Match the ORIGINAL 15s 9:16 FILM shot-for-shot. Not a storyboard poster. Not a 2x2 grid. No on-screen campaign type. @image1 = THE BOTTLE. Photocopy its stopper, collar, liquid colour and every label word and mark exactly as printed. NEVER a can. @image2 = THE CRYSTAL ROCKS GLASS. Photocopy the glass exactly as shown — shape, cut and contents. Ignore bar bottles behind it. 15 seconds, 9:16, dark glossy studio, mirrored black floor, red-black bokeh. No people. AUDIO: ice rumble, spider-crack, explosive shatter, whoosh, pour, clink. No speech. 0.0–2.0s RECTANGULAR ICE BLOCK. The bottle stands fully trapped inside a tall clear ice prism, cracks already in the ice, shards at the base, reflection on the floor. Slow push-in. Product fills the block like the original can-in-ice. 2.0–3.5s SPIDER CRACK. Extreme close: ice in front of the bottle, radial fracture lines, a stream of water shooting across the crack. Macro. 3.5–5.0s TOP. Extreme close looking down on the bottle's stopper and collar, heavy condensation droplets, water splash above. No pull-tab. No can lid. 5.0–7.0s BURST. The bottle explodes out of the ice on a diagonal, flying toward camera, hundreds of ice cubes blasting radially, motion blur on shards, bottle sharp and readable in the center. 7.0–9.0s ORBIT. Bottle tumbling slowly in a vortex of ice and mist, wet glass, dark studio. Full 360 sense. Not standing still. 9.0–11.0s POUR. Macro: the spirit (its colour exactly as in @image1) pouring from the bottle neck into @image2's rocks glass packed with ice. Splash, bubbles, orange peel if it fits. High-speed. 11.0–15.0s HERO TWO-UP. Bottle LEFT, filled crystal glass RIGHT, ice chunks on a mirrored black floor, red-black bokeh, condensation, reflections of both. Slow push-in. Last second HOLD. No text, no slogan, no can. NEGATIVE: a can, pull tab, storyboard grid, posters, captions, extra bottles, people, warped bottle.
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PRODUCT LOCK — CRITICAL: @image1 is the exact bottle. Photocopy its shape, cap, body colour, wordmark and every label line exactly as printed. Do not redesign. Do not turn it into another brand. One bottle only. Ignore any background or surroundings in @image1 — the film is a clean white studio. 10 seconds, 9:16, luxury beauty commercial. No people, no hands covering the bottle, no on-screen captions. AUDIO: soft water, liquid, lather, hair. No speech. No lyrics. 0.0–1.5s WATER REVEAL. Extreme macro, crystal-clear droplets falling slow-motion on soft white. Sparkle, forward push, shallow DOF. 1.5–3.0s HAIR. Close-up long silky hair flowing slow-motion, realistic strands, studio highlights. No face. 3.0–4.5s SHAMPOO TEXTURE. Creamy white shampoo flowing from THIS bottle (@image1), glossy ribbon, real viscosity. Bottle undistorted, label readable. 4.5–6.0s LATHER. Cream mixes with water into soft foam, tiny bubbles, droplets, macro. 6.0–7.5s SILKY HAIR. Camera glides through shiny hair swaying. No face. 7.5–10.0s HERO. The exact bottle from @image1 standing upright on glossy white. A few droplets, slow push-in. Last second: hold, sharp, centered, undistorted. NEGATIVE: another brand's bottle, distorted bottle, altered label, extra bottles, people, hands, watermark, subtitles, clutter, floating bottle.
Your avatar blooms into a lush red-flowering garden bush — head becoming one big red flower, aware and reacting, until no skin is left and the figure reads as a real leafy shrub of petals and green foliage blending into the hedges. Music only, loud. See the video step for the full prompt.
Smooth natural motion, clean commercial fashion-ad aesthetic, crisp detail, luxury catalogue presentation, soft studio lighting with realistic shadows under the figure and under the pieces. @image1 is the layout and the first frame, and it is an absolute lock. The entire layout stays exactly as shown: same background, same item panel, same captions, same crown icons, same wordmark, same framing, same position and same scale of every element. Face, hair, body, proportions, garments, materials and colours stay exactly as they are in that frame, with no drift or reinterpretation in any frame. Camera locked off on a tripod. No pan, tilt, zoom, tracking, dolly, handheld movement or reframing. The figure turns one full circle on the spot the way a fashion model turns on set, and the pieces inside the panel turn with them. Beats, each given equal weight: They begin in the pose of the first frame, then start to turn, stepping their feet around naturally and shifting their weight from one leg to the other, arms moving freely and shoulders relaxed. They continue round through profile, the turn unhurried and even. They come around to the back and glance over their shoulder toward the camera. They continue round through the other profile, still stepping the turn out on the spot. They return to face the camera and settle into a new, different confident pose, and hold it. Across the same turn, every piece inside the item panel rotates in place on its own vertical axis like a luxury product display render, revealing front, side and back. Each piece stays centred in its own slot, keeps its size, and completes exactly one full rotation, ending in its original orientation. The figure stays in the same spot and at the same size in frame throughout, feet staying on the floor with the contact shadow following them. Every garment continues around the side and the back, complete and unchanged, with each trim, fastening and fold consistent all the way round. Natural posture and realistic cloth physics: the garments, their hems, cuffs and edges, anything worn at the neck or the ankle, and the hair all swing and settle with the motion, then come to rest. The panel, its divider lines, the captions, the crown icons and the wordmark stay perfectly fixed and stay sharp and legible for the whole clip. Only the figure moves and the pieces rotate. No camera movement, no cuts, no identity drift, no face change, no garment substitution, no change to the panel layout or its type, no drifting or resizing of the panel, no sliding feet, no warped hands, no extra limbs, no disappearing accessories, no added scenery, no extra text, no logos, no watermark.
A two-step recipe for the talking-product format: an image step turns the uploaded packaging into a character, and a Seedance 2.5 step gives it a 25-second monologue in one continuous take with a moving camera. WHAT TO EDIT WHEN YOU RUN IT: the monologue in step 2. The words between the { } braces are an example — replace them with your own and keep the braces. Budget roughly 65-70 words for 25 seconds; more than that and the model compresses the closing lines until they are swallowed, which is the single commonest way this format fails. WHY THE SPEECH CLOCK IS IN THE PROMPT: without it the model runs the monologue too fast and leaves four or five seconds of dead air at the end, or crushes the last two sentences into two seconds. With the clock written out the pauses land within a few tenths of a second of where they are asked for. WHY THE HANDS ARE CONSTRAINED: on an early render of this format the direction said 'raises a single index finger' and the model raised the middle finger instead, and held it for ten seconds. A stubby cartoon hand cannot isolate one digit reliably, so both steps forbid pointing and finger-counting and use whole open palms. KNOWN WEAKNESS — READ BEFORE USING A REAL BRAND: step 1 does not always respect the printing on the packaging. On the example shown here it rotated the label ninety degrees and added two words that were not on the input photo. The prompt now forbids this explicitly, but check the step 1 output before spending on step 2, and re-run step 1 if the wording or its orientation has drifted. THE PROP IN STEP 2 IS OPTIONAL: the fizzing glass suits an effervescent tablet and nothing else. It is left in the prompt as a worked example of the technique, because a prop that visibly changes from the first frame to the last is a clock the viewer can read and it proves the take was never cut. Swap it for something that changes in your own product's world, or delete the block. PREVIEW: produced by this chain at 720p. Step 2 runs at 1080p for a finished ad.
Upload an outfit photo and an avatar. Step 2 generates a clean outfit-only image; step 3 magically reveals your avatar wearing that exact outfit, keeping the same face. Music only, loud.
Your avatar turns into fully transparent, see-through water and then suddenly collapses and splashes down into a clear puddle on a sunny poolside. Music only, loud. See the video step for the full prompt.
A 22-second vertical 9:16 talking-product comedy ad. Photorealistic 3D character animation, cinematic. ASSET MAP — every reference is bound here and cited by tag below: @image1 — the magnesium product. This is the product's truth: its shape, material, colour, closure and every word printed on it. @image2 — the same product wearing its cartoon face and arms. This is the character design. PRODUCT LOCK — HIGHEST PRIORITY: the container is exactly the one in @image1. Preserve its shape and proportions, its material and colour, its cap or closure, and its label artwork exactly. Every word, number and symbol printed on it stays as photographed — same spelling, same typeface, same size, same position. Never add, remove, translate or re-typeset any lettering, brand name, logo, badge or seal. Wherever this text and the attached images disagree, follow the images. CHARACTER LOCK: the face and arms are exactly the ones in @image2 — same eyebrow weight and shape, same eye style, same mouth, same arm colour and thickness, same placement on the container. Do not redesign them. THE EYEBROWS ARE THE PERFORMANCE — two thick, solid, matte-black eyebrows shaped like bold brush strokes, clearly separated from the eyes and sitting well above them. They are the single most expressive element in the entire shot: they tilt, arch, furrow, raise and flatten on every emotional beat. They are never thin, never a mere eyelid line, and never absent from any frame. HANDS STAY CLEAR OF THE LABEL: the arms gesture beside the container and out to its sides, but never cross in front of its printed text. Every word on the product stays readable in every frame. THE BODY NEVER DEFORMS: the container does not stretch, squash, bend or hop. It stays standing on the counter. Only the face and the arms move. SET: a dark kitchen at three in the morning. The container stands on a stone counter. The only light is a cool under-cabinet strip and a faint glow from a doorway behind. A blurred kettle, a mug and a plant deep in the out-of-focus background. Quiet, still, nobody else in the room. CAMERA: one continuous shot, no cuts. It opens WIDE — the whole dark kitchen, the container small and alone on the counter — and pushes in slowly and steadily across the entire clip, arriving on a medium close-up of its face by the final line. The move is smooth and never stops. No handheld shake, no pan, no whip. VOICE: one voice, dry, weary and completely deadpan — something that has been waiting all day to say this. Not cartoonish, not sinister, not whispered. Ordinary speaking pace, with real pauses between sentences. PERFORMANCE AND LINES — it speaks these words, in this order, word for word, exactly once: 0–4s: wide shot. Arms crossed, eyebrows flat and low, already unimpressed before the clip starts. "Three in the morning. Calf cramp. And suddenly, you remember I exist." 4–9s: uncrosses its arms, one hand turning up in a small matter-of-fact shrug. Eyebrows level, plainly stating a fact. "I'm magnesium. I'm involved in hundreds of reactions in your body. Quietly. Every day." 9–14s: leaning into the grievance, eyebrows angling sharply down into a furrow, one hand pointing straight at camera on each question. Midway through this stretch a single tiny white spark flares off the cap for half a second and dies — it does not react to it. "That eye twitch last Tuesday? Restless legs at night? Your body was asking." 14–20s: one hand up flat in a stop gesture out to the side, then both hands opening outward. The eyebrows travel from firm and level to raised and almost pleading. "I'm not a painkiller. Don't wait for the cramp — take care of your magnesium first." 20–22s: the arms drop to its sides, the eyebrows settle flat, the eyes glance away, and it holds there as the camera settles on its face. "...I'll be here." AUDIO: quiet night room tone throughout, a faint fridge hum. One soft electrical tick on the spark. The voice. No music bed, no score under the dialogue. NEGATIVE: on-screen text, captions, subtitles, a watermark, a brand name, an invented logo, added or altered lettering, garbled label text, a hand covering the label, thin eyebrows, missing eyebrows, a human, hands belonging to a person, a second container, a second character, a face on any other object, photorealistic human eyes, teeth, lips, stretching, squashing, bending, hopping, the container leaving the counter, camera cuts, handheld shake, flickering light, horror atmosphere, sinister tone, spilled capsules.
Your avatar turns to stone from the feet up, aware and struggling, ending as a weathered statue among the rocks. Music only, loud. See the video step for the full prompt.
Your avatar bursts into flames and rises as a fire-wielding villain, unharmed and menacing, wreathed in towering flames on a night city street. Music only, loud. See the video step for the full prompt.