CHARACTER LOCK - HIGHEST PRIORITY: @avatar is the person on the attached look sheet (the first reference image), exactly as shown - the face matches the large portrait on that sheet and the look matches its full-length views. Preserve facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build, body proportions and gender presentation exactly as shown. Do not beautify, slim, de-age or restyle. No other people in frame. Every reference to the person in this prompt is @avatar - no pronouns, no description. The second reference image is the location: follow its platform, lighting and palette exactly. Nothing is added to @avatar's look that is not on the sheet. Photoreal fashion film, music-video energy, vertical 9:16, 10 seconds. Mixed handheld fashion-cam and locked beauty close-ups, shallow depth of field on the face, the passing train smeared into silver-and-light streaks behind. A train rushes past behind @avatar for the whole film; its wind keeps the hair and the outfit moving throughout. 0.0-1.3s MEDIUM CLOSE-UP, handheld. @avatar stands shoulder to the lens and looks back over it straight into camera as the train screams past. 1.3-2.6s CLOSE PROFILE, locked. @avatar lifts a lip balm and applies it, the train wind catching the hair and the outfit. 2.6-3.6s MEDIUM CLOSE-UP, handheld. A quick turn to face the lens, the outfit swinging with the turn, eyes on camera, a slight smirk. 3.6-5.0s WIDER, knees up, handheld drifting left. @avatar touches the collarbone and runs a finger along the strap of the bag, the bag readable at the hip, the train still running behind. 5.0-6.0s MEDIUM CLOSE-UP, locked. Head tipped back, chin up, the hair and the outfit catching the rush. 6.0-7.2s MEDIUM SHOT, handheld. Shoulder to the lens again, @avatar looks back over it and breaks into a smile. 7.2-8.2s MEDIUM SHOT, handheld. A hand sweeps up over the head in a fast toss as @avatar turns partly away, face still three-quarter to the lens. 8.2-10.0s TIGHT CLOSE-UP, locked beauty framing. @avatar brings the fingers to the lips and blows a kiss to the lens, then breaks into a wide smile, the flower still behind the ear. Every movement runs forward in normal time: @avatar always moves in the direction the body faces and nothing moves in reverse. Audio: an upbeat instrumental dance-pop / Latin-pop track, with the train's rumble low underneath. No speech, no dialogue, no lyrics, no voice-over. No other people in focus. No text, no captions, no logos, no watermarks, no end card.
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A dog loses its mind while a delivery box is opened in a quiet living room. Twelve seconds: the wait, the tape, the film, the strain, the collapse.
BEAST TO HUMAN — Awakening A majestic lion gathers golden light, its fur dissolving into glowing embers, and from the light @image1 steps forward as a clothed human. A clean, magical beast-to-human transformation in a moonlit stone temple, one cinematic 15s take. Swap in ANY avatar.
@image1 (look 1 outfit sheet) and @image2 (look 2 outfit sheet) are absolute locks for the person and for both outfits: face, body, hair, garments, materials and colours are taken from them exactly, with no drift or reinterpretation at any point. @image3 is the storyboard and is followed exactly — same framing, same camera position, same progression of states. Photoreal fashion-campaign film. Real fabric physics throughout: knit that follows the body, leather that creases and catches highlights, heavy wool that carries weight and swings with the stride. Soft high-key studio light, neutral colour, shallow depth on the backdrop, fine natural grain. One continuous locked-off take. The camera does not move, zoom or rotate at any point — a single fixed frontal setup at chest height, the figure centred, floor visible, seamless backdrop behind. The person walks steadily toward camera in the first look, one measured stride after another, arms swinging naturally, shoulders level, gaze forward. The walk continues and the wardrobe transforms in place without a cut. The gathered hair releases and sweeps outward, then settles long and loose. At the same time the second look grows over the first: the jacket forms across the torso from the centre outward, panel by panel; the trouser fabric unfurls downward over the boots and pools at the floor; the necklaces layer in at the throat one strand at a time. The first look stays visible underneath as this happens and is progressively covered, never cut away. The walk continues in the second look, the same measured stride, the long trouser hem dragging and trailing behind on the floor, the necklaces swinging lightly against the chest, the hair moving with each step. Audio: quiet studio room tone, the soft brush of fabric and the muted contact of each footfall. No music, no voice. Give each of the three stages the same amount of screen time so the transformation sits in the middle of the take. Do not generate any text, captions or subtitles. Do not generate a logo or a watermark. No cuts, no cross-dissolves, no flashes, no speed ramps. No additional people, no props, no set dressing.
15 seconds, 9:16. Seedance 2.5. Fast cinematic PARKOUR, overcast city. HARD CUT between shots. ~2.5s each. Handheld tracking, quick pans. WILLIAM LOCK: @image1 is William — photocopy his face, hair and facial hair exactly as shown; wearing a BROWN LEATHER bomber, olive t-shirt, dark cargo pants, brown boots. Same man every frame. Adult. Athletic lead runner. Two other RUNNERS in dark clothing matching his pace behind him. Anonymous, not aggressive, not celebrities. AUDIO: footsteps, wind, city. No speech. No lyrics. SHOT 1 (0.0–2.5) Wide tracking. William sprints a flat rooftop, two runners behind matching pace. Fast pan as he vaults a low wall. HARD CUT. SHOT 2 (2.5–5.0) Low angle. He leaps athletically across a wide alley gap. The following runners take the same path. HARD CUT on landing. SHOT 3 (5.0–7.5) Ground-level tracking. He slides smoothly under rooftop pipes, recovers footing, jumps gracefully from the building edge. HARD CUT. SHOT 4 (7.5–10.0) High angle looking down. He descends from fire-escape scaffolding onto the roof of a passing grey delivery truck. HARD CUT. SHOT 5 (10.0–12.5) Fast pan. He leaps from the moving truck onto wooden crates, then a controlled safe roll onto the wet street. HARD CUT. SHOT 6 (12.5–15.0) Medium tracking. He sprints, glides over the hood of a yellow taxi, glances back at the runners. HOLD. NEGATIVE: violence, weapons, crash, fight, overlay type, Mateo, Istanbul, skipped shots, celebrity extras.
DUO DANCE — Boardwalk Afro-House Groove @image1 and @image2 dance a tight, upbeat afro-house groove together on a golden-hour seaside boardwalk — synchronised low footwork, bouncing shoulder pops and arm waves in unison. Music only, full speed. One continuous 20s take. Plug in ANY two avatars.
15 seconds, 9:16. Seedance 2.5. Cinematic PARKOUR at dusk. HARD CUT between shots. ~3.7s each. ERIC LOCK: @image1 is Eric — photocopy their face, hair, facial hair and features exactly as in @image1. Adult. IGNORE casual clothes in @image1. Dark suit, flowing long coat. Same person every frame. SETTING: illuminated NYC skyline at dusk. Sprawling rooftops. Other men in dark suits running behind Eric — anonymous extras, not celebrities. AUDIO: wind, city, helicopter, footsteps. No speech. No lyrics. SHOT 1 (0.0–3.7) Front-facing tracking. A helicopter spotlight SNAPS onto a high-rise rooftop, instantly illuminating Eric already in a full sprint TOWARD the camera. Suited runners behind Eric matching pace. HARD CUT. SHOT 2 (3.7–7.5) Wide profile. Eric hits the ledge at speed and executes a sweeping cinematic leap off the building, soaring with forward momentum over the glowing cityscape. HARD CUT. SHOT 3 (7.5–11.2) Ground-level tracking. Eric hits the lower rooftop and drops into a fluid, SAFE forward shoulder roll, then springs out of the rotation without breaking stride. HARD CUT. SHOT 4 (11.2–15.0) Fast pan. Eric accelerates from the roll, sprints the gravel roof, and launches off the next ledge into the night. HOLD. NEGATIVE: weapons, fight, crash into people, overlay type, Mateo, William, brown bomber, skipped shots, extra celebrity faces.
ANIMAL MORPH — Into a Lion @image1 sprints and leaps, and in cinematic slow-motion detail transforms mid-air into a powerful lion — skin rippling into fur, a hand curling into a clawed paw, the face becoming a lion's — then lands hard and roars. A film-style werewolf-movie morph, one continuous 15s take. Swap in ANY avatar.
Asset referencing: @image1 is the first frame of this video: a birthday cake whose top is covered by a white wafer sheet reading "Happy Birthday", with a lighter flame touching its edge. @image2 is the last frame of this video: the same cake with the sheet burned away, showing THE PHOTO printed on the cake top. Together they define the cake, the photo, the light and the framing. ATTACHED IMAGES ARE MANDATORY AND FINAL: the attached frames outrank every word written below them. Wherever the images and this text disagree, follow the images. THE PHOTO on the cake top is exactly the photo in @image2, and it never changes. THE BURN — this is the whole point of the film: the wafer sheet catches at the edge where the flame touches it, and a thin glowing orange line of fire creeps slowly inward across the sheet from that edge, like paper burning, the burnt edge curling up and turning to fine black and grey ash that crumbles and falls away. Wherever the burning line has passed, the sheet is gone and THE PHOTO underneath is revealed, bright and untouched. The burning line travels slowly and evenly across the whole top, crossing the "Happy Birthday" lettering, until the last of the sheet is gone and THE PHOTO fills the top of the cake. Summary: a birthday burn-away cake film in one unbroken take in which a lighter sets the edge of a "Happy Birthday" wafer sheet alight and the glowing burn line slowly eats across it, revealing the photo printed on the cake beneath. Timeline: 0–2s — The framing of @image1. The flame touches the edge of the sheet, a small bright glow catches, and the hand draws the lighter away out of frame. 2–5s — A glowing orange line of fire spreads slowly inward from the edge, the burnt rim curling and crumbling into ash, and the first part of THE PHOTO appears behind it. 5–8s — The burning line crosses the "Happy Birthday" lettering and sweeps on across the rest of the top, more and more of THE PHOTO revealed, the camera pushing in slowly. 8–10s — The last glowing edge dies out, and THE PHOTO lies fully revealed on the top of the cake, clean and calm, as in @image2. Notes: the cake, the rosette border, the stand, the fairy-light bokeh and the warm light stay exactly as in the two frames. The fire stays small, gentle and contained on the wafer sheet; the buttercream never burns. The camera moves as one slow continuous push-in with no cuts, and the film runs as one unbroken take. No subtitles. No BGM; generate only environmental sounds and action sounds: a close intimate mix — the soft flick of the lighter, a faint whoosh as the edge catches, the fine dry crackling and soft hiss of thin paper burning, tiny crisp ticks as ash crumbles, and the warm murmur of a quiet birthday party in the room behind, to the last frame.
Asset referencing: @image1 is the first frame of this video. It shows THE PERSON sitting behind a small pink vintage birthday cake at a party at night, holding an unlit striped birthday candle between their lips like a cigar tilted steeply upward, its wick end high above, looking into the camera. It defines THE PERSON's identity, face, hair, clothing and jewellery, the cake, the candle, the room, the light and the framing of the opening shot. ATTACHED IMAGES ARE MANDATORY AND FINAL: the attached first frame outranks every word written below it. Wherever the image and this text disagree, follow the image. THE PERSON is exactly the person in @image1 for the whole film — the same face, hair, age, clothing and jewellery. THE BIT — this is the whole point of the film: a cheeky, stylish birthday moment. With the candle held like a cigar between their lips, THE PERSON waits coolly while a hand comes in from the side of the frame and lights the wick with a small lighter. Then THE PERSON takes the lit candle from their lips with two fingers and simply lowers it straight down, still upright with the flame on top, and pushes it into the top of the cake; then they lean in and blow it out in one breath, and break into a big delighted laugh. THE CANDLE NEVER TURNS OVER: from the first frame to the last, the candle keeps the same orientation — its plain base end is always the lower end and its wick end is always the upper end. The base end is the one between THE PERSON's lips, and it is the base end that goes down into the buttercream. The wick at the top is the only part that is ever lit, and the flame always stays at the top. The candle is never flipped, tilted downward or turned around. Summary: a playful birthday film in one unbroken take in which THE PERSON holds a birthday candle like a cigar, has it lit by a hand from the side, sets it into their pink vintage cake and blows it out, laughing. Timeline: 0–2s — The framing of @image1. THE PERSON holds the unlit candle between their lips like a cigar and gives the camera a cool, playful look. 2–4s — A hand enters from the right side of the frame holding a small lighter up high, and a small flame lights the wick at the upper end of the candle, well above THE PERSON's face; the hand leaves the frame. 4–6s — THE PERSON takes the lit candle from their lips between two fingers, like a cigar, straightens it fully upright and lowers it straight down, and pushes its base end — the end that was between their lips — into the centre of the top of the cake; the small flame stays at the top the whole time, glowing warmly. 6–8s — THE PERSON leans in over the cake and blows out the candle in one breath, a thin curl of smoke rising. 8–10s — THE PERSON sits back and breaks into a big delighted laugh, eyes bright, looking at the camera, the soft warm party light on their face. Notes: THE PERSON keeps exactly the face, hair, clothing and jewellery of @image1 throughout. The candle is one long slim pink-and-white striped birthday candle; the flame is always at its upper end and never near THE PERSON's face or hair. The cake stays whole and pink with its frills and bows. The same single hand with the lighter appears only once. The camera stays at table height with only a slow gentle push-in, with no cuts, and the film runs as one unbroken take. No subtitles. No BGM; generate only environmental sounds and action sounds: a close lively mix — the click and soft flick of the lighter, the tiny crackle of the wick catching, a soft sink as the candle goes into the buttercream, a quick breath and a puff as it is blown out, a big warm laugh from THE PERSON, and the happy murmur of a small birthday party in the room behind, to the last frame.
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