ONE PRODUCT. EIGHT SHOTS. NO PEOPLE ANYWHERE IN FRAME. ASSET MAP - every reference is bound here and cited by tag below: @image_1 - the product. This is the only physical object in the film. @image_1 is the product source only - its background, surface, props, shadows, framing, lighting and colour grade are ignored. Nothing behind or around the product in @image_1 carries into this film. PRODUCT LOCK: the object in every shot is exactly the object in @image_1@image_1. Preserve its silhouette, proportions, material, finish, packaging artwork, colours, typography and every printed detail exactly as shown, identically from the first frame to the last. Never redesign, restyle, re-letter, relabel, recolour or open the product, never add lettering, a logo, a seal or a symbol that is not already on @image_1, never remove one that is, and never damage, break, dent, crush or deform it. It stays whole and sealed for the entire film. Only one of it exists. WORLD (from this text, never from @image_1): a pure black void with no floor line, no horizon, no table, no plinth, no pedestal, no stand, no podium, no room and no set. The product rests on nothing at all until the final shot. One hard rim light rakes the product from behind, a soft key comes from the front left, and a black glossy reflective plane exists only in the final shot. The product is lit like a jewel in a museum case. COLOUR: the rim light, the mist, the liquid and every particle are tinted with the colours already present on @image_1 - if the product carries one dominant colour, everything takes that colour, and if it carries several, they take its whole palette. Nothing in the film is neutral white or plain grey, and everything else stays black. PARTICLES (from this text): fine glowing dust, crystalline shards and clean liquid droplets. They orbit, burst and streak past the lens. They are never a hanging thread and they never touch or stick to the product. PACE: real commercial speed, already at full velocity on the very first frame. Slow motion happens in exactly one shot and nowhere else. Cuts are hard and clean, and no single shot runs longer than about two seconds. Shot 1: the very first frame is already a large, bright, close three-quarter hero view of the product filling the centre of the frame, and it is already in motion - driving forward through a curtain of glowing mist that blasts apart around it and streaks past the lens. The product never starts small, never starts far away, never approaches from the distance and is never a speck against the dark. <a deep rushing whoosh and a bright particle burst> Shot 2: it slams to a dead stop in hero position at the centre of the frame as a shockwave ring of dust and droplets blows outward past the lens and the rim light snaps on hard behind it. <a heavy impact and a wide expanding boom> Shot 3: the camera makes one fast tight orbit around the product while a hard bar of light rakes slowly across its surface, lighting up its material, its finish and every printed detail in turn. <a rising metallic sweep> Shot 4: hard cut to extreme macro on one small part of the product. A single liquid droplet runs across the surface, light kicks off it, and the micro texture and grain of the material are fully readable. <a small wet tick and a soft high shimmer> Shot 5: the product drops into a shallow pool of glossy liquid and throws a tall sharp splash crown around itself, droplets shooting straight up and raining back down. <a thick heavy splash> Shot 6: slow motion, and only here. The product hangs dead centre, whole and untouched, while a full three hundred and sixty degree shockwave of glowing dust, crystalline shards and liquid droplets detonates outward around it and streaks past the lens, then hangs almost still in the air for half a second. <a low detonation and a long trailing particle wash> Shot 7: back to full speed. Every particle reverses at once and rushes back inward, collapsing into a tight bright halo that spins one full turn around the product and dies out. <a fast inward suck and a clean shimmering snap> Shot 8: the final hero. The product stands upright and perfectly still on a black glossy reflective plane, the last of the dust settling and glinting around its base, and the camera holds rock steady. <one deep bass hit and a soft settling patter> (a cool modern advertising track with punchy low bass, bright percussion and confident premium electronic-pop energy, building through the film and landing hard on the final shot) Only one product exists in this entire video and it is never opened, never broken and never duplicated. There are no people, no hands, no fingers, no arms, no human reflections and no animals anywhere in frame at any moment. No kitchen, no table, no wooden surface, no studio set, no plinth, pedestal, stand or podium under the product, no storyboard grid and no numbered frames. Keep it subtitle-free, avoid generating any text or subtitles anywhere in the frame, do not generate any logo, label or lettering other than the artwork already printed on @image_1, and do not generate a watermark. No long hanging thread of liquid, no endless slow motion, no frozen still-life opening frame, no second product and no voiceover. The very first frame of the film is never black, never empty and never a distant wide shot - the product is already large, lit and moving in it.
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A fifteen-second candid handheld home video in a modern kitchen on a dark rainy morning. @image_1 fights a tightly sealed glass jar in three escalating attempts - bare hands, then a tea towel wrapped around the lid, then the whole body braced against the worktop - and when the lid finally pops, dips a fingertip in to taste it and turns to the camera with a small proud smile. Natural location sound only, no music.
ASSET MAP — every reference is bound here and cited by tag below: @avatar — the model. This is the person; gender, face, hair, skin and body proportions come entirely from @avatar and not from this text. Its clothing, pose, framing, background and lighting are ignored completely. @product — the sunglasses. Frame shape, frame colour and finish, lens shape and lens tint come entirely from @product and not from this text. ATTACHED IMAGES ARE MANDATORY AND FINAL: @avatar is the person in every shot and @product are the only sunglasses in the film. The attached images outrank every word written below them: wherever an image and this text disagree, follow the image. CHARACTER LOCK: @avatar keeps the same facial identity, facial structure and proportions, eye shape and spacing, eyebrows, nose, mouth, jawline, exact skin tone and skin texture, hairline, hairstyle, hair length, texture and colour, distinctive marks, apparent age, build and body proportions in every shot, from the first frame to the last. The gender presentation of @avatar stays exactly as shown in that reference; do not masculinize, feminize or otherwise reinterpret it. Do not redesign, beautify, slim, age or de-age @avatar. PRODUCT LOCK: the two lenses of @product are not the same shape as each other, and that difference is preserved in every shot — never regularised into a matching pair. The frame surface of @product is smooth and unmarked, and the inner face of the temple never comes into frame. Every letter visible on @product is a letter that exists in its reference. WARDROBE (from THIS TEXT, never from @avatar): @avatar wears the same outfit in every shot — a colour-blocked nylon windbreaker in white, cyan and magenta panels worn open over a plain white cotton tee, high-waisted acid-wash straight-leg jeans, white canvas high-tops with slouched white socks. Every garment is cut unisex and keeps that same cut whoever appears in @avatar: the tee is a plain crew-neck whose hem reaches below the waistband of the jeans, and the jeans are straight and reach the ankle. Each garment keeps its design, cut, proportions and colour; only its drape adapts to the body. ONE-SENTENCE SUMMARY @avatar models @product against a flat scarlet paper backdrop in a fast-cut 1987 sunglasses campaign film, with ice cream, bubble gum and a cold drink between editorial poses and macro passes over the frames. DETAILED PLOT — nine shots, fast hard cuts, roughly one and a half seconds each Held through every shot: one flat scarlet paper backdrop with a hot-spot where the hard key lands; the same outfit; @product worn on the face except where a shot says otherwise. The cutting is fast but the motion inside each shot stays small and coherent — no lunging, no whipping, no sudden turns. Shot 1 opens already in motion on a readable face, never on an empty frame or a fade from black. Shot 1: Fixed camera, close-up. @avatar takes a small bite from a vanilla ice cream cone while wearing @product and smiles into the lens. The hard key from the left lays a crisp shadow of the frames on the cheek and a cyan rim traces the jaw. <the crisp bite of the cone> Shot 2: Cut to a fixed camera, full-body wide. @avatar walks four steps toward the lens on the red paper in the white crew-neck tee and the full-length acid-wash jeans, the colour-blocked windbreaker swinging open, and settles into an editorial stance. <soft footsteps on paper> Shot 3: Cut to a fixed camera, medium close-up shot at a hard ninety-degree side angle, so only the profile of the face is seen and the edge of one lens and the temple of @product read as a clean silhouette against the red. <room tone> Shot 4: Cut to a fixed camera, close-up masked into a soft-edged circle like a 1980s television ident. @avatar blows a pink bubble-gum bubble until it fills the circle, then pops it and laughs. <the snap of the bubble> Shot 5: Cut to an extreme macro that tracks slowly across @product worn on the face, from the bridge along the browline to the edge of one lens, specular glints running over the tint. <room tone> Shot 6: Cut to a fixed camera, medium close-up. @avatar holds @product flat on one open palm, raised toward the lens and filling the middle of the frame, with the face soft behind it. <fabric shifting> Shot 7: Cut to a fixed camera, side view. @avatar lifts a plain glass bottle of dark cola, takes a sip, lowers it and grins at the lens, @product still on, wearing the white crew-neck tee and the acid-wash jeans. The bottle is smooth unmarked glass with straight parallel sides and a short plain neck, the drink inside a deep cola brown, with no label, no foil, no cap and no fluting or embossing anywhere on the glass. <the fizz of the drink> Shot 8: Cut to a fixed camera, close product shot with no person in frame: @product stands on a small off-white card laid on the red paper, rotating slowly through three quarters. A white bounce card shields the frame from the red paper so the colour of @product reads as it does in its reference, and the hard key lays a crisp shadow beside it. <room tone> Shot 9: Cut to a slow macro close-up of @product on the face of @avatar, the tint catching the scarlet of the backdrop, held to the final frame. <room tone> LIGHT AND STYLE Shot on 35 mm for a 1987 fashion campaign: saturated primaries, a dense scarlet backdrop, high contrast with clean blacks, warm halation around the brightest highlights, visible fine film grain and a faint gate weave. Period studio light, not modern beauty light — one hard tungsten key with crisp shadow edges, a cyan gelled rim from behind, a magenta bounce opening the shadow side, hard specular sparkle on glossy surfaces. Skin keeps real texture with visible pores and fine hair. Punchy period grade, dense reds, no teal-orange. CAMERA Fixed shots and slow push-ins only, one movement per shot. Hard cuts between shots, no dissolves and no speed ramps. HANDS AND PROPS Hands stay anatomically correct with five fingers on each hand wherever a hand is visible. The cone, the gum and the bottle stay separate objects in the grip. The ice cream stays a plain pale scoop, and the bottle stays smooth unmarked glass with straight parallel sides and a deep cola-brown drink inside — no label and no printed or embossed mark of any kind. AUDIO (a 1980s synth-pop groove at about 112 BPM — gated snare, drum machine kick, analog synth bass, bright bell stabs and tambourine, with thin tape hiss under it) CONSTRAINTS Keep it subtitle-free. Do not generate a logo, a brand name or a product label on any prop, garment or surface. Do not generate a watermark. Throughout the video, characters with completely identical appearance, clothing and accessories are prohibited; do not generate duplicate avatars or a twin effect, and keep only a single corresponding character in the same frame. The face of @avatar remains stable without deformation; movements are natural and smooth, with no stutter or flicker.
Generate a video in which a rider drops a long flight of stone steps through an ancient desert city, launches off a stone ramp, flies over the rooftops and sprints away into a rising dust cloud, with a second rider closing behind.
Create a first-person POV viral video showing the magic of architectural design coming to life. Real hands in black leather gloves hold up an architectural blueprint of a sleek modern villa, then pull it away to reveal the villa magically assembling in real-time. Concrete walls, steel frames, and glass panels rapidly materialize with cinematic effects, dust clouds billowing as construction happens at impossible speeds. The blueprint elements transform into real structural components. Set on a bright sunny construction site with clear blue skies.
Flower-to-Heel FormationRecreate workflow