Create a 15-second video that looks like authentic 1890 hand-cranked black-and-white film, filmed by the person holding the camera themselves. **@avatar — THE PERSON.** Preserve their exact face, identity, facial structure, eyes, hair, age, build and proportions throughout. No identity drift, beautification, de-aging or restyling. Ignore the reference background. **WARDROBE:** Wet 1890 London clothing: dark heavy wool overcoat buttoned high, collarless shirt, worn leather boots, soft flat cap, canvas satchel. Damp hair. Outfit never changes. **STYLE:** Authentic early cinema, ~16fps, slightly fast and jerky movement, constant flicker, heavy film grain, dust, hairs, vertical scratches, soft vignette, occasional frame jumps, rain on lens and strong handheld shake. Bad framing is intentional — cropped heads, drifting subject and sudden camera movements. Absolutely no modern cinematic stabilization. **SETTING:** Narrow rainy London street, wet cobblestones, gas lamps, soot-stained brick, market stalls with dripping canvas awnings, horse-drawn carts and pedestrians with umbrellas. **00:00–00:04:** They run through heavy rain toward a market awning, laughing, holding the camera at arm's length as it swings wildly. They shake water from their cap. **00:04–00:08:** They hear something and swing the camera down, searching under a wooden crate. They find a tiny soaked grey-and-white kitten. They crouch down, face filling the frame at an awkward angle. **00:08–00:12:** They dry the kitten with their coat, then buy roasted chestnuts for themselves and a scrap of fish for the kitten. **00:12–00:15:** Sitting on a crate under the awning, they eat together as the rain eases. They laugh into the lens and shrug. The kitten rubs against their boot. The frame stutters, flares white and the film runs out. **AUDIO:** No dialogue, voiceover or music. Only rain, canvas, hooves, cart wheels, distant voices and one small mew. **AVOID:** text, intertitles, subtitles, logos, watermark, color, modern objects/clothing/vehicles/signage, stabilization, cinematic camera work, second person in close-up, face changes or costume changes.
Drag the clip sideways
A warm, unhurried documentary-style clip following a woman who runs a tiny neighborhood pasta shop. Step by step, in clean hard cuts, she kneads the dough, rolls it flat, cranks it through an old pasta machine into fresh tagliatelle, boils it, tosses it with tomato sauce, and plates it for her one regular customer. Shot with the soft, slightly imperfect look of an early-2000s home camcorder — natural light, ambient street sounds, no music — ending on a quiet "Buon appetito" as the recording cuts to black.
A cozy morning UGC clip: @avatar sits in bed and shows off @product, turning it over and gushing about it, then reaching out to cover the lens as it cuts off. Authentic handheld vlog feel, warm morning light, natural sound, no music.
@avatar is the person the vlog follows - it defines face and identity only. Preserve their facial identity, skin tone, hairline, hair, apparent age, build and gender presentation exactly as shown, in every shot; never invent a different face. The attached image outranks this text wherever they disagree. Wardrobe comes from this text, never from @avatar: a light summer top, high-waisted jeans, white trainers and a small crossbody bag, unbranded, identical in every shot. 30-second ultra-photorealistic handheld vlog, 16:9, following @avatar through a warm summer evening at a LARGE amusement park - wide paved avenues, a towering steel roller coaster running overhead, a giant lit Ferris wheel, a drop tower, spinning rides throwing coloured light, neon arcades, food pavilions and thousands of visitors. Not a small country fair. Natural evening light going from gold to deep blue, realistic crowd behaviour, physically accurate motion, no CGI look. Hard cuts between shots, no dissolves, and the film opens already in motion. @avatar walks in through the main gates as the last golden light fades behind the coaster and says, "Okay, this place is huge." Hard cut to a Ferris wheel gondola climbing, the whole park opening up below. Hard cut to a food pavilion where @avatar breaks off a piece of funnel cake, powdered sugar falling like snow. Hard cut to a lit game booth: @avatar throws a ring, it spins and clatters off the bottles, and they laugh and throw again. Hard cut to the main avenue among families and vendors, stopping at an outdoor stage where a live band plays - "This is my favourite part." Hard cut to fireworks bursting over the Ferris wheel, the face of @avatar lit by the flashes as smoke drifts across the colours. Natural amusement-park sound only: the roar of the coaster, ride motors, crowd chatter, a distant PA, the band, and fireworks at the end. The two short lines are spoken in American English and synchronised to the lips. No narration. No subtitles.
15-second experimental anime fashion film. Use @avatar for the @avatar’s exact identity, outfit and rendering style. A pristine, uniform lemon-yellow cyclorama with a seamless matte floor. Flat, clean yellow throughout, free of grain, gradients and set dressing. No text or logos. The @avatar performs one fast, unconventional dance phrase: ankles weave while the torso stays suspended, a wrist flick ripples through both elbows into a chest pop, knees fold into a low corkscrew pivot, then a heel swivel unwinds the body into an off-balance editorial pose. Continue through asymmetric shoulder rolls, angular arm threading around the face and a sideways glide with the head counter-rotating toward the lens. Every sharp lock immediately releases into another surprising movement. Convincing weight, precise foot contact and expressive follow-through. Electric cyan and hot pink dominate the motion effects. Bold, opaque silhouette afterimages peel away from opposite sides of the body, replay the previous gesture a fraction late and slam back into alignment on each pose. Arm sweeps stretch them into broad curved ribbons; crossing steps weave pink and cyan trails around the ankles; rapid turns fan out overlapping screen-print impressions. At the strongest accents, oversized cyan and pink cutouts of the current pose slide across the foreground, briefly masking the lens. Keep the real character crisp and recognizable, with clean yellow visible between effect bursts. The camera dances in counterpoint: skim backward at ankle height through advancing footwork, whip upward around an outstretched wrist into an extreme face close-up, then use the passing forearm to cut into a rotating overhead view of the low pivot. Dive to a tilted low-angle full-body composition as the character rises. Orbit opposite the sideways glide, exaggerating hands and feet near the wide lens.
A warm cinematic medieval period-romance: @avatar1 laughs by a sunlit forest stream while @avatar2 watches quietly from the bank, then their paths finally cross in a lively market town at golden hour and their eyes meet and hold. Painterly 35mm feature-film look, delicate and atmospheric. Gentle period score and natural ambience, no dialogue.
A tense baby-monitor horror: @image1 wakes to a strange sound, looks at the monitor and sees @image2 looming over the crib in the grainy night-vision feed. @image1 races down the dark hall, heart pounding, to reach the nursery — the shape is gone but something is wrong. Claustrophobic handheld, photoreal, moody low light, diegetic sound and score, no dialogue. The baby is never harmed.
Create a 15-second vertical 9:16 cinematic anime-style food-cooking sequence. Warm hand-painted animation aesthetics, highly detailed backgrounds, clean cel shading, rich textures, natural hand movement, smooth cinematic transitions. Beautifully animated cooking short — not photorealistic, not 3D. No on-screen text, no subtitles, no logos. @product is the breakfast skillet being cooked and served. Same pan, eggs, bacon and finish as the reference, throughout. AUDIO — required: bacon sizzle, egg crack, butter in the pan, spatula scrape, steam. No dialogue, no lyrics, no voiceover. 0-2 seconds Top-down rustic wooden kitchen table. @product sits in the center as a cast-iron skillet surrounded by ingredients: streaky bacon, whole eggs in a bowl, cherry tomatoes, sliced mushrooms, chopped greens, a knob of butter, crusty bread. Warm interior light, cozy traditional kitchen. 2-4 seconds Close-up. A hand lays strips of bacon into a hot black pan over a visible blue gas flame. Fat renders immediately. Bacon curls and sizzles. Oil pops. Camera pushes in slightly. 4-6 seconds Bacon is pushed to the side. Butter melts in the empty half of the pan. A hand cracks two fresh eggs; whites spread, yolks stay bright and centered. Edges bubble. 6-8 seconds Sliced mushrooms and cherry tomatoes hit the pan beside the eggs. They blister and gloss in the bacon fat. Steam rises. This is @product coming together. 8-10 seconds A spatula folds crispy bacon against the eggs. Yolk stays intact. Greens are scattered over the top. Cheese melts into a thin golden veil at the edges. 10-12 seconds Hero close-up three-quarter: the skillet in full — two sunny eggs, caramelised bacon, blistered tomatoes, melted cheese, steam. A hand grinds black pepper over it. 12-13.5 seconds The skillet is lifted off the flame and set onto a wooden board. A slice of toasted bread is placed beside it. Butter gleams. Dynamic settle of the pan. 13.5-15 seconds Hero shot of the finished @product on the wooden table: the skillet breakfast, toast, a small pot of greens, warm golden light. Slow push-in to an appetizing final frame. Visual direction: warm golden lighting, cozy rustic kitchen, anime food animation, hand-painted textures, expressive food movement, smooth transitions, cinematic framing, natural steam and sizzle, consistent hands and kitchen throughout. Negative: photorealism, live action, 3D CGI, plastic textures, malformed hands, extra fingers, deformed food, text, subtitles, logos, watermark.
A cheerful travel vlogger selfie-hyperlapses through 30 of the world's most iconic landmarks in just 15 seconds. Each location gets exactly one hard-cut shot — half a second, one destination, one gesture (a wave, a peace sign, a thumbs-up) — before jumping straight to the next city and a brand-new outfit. Filmed handheld, selfie-stick style, always keeping her face front and center as the world blurs past behind her, all synced to the beat of the music.
A dreamy golden-hour beach scene with @image1, where the delicate drop earrings from @image2 catch the low sun as the sea breeze moves and waves roll in. Soft cinematic close-ups, a brief sparkle on the earrings, and a warm calm mood. Editorial and understated, photoreal, natural ocean sound and a light music bed, no dialogue.
It's In My HandsRecreate workflow