One continuous handheld first-person shot, no cuts, like real found-footage of someone exploring a haunted house with a phone. The person filming is NEVER visible — no body, no shadow, no hands, no phone in the frame. Nobody else is in the house. The video starts on the given image. Calm, calm, calm… then the most violent, terrifying scare. 0–6 s: CALM. The camera slowly walks through the dark abandoned room toward the painting at the far end, past the sheet-covered furniture, floorboards creaking, dust floating in the moonlight. Quiet breathing of the person filming. 6–10 s: CALM. The camera arrives in front of the painting and STOPS, framing the painted figure's face and upper body. The person filming quietly admires it, a soft impressed whisper: "wow…". The painting is completely still, a beautiful old oil portrait; the candles flicker. Long, uncomfortable silence. 10.0 s: SUDDENLY the painted figure's eyes snap straight into the lens and the face twists into a horrifying expression — the jaw drops unnaturally low, the mouth stretches far too wide, the eyes go pitch black, the face warps and distorts like melting oil paint. 10.5–13 s: In one explosive instant the figure LUNGES OUT of the painting at full speed, the canvas tearing, wet oil paint stretching off them in thick strings, both clawed hands shooting at the lens to GRAB the camera. A loud, piercing, inhuman CACKLE fills the room. The distorted face rushes right into the lens; the camera is grabbed, shakes violently and spins. 13–15 s: The camera falls, the candles go out, total darkness — only the inhuman cackle echoing and fading. Sound: total near-silence at first — creaking floorboards, soft breathing, a faint whispered "wow…"; then at 10 s a sudden loud horror sting, the tearing of canvas, a piercing inhuman cackle, the violent grab and a thud, then echoing cackle in the dark. No music. Photorealistic found-footage horror, genuinely terrifying, sudden and fast. No blood, no gore, no text, no logos.

3 steps

REFERENCES @image1 = THE PERSON. Face, facial features, head shape, eye colour, skin tone, natural hair and own clothes come ONLY from @image1. @image2 = THE LOOK. Use @image2 ONLY for the makeup (colours, shapes, marks, lip colour), the hair styling / wig / headpiece and the costume. Never take the face, facial features, age or body of anyone shown in @image2 — the face is always the face of @image1. @image3 = THE LOCATION. From the first transition (2.6 s) to the end, the video happens in the place shown in @image3, with its light and mood. Ignore any people in @image3. The attached audio = the music track under the whole video. CHARACTER LOCK The same person from @image1 in every shot, clearly recognisable through every makeup stage. Footage NOT mirrored: every one-sided makeup mark stays on the same side of the face as in @image2. LOCATION AND CAMERA 0.0–2.6 s: the person's own cozy bedroom. From 2.6 s to the end: the location from @image3 in every shot. INFLUENCER SELFIE STYLE: the person films themself with the phone's front camera; framing is never wider than waist-up — the full body is never shown. Vertical 9:16, handheld phone camera with energetic shake, sudden push-ins into tight close-ups of the face and fast pull-backs, quick whip-tilts on the strongest beats, everything moves on the beat of the music. One continuous take with no cuts: the look and the location change only while something covers the lens (described below), and every transition is ONE smooth, unbroken motion — the camera never stops moving through it. Never a static frame. PERFORMANCE Influencer music-video energy, dramatic and confident, like a creator who owns the camera. The person SINGS the lyrics below straight into the lens in a breathy, eerie, rhythmic half-sung voice, on the beat, with clear lip-sync, and never stops moving, even bigger and more dramatic than a normal performance: a new move on every beat — sharp head snaps, hair flips, shoulder shimmies, hands framing the face, a finger pointed at the lens, leaning in close then snapping back, slow eerie body rolls with hard hits on the strong beats. Big dramatic expressions: arched eyebrows, wide eyes, smirks, a slow wicked smile. Theatrical, playful, haunting. TIMELINE (15 s) 0.0–3.0 s — STAGE 1, NATURAL, THE HOOK: @image1 exactly as in the photo, no makeup change, own clothes, hair loose, sitting at a vanity table in their own cozy bedroom — warm lamp light, a ring light glow, makeup brushes and palettes on the table; the phone camera is where the vanity mirror would be, so no mirror is ever visible. Frame 0: the person lunges into an extreme close-up, eyebrows raised, points one finger straight at the lens and starts singing line 1 immediately; then snaps back with a hair flip and a shoulder shimmy on the beat. At 2.6 s the person shoves one open palm flat onto the lens — the palm fills the frame — and PUSHES the camera away: the camera flies backward from the extreme close-up into a wider shot, and the person is now in the location from @image3. 3.0–7.0 s — STAGE 2, BASE: as the palm leaves the lens the face now has only the base layer of the @image2 makeup, clearly visible — the full-face skin base colour applied strongly and evenly over the whole face, and the eye shading — no other details, natural lips, own clothes, hair loose. The camera rushes back in. The person sings line 2 while patting the cheeks with a large fluffy powder brush, with a head snap and a hip sway between strokes, twirling the brush on the beat. At 6.6 s the person grabs the camera with both hands, pulls it into an extreme close-up of one eye, then SHOVES it away — the camera flies backward into a wider shot. 7.0–11.0 s — STAGE 3, FULL MAKEUP: as the camera flies back, the face wears the COMPLETE makeup from @image2 — every colour, mark and line — and the person is ALREADY in the middle of smearing the lipstick on: at the very first frame of this stage the lipstick bullet (a real lipstick tube, not a brush) is already pressed to the lips, gliding across them in one confident stroke. Still own clothes, hair loose, no costume yet. The camera rushes back in close. The person finishes the stroke with a smirk, tosses the lipstick over the shoulder, then sings line 3 with hands framing the face and a slow wicked smile, leaning into the lens. At 10.6 s the person throws the sheer veil from @image2 (or, if the costume has no veil, a long sheer piece of the costume fabric) toward the camera and the veil sweeps across the whole lens. 11.0–15.0 s — STAGE 4, FULL LOOK: when the veil settles, in a chest-up selfie shot, the person now wears the ENTIRE look from @image2: the same makeup, the same hair styling / wig / headpiece, the same costume (seen from the chest up). The camera pushes back in to a close-up selfie framing. Dramatic dance on the beat: a slow body roll, sharp head snaps, one arm sweeping up, shoulders hitting every beat. The person sings line 4, laughing the three "ha" syllables with one sharp shoulder jerk each. 13.9–15.0 s — FINAL POSES (mandatory): the person stops dancing and strikes three sharp, dramatic model poses on the last three beats — chin down with eyes up into the lens; one hand framing the face; a slow turn of the head over the shoulder — all in close-up selfie framing (face and shoulders), and FREEZES in the last pose with a slow knowing smile straight into the lens while the lights flicker out. LYRICS (sung — ONLY these lines, in this order, each line sung once) Line 1 (0.4–2.5 s): "Powder pale, I'm fading fast," Line 2 (3.8–6.2 s): "Paint the cracks, forget the past," Line 3 (8.2–10.4 s): "Lace and veil, the clock strikes one…" Line 4 (11.6–13.8 s): "Ha-ha-ha — the haunting's begun!" SOUND The soundtrack IS the attached audio at FULL VOLUME, loud and clearly audible from 0.0 to 15.0 s — the music is LOUDER than the voice, the beat and bass are the main sound — with the person's singing voice softer on top of it. No other voices, no other music, no sound effects. TEXT AND LOGOS No on-screen text, no captions, no logos anywhere. QUALITY Photorealistic, cinematic, sharp face in every stage, natural skin texture under the makeup, correct anatomy: two hands, five fingers each, the brush and lipstick held naturally. No blood, no wounds, no mirrors, no other people.

Premium 15-second vertical 9:16 commercial for @product, the exact same product as in the reference image: same shape, colours, materials, finish, label and logo, never duplicated or redesigned. Minimal black environment, dark glossy reflective floor, light accents in the product's own dominant colour, fine haze, premium cinematography, the product the hero at all times. 0-2s the product drops and lands in a ring of coloured dust; 2-4s a light beam sweeps its silhouette; 4-6s extreme macro of its surface; 6-9s one hand lifts it toward camera; 9-12s the product in use, its key feature waking; 12-15s the final hero hold. At most two hands of one person, never a face, no on-screen text.

2 steps

REFERENCES: @image1 is the person. @image2 is the CASE — the brand's glasses case. Every reference image after @image2 is a pair of the eyewear being advertised. PAIR A is the FIRST eyewear reference (@image3). PAIR B is the LAST eyewear reference. PAIR C is any eyewear reference between them. When only one eyewear reference is attached, PAIR A and PAIR B are that same single pair. CHARACTER LOCK — HIGHEST PRIORITY: @image1 is the person, exactly as shown. Preserve facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build, body proportions and gender presentation exactly as shown. Do not beautify, slim, de-age or restyle. The only eyewear @image1 ever wears is the advertised eyewear — never any other glasses. The person is @image1 — no pronouns, no description. PRODUCT LOCK: every pair keeps its exact frame shape, colour, finish, lens tint, bridge, temples and proportions from its own reference image in every shot; never redesign, never swap one pair's details onto another, never invent logos or text, never duplicate a pair. The CASE keeps its exact shape, colour and lettering from @image2, and it stays CLOSED for the whole film — it is never opened. Ignore the white backgrounds of all product images. Only one pair is ever on @image1's face; a pair not being worn rests on a surface or in the hand. TEXT AND LOGOS: no on-screen text, captions or subtitles. Lettering appears only on the eyewear and the CASE as in their references — never on clothing, signs, shop windows, records, cups or walls; storefronts and posters are plain colour blocks. Any lettering that appears reads correctly; the footage is not mirrored. WARDROBE: @image1 wears the same outfit in every shot — a simple casual everyday outfit in colours that suit @image1. Plain fabrics, no logos. WORLD: an energetic, colourful phone-shot UGC reel, 9:16, fast hard cuts every 1.5–2 seconds, each shot starting mid-movement. Four lively places: a sunny city street with colourful storefronts; a café with green tiled walls and warm lamps; a vintage record shop with colourful shelves; a rooftop at golden hour with a city view. Other people only far in the background, strongly out of focus, never interacting with @image1. Handheld, natural light, real skin texture. ACTING: high-energy, confident, playful creator — walking toward the lens, quick head turns, raised eyebrows, a wink, laughs, talking fast with attitude; never cartoonish. MOTION: real-time natural speed, no slow motion; objects move only when a hand moves them; glasses go on and off by the temples, the natural way. TIMELINE (20 s): 0–1.5s: STREET. @image1 strides toward the lens and pushes PAIR A onto the face mid-step. On camera: "Okay, glasses people —" 1.5–3s: STREET. Crash zoom on @image1's face wearing PAIR A, one eyebrow up. On camera: "— you need to see this." 3–4.5s: CAFÉ, green tiles. @image1 drops into a seat; the closed CASE lies on the table; @image1 takes PAIR A off and turns it in the fingers, amazed. On camera: "These are crazy light." 4.5–6s: CAFÉ, macro. A fingertip slides along PAIR A's temple to the hinge. Voiceover, same voice: "Like, I forget they're on." 6–7.5s: RECORD SHOP. @image1, wearing PAIR A, walks between colourful shelves and snaps the head round to the lens. Voiceover: "And the details?" 7.5–9s: RECORD SHOP, close-up. @image1 taps the frame of PAIR A and grins. On camera: "Unreal." 9–10.5s: STREET, bright sun. @image1 pulls PAIR A off with one hand and slides PAIR B on with the other in one quick motion. On camera: "Then the sun comes out…" 10.5–12s: STREET, sun. @image1 lowers PAIR B down the nose with one finger and winks at the lens. On camera: "…and I switch." 12–14s: ROOFTOP, golden hour. Side profile of @image1 wearing PAIR B, wind in the hair, a laugh. Voiceover: "Zero effort." 14–16s: ROOFTOP. On the ledge, every advertised pair rests in a neat row beside the closed CASE; @image1's hand picks one pair up. Voiceover: "Whatever the day throws at me." 16–18s: STREET. @image1, wearing PAIR A, walks toward the lens pointing at the glasses. On camera: "Honestly?" 18–20s: Close-up, @image1 wearing PAIR A, confident grin into the lens; holds until the end. On camera: "Time to upgrade." SPEECH: @image1 says ONLY the lines written above, word for word, fast and lively. No other words, no ad-libs, no brand names. SOUND: @image1's energetic voice close to the phone mic, every word fully clear; street, café and rooftop ambience. QUALITY: anatomically correct — two arms, two hands, five fingers per hand, no extra or detached limbs; natural movement and believable physics; the same face, hair and outfit in every shot; every pair and the CASE exactly as in their references; realistic smartphone footage, not glossy commercial.

REFERENCES @image1 = THE VISITOR. Face, hair, makeup and the complete costume come ONLY from @image1. Ignore the background of @image1. CHARACTER LOCK The visitor from @image1 in every frame where a person is visible, always the same face, makeup and costume. One person only. Footage NOT mirrored. FORMAT — REAL DOORBELL CAMERA FOOTAGE A home video-doorbell camera mounted next to a front door, looking down at the front porch from above: strong fisheye lens distortion. The WHOLE video is MONOCHROME infrared night vision — black-and-white / grey only, NO colour at all, flat cheap security-camera image with crushed blacks, the skin in its own tone from @image1 rendered in infrared grey, bright reflective eyes in the infrared, heavy digital noise, compression blocks, slightly low frame rate. It must look like real, cheap, low-quality doorbell footage — never cinematic, never colour graded. The camera NEVER moves — fixed position, one continuous take, no cuts. No on-screen text, no timestamp, no logos, no interface graphics. SETTING A suburban front porch at night: wooden steps leading up to the door, a railing, dead leaves on the steps, a dark yard and light fog behind, one weak porch light that flickers. The ground is dry. TIMELINE (12 s) 0.0–2.0 s — The porch is EMPTY. Nothing moves except the flickering porch light and drifting fog. 2.0–4.0 s — Suddenly, between two flickers of the light, the visitor from @image1 is STANDING perfectly still at the bottom of the steps at the edge of the frame — they did not walk in, they are simply there. Head tilted to one side at an unnatural angle, arms limp, staring up into the camera. 4.0–6.0 s — The footage stutters and drops frames three times; after each stutter the visitor is suddenly closer — halfway up the steps, then on the top step — without ever being seen walking. Still staring into the lens with an unsettling smile. 6.0–8.0 s — The visitor stands right in front of the door, close to the camera, face distorted by the fisheye. Very slowly they raise one finger toward the camera and clearly PRESS the small glowing doorbell button right next to the lens — the fingertip fills part of the frame as it pushes the button in. They never blink. 8.0–10.0 s — The porch light goes out. The image collapses into dark digital static with only the faint outline of the visitor's face and wide eyes visible in the noise. 10.0–12.0 s — The static clears in one frame: the visitor's face is PRESSED right against the lens, filling the whole frame, hugely distorted by the fisheye. The expression is TERRIFYING, not funny: lips CLOSED in a tight, unnaturally wide, motionless grin, completely still, dead glassy eyes wide open and unblinking, glowing in the infrared, staring straight into the lens. Then the head jerks sharply to one side in one unnatural snap with a sudden scream — and the image cuts to black. SOUND Real doorbell-camera audio: crickets, light wind and an electronic hum from the start; the porch light buzzing as it flickers. At 6.5 s a clear doorbell chime. At 8.5 s, in the static, a slow breathy whisper: "trick… or… treat…". At 10.3 s a sudden loud scream/hiss with a burst of digital distortion, then total silence on the black frame. No music, no other voices. QUALITY Photorealistic security-camera footage, believable and unpolished. No blood, no wounds, no gore. Correct anatomy, five fingers per hand.

CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Do not add or remove bangs. Refer to them only as they/them in this prompt. ATTACHED IMAGES ARE MANDATORY AND FINAL: The attached images outrank every word written below them. Wherever an attached image and this text disagree, follow the image. ASSET MAP: @image1 — the person. Photocopy face, hair, skin, and the clothes on the still. Ignore the grey studio pad behind @image1 — that pad is not a set. Never freeze on the attached still as frame 0. Never show a checkerboard or transparency grid. @image2 — the product, exactly as photographed. Unchanged and not regenerated — same shape, colour, materials, lettering already on it, and hardware in every shot it appears. No extra unit, no invented logo. Ignore any empty white pad around @image2. SUBJECT LOCK: The person is @image1 in every shot, never replaced or restyled. HANDS: Natural hands, five fingers each, no deformation. Hands and fingertips stay in a slow, relaxed ASMR rhythm, never fast or sudden. SINGLE SUBJECT: One person only, no one else anywhere. PROP CONTINUITY: @image2 looks identical in every shot and every angle. Any lettering already on @image2 is part of the product. CAUSALITY LOCK: The soft pink-purple glow pulses only in response to each tap on @image2. Every sound has a visible cause: a tap, a slide, a rotation. PACING: The first second is already the hook, a crisp tap right at the microphone. Slow, intimate, smooth rhythm with clean cuts, no sudden movements. Never freeze on the attached still as frame 0. SCENE: A minimal dark room used as a streamer corner, vertical framing, mostly stable camera with a very slight handheld feel. The person sits at a desk with a microphone close to the camera. There is no visible main light source. The background is a clean, softly blended pink-purple gradient with ambient glow only, with subtle RGB edge light on the hair and shoulders. The person’s face is lit by a soft warm front light, creating a contrast between warm skin tones and the cool neon environment. @image2 is in the frame in every shot. English whispered dialogue, soft and breathy, one language only. 0-2s HOOK: Extreme close-up of fingertips tapping @image2 slowly twice right next to the microphone, crisp material-true taps, the pink-purple glow pulsing softly with each tap. The person’s face sits softly out of focus behind it, lit by the warm light. They whisper: “Listen to this.” 2-4s: The camera pulls back to a medium close-up. The person leans toward the lens, holds @image2 up into frame with both hands, and whispers: “Yeah. That sound.” 4-8s: Quick clean cuts: front, side and macro close-ups of @image2 as they slowly rotate it, tapping softly and lightly brushing along its surface, pink-purple reflections gliding along its edges. They whisper: “Look at these edges. So clean.” 8-11s: Extreme close-up of fingertips sliding along the surface of @image2, a brief pause, then one more slow tap. They whisper: “Hear that? That’s the real material.” 11-15s: @image2 is held close to the camera and tilted to catch the warm face light and the neon glow, the person gives a small satisfied nod and whispers: “That’s the one.” AUDIO: Highly detailed ASMR sound: fingertip tapping, light scratching, soft handling, with the sound matching the real material of @image2. The voice is a whisper. Very low ambient noise, an optional ultra-soft ambient tone, no music, no loud sounds. STYLE: Intimate, sensory, clean, minimal and visually soft, warm face light against a cool neon background. NEGATIVES: no subtitles, no on-screen text, no logos, no watermark, no other brands, no changes to @image1 or @image2, no flickering, no word “free”, no checkerboard, no studio-grey still as frame 0.

A beat-synced Halloween costume walk: upload your location and a photo of you in costume — legs on the beat, a rising reveal of your full look, then a finale strut. 15 s, 9:16.

REFERENCES @image1 = THE DANCER. Face, hair, makeup, mask and the complete Halloween costume (every piece, colour and accessory) come ONLY from @image1. @image2 = THE LOCATION: the city place where the dance happens, with its light, buildings and mood. Ignore any people standing in the centre of @image2. @video1 = THE CHOREOGRAPHY ONLY. Copy the dance from @video1 exactly — every move, its timing, rhythm, body positions, jumps, low lunges and the final walk toward the camera. Ignore the person, the clothes, the room and the floor of @video1. CHARACTER LOCK The dancer from @image1 in every frame, wearing the complete costume the whole time — any mask, hat, cape or accessory stays on and in place. One dancer only. Footage NOT mirrored. SCENE A real influencer moment in the middle of the city location from @image2: the dancer performs in an open spot while real life goes on — people walk past behind the dancer in both directions, a few stop and film the dancer with their phones, some smile and point. Nobody walks in front of the dancer or touches them; passers-by stay in the background, slightly out of focus. Any screens, signs or billboards show ABSTRACT colourful graphics only — no readable brand names, text or logos. The pavement is DRY and matte: no puddles, no water, no reflections on the ground. CAMERA A phone on a tripod at chest height, one continuous take with no cuts, almost static with a slight handheld drift; the dancer is fully visible head to feet most of the time. Around 13–15 s the camera slowly pushes in a little and then settles back. At the end the dancer walks toward the camera until they are framed from the waist up. CHOREOGRAPHY (follow @video1, 23 s) 0.0–0.8 s — standing still, hands at the head with two fingers up like little ears. 0.8–2.0 s — wide lunge to the left, one arm bent up high, then a jump with the arms crossed above the head. 2.0–4.5 s — lunge to the right with the arms in a V, then the arms frame the head, wrists crossed above the head, body waves. 4.5–6.0 s — deep, wide, low lunges left and right, arms swinging. 6.0–8.0 s — low crouch with sharp arm flicks and torso contractions. 8.0–8.6 s — big back arch with the arms over the head, then drop down to one knee. 8.7–10.0 s — rise, arms spread wide like wings, small jumps — any cape or loose fabric of the costume opens and flies. 10.0–12.0 s — turn to the side, sharp hand gestures in front of the face, stepping. 12.0–13.2 s — deep forward bend, back to the camera, torso swinging. 13.2–15.0 s — rise with one arm reaching high and a twist. 15.0–15.6 s — explosive jump with one arm thrown up, wide landing, loose parts of the costume flying. 15.7–17.6 s — arms crossed over the face, then flung up, then folding down. 17.7–23.0 s — straightens up and walks slowly toward the camera with the hands on the waist, head tilts, hair flips, confident influencer attitude, ending close to the lens with a smirk. COSTUME PHYSICS Any cape, skirt, sleeves or loose fabric of the costume swing, flare and trail naturally with every turn, jump and lunge; the hair swings. The costume never covers the hands or blocks the moves. TEXT AND LOGOS No on-screen text, no captions, no logos anywhere. QUALITY Photorealistic street video, sharp dancer, correct anatomy — two arms, two legs, five fingers per hand — no extra limbs, no merging with passers-by, feet planted with real weight.

Premium 15-second vertical 9:16 commercial for the product shown in @image1, the storyboard sheet from step 1: the exact same product as in its panels, with the same shape, colours, materials, finish, label and logo, never duplicated or redesigned. @image1 sets only the product and the order of the beats; never show the storyboard grid, panel numbers or panel borders in the film. @image2 is the member's own product photo: the product in every shot is exactly this product, with the same shape, colours, materials, finish, label and logo; wherever the storyboard panels differ from @image2, @image2 wins. Minimal black environment, dark glossy reflective floor, light accents in the product's own dominant colour, fine haze, premium cinematography, the product the hero at all times. 0-2s the product drops and lands in a ring of coloured dust; 2-4s a light beam sweeps its silhouette; 4-6s extreme macro of its surface; 6-9s one hand lifts it toward camera; 9-12s the product in use, its key feature waking; 12-15s the final hero hold. At most two hands of one person, never a face, no on-screen text.

2 steps

Recreate the viral Rumpelstiltskin tip toe scene with two faces: a "shhh", a gasp, and the half-squat tip toe dance in pointed slippers, in a 1980s fantasy-film barn. 12 s, 9:16.