CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Frame 1 is already in the scene — never a studio portrait, grey backdrop, or the attached still as an opening plate. Use they/them throughout. No other people. @image1 is identity only — face, bone structure, skin, long blonde hair, green eyes, age, body. Not wardrobe. Do not keep the white crew-neck t-shirt from the photo. Do not give them dark hair or bangs. WARDROBE (from the source film): white sleeveless fitted ribbed tank; light-blue wide-leg jeans; single-strand pearl choker; thin silver rings; a delicate silver bracelet on the left wrist. Bare arms. Same outfit the full 30 seconds. SETTING: bright modern bedroom, unmade white duvet, white pillows, cream wall, golden-hour sun from camera-right throwing a sharp silhouette of the person on the wall. Handheld smartphone UGC, subtle shake, cinematic commercial grade. One person only. No on-screen text, no logos, no subtitles, no watermarks, no end card. PRODUCTS (match the source clip, no brand marks on the devices): - A book-style foldable phone: closed it is champagne-silver on the lower back with a glossy black camera bar, vertical triple cameras on the left of that bar. Opens like a book to a large inner screen. - A white rectangular retail box on the bed. - A gold-case smartwatch with a white sport band. 30 SECONDS. Native room tone + their spoken lines only. No BGM. BEATS AND LINES (lip-sync these exact lines): 0–5s — already sitting on the bed facing camera, box and watch on the duvet. Smiling. Says: "I genuinely wasn't expecting to love this foldable iPhone this much." Picks up the box, opens it, lifts the folded phone. 5–9s — holds the closed phone toward camera, rotates it slowly (thin frame, hinge, camera bar). Says: "The design already feels incredibly premium." Then: "The design is so sleek, and I really love how the foldable screen opens up." Unfolds it. 9–16s — phone fully open, colorful app grid on the inner display. Scrolls, opens camera, points it around the room. Says: "And the camera quality is seriously impressive. Everything looks so sharp and detailed." Closes and opens the phone once. Says: "Plus, the battery is supposed to be better too, which is honestly a huge win for me." 16–23s — sets the phone on the bed, picks up the gold-and-white smartwatch, holds it close to camera (case, crown, strap). Says: "And the new Apple Watch is actually really nice too." Buckles it onto their left wrist, raises the wrist to camera, scrolls the face. Says: "I love how clean it looks, and having all these features right on my wrist is so convenient." Turns the wrist in the sunlight. 23–30s — picks the folded phone back up. Holds phone in the right hand and shows the watch on the left wrist. Looks into camera, warm smile. Says: "Honestly... this might be one of my favorite Apple upgrades yet." Soft laugh, glance down at both, then holds the phone beside their face with the watch clearly on the wrist. Slow push-in. Last frame still in the bedroom — no fade to black, no titles. Frame 1 is already on the bed in the scene — never a studio portrait or the attached still. Photoreal skin, real hands, five fingers. Same foldable and same watch the whole time.
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A 30-second 16:9 cinematic heist. Sound ON. ALAN is exactly the attached portrait — dark hair, beard, hazel-green eyes. PRODUCT: Deep Burgundy iPhone 18 Pro Max from the stills — square island, three lenses, apple mark. Burgundy boxes. NEVER glacier. STORY (mandatory ending): He HEARS the police (sirens, radios, shouting) before they reach him. He does NOT walk past officers at the front. He takes a DIFFERENT exit at the BACK of the warehouse. He gets INTO A VAN with the boxes and DRIVES AWAY. 0–8s: Warehouse, he loads boxes onto a cart. Sirens swell. He hears them, looks toward the front, panics. 8–16s: He hauls the boxes to a rear loading dock / back door. Not the main police entrance. 16–24s: Back lot. A van waits. He throws/loads the boxes in, climbs in. 24–30s: Van doors slam. The van DRIVES OFF with him and the boxes. Police arrive too late at the front. AUDIO required: sirens getting louder, shouts, running, van door, engine pull-away. No magic hover. Duration 30s. 16:9.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Frame 1 is already in the scene — never a studio portrait, grey backdrop, or the attached still as an opening plate. Use they/them throughout. No other people. A 10-second photoreal vertical 9:16 commercial. No on-screen text, no subtitles, no logos, no brand marks, no hotel names. @image1 is the rider. Preserve their face, hair, skin, age and build exactly. Do not beautify, slim, de-age or restyle. No other people. @image2 / @product is the suitcase. Lock it exactly: same shell colour, ribbing, handle, wheels, proportions. One suitcase. MOTORCYCLE (shape locked, colour follows the suitcase): a compact futuristic streetfighter / naked electric bike — sharp angular nose, split LED headlamp, black front forks, black disc brake, black wheels, sculpted side panels, under-seat tail, gold-accent LED strip along the mid-body. Body-panel paint takes the dominant colour of @product (if the suitcase is mustard yellow, the side panels and tank are mustard yellow; black mechanical parts stay black). Same bike every frame until it morphs. No manufacturer badge. Wardrobe on the rider: black zip jacket, beige cargo trousers, white sneakers, slim sunglasses. Fit to @image1's body. Setting: a luxury desert-resort plaza at golden hour — pale stone paving, tall palms, glass-and-timber hotel canopy, long shadows. Empty of other people. AUDIO — required: electric bike hum, tyre on stone, a mechanical folding whoosh as the bike becomes the case, suitcase wheels on stone. No dialogue, no lyrics. 0-3 seconds Already in the scene: @image1 rides the colour-matched streetfighter slowly toward camera across the plaza. Tracking three-quarter, low. Palms and hotel behind. 3-5 seconds They slow and put a foot down, still astride. Camera orbits slightly. Bike panels clearly show @product's colour. 5-7 seconds They step off. The bike compresses and folds in one continuous CGI move: wheels tuck, body panels collapse inward and become @product standing on its spinner wheels, handle rising. Same colour throughout. 7-8 seconds @image1 takes the telescopic handle of @product. 8-10 seconds They walk away toward the hotel entrance, pulling @product. Rear three-quarter. Empty plaza. End. Negative: extra people, crowd, BMW badge, readable signage, split-screen, a different suitcase than @image2, studio portrait as frame 1.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Frame 1 is already in the scene — never a studio portrait, grey backdrop, or the attached still as an opening plate. Use they/them throughout. No other people. A warm hand-painted pastoral anime sequence in a quiet apple orchard at the start of autumn. The person wears a soft cream blouse and a rust-colored skirt and walks beneath trees heavy with red apples. Golden afternoon sunlight, first hints of autumn, rich painted textures, gentle breeze, nostalgic countryside atmosphere, simple graceful actions, highly detailed. No on-screen text. Shot 1: Wide establishing shot, slow push-in. Rows of apple trees glow in warm autumn sunlight. Frame 1 is already in the orchard — never a studio portrait. Shot 2: Low-angle shot, static. Red apples hang among green leaves against a pale blue sky. Shot 3: Medium rear shot, gentle tracking. The person walks slowly between the trees. Shot 4: Close-up, static. Their skirt brushes softly against tall grass. Shot 5: Medium profile shot, static. They pause beneath one tree. Shot 6: Close-up, static. A ripe red apple hangs from a low branch. Shot 7: Medium shot, slight push-in. They reach toward the apple. Shot 8: Close-up, static. Their hand gently picks it from the branch. Shot 9: Close-up portrait, static. They look at the apple and smile. Shot 10: Wide side shot, slow pan. Leaves move gently around them. Shot 11: Medium rear shot, static. They continue walking through the orchard. Shot 12: Close-up, static. Sunlight flickers across fallen leaves on the grass. Shot 13: Low-to-high shot, gentle tilt. Branches sway overhead. Shot 14: Wide rear shot, slow pull back. They walk toward the far end of the orchard. Shot 15: Far wide shot, static. The orchard rests beneath soft golden evening light. CAMERA: slow, simple, graceful. No teleporting. AUDIO: soft breeze, leaves, quiet countryside. No voiceover. NEGATIVE: no live-action photoreal, no modern objects, no text, no watermark, no extra people.
A warm, heartwarming beach scene at golden hour: @image1 gently feeds and befriends a small stray cat by the shoreline, coaxing it closer until it eats from their hand and settles beside them. Photoreal, tender, soft natural light, gentle waves and a light music bed, no dialogue.
A cozy creator-desk UGC unboxing and review of @image2: @image1 holds the product up, opens it, lays out every included piece in a clean overhead flatlay, demonstrates it, and gives a warm sign-off. Authentic handheld UGC feel, works with any product. Photoreal, natural location sound, one presenter talking to camera.
A hyper-realistic one-take water-park obstacle challenge: @image1 taps the device @image3 (a smartwatch or a phone), says "Let's track my time," and runs a floating obstacle course — slipping, swinging on a rope, kicking an inflatable and wiping out into the pool — while @image2 watches and laughs. Photoreal, single continuous handheld shot, swimwear, natural sound, subtle device showcase.
A breathless premium tech-launch parody: @image1 is told they hold the very last unit and sprints across a vast glass HQ as a countdown ticks, intercut with glossy beauty shots of the product @image2, bursting into the keynote crowd just in time to hold it up. Photoreal, cinematic, comedic energy, no dialogue except one urgent line. Product @image2 is any premium product and is optional.
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