Farm to Glass

Recreated 10 Sep 2026

Inspired by @Soaima_Aion XTheir workflow. Rebuilt step by step on OpenClips.

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Walks the chain step by step — nothing spends until you run one

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Prompt55 chars

Generate a commercial like video for the dairy product.

How it was made

Attach a photo of your carton or bottle. It rises out of the splash and closes the film.

Create a product map from @image1: two clean studio views of that exact product on a plain
neutral background — straight-on front with its front face toward the lens, and a three-quarter
turn — same scale, soft even light, no props and no hands.

@image1 IS THE PRODUCT AND IT IS FINAL. Reproduce it exactly — its pack, shape, proportions,
cap or closure, material, finish and every colour — and never invent a different one.

TEXT AND LOGOS: If @image1 carries a logo, a product name or any printed text, copy it exactly
— the same letters, the same spelling, the same typeface, colour, size and position on the
product, legible and unaltered in both views. If @image1 carries no logo and no text, the
product stays blank: add no lettering, no logo, no label and no symbol of any kind.

NEGATIVE: No invented or altered text, no misspelled or garbled letters, no extra labels, no
props, no hands, no background elements, no watermark.

Generates the commercial.

THE MESSAGE: Real goodness in every sip.
— the closing line that appears over the hero frame; keep it to one short sentence

ASSET MAP — every reference is bound here and cited by tag below:
@image1 — the product map. Refer to @image1 for the product in every shot: its pack, shape,
proportions, cap or closure, material, finish, colours and any printed text or logo, exactly
as shown. It is the product and nothing else, and whatever is written on it is only what
@image1 shows.
The numbering follows the order the references are attached.

Create a premium 15-second milk commercial. Start with a beautiful green dairy farm at
sunrise, cows grazing and fresh milk splashing in slow motion. Reveal the pack from @image1
rising dramatically from a splash of fresh milk. Show a close-up of creamy, smooth milk
texture, followed by fresh milk pouring into a clear glass in slow motion. Add dynamic milk
droplets and glossy product shots with natural sunlight, vibrant green fields and blue sky.
End with the pack from @image1 beside a full glass of milk, with the closing message:
THE MESSAGE. Cinematic camera movements, realistic milk physics, premium FMCG commercial
style, sharp product focus, smooth transitions, high-end lighting, satisfying slow-motion
shots.

The pack from @image1 is the same object in every shot — same shape, proportions, colours and
printed wording, never redesigned, recoloured or swapped, and nothing is added to its surface.

No subtitles or captions beyond THE MESSAGE on the final frame.

ModelMiniMax H3

Aspect9:16

Duration15s

Steps2

SourceX

Taken by the Light

FOUR SHOTS. VERTICAL. ONE PERSON ONLY. ULTRA-REALISTIC CINEMATIC SCI-FI. ASSET MAP - every reference is bound here and cited by tag below: @avatar - the person. This is who is on camera; face, hair, skin and body come entirely from @avatar and never from this text. CHARACTER LOCK - HIGHEST PRIORITY: the person in every shot is exactly the person in @avatar. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions, identically from the first frame to the last. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. No face changes, no identity drift, and no other people anywhere in frame. ATTACHED IMAGES ARE MANDATORY AND FINAL: if a reference is attached, that is the person - reproduce them exactly, in every frame, and never invent a different face, hairline, hair colour, skin tone, body or age. The attached reference outranks every word written below it. WARDROBE (from this text, never from @avatar): a pale floor-length robe of lightweight loosely woven fabric - long sleeves, an open front, a soft sash tied at the waist, and a long hem that trails on the ground, worn over matching loose full-length trousers in the same pale fabric. This is a unisex ceremonial robe, cut identically for any body: no logos, no lettering, no visible branding. The collar and shoulders of this robe are visible in every single shot, including the closest one - never a t-shirt, never a plain top, never bare shoulders. The reference shows their face and build, not this outfit - fit it to their body naturally without altering its cut, length, proportions or colour. The robe never changes the person: their hair length, hairstyle and gender presentation stay exactly as in @avatar. WORLD: an enormous, almost silent futuristic city at night. Glass towers climb out of frame, their windows glowing, thin neon lines running up their edges. The street is wet from recent rain and mirrors every light. Light mist and soft atmospheric fog. Above the rooftops there is no sky at all - the gap between the towers opens straight into the heart of a galaxy: dense drifting starfields and vast clouds of coloured nebula, close enough that they visibly move. Living inside that galaxy, an enormous creature glides slowly above the city like a whale through water. It has a solid rounded body with real volume - visible skin texture lit from within, soft shadow along its underside and flanks, slow rippling fins and a wide tail that flexes as it moves. It is a living animal made of light, not a flat glowing outline and not a drawing. Shot 1: a tracking shot from behind at walking height. The person walks slowly away down the middle of the wet street in the long pale robe, its hem trailing behind them, their steps sending small rings across the shallow water. Far above and ahead, the enormous creature slides across the gap between the towers. They slow to a stop and begin to tilt their head back. Shot 2: cut to a close shot of the person from the front, framed from the chest up so the collar and shoulders of the pale robe are clearly in frame. Their face is clearly lit and readable, head tilted back, looking up in silent amazement, eyes wide, lips slightly parted. Nebula light in soft blues and warm pinks moves across their face. Shot 3: cut wider. The enormous creature descends into the canyon between the towers until its body fills the whole gap directly above the person, so close its lit underside washes the whole street. The person stands small and alone in the middle of the wet road, head back, arms loose at their sides, the long hem beginning to lift around their ankles. Shot 4: THIS IS THE FINAL SHOT AND THE LONGEST SHOT OF THE FILM - it runs to the very end and the film closes on it. Cut to a low angle close on the person. The light closes around them and they rise: their feet lift cleanly off the wet street, the long hem and sleeves and their hair all stream downward as they climb, and water lifts off the road beneath them in slow threads. Their face stays turned upward, calm and amazed rather than frightened, clearly lit and clearly the same person. The camera stays with them and tilts up as they go, holding them in frame the whole way while the street falls away below and the creature's lit body grows above them, until they rise out of the top of the frame into the light. Stay on the person for this entire shot and end the film here. AUDIO: the deep quiet room tone of an empty city, faint water dripping and running, a low distant hum, one long low resonant call from the creature, and a soft rising swell of air as the person leaves the ground. Only one person exists in this entire video. No music, no narration, no dialogue and no voices. Do not generate subtitles, captions, on-screen text, a timestamp, a recording indicator, an interface overlay, a logo or a watermark. No second person, no crowd, no readable signage, no spacecraft, no tentacles, no grabbing or gripping of the body, no creature with a face or limbs, no final wide city shot without the person in it, and nothing that reads as a map or as lettering.

2 steps947.7K

Seedance 2.015s · 1:1