CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGE IS MANDATORY AND FINAL: The attached image outranks every word written below it: wherever the attached image and this text disagree, follow the image. ASSET MAP: @image1 — the tiny living person. Photocopy face, hair, skin, and the clothes on the still (long blonde waves with curtain bangs, cream wrap mini dress with a blue-green-tan floral print and short puff sleeves, thin gold necklace with a small pendant, woven tan rattan bag with a brown clasp on the forearm, gold ring). Ignore the grey studio pad around @image1 — that pad is not a set. Never freeze on the attached still as frame 0. Never show a checkerboard or transparency grid. SUBJECT LOCK — HIGHEST PRIORITY: The tiny subject in every shot is exactly what is in @image1, only shrunk in scale. Do not beautify, restyle, slim or redesign it. No other version of it appears anywhere in frame. NATURAL FLIGHT — HIGHEST PRIORITY: they are a living person riding the dandelion, not a posed still pasted onto it. Do not copy the seated cafe-chair pose from @image1 into the air. They nest in the hollow of the seed head like a soft nest: hips sunk into the seeds, knees loosely tucked, torso relaxed and slightly forward, face clear above the fluff rim from frame 1 — never buried in the seeds. Hair, puff sleeves, dress hem and bag strap stream and lift in the real airflow. On every tilt they lean with gravity; on every dip their body sinks a beat then recovers with the puff. Soft living micro-motion the whole time — blinks, looking where they are going, breath in the shoulders. Not a doll, not a statue, not a frozen smile, not hovering above the puff, not glued on top. HANDS: if the subject has hands, they are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. Hands rest loosely in their lap or on the seed rim — they do not grip, hold or manipulate anything. SINGLE SUBJECT: only the @image1 subject rides the dandelion as the story’s subject — a single real moth may appear as natural wildlife in the scene, not as a character, and no other people, figures or hands enter frame. They are a tiny real person, not a doll. PHOTOREAL LIVE-ACTION: real camera, real garden at dusk, real light — not CGI, not a painting, not an animated illustration. Match grain, colour and lighting between the subject and the dandelion so the whole shot reads as one photograph. SCALE REALISM: the subject, nested in the hollow centre of a single dandelion seed head, is a few centimetres tall relative to the real garden below — blades of grass, a low garden fence, and a ring of mushrooms at a tree’s base all read at true towering scale beneath it. Match lighting and colour grade between the subject and the dandelion throughout so the whole shot reads as one real photograph, not a composite. The scale contrast is clearly visible in the very first frame. Unbranded: no logos, no brand names, no readable text on seeds, grass or mushrooms. PROP CONTINUITY: the dandelion seed head carrying the subject, the grass blades and low fence below, and the ring of glowing mushrooms at the destination tree are all visible from frame 1 or clearly established before first use — nothing new appears later unexplained. CAUSALITY LOCK: every event has a shown, physical cause — the dandelion tilts because a real gust of wind visibly bends the grass below it first; it dips suddenly because a real moth’s wingbeat disturbs the air close by, visible a beat before the dip; it rights itself and descends only because the wind settles and gravity brings it down, a visible physical process, never an unexplained recovery. PACING: real, continuous motion for the full duration — no calm establishing pause longer than 1 second except the brief settled beat at landing. Each beat below must read as a distinct, clearly readable event, not a blur. Do NOT default to a calm, mostly-still shot. Shot 1 must open already in motion. Never freeze on the reference still. SCENE: a real garden at dusk, warm fading light low on the horizon, cool blue shadow rising from below. The tiny living person, built exactly from @image1, is already airborne, nested in the dandelion hollow, rising fast past the grass blades when the shot opens. Whimsical live-action macro realism, shallow depth of field. Tiny real person — not a doll, not a statue. 0–2s: Already rising fast, the dandelion carries them up past the grass blades and over the low garden fence. Their hair and dress hem stream in the airflow; face readable above the fluff; hips nested in the seeds. 2–4s: A real gust bends the grass below first, then catches the dandelion — it tilts hard to one side. They lean with it, hair flattening with the fluff, then the puff levels and they settle back into the hollow. 4–6s: A real moth flutters close, its wingbeat disturbing the air — the dandelion dips suddenly. Their body sinks with the drop, then the puff catches air and they recover with it. 6–8s: Steadied, it drifts higher through a loose scatter of real fireflies, their light catching the fluff strands and the moving hair as it passes through them. 8–10s: Below, the garden opens into a ring of glowing mushrooms circling the base of a large tree — they look down toward the destination coming into view. 10–12s: The dandelion settles gently down at the edge of the mushroom ring, fluff coming to rest, they still nested and living at its centre, soft mushroom-glow lighting the whole scene — the full miniature garden world visible in this final frame. STYLE: photoreal live-action macro, real garden at dusk, warm fading light, shallow depth of field. Vertical 9:16. Tiny real person nested in a giant dandelion seed head — not a doll, not a statue, not a posed still. AUDIO (native, synced, no BGM, no voiceover, no narration): a steady breeze, fluff rippling and rustling, a soft gust gusting past, a faint moth wingbeat, gentle settling as it lands, soft ambient dusk insects at the end. No on-screen text, no watermark, no subtitles.

CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGE IS MANDATORY AND FINAL: The attached image outranks every word written below it: wherever the attached image and this text disagree, follow the image. ASSET MAP: @image1 — the tiny living person. Photocopy face, hair, skin, and the clothes on the still (sleeveless bare shoulders, long curly brown hair, layered gold necklaces with a round coin pendant). Ignore the grey studio pad around @image1 — that pad is not a set. Never freeze on the attached still as frame 0. Never show a checkerboard or transparency grid. SUBJECT LOCK — HIGHEST PRIORITY: The tiny subject in every shot is exactly what is in @image1, only shrunk in scale. Do not beautify, restyle, slim or redesign it. No other version of it appears anywhere in frame. HANDS: if the subject has hands, they are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. The story does not require them to grip, hold or manipulate anything — only to ride, sway and settle with the boat’s motion. SINGLE SUBJECT: only the @image1 subject rides the leaf-boat as the story’s subject — a real frog and real fireflies may appear as natural wildlife in the scene, not as characters, and no other people, figures or hands enter frame. They are a tiny real person, not a doll. PHOTOREAL LIVE-ACTION: real camera, real miniature stream, real water, real light — not CGI, not a painting, not an animated illustration. Match grain, colour and lighting between the subject and the water so the whole shot reads as one photograph. SCALE REALISM: the subject, riding on a single large fallen leaf, is a few centimetres tall relative to a real miniature garden stream — the blades of grass on either bank tower like canyon walls, a lily pad ahead is the size of a small island. Match lighting and colour grade between the subject and the water throughout so the whole shot reads as one real photograph, not a composite. The scale contrast is clearly visible in the very first frame. Unbranded: no logos, no brand names, no readable text on leaves, petals or water. PROP CONTINUITY: the leaf-boat the subject rides, the grass-blade banks, and the overhanging curtain of petals partway downstream are all visible from frame 1 or clearly established before first use — nothing new appears later unexplained. CAUSALITY LOCK: every event has a shown, physical cause — a real frog leaps from the bank into the water first, visibly, before the ripple-wave it creates reaches the boat; the boat tips because that same wave physically strikes it, not randomly; it rights itself because the wave passes and the water settles, a visible physical process, never an unexplained recovery. PACING: real, continuous motion for the full duration — no calm establishing pause longer than 1 second except the brief settled beat at the very end. Each beat below must read as a distinct, clearly readable event, not a blur. Do NOT default to a calm, mostly-still shot. Shot 1 must open already in motion. Never freeze on the reference still. SCENE: a miniature garden stream at dusk, warm fading light on the water, grass blades rising like canyon walls on either bank. The tiny living person, built exactly from @image1, is already riding the leaf-boat downstream when the shot opens. Whimsical live-action macro realism, shallow depth of field. Tiny real person — not a doll, not a statue. 0–2s: Already racing downstream, the leaf-boat weaves between the grass-blade banks, a fine spray kicking up at its bow, the subject riding steady at its centre. 2–4s: Ahead on the bank, a real frog leaps into the water — the splash sends a ripple-wave racing toward the boat. 4–6s: The wave strikes — the leaf-boat rears up and tips hard to one side, the subject sliding toward the rim, before the wave passes and the leaf levels out flat on the water again. 6–8s: The current carries the boat under a low curtain of overhanging petals — they brush just overhead as the boat ducks beneath, emerging into open water on the far side. 8–10s: The stream widens into a still, glowing pool, real fireflies hovering low over the surface, their light scattered across the water. 10–12s: The leaf-boat drifts to rest against a large lily pad at the pool’s edge, the subject settled and steady at its centre, fireflies circling softly above — the full miniature river world visible in this final frame. STYLE: photoreal live-action macro, real garden stream at dusk, warm fading light, shallow depth of field. Vertical 9:16. Tiny real person on a giant leaf-boat — not a doll, not a statue. AUDIO (native, synced, no BGM, no voiceover, no narration): rushing water, a frog’s splash and the ripple that follows, water lapping against the leaf, a soft rustle as petals brush overhead, gentle water settling at the pool, faint insect hum at the end. No on-screen text, no watermark, no subtitles.

CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGES ARE MANDATORY AND FINAL: The attached images outrank every word written below them. Wherever an attached image and this text disagree, follow the image — including the product’s exact shape, features and proportions. ASSET MAP: @image1 — the tiny person. Photocopy face, hair, skin, and the clothes on the still (black sleeveless cut-out dress, layered pearl and gold chain necklace, gold hoop earrings, gold rings, red lipstick, blunt dark bob). Ignore the grey studio pad around @image1 — that pad is not a set. Ignore any restaurant tables, chairs, windows or city skyline leftover in the still — those are not the location. Never freeze on the attached still as frame 0. Never show a checkerboard or transparency grid. The hand-at-necklace pose on the still is not the action. @image2 — the product: the brown weathered leather cowboy hat with a pinched crown, wide brim, stitched brim edge, and a studded leather hatband with a round metal concho. Unchanged and not regenerated — same shape, colour, materials, band and hardware in every shot it appears. Ignore the grey studio pad and any thin white JPEG fringe around @image2 — those are not part of the hat. No invented branding, text, feathers, or extra hardware. No giant wearer. No other people, hands, or faces enter frame at any point. HANDS: if the subject has hands, they are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. The story does not require the subject to grip, hold or manipulate anything — only to be carried along by the water and ride out the motion. SINGLE SUBJECT: only the @image1 subject appears as a character in this scene — no other people, figures or hands enter frame. PHOTOREAL LIVE-ACTION: real camera, real drizzle, real water — not CGI, not a painting. Match grain, colour and lighting between the subject, the droplet and the product’s surface so the whole shot reads as one photograph. SCALE REALISM: the subject is a few centimetres tall relative to @image2, which stands at its true full size — like a towering landscape. A natural slope or curve on the product’s own surface forms the run the water follows. Match lighting and colour grade between the subject and the product throughout so the whole shot reads as one real photograph, not a composite. The scale contrast is clearly visible in the very first frame. PROP CONTINUITY: the slope on the product’s surface (crown-to-brim leather), a sharp curve partway down it (where the crown meets the brim), and a small ridge near the bottom (stitched brim edge) are all visible from frame 1 or clearly established before first use — nothing new appears later unexplained. CAUSALITY LOCK: every event has a shown, physical cause — a real raindrop lands and gathers into a single large droplet at the top of the slope first, visibly, before it breaks free and starts rolling; the subject is swept along only because the moving water physically reaches and carries them; the brief airborne moment happens because the ridge is a visible bump in the product’s surface, not an unexplained jump; the splash at the end happens because the droplet and subject reach a real puddle that has visibly formed at the product’s base. PACING: real, continuous motion for the full duration — no calm establishing pause longer than 1 second except the brief settled beat at the very end. Each beat below must read as a distinct, clearly readable event, not a blur. Do NOT default to a calm, mostly-still shot. Shot 1 must open already in motion. SCENE: light drizzle falling onto @image2's real surface, overcast daylight, shallow depth of field. The subject, exactly as in @image1, is already perched at the top of the slope as a droplet forms nearby when the shot opens. Whimsical live-action macro realism. 0–2s: A single large droplet gathers from the drizzle right beside the subject, then breaks free and starts rolling down the product’s natural slope — the subject, caught at its edge, is swept along with it. 2–4s: Gathering speed together down the slope, water spraying off to the sides. 4–6s: The slope curves sharply — droplet and subject swing wide around the curve, water fanning outward at the turn. 6–8s: They hit the small ridge near the bottom — a brief airborne moment, both lifting off the surface together — before landing back on the slope, still moving fast. 8–10s: Reaching the bottom, droplet and subject splash together into a small puddle that has formed at the product’s base. 10–12s: Settled at the puddle’s edge, drizzle still falling softly around them, the subject sits or rests there, @image2 towering behind them — the full scale of the product landscape visible in this final frame. AUDIO: natural foley only — soft drizzle, water gathering and breaking free, a rushing trickle as it rolls and speeds up, a brief whoosh at the airborne moment, a soft splash at the bottom, gentle rain ambience settling at the end. No music, no BGM, no voiceover, no narration. No on-screen text, no watermark, no subtitles.