HORIZONTAL 16:9 30 seconds. Vlog camera review. Hard cuts between live action and still-photo inserts. @image1 = ELARA. Photocopy FACE and hair exactly as in @image1, light makeup. White long-sleeve top, not the clothes from @image1. Not a studio still as frame 0. @image2 = the camera. Photocopy THIS camera exactly as in @image2 — body, grip, lens, dials and any badge exactly as shown. Never invent a different camera. Never a phone. No brand or model name is spoken. Lip-sync English. 0:00–0:04 Street walk, they hold the camera up. VO: “I’ve been testing this new camera, and I honestly love how much you can do with something this compact.” 0:04–0:09 Camera to their eye. Cut to a still of yellow tulips, then out-of-focus people walking. VO: “The lens gives you really sharp detail, and the autofocus locks onto your subject so quickly.” 0:09–0:13 They kneel, photographing a woman posing at a floral mural. Cut to that portrait still. Extra person is a beat. VO: “For portraits, I love the background separation. It keeps the subject sharp while giving you that beautiful, natural depth.” 0:13–0:17 NYC rooftop skyline. They point at pigeons; the birds fly; they shoot. Cut to a pigeon-in-flight still. VO: “And the autofocus is great when your subject is moving, too.” 0:17–0:26 Cafe table, avocado toast, iced coffee. Montage stills: toast, cyclist, skyline, red flowers, guitar player. VO: “It also works really well for everyday shots—food, details, literally anything you want to capture. Whether I’m shooting portraits, landscapes, close-ups, or moving subjects, it keeps everything looking sharp and detailed.” 0:26–0:30 Street at sunset. Holds the camera, smiles, brings it to their eye. VO: “It’s compact enough to take everywhere but gives me the control and quality I want from a professional camera.” Same Elara. Same camera. No on-screen UI text.
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CHARACTER LOCK — HIGHEST PRIORITY (applies separately to @image1 and @image2): Each person in every shot is exactly the person in their own reference image. Photocopy facial identity from the matching tag. Preserve facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve gender presentation exactly as shown. Do not beautify, slim, de-age, restyle hair, or morph the two faces into each other. Do not invent a third lead. Do not describe the faces — follow the images only. @image1 is the first person. @image2 is the second person. Never swap them. WARDROBE (scene clothes, not the stills): @image1 wears an ivory evening dress throughout. @image2 wears an elegant black outfit throughout. Hair stays as in each reference. Clothing and hair stay consistent for the whole 30 seconds. PRODUCT LOCK — @image3 is the jewelry piece. Photocopy it exactly as shown: same metal, stones, design and any box exactly as shown. Do not regenerate, restyle, recolor, or invent a different jewel. Whenever the piece is on screen it must match @image3. BRACELET WEARER: the piece from @image3 is worn only on @image1's wrist. Never on @image2. @image2 may open the box or offer it; @image1 receives it and wears it. His wrists stay bare. HANDS: anatomically correct, five fingers each, naturally proportioned, when they appear. During the dance they are not the subject. Never open on a studio headshot or the attached still as frame 0. First frame is already on the terrace, in-scene. 30 seconds. 9:16 vertical. Photorealistic luxury jewelry commercial. Elegant seaside terrace at blue hour: ocean view, wooden terrace, dinner table, premium dinnerware, flowers, subtle warm decorative candlelight as scene dressing only (not the product). Cool blue-hour ambient mixed with warm golden candlelight. Premium full-frame camera, shallow depth of field, natural bokeh. Realistic skin, ocean, wind, jewelry sparkle, food, glass reflections, fabric movement. AUDIO (native, synced): original elegant instrumental — soft piano and strings at the start, slightly more emotional during the dance, soft premium finish. Subtle realistic ocean waves, breeze, glass clinks, and the soft click of a jewelry box opening. End with a sophisticated voice-over, spoken clearly once: “Make every moment unforgettable.” 0-5s: Close-up of hands opening a small velvet box, revealing the jewelry piece exactly as @image3, glinting in warm candlelight. Reveal the romantic seaside dinner setup around it. 5-12s: @image1 and @image2 enjoy dinner, natural smiles and eye contact. @image2 presents the open box; the piece is fastened onto @image1's wrist. A short macro of the jewelry on her wrist is allowed here only — gemstone facets, metal shine. Faces match their tags. Not on his wrist. 12-20s DANCE — NO HERO HAND: After dinner they slowly dance beside the table. Camera is a medium or full two-shot of the couple: faces, bodies, dress, ocean behind them. Ocean breeze moves hair and dress. The bracelet stays on @image1's wrist as a small detail on her arm, never large, never in the middle of the frame, never a foreground blur occupying center. Do not cut to a wrist. Do not put any hand, palm, or bracelet close-up in the center of attention. His hands stay at her waist or in a normal dance hold, small in frame. 20-25s: Camera leaves the dance and moves to the jewelry piece on the dinner table (in or beside its open box) — the table product, not a wrist. The couple recedes / softly blurs. Do not fill the frame with a hand. 25-30s: Completely separate premium hero shot of the jewelry piece alone on the dinner table (in or beside its open box), ocean softly blurred behind it. Slow camera push-in, realistic light catching every facet. No logo, no brand marking. Voice-over lands here. No on-screen text, no subtitles, no watermark, no logos, no brand name in frame. No plastic skin, distorted hands, changed product design, unrealistic dancing, excessive lens flare, CGI look, or impossible camera moves. NEGATIVE: giant hand in the center during the dance, extreme wrist close-up during the dance, bracelet on @image2, studio grey headshot, swapped identities, extra third lead, different bracelet, navy plaid suit, white crew-neck tee, on-screen type.
PRODUCT LOCK — HIGHEST PRIORITY: @image1 is the mango, exactly as shown, unchanged and not regenerated. Preserve its exact skin colour, ripeness, size, shape and any surface markings from the reference in every shot. Photocopy the fruit. Do not recolour the skin, do not invent a different mango. Flesh colour matches @image1 (cubes and halves in the fruit's own ripe flesh colour — never brown or oxidized). No people, no hands, no faces, no text, no logos, no subtitles. Seamless 15-second cinematic photorealistic artisanal culinary commercial. Extreme macro, ultra-shallow depth of field, authentic crystallizing fluid dynamics, realistic thermodynamic frost and cryogenic vapor. Colour palette drawn from the @image1 mango’s true flesh tone, contrasted against dark basalt stone. 0.0-2.5s HOOK — MATTE VOLCANIC BASALT. The @image1 mango cleaves cleanly in half under macro slow motion, revealing its true fibrous flesh and stone exactly as the reference shows, releasing a fine pressurized mist of micro-droplets and bright citrus-sweet aromatics. Crisp backlit rim lighting catching airborne dew. Continuous kinetic macro push-in. Something already happening in frame 1 — never a still packshot as the opening plate. 2.5-5.0s VORTEX — DYNAMIC ZERO-GRAVITY. Cold-pressed purée made from that same @image1 mango, rich condensed jersey cream, infused lime zest, and spun wildflower blossom honey collide and whip into swirling silk-like ribbons suspended mid-air, coloured to match the @image1 mango’s true flesh tone. Seamless fluid-vortex tumble. 5.0-7.5s CHURN — SUB-ZERO MIRROR-POLISHED STAINLESS STEEL CYLINDER. Dashers fold through the emulsion, rapidly setting it into a dense, velvety, micro-textured frozen gelato. Swirling cryogenic vapor curls from the rim. Cool cryogenic mist tones. Rotational churning-cylinder tracking. 7.5-11.0s SCOOP — ULTRA-MACRO 1000fps. A warm brass scoop carves through the frozen crest, rolling up a dense, ridged ribboned sphere glistening with microscopic frost crystals. Warm glowing culinary key light on glossy cream. Slow, luxurious carve — no rush. 11.0-15.0s PAYOFF — AESTHETIC GARNISH HOLD. The scooped sphere rests in the brass scoop, then settles onto a dark basalt dish. A thin, continuous golden lime-honey thread drizzles in a slow elegant spiral, catching rim light as viscous ribbons. Toasted coconut flakes and a few warm toasted nuts (almond slivers, crushed pistachio) fall in a delicate, art-directed cascade — sparse, placed, never dumped, never messy. Microscopic frost, glossy honey sheen, editorial dessert plating. Hold the finished composed scoop until the last frame. No extra action after the garnish. Camera: continuous kinetic macro push-in, seamless fluid-vortex tumble, rotational churning cylinder tracking, ultra-high-speed slow-motion scoop, then locked beauty-macro on the garnish. Lighting: crisp backlit rim lighting catching airborne dew, honey thread, and nut edges; cool cryogenic mist in the churn; warm culinary key on the final plate. Negative: text, watermark, logo, subtitles, cartoon, brown oxidized flesh, bruised spots, excessive stringy fibers, icy slush, grainy texture, colour drift from @image1, plastic look, flat lighting, jump cuts, jerky camera, noisy footage, grey studio still as frame 0, messy dump of nuts, clumpy honey blobs, overflowing garnish, hands.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle their face or hair. No face changes, no identity drift. No other people share their face. @image1 is identity only — photocopy face, hair, eyes, skin and age. Do not wear the clothes or jewellery from the still. The still has no aqua park — wardrobe and setting come from this prompt. ASSET MAP: @image1 — the character. SINGLE SUBJECT: Only this one person appears. No other people in frame. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. STYLE: Vertical selfie-style UGC action-camera review, shot on iPhone front and back camera mix, natural daylight, handheld authentic energy, casual “showing a friend how I film everything” vibe, real skin tones, no filters. SETTING: A sunny outdoor aqua park — water slides, splash pools, palm-lined decks, bright open sky. Water spray and natural sunlight throughout. PRODUCT/OUTFIT (wardrobe/gear only, not identity): a lightweight quick-dry rash guard over swimwear. They hold a compact rugged action camera — small waterproof body, wide lens. No jewelry. Action and spoken dialogue (native sound, they speak these lines): 0.0-4.0s SHOT 1 — Front camera: They hold the action camera close to the lens, poolside spray drifting past, relaxed smile. They say: “Okay, I’ve been filming everything with this.” 4.0-8.0s SHOT 2 — Back camera: They walk along the aqua park deck toward a water slide, camera capturing stable forward motion despite the wet, busy surroundings. They say: “It stays smooth even when I’m moving.” 8.0-12.0s SHOT 3 — Neck-mounted POV: The camera now hangs from their neck, lens facing outward, capturing natural walking motion past pools and slides. They say: “I just wear it and film — even here.” 12.0-15.5s SHOT 4 — Medium-wide third-person: The camera is set on a poolside ledge. The action camera is visible neck-mounted on them as they walk toward frame, a light splash of water passing nearby. They say: “I don’t really think about it.” 15.5-18.5s SHOT 5 — Close-up back camera: They bring the camera close to the lens, showing buttons and lens detail, a few water droplets beading on the waterproof body. They say: “And it just shrugs off the water.” 18.5-22.0s SHOT 6 — Final front camera: They hold the camera beside their face, water slides and pool splashes behind them, calm confident smile. They say: “Yeah, I’m definitely bringing this everywhere I go.” Direct every second through 22.0s. Never freeze. Never cut to the attached still. Never open on a studio headshot. No on-screen text, no subtitles, no logos.
16:9 30 seconds. DV/16mm camcorder gym vlog. Shaky handheld. Music throughout. @image1 = LANA. Photocopy FACE; outfit is this set: dusty-rose satin bustier bra, matching shine leggings, white sneakers; hair exactly as in @image1. She HOLDS the phone for every outfit-check / talking-head — influencer selfie. The camera is IN HER HAND, never a floating cam in front of her face. @image2 = the HIP THRUST MACHINE only. Photocopy this exact machine: exactly as shown in @image2 — same frame, colours, pad, plates and platform. IGNORE any person shown on it in the still — that person is not in the film. LANA sits on this machine the same way (upper back on pad, feet on platform, hip pad across her hips). NO bench press. The PR is a hip thrust on this machine. Adding plates stays. 0–3s She HOLDS the phone, mirror selfie, excited: “Okay guys, new gym fit. Check it out!” 3–5.5s Still holding the phone, outfit details: “So comfy, and the color is perfect.” 5.5–8s Phone in hand, warmup: “Playlist is locked in. This one always gets me going.” 8–10s Quick dance between stretches, laughing. She still has the phone or sets it down on a rack — never floating. 10–12.5s At the hip-thrust machine she slides a heavier plate onto the machine's bar: “Okay... today’s the day I try a new PR.” 12.5–14.5s Macro hands sliding a plate onto the machine’s sleeve. Metal clink. 14.5–17s Nervous close-up: “Okay. Okay. Deep breath.” 17–19.5s She gets on the machine like @image2: upper back on the pad, feet planted, hip pad across her hips. Hands on the pad or handles. 19.5–22.5s Hip thrust PR: unrack/drive hips up, pause, lower with control. “Come on—come on—” 22.5–24.5s She sits the weight down, sits up, stunned, breathing hard. 24.5–27s Huge grin: “Wait—I actually did it!” 27–30s She HOLDS the phone again, sweaty selfie, fist: “New PR! Okay, best gym fit ever. See you guys!” Same Lana. Same machine. No floating camera. No bench press. No on-screen UI.
CHARACTER LOCK — HIGHEST PRIORITY (applies separately to @image1 and @image2): Each person in every shot is exactly the person in their own reference image. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. No face changes, no identity drift between the two of them. ATTACHED IMAGES ARE MANDATORY AND FINAL: The attached images outrank every word written below them: wherever an attached image and this text disagree, follow the image. ASSET MAP: @image1 — the first character. Photocopy face, hair, makeup, jewelry and the outfit they are wearing in @image1. @image2 — the second character. Photocopy face, hair, makeup, jewelry and the outfit they are wearing in @image2. SCENE vs STILL: @image1 and @image2 are the two people only. The colourful backstage room, clothing racks, vanity bottles, oval frame, extra figures, and the plain studio backdrop in the stills are NOT the set. The set is a real independent art gallery opening night. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. OTHER PEOPLE: background gallery guests and a photographer may appear but are never named, aged, or described by ethnicity/gender — only by role and action. They never share a face with @image1 or @image2. 10-second photorealistic live-event footage at an art gallery opening night. @image1 and @image2 walk together through the gallery space toward a wall of large abstract paintings, where a small cluster of guests and a photographer are gathered. Unbranded: no logos, no brand names, no visible labels, monograms, gallery names or readable signage anywhere in frame — walls show only abstract artwork, no text. The atmosphere feels like a real independent gallery opening: soft track lighting on the paintings, ambient chatter, occasional camera flashes, natural crowd movement in the background. 0–3 seconds: @image1 and @image2 walk side by side through the gallery, relaxed and elegant, natural synchronized movement, outfits moving naturally with each step. They occasionally glance at each other and smile. 3–5 seconds: They arrive near the artwork wall, stop, turn toward the photographer, and naturally adjust their poses. @image1 gives a playful, charming smile while @image2 poses confidently beside them. 5–8 seconds: A handheld camcorder approaches from among the guests, slightly shaky and imperfectly framed, like authentic behind-the-scenes footage. @image1 and @image2 notice the camera, look directly into the lens, smile, wave casually, and pose together. 8–10 seconds: The camera moves closer and slowly pans from @image1 to @image2. They lean slightly toward each other and start laughing naturally and playfully, genuine spontaneous expressions. End on both of them smiling toward the camera, abstract paintings visible but unreadable in the background. CAMERA / REALISM: real handheld camcorder, documentary event footage, slightly shaky operator movement, imperfect framing, subtle autofocus hunting, natural exposure shifts, realistic motion blur, slight lens breathing, authentic camera sensor noise, occasional guest flash photography, practical gallery lighting, realistic skin texture, natural hair movement, realistic fabric physics, candid event photography, no overly smooth gimbal movement. FACIAL PERFORMANCE: natural eye movement, subtle smiles, spontaneous laughter, genuine interaction between the two of them, no frozen expressions. Do not generate any duplicated people, extra limbs, distorted hands, artificial beauty filter, plastic skin, exaggerated body movement, cartoon/anime appearance, or slow-motion effect. No subtitles, no BGM, no watermark, no logos, no brand names or readable text anywhere. Overall feeling: an authentic candid recording from a real gallery-opening photographer, elegant but imperfect, spontaneous and believable. AUDIO: native gallery-opening ambience only — soft chatter, distant footsteps, occasional camera shutter/flash. No music, no voiceover, no lyrics.
A 30-second vertical UGC video of one person showing off their everyday bag, filmed the way a real creator films it: phone at arm’s length, natural daylight, handheld, no music and no captions. Six beats — they hold the bag up to the camera, turn it over, pack their laptop and everyday things into it, check how it sits in the mirror, walk out with it, then sit in a café and pack up again before signing off to the lens. The bag and the person both come from the photos you upload, and they stay identical from the first shot to the last.
Photoreal live-action commercial, shot on a full-frame cinema camera with fast prime lenses: shallow depth of field, warm low sun raking across the frame, dust drifting in the light, true pore texture and true fabric behaviour, the camera handheld-steady with only small settling movements. Not illustration, not a 3D render, not stylised. @image1 is the reference plate and is an absolute lock for BOTH the person and the product. The face, build, apparent age, hair, garment and jewellery are taken from the large portrait in its left zone exactly, with no drift and no reinterpretation in any shot. The product is the object in its right zone, reproduced exactly — same container, same label artwork and lettering, never redrawn, substituted or mirrored. Only that product exists; no second container appears at any point. @image2 is the storyboard and is followed exactly, panel for panel: six shots in that order, matching its framing, subject scale, pose and composition. One character is on camera throughout. A second person is heard off camera and is never seen, except for one hand. Shot 1 — the character holds the product up beside their face and speaks to the lens in a warm, confident tone: "Everyone asks about my morning routine." A brief pause. The smile drops, the eyes roll, and they shrug through the next line: "Nobody asks, but I already rented the studio." Shot 2 — slow motion, close on the product standing upright. A hand enters from the edge of frame and slides a leafy branch in behind it, clumsily and in plain view. The character speaks off camera: "That's my friend holding a plant. We wanted it to feel natural." Shot 3 — the character holds the product casually at chest height, the face of the label squared to the lens, and says brightly: "It's part of my daily routine," then the tone drops to reluctance as the eyes flick up and away toward the top right, "The kitchen isn't," and the eyes come back to the lens for the flat, deadpan finish, "I can't afford this kitchen." Shot 4 — tight on the face. The character attempts a hair flip into a strong breeze and a leaf blows against their mouth. They pick it away with quiet irritation and ask: "Do we need the wind machine?" The second voice answers off camera: "You paid for it." The character shrugs and answers immediately: "Keep it on." Shot 5 — close on the product standing upright, warm sunlight, soft shadows, clean composition. A hand enters from above and clumsily rotates it until the face of the label squares to the lens. The character speaks in voiceover: "One simple part of my day." Shot 6 — the product alone, centred on a clean empty ground, lit softly, settling and holding with only the faintest drift of light across it. The second voice says off camera: "Studio time's up." The character replies: "Get the plant." End immediately. Understated lifestyle music runs throughout with the dialogue clearly audible above it, and the music stops briefly for the final exchange. No on-screen captions or subtitles are burned into the frame.
Live-action UGC creator video. Fictional dramatization. Authentic social-media realism. @image1 is an absolute character and wardrobe lock — face, hair, body proportions and identity are taken from it exactly and never drift in any shot. It carries TWO looks: the everyday outfit in its upper row and the gift garment in its lower row, and both are reproduced exactly as they appear there. @image2 is the location lock — every interior in this video is that same apartment, with its furniture, wall colour, flooring, window placement and daylight direction unchanged throughout. @image3 is the opening frame — the video begins on it. @image4 is the storyboard — follow it exactly, matching shot order, framing, camera height and pose panel for panel. VISUAL CHARACTER Photorealistic live-action UGC. Authentic social-media creator aesthetic. Natural skin texture. Realistic clothing materials. Natural smartphone exposure. Subtle digital compression. Imperfect framing. Believable broadcast interface. It should feel like a genuine creator documenting a gift from one of their viewers rather than a professionally produced advertisement. STORY Selfie/webcam-style footage of the creator at their desk during a live broadcast. The broadcast interface sits over the footage. They read comments, smile and talk casually to viewers. A viewer sends a gift. A fictional username appears with a highlighted message: "Hope you like the surprise I sent you!" A gift notification appears beneath the message. The creator looks surprised. "Oh my God, you sent me something?" They laugh and thank the viewer. Two days later. Handheld smartphone footage at the apartment entrance. A delivery package is on the floor at the door. The creator picks it up and looks at the shipping label. They smile excitedly. They carry the package inside. The camera trails a step behind them at chest height, framed on their back and the box in their arms, so they stay visible in shot the whole way — this is not a first-person view and no one else walks ahead of them. They set the box down on the table. Natural handheld shake and imperfect framing. Close handheld phone footage. They cut the tape and open the cardboard box. Inside is the neatly folded garment wrapped in simple tissue paper. They react naturally: "No way…" They carefully lift the garment out of the box. They hold it up toward the camera, smiling, and look over the material and the details. Cut to a full-length bedroom mirror shot. The creator is now wearing the garment. The camera stays where it was set down, on a dresser. They turn slightly to show the fit and the way the fabric hangs. No sexualized posing. They adjust the garment at the neckline and smooth the fabric naturally. They look at themselves in the mirror and smile. They check the stitching and the material. "This is actually so nice." Handheld selfie shot. They hold the phone at arm's length while wearing the garment and give an honest excited reaction. "I genuinely didn't expect this." Quick cut back to the desk. They hold the garment up toward the camera while remembering the viewer's message. A small fictional comment overlay shows the same username. Selfie close-up. They look directly into the camera and say: "Thank you so much. I absolutely love it." They smile naturally. They set the phone down on the dresser. Full-room handheld-style composition. They give a final casual look toward the camera, adjust the garment once and laugh. The recording ends naturally. CAMERA Authentic creator-generated smartphone footage. A mix of webcam broadcast perspective, handheld selfie footage, rear-camera POV, delivery footage, close unboxing shots, a full-length mirror shot and a static phone-on-dresser shot. Natural handheld instability. Imperfect framing. Autofocus shifts. Occasional exposure changes. Realistic smartphone sharpening and compression. Natural motion blur. Slight lens distortion. Occasional camera repositioning. No cinematic gimbal shots. No polished commercial cinematography. No beauty-filter appearance. SOCIAL MEDIA INTERFACE The opening broadcast carries a believable fictional live-broadcast interface, vertical and full-screen: live indicator, viewer count, creator username and small profile image, a stack of short viewer comments along the lower left, a highlighted comment, a gift notification, simple controls along the bottom edge, and small hearts drifting up the right side. The interface stays flat and screen-locked, clearly part of the recording and clearly separate from the physical room. It never takes on perspective, never bends and never drifts off the screen plane. Use fictional platform branding and fictional usernames. Do not reproduce any real company's logo, wordmark, icon set or exact proprietary interface artwork. LIGHTING Natural apartment lighting. Soft daylight during the broadcast, natural daylight during the unboxing and the try-on. The ring light produces realistic soft illumination during the broadcast. No artificial cinematic rim lighting. No excessive HDR. No beauty lighting. PHYSICS Realistic package weight. Cardboard bends naturally. Tape tears realistically. Tissue paper folds naturally. The garment behaves like real fabric. Clothing responds naturally to movement. Hair responds naturally to body movement. All objects stay physically grounded. No floating objects. No impossible fabric movement. HUMAN PERFORMANCE Natural UGC personality. The creator speaks casually to their audience. Small pauses, smiles, laughter and spontaneous reactions. Their surprise at the gift feels genuine. They handle the package naturally. They look the garment over like a real customer. The try-on plays as an ordinary fashion review. The creator is clearly an adult. No exaggerated influencer acting. No theatrical reactions. No sexualized posing. AUDIO Authentic creator audio. Room ambience, laptop fan, keyboard sounds, notification sounds, the creator's voice, subtle broadcast audio compression, cardboard packaging sounds, tape ripping, tissue paper movement, clothing fabric sounds, apartment ambience. No cinematic music. No trailer effects. No artificial bass drops. WARDROBE They wear the everyday outfit from the upper row of @image1 for the broadcast, the gift, the delivery, carrying the box in, opening it and holding the garment up. They change into the gift garment from the lower row of @image1 only at the mirror shot, and wear it for the rest of the video. The gift garment is never seen on them before the mirror shot. CONTINUITY Exactly one person appears in this video, in every single shot. There is no second person, no bystander, no passer-by, no friend holding the camera and nobody else anywhere in the apartment at any point. Identical creator identity, face, hair and physical appearance across every shot. The same garment throughout — the one lifted out of the box is the one worn in the mirror. The same apartment, furniture, desk, bedroom, clothing rack and lighting environment throughout. The broadcast happens first; the package arrives two days later. The same fictional username and the same message appear in the broadcast and in the later callback. Each shot begins from the physical state the previous shot left behind. It should read as one continuous creator story: LIVE BROADCAST → GIFT → TWO DAYS LATER → DELIVERY → UNBOXING → TRY-ON → THANK YOU. End as authentic UGC rather than a polished commercial. Avoid: the gift garment worn before the mirror shot, a second person in frame, bystanders, a visible camera operator, any other figure in the apartment, CGI appearance, video-game aesthetics, plastic skin, beauty-filter faces, excessive HDR, perfect framing, cinematic camera movement, sexualized presentation, exaggerated body emphasis, nudity, transparent clothing, impossible fabric physics, fake-looking broadcast graphics, real celebrity likenesses, real usernames, official platform branding.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle their face or hair. No face changes, no identity drift. No other people share their face. @image1 is identity only — photocopy face, hair, eyes, skin and age. Do not wear the black studio top, gold snake necklace or gold bracelet from the still. The still has no gym set — wardrobe and setting come from this prompt. ASSET MAP: @image1 — the character. SINGLE SUBJECT: Only this one person appears. No other people in frame. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. Hands never hold a phone, never hold a camera, never hold a speaker. Empty hands, laces, barbell, plates, or a water bottle only. NO PHONE — HIGHEST PRIORITY: There is no phone anywhere on this person. No phone in either hand, no phone at the ear, no phone in a selfie grip, no phone on a selfie stick, no phone in a pocket being pulled out. The camcorder is already rolling on a rack or mirror — they never film themselves with a device in hand. A small speaker can sit on a bench in the background, untouched. UNBRANDED SNEAKERS — HIGHEST PRIORITY: The training sneakers are plain, generic, unbranded. No logos, no wordmarks, no letters, no numbers, no swoosh, no stripes that read as a brand, no heel tabs with type, no recognizable designer marks. Same pair, clearly visible, every shot. CAMERA/LOOK: Authentic DV/16mm camcorder POV, already propped on a mirror or rack — never held as a phone. Shaky framing, imperfect focus, clumsy zooms, occasional face cutoffs, soft tape blur, subtle tape noise, bloomed gym lights, flickering exposure, muted contrast, realistic skin. Sweat gradually increases. Music plays throughout from the off-screen speaker. STYLE: Playful new-sneakers intro → rising tension before the squat PR → quiet focus during the lift → energetic triumphant ending. Fast handheld cuts with natural gym ambience. PRODUCT (wardrobe/gear only, not identity): a new pair of unbranded training sneakers, worn with their regular gym clothes, no jewelry. The sneakers are the featured product — kept clearly visible and consistent in every shot. SETTING: Early-evening gym with mirrors, squat rack, barbell, weight plates, a speaker on a bench (not in their hands), water bottle, soft overhead lighting. Any numbers or labels on the plates stay soft and unreadable — amounts are described in speech only, never as on-screen text. 30s / 12 CUTS: 1. 0-3s: Mirror shot. Empty hands. The character poses excitedly, lifting one foot to show off the new unbranded sneakers: “Okay guys, new kicks — check these out!” 2. 3-5.5s: Close on the sneaker details as they adjust the laces and flex their foot — blank tongue, blank sides, no marks: “So comfy, and the grip is amazing.” 3. 5.5-8s: Bodyweight squats and lunges to warm up. Hands free or on hips. Speaker already playing on the bench, not held: “Playlist’s locked in, let’s get moving.” 4. 8-10s: Quick playful dance between warmup reps, laughing, empty hands. Music only. 5. 10-12.5s: At the squat rack, they load a heavier plate onto the bar: “Okay... today’s the day I try a new squat PR.” 6. 12.5-14.5s: Macro shot of the unbranded sneakers planting firmly and gripping the gym floor as they set their stance, metal clink from the plates, no dialogue. 7. 14.5-17s: Nervous close-up, shaking out their legs, no phone: “Okay. Okay. Deep breath.” 8. 17-19.5s: Side angle as they unrack the bar onto their shoulders, feet set wide and stable in the sneakers. Music lowers; breathing becomes prominent. 9. 19.5-22.5s: They descend into a deep squat, then drive back up with visible effort, heels planted and stable throughout: “Come on—come on—” 10. 22.5-24.5s: Bar racks. They stand up, stunned, breathing heavily, legs slightly shaking. Empty hands after the rack. 11. 24.5-27s: Close reaction, huge grin, hand over mouth: “Wait—I actually did it!” 12. 27-30s: Sweaty look into the propped camcorder, glancing down at the sneakers, triumphant fist toward camera — no phone in frame: “New squat PR! Okay, best gym shoes ever. See you guys!” No on-screen text, no subtitles, no watermark, no logos.
Melt — Liquid ChromeRecreate workflow