magenta and ice-blue neon tubes along the rink walls, with a glossy varnished floor that mirrors every light, and a palette of magenta, cyan and black. Only two characters exist: @image_1 and the sprite. The rink is otherwise empty, with no other people and no reflection that resolves into a face, and no lettering, numerals, signage or screens anywhere in frame. @image_1 wears the same outfit in every shot: a glossy black cropped bomber jacket over a plain white tee, wide-leg dark cargo trousers, chunky white trainers and one thin silver chain. That outfit's cut and colour are fixed and only its drape adapts to the body; @image_1's gender, face, hair and skin come from @image_1 and never from this text. [Shot 1] A low-angle wide shot frames a black vintage convertible parked at the edge of the rink floor. Only the sprite is visible, sitting behind the wheel. The sprite waves, snaps its wings open, rises past the windshield, clears the open roof, half-spins and flies off frame right, leaving the driver seat empty. The camera pedestals up slowly. [Shot 2] At 00:01.800, the shot cuts to @image_1 leaning against the open car door, head down, turning a ring on one finger. The sprite curves in and stops at @image_1's shoulder in a proud ta-da pose. @image_1 lifts their head, looks at the sprite, then at camera. The camera pushes in slowly from beside the headlight. [Shot 3] At 00:03.600, the shot cuts to a waist-up framing as @image_1 flicks one finger toward the sprite on a hard beat. The sprite tumbles through one continuous half-spin to camera right and rights itself as @image_1 breaks into a crooked grin. The camera arcs right with large amplitude at fast speed. [Shot 4] At 00:05.400, the shot cuts to the sprite flying a full circle around the outer edge of a hanging mirror ball, passing above and below it, never through it. The camera tracks with the sprite and finds @image_1 sitting on the rink barrier, one foot on the rail. @image_1 holds up a thumb and the sprite copies it beside @image_1's face. [Shot 5] At 00:07.200, the shot cuts to @image_1 opening one palm flat. The sprite descends in one continuous motion and visibly lands, both feet making contact with the skin, then plants a proud stance and copies the tilt of @image_1's head. @image_1 holds still, then smiles. The camera pushes in slowly from the hand up to both faces. [Shot 6] At 00:09.000, the shot cuts to the sprite lifting off the palm first. @image_1 stands and takes three unhurried steps onto the rink floor, their reflection moving under them, while the sprite flies backward in front of them. The camera tracks backward with large amplitude at slow speed along a lateral arc. [Shot 7] At 00:11.000, the shot cuts to a low angle with the convertible sitting diagonally behind @image_1. @image_1 plants a confident stance and pushes their hair back off their face; the sprite copies the gesture on its own hair and @image_1 notices and laughs. The camera pushes in slowly. [Shot 8] At 00:13.000, the shot cuts to a medium close-up of @image_1 raising two fingers in a peace sign beside their face. The sprite hovers at @image_1's shoulder, wings spread, both arms up in the same sign, and both look straight into camera. A single camera flash fires on the last beat and the neon holds its level through it. The camera holds a static shot through the final frame. overall_soundscape: The empty rink carries a low room tone with the electric hum of the neon tubes and the far-off whirr of a ventilation fan. Footsteps land and squeak on the varnished floor, fabric shifts as @image_1 moves, and the sprite's wings make a light dry flutter each time it changes direction. One short breath of a laugh lands near the end. non_diegetic_music: Bubblegum dance pop at 128 BPM with a punchy kick and snare, a bouncing bass line, crisp handclaps and sparkling synth arpeggios. The arrangement stays at one even, moderate level from start to finish, with accents landing on the wing snap, the finger flick, the landing on the palm and the final flash.
A 30-second 16:9 cinematic heist. Sound ON. ALAN is exactly the attached portrait — dark hair, beard, hazel-green eyes. PRODUCT: Deep Burgundy iPhone 18 Pro Max from the stills — square island, three lenses, apple mark. Burgundy boxes. NEVER glacier. STORY (mandatory ending): He HEARS the police (sirens, radios, shouting) before they reach him. He does NOT walk past officers at the front. He takes a DIFFERENT exit at the BACK of the warehouse. He gets INTO A VAN with the boxes and DRIVES AWAY. 0–8s: Warehouse, he loads boxes onto a cart. Sirens swell. He hears them, looks toward the front, panics. 8–16s: He hauls the boxes to a rear loading dock / back door. Not the main police entrance. 16–24s: Back lot. A van waits. He throws/loads the boxes in, climbs in. 24–30s: Van doors slam. The van DRIVES OFF with him and the boxes. Police arrive too late at the front. AUDIO required: sirens getting louder, shouts, running, van door, engine pull-away. No magic hover. Duration 30s. 16:9.
A breathless premium tech-launch parody: @image1 is told they hold the very last unit and sprints across a vast glass HQ as a countdown ticks, intercut with glossy beauty shots of the product @image2, bursting into the keynote crowd just in time to hold it up. Photoreal, cinematic, comedic energy, no dialogue except one urgent line. Product @image2 is any premium product and is optional.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Frame 1 is already in the scene — never a studio portrait, grey backdrop, or the attached still as an opening plate. Use they/them throughout. No other people. The person in every shot is exactly the person in @image1 — face, bone structure, silver-grey hair, age, body. The photo is identity only, not wardrobe. Do not keep the waffle robe or white tee. Do not give them black hair. WARDROBE: black ink-wash kimono, wide dripping sleeves, wrapped sash, barefoot. The garment is made of wet sumi ink and watercolor that keeps flowing. SETTING: a sheet of white xuan paper. No studio, no floor, no crowd. Real time, 15 seconds, 4:3. Frame 1 is already dancing — never a portrait plate. No slow motion. No on-screen text. One person only. Ink and watercolor bleed from feet, hands, sleeves, hair and every joint. Each step stains the paper. After 5s most of the white is already layered with strokes. Crimson, indigo and gold mix into the black from shot 3 onward. SHOT 1 (0–2.5s) Already mid-step. Weight shifts, arms flowing. Wet ink spreads under each foot. Sleeves throw black ribbons. Full body. SHOT 2 (2.5–5s) Axis changes, low arm sweeps, short spins. Sleeve ribbons blur into clouds. Paper heavily stained. Full body, slight handheld. SHOT 3 (5–7.5s) Rotations and arm spirals. Long ink trails. Crimson, indigo and gold enter the black. Full body. SHOT 4 (7.5–10s) Reverse spin, a short dance jump (not a hop in place), torso twist, another spin. Foreground splashes and airborne ribbons. Full body to medium. SHOT 5 (10–12.5s) The ink is now the world. Two rotations and a large sleeve sweep. They stay visible. No final pose yet. Camera does not pull back. SHOT 6 (12.5–15s) Final pose: weight on one leg, one arm high, opposite sleeve hanging in the air. Body freezes; ink and watercolor keep dripping. Slow constant-speed pullback. Ends as a living sumi-e: paper fibers, uneven bleeds, hand-drawn strokes. No intro, no walking, no mid-pose freeze before shot 6, no empty white paper after 5s, no dancer vanishing.
A cozy creator-desk UGC unboxing and review of @image2: @image1 holds the product up, opens it, lays out every included piece in a clean overhead flatlay, demonstrates it, and gives a warm sign-off. Authentic handheld UGC feel, works with any product. Photoreal, natural location sound, one presenter talking to camera.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Frame 1 is already in the scene — never a studio portrait, grey backdrop, or the attached still as an opening plate. Use they/them throughout. No other people. A 10-second photoreal vertical 9:16 commercial. No on-screen text, no subtitles, no logos, no brand marks, no hotel names. @image1 is the rider. Preserve their face, hair, skin, age and build exactly. Do not beautify, slim, de-age or restyle. No other people. @image2 / @product is the suitcase. Lock it exactly: same shell colour, ribbing, handle, wheels, proportions. One suitcase. MOTORCYCLE (shape locked, colour follows the suitcase): a compact futuristic streetfighter / naked electric bike — sharp angular nose, split LED headlamp, black front forks, black disc brake, black wheels, sculpted side panels, under-seat tail, gold-accent LED strip along the mid-body. Body-panel paint takes the dominant colour of @product (if the suitcase is mustard yellow, the side panels and tank are mustard yellow; black mechanical parts stay black). Same bike every frame until it morphs. No manufacturer badge. Wardrobe on the rider: black zip jacket, beige cargo trousers, white sneakers, slim sunglasses. Fit to @image1's body. Setting: a luxury desert-resort plaza at golden hour — pale stone paving, tall palms, glass-and-timber hotel canopy, long shadows. Empty of other people. AUDIO — required: electric bike hum, tyre on stone, a mechanical folding whoosh as the bike becomes the case, suitcase wheels on stone. No dialogue, no lyrics. 0-3 seconds Already in the scene: @image1 rides the colour-matched streetfighter slowly toward camera across the plaza. Tracking three-quarter, low. Palms and hotel behind. 3-5 seconds They slow and put a foot down, still astride. Camera orbits slightly. Bike panels clearly show @product's colour. 5-7 seconds They step off. The bike compresses and folds in one continuous CGI move: wheels tuck, body panels collapse inward and become @product standing on its spinner wheels, handle rising. Same colour throughout. 7-8 seconds @image1 takes the telescopic handle of @product. 8-10 seconds They walk away toward the hotel entrance, pulling @product. Rear three-quarter. Empty plaza. End. Negative: extra people, crowd, BMW badge, readable signage, split-screen, a different suitcase than @image2, studio portrait as frame 1.
Exactly 15 seconds, 16:9. THIS IS A VIDEO GAME, not live-action, not a real camera, not a real person on a real street. Look: modern open-world crime-game cinematics. Pre-rendered game engine. Stylized PBR, slight subsurface on skin but clearly CGI characters, game anti-aliasing, in-game depth of field, game lighting, no film grain, no documentary shake. Think third-person console gameplay trailer — never photoreal street photography. @image1 is the playable character's FACE only — lock that face on a game-character body. Do not turn them into a real-world pedestrian. @image2 is the jacket they wear as in-game armor/clothing. Fit that exact jacket onto the game body. Do not change the jacket design, cut, colours or graphics. Only the drape. Frame 1 is already in-game, third-person camera behind the character on a New York–like city street. Never a studio portrait. Never a real iPhone clip. Camera: locked third-person follow, over-the-shoulder, typical game camera boom, slight analog stick drift, no handheld documentary. City: game-NYC — yellow taxi models, sidewalks, steam vents, crowds as NPCs (no readable faces), traffic AI, shopfronts, skybox. Optional simple game HUD: tiny minimap corner, no brand names, no titles. 0-4s — already walking. Game camera behind. Jacket fully visible. NPC traffic. 4-8s — cross the street on a walk light. Camera holds third-person. Jacket reads front and back. 8-12s — turn onto a wider avenue. Game sun, specular on the leather. Same face, same jacket. 12-15s — keep walking. Half-orbit game camera, then settle behind. Abrupt end. Audio: game-mix city bed, footsteps, engines. No music, no subtitles, no logos, no real-world film tone. No on-screen text except a tiny generic minimap. Duration: exactly 15 seconds. Aspect ratio: 16:9.
Exactly 15 seconds, 16:9. ONE CONTINUOUS UNBROKEN TAKE. Live-action fantasy comedy, 35mm grain, bright noon daylight, saturated but natural skin. Same world palette as before: floating grass islands, red-and-white mushrooms, green pipes, gold coins, waterfalls, pink-roofed castle, red-and-white curb, blue sky with big clouds. @image1 is GREEN — lock this exact face 100%. Dark bob, green cap, denim overalls, cream top, white gloves, brown boots. Green kart. @image2 is RED — lock this exact face 100%. Light brown hair, red cap, denim overalls, cream top, white gloves, brown boots. Red kart. Do not swap faces. Do not open on a studio portrait; frame 1 is already racing. Prince at the finish line, slightly to one side of the checkered stripe: blond curls, gold crown, pink costume, arms open. Directly BEHIND him, not beside: Bront the teal-scale copper-shell horned creature, white crest, brown eyes. Bront is clearly behind the prince. 0-2s — Already racing, side by side. RED shouts, exact lip sync: "My prince!" GREEN: "No! MY prince!" 2-6s — GREEN steers hard into RED and SHOVES her completely off the track. RED's red kart leaves the road entirely — over the curb, off the floating island, falling away. GREEN stays on the racing line and keeps going. This is a full knockout, not a bump. 6-10s — GREEN alone, full speed, drifts the last bend, crosses the finish line still in the green kart. Prince is ahead with arms open. She does NOT stop in front of him. She drives past him, around his left side, and brakes behind him next to Bront. 10-13s — GREEN jumps out, ignores the prince, runs around him and throws her arms around Bront. Tight hug. Bront grins. Prince turns, confused. 13-15s — Prince drops to his knees and sobs, kicking. GREEN keeps hugging Bront. RED is gone off-track. Abrupt end. One uninterrupted shot. No cuts. Audio: engines, a hard kart impact, wind, two spoken lines, hug, prince sobbing. No music, no subtitles, no logos. No on-screen text. Duration: exactly 15 seconds. Aspect ratio: 16:9.
Beach cat feedingRecreate workflow
