CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle their face or hair. No face changes, no identity drift. No other people share their face. @image1 is identity only — photocopy face, hair, eyes, skin and age. Do not wear the black studio top, gold snake necklace or gold bracelet from the still. The still has no gym set — wardrobe and setting come from this prompt. ASSET MAP: @image1 — the character. SINGLE SUBJECT: Only this one person appears. No other people in frame. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. Hands never hold a phone, never hold a camera, never hold a speaker. Empty hands, laces, barbell, plates, or a water bottle only. NO PHONE — HIGHEST PRIORITY: There is no phone anywhere on this person. No phone in either hand, no phone at the ear, no phone in a selfie grip, no phone on a selfie stick, no phone in a pocket being pulled out. The camcorder is already rolling on a rack or mirror — they never film themselves with a device in hand. A small speaker can sit on a bench in the background, untouched. UNBRANDED SNEAKERS — HIGHEST PRIORITY: The training sneakers are plain, generic, unbranded. No logos, no wordmarks, no letters, no numbers, no swoosh, no stripes that read as a brand, no heel tabs with type, no recognizable designer marks. Same pair, clearly visible, every shot. CAMERA/LOOK: Authentic DV/16mm camcorder POV, already propped on a mirror or rack — never held as a phone. Shaky framing, imperfect focus, clumsy zooms, occasional face cutoffs, soft tape blur, subtle tape noise, bloomed gym lights, flickering exposure, muted contrast, realistic skin. Sweat gradually increases. Music plays throughout from the off-screen speaker. STYLE: Playful new-sneakers intro → rising tension before the squat PR → quiet focus during the lift → energetic triumphant ending. Fast handheld cuts with natural gym ambience. PRODUCT (wardrobe/gear only, not identity): a new pair of unbranded training sneakers, worn with their regular gym clothes, no jewelry. The sneakers are the featured product — kept clearly visible and consistent in every shot. SETTING: Early-evening gym with mirrors, squat rack, barbell, weight plates, a speaker on a bench (not in their hands), water bottle, soft overhead lighting. Any numbers or labels on the plates stay soft and unreadable — amounts are described in speech only, never as on-screen text. 30s / 12 CUTS: 1. 0-3s: Mirror shot. Empty hands. The character poses excitedly, lifting one foot to show off the new unbranded sneakers: “Okay guys, new kicks — check these out!” 2. 3-5.5s: Close on the sneaker details as they adjust the laces and flex their foot — blank tongue, blank sides, no marks: “So comfy, and the grip is amazing.” 3. 5.5-8s: Bodyweight squats and lunges to warm up. Hands free or on hips. Speaker already playing on the bench, not held: “Playlist’s locked in, let’s get moving.” 4. 8-10s: Quick playful dance between warmup reps, laughing, empty hands. Music only. 5. 10-12.5s: At the squat rack, they load a heavier plate onto the bar: “Okay... today’s the day I try a new squat PR.” 6. 12.5-14.5s: Macro shot of the unbranded sneakers planting firmly and gripping the gym floor as they set their stance, metal clink from the plates, no dialogue. 7. 14.5-17s: Nervous close-up, shaking out their legs, no phone: “Okay. Okay. Deep breath.” 8. 17-19.5s: Side angle as they unrack the bar onto their shoulders, feet set wide and stable in the sneakers. Music lowers; breathing becomes prominent. 9. 19.5-22.5s: They descend into a deep squat, then drive back up with visible effort, heels planted and stable throughout: “Come on—come on—” 10. 22.5-24.5s: Bar racks. They stand up, stunned, breathing heavily, legs slightly shaking. Empty hands after the rack. 11. 24.5-27s: Close reaction, huge grin, hand over mouth: “Wait—I actually did it!” 12. 27-30s: Sweaty look into the propped camcorder, glancing down at the sneakers, triumphant fist toward camera — no phone in frame: “New squat PR! Okay, best gym shoes ever. See you guys!” No on-screen text, no subtitles, no watermark, no logos.

Generate a live rally broadcast where a car showers you in dust at a gravel hairpin.

VERTICAL 9:16 30 seconds. ONE continuous handheld selfie. Medium close-up. They walk forward down a sunny city sidewalk. Slight sway from their steps. No cuts. @image1 is CATE. Photocopy FACE and hair exactly as in @image1, with this outfit: white V-neck jersey with coral-pink side panels and sleeve stripes, pink cargo shorts, white socks, silver sneakers, red string bracelet. NOT the top from @image1. NOT a studio grey void as frame 0 — they are already walking on the street. Iced coffee with a straw in their RIGHT hand the whole time. Lip-sync the English lines. They talk to the lens like a vlog. 0:00–0:11 Walking, looking into the lens: “Okay, walk with me. I’m meeting my sister for brunch, and I’m, like, 10 minutes early for once. I love this street in the morning before all the people...” 0:11–0:15 Flower stall on their LEFT, colorful bouquets in white buckets. Glance left, back to camera: “Oh, the flower stall’s out again. So pretty.” 0:15–0:26 Bakery on their RIGHT, window of round pastries. Look right, back, laugh: “And that bakery? No. Be strong.” 0:26–0:30 Keep walking, smile, small wave: “Okay, it’s just up here. I’ll show you what we get. Bye!” Trees, storefronts, parked cars. No on-screen text. No logos. Same face every frame.

CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle their face or hair. No face changes, no identity drift. No other people share their face. @image1 is identity only — photocopy face, hair, eyes, skin and age. Do not wear the clothes or jewellery from the still. The still has no aqua park — wardrobe and setting come from this prompt. ASSET MAP: @image1 — the character. SINGLE SUBJECT: Only this one person appears. No other people in frame. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. STYLE: Vertical selfie-style UGC action-camera review, shot on iPhone front and back camera mix, natural daylight, handheld authentic energy, casual “showing a friend how I film everything” vibe, real skin tones, no filters. SETTING: A sunny outdoor aqua park — water slides, splash pools, palm-lined decks, bright open sky. Water spray and natural sunlight throughout. PRODUCT/OUTFIT (wardrobe/gear only, not identity): a lightweight quick-dry rash guard over swimwear. They hold a compact rugged action camera — small waterproof body, wide lens. No jewelry. Action and spoken dialogue (native sound, they speak these lines): 0.0-4.0s SHOT 1 — Front camera: They hold the action camera close to the lens, poolside spray drifting past, relaxed smile. They say: “Okay, I’ve been filming everything with this.” 4.0-8.0s SHOT 2 — Back camera: They walk along the aqua park deck toward a water slide, camera capturing stable forward motion despite the wet, busy surroundings. They say: “It stays smooth even when I’m moving.” 8.0-12.0s SHOT 3 — Neck-mounted POV: The camera now hangs from their neck, lens facing outward, capturing natural walking motion past pools and slides. They say: “I just wear it and film — even here.” 12.0-15.5s SHOT 4 — Medium-wide third-person: The camera is set on a poolside ledge. The action camera is visible neck-mounted on them as they walk toward frame, a light splash of water passing nearby. They say: “I don’t really think about it.” 15.5-18.5s SHOT 5 — Close-up back camera: They bring the camera close to the lens, showing buttons and lens detail, a few water droplets beading on the waterproof body. They say: “And it just shrugs off the water.” 18.5-22.0s SHOT 6 — Final front camera: They hold the camera beside their face, water slides and pool splashes behind them, calm confident smile. They say: “Yeah, I’m definitely bringing this everywhere I go.” Direct every second through 22.0s. Never freeze. Never cut to the attached still. Never open on a studio headshot. No on-screen text, no subtitles, no logos.

A product sits forgotten on a shop shelf. A mouth opens on its front and it quietly talks about being ignored, until a hand reaches in, lifts it off the shelf and finally uses it.

2 steps

VERTICAL 9:16 13 seconds. ONE continuous take. Camera LOCKED: wide full-group, tripod, no pan, no cut. @image1 = MATEO, front row LEFT (the lead). Photocopy FACE only. Ignore whatever clothes are in @image1. @image2 = ERIC, front row RIGHT. Photocopy FACE and hair exactly as in @image2. Ignore whatever clothes are in @image2. Six GENERIC women in a loose formation behind/around them — attractive, mixed, not copies of Mateo or Eric. Dirt mountain path, scenic peaks behind. Outdoor athletic/casual clothes on everyone. No on-screen text. 0:00–0:02 Six women standing. Mateo and Eric RUN IN from the background and take the two front spots. Mateo left, Eric right. 0:02–0:04 Whole group jumps, lands in a squat, hands together prayer. Then wide stance, arms thrown out, martial pose. The two leads lead. 0:04–0:06 Jump together, prayer hands. Right arms shoot up. Then wide stance, arms out. 0:06–0:09 Sync: wide squat arms out → side step → jump, hands clasped in front. Mateo leads. 0:09–0:13 Low squat fists forward → strong punch forward → FINAL: legs wide, right arm punching high. Hold. Same two faces on the two leads every frame. Women stay generic. Camera never moves.

Generate a glossy music video of two people strutting down a white corridor in giant puffy suits.

2 steps19520K

@image1 is the opening frame of the film and the single source of truth for everything in it: the round turntable with its brass rim, the three wedges it is divided into, the colour of each wedge, the three products standing on them, every small object beside them, and the collection bar at the top. Nothing is added, removed, redrawn, recoloured or relabelled. The turntable stays divided into exactly the three wedges shown in @image1 for the whole film — the same three seams meeting at the centre, the same three colours, never a fourth wedge. Each product keeps its exact shape, colours, cap and every mark it carries, as shown in @image1, and always stands upright on its wedge. One continuous 16-second take, 9:16 vertical, premium studio product film. THE POINT OF THE FILM: the turntable presents the three products one by one. Each product in turn is carried by the turning disc into a hero spot right in front of the lens, where it is seen big, sharp and upright at its own height, while the whole studio behind it takes on that product's colour. Then the disc carries it away and brings the next one. TWO THINGS MOVE, NEVER AT THE SAME TIME: 1. THE CAMERA moves only once, in the first three seconds, while the disc is still: from the high view of @image1 it glides down and forward to the HERO POSITION — low, at the height of the products, slightly above them, 50 mm look, facing the front edge of the disc, so the product standing on the front wedge fills the lower middle of the frame, big and sharp, with the studio wall behind it and the neighbouring products soft at the left and right edges. From the third second to the last frame the camera is locked in that hero position on a tripod and never moves again — no orbit, no pan, no drift, no zoom. The camera never travels around the disc. 2. THE DISC turns only from the third second on: it spins around its own centre at one slow, steady speed, a third of a turn every four seconds, clockwise as seen from above. It is the disc that carries the products past the lens: each wedge, with its upright product and its small objects, rides round from the right side of the frame into the hero spot at the front, holds the spotlight there, and rides on out to the left, while the next wedge comes in from the right. The seams visibly sweep past the front as the wedges change. Every product is always solid, upright and on its own wedge, never sliding, fading, doubling or lying down. THE COLOUR RULE: the seamless studio wall behind the turntable and the light in the studio take the colour of whichever product is in the hero spot — a soft, lighter tone of that product's own dominant colour on the wall, a deeper tone of it in the shadows — and flow smoothly to the next product's colour as the next one arrives. THE COLLECTION BAR: the bar at the top of @image1 is a fixed on-screen overlay. It stays exactly as in @image1 in every frame — same position, same size, the same three tiles in the same order — and nothing in it ever lights up, moves or changes. TIMELINE: [0–3 s] Opens on @image1. The disc is still. The camera glides down and forward in one smooth move into the hero position; the product on the front wedge grows big and sharp in the lower middle of the frame, and the wall behind it takes on its colour. [3–7 s] Camera locked. The disc starts turning: that first product rides slowly through the hero spot and out to the left, and the next product rides in from the right into the hero spot, big and sharp; the wall flows to its colour. [7–11 s] Camera locked. The disc keeps turning: the next product rides in from the right into the hero spot, big and sharp; the wall flows to its colour. [11–15 s] Camera locked. The disc keeps turning: the third product rides in from the right into the hero spot, big and sharp; the wall flows to its colour. [15–16 s] Camera locked, the disc still turning slowly; the film ends on that product in the hero spot. NOTES: one turntable divided into exactly three wedges, one take, no cuts. The camera moves only in the first three seconds and is locked after that; after that only the disc turns. Exactly three products, each always on its own wedge, never duplicated, swapped or merged. Nothing in the frame carries text. No people and no hands. AUDIO: a soft, minimal instrumental pulse under the whole take, the quiet smooth hum of the turning disc, and a faint airy whoosh each time the colour flows to a new product. No subtitles.

2 steps281.5K