NY Street Style

Recreated 17 Sep 2026

Inspired by @Zyrellixon XTheir workflow. Rebuilt step by step on OpenClips.

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Recreate workflow

Walks the chain step by step — nothing spends until you run one

Built from2 in

Prompt73 chars

Generate a commercial like video of your avatar in your outfit of choice.

How it was made

Create an avatar.
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Create or select an avatar.
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Turns your outfit photo into a clean map

Create an outfit map from the attached image.

THE ATTACHED IMAGE IS THE PRODUCT AND IT IS FINAL. Reproduce it exactly — its cut, length, silhouette, closure, collar, sleeves, drape, seams, material, finish, sheen, colour and any branding on it — and never invent a different one. Nothing about it may be substituted, swapped, restyled, recoloured, simplified or "improved".

Present the garment alone on an invisible form against a plain light-grey background. No mannequin, no stand, no base, no person.

OPENINGS STAY OPEN: wherever @image1 shows the product as open, cut away, slit or see-through, the plain background shows straight through it. No fabric, no lining, no mesh, no second layer, no panel and no body fills an opening that @image1 shows as open, and no skin-toned or flesh-coloured material appears anywhere @image1 does not show it.

Generates the fashion film

THE SHOES: plain dark shoes
— if the attached product is itself footwear, it replaces this field entirely

ATTACHED IMAGES ARE MANDATORY AND FINAL: If an avatar image is attached, that is the person —
reproduce them exactly, in every single frame, and never invent a different face, hairline, hair
colour, skin tone, body or age. If a product image is attached, that is the product — reproduce
it exactly, in every single frame, and never invent a different shape, proportion, colour,
material, finish, label or branding. The attached images outrank every word written below them:
wherever an attached image and this text disagree, follow the image. Nothing about an attached
avatar or an attached product may be imagined, substituted, swapped, restyled, simplified or
"improved" at any point in the chain.

AVATAR AND PRODUCT ARE BOTH BINDING: This film has two attached references and both must be
obeyed to the letter. @image1 is the person — every cut shows that exact person and nobody else.
@image2 is the outfit — every cut shows that exact garment and no other. Neither may be
reinterpreted, restyled, recoloured, simplified or replaced at any point, and nothing may be
invented for either of them.

SCENE CONTEXT
Cinematic fashion film of the character from @image1, wearing the outfit from @image2, walking
through New York City. They exit a glass-door building, cross a busy intersection with yellow
taxis, glance into a café window, walk the sidewalk, buy a cold water bottle from a street cart,
drink it, sit on a green park bench, then walk away.

ACTIVE REFERENCES
@image1 — Avatar 1. This is the person; it defines face and identity. The person in every cut is
exactly the person in @image1 and nobody else. Read their identity off @image1 and invent
nothing — and preserve their gender presentation exactly as shown; do not masculinize, feminize
or otherwise reinterpret it. The face, hairline, hair length, texture and colour, skin tone,
build and body proportions stay identical to @image1 in every frame of every cut.
@image2 — the outfit. This is what they wear; it defines every garment on them. Refer to @image2
for the cut, length, silhouette, closure, collar, sleeves, fastening, seams, material, finish,
sheen, colour and any branding printed on it.

THE OUTFIT
The person wears exactly what @image2 shows, unchanged in every cut. Read it all off @image2;
describe, assume and invent nothing, and add nothing @image2 does not show. It is the identical
garment in every cut, never redesigned, recoloured or swapped. Fit the garment to the
character's body naturally without altering its design, cut, proportions or colour — the garment
is fixed, only its drape adapts. Exactly one thing is worn on top of what @image2 shows, and
nothing else: THE SHOES. They stay the same across all eight cuts. Every printed
or woven marking on the garment is exactly the marking @image2 shows, in the same place and the
same size; where @image2 shows plain fabric, the fabric stays plain.

LOCATION MAP
Foreground: the sidewalk and the character, shallow depth of field holding them sharp against a
soft background. Midground: a glass-door building entrance, a crosswalk with yellow taxis idling
at the line, a café window with a warm lit interior behind the glass, a street cart with an open
cold-drinks cooler, a green painted park bench under trees. Background: Manhattan blocks
receding into haze, other pedestrians passing as soft out-of-focus shapes. Every surface in
frame — glass, awnings, taxi doors, the cart, the cooler, the bottle — is plain and unmarked;
the only lettering anywhere is the normal blur of a city at distance, unreadable.

FIRST FRAME / BLOCKING
They are centred in frame, mid-stride, pushing the glass door open from inside and stepping out
onto the sidewalk, low golden sun raking in from camera left and rimming their hair.

FORMAT MODE
Timed multishot — HARD CUTs at stated seconds, cuts only at the specified points, the camera
does not cut on its own.

CAMERA
Smooth handheld and tracking shots throughout: the operator walks with them, matching their
pace, with fine natural micro-shake and no mechanical glide. Wide and medium tracking shots for
the walking beats, moving close-ups of their face, their hair and the details of the outfit from
@image2 for the static beats. Shallow depth of field in every shot, focus staying on them while
the street falls soft behind. Each cut opens already moving; no shot starts from a locked-off
frame.

ACTION
0.0s to 4.0s — They push through a glass door and step out onto the sidewalk, camera tracking
backwards ahead of them, low golden sun flaring across the glass as it swings shut behind them.
4.0s HARD CUT
4.0s to 8.0s — They cross a busy intersection with yellow taxis idling at the line, camera
tracking alongside at their pace, taxi bodywork throwing warm reflected light across them as
they pass.
8.0s HARD CUT
8.0s to 11.5s — They slow and glance into a café window, camera drifting in to a medium
close-up, the warm interior and their own faint reflection layered together in the glass.
11.5s HARD CUT
11.5s to 15.0s — They walk the sidewalk, camera moving with them through a run of close-ups —
their face turning toward the light, hair lifting in the moving air, the details of the outfit
from @image2 catching the low sun.
15.0s HARD CUT
15.0s to 19.0s — They stop at a street cart and buy a cold water bottle, camera at medium as
they lift it out of the cooler, condensation beading down the bottle in their hand.
19.0s HARD CUT
19.0s to 22.5s — They drink it, head tilting back, camera in close on their face and throat, the
bottle lowering and a breath released.
22.5s HARD CUT
22.5s to 26.5s — They sit down on a green park bench, camera settling into a wider handheld
hold, one arm along the backrest, the bottle resting beside them, trees moving above.
26.5s HARD CUT
26.5s to 30.0s — They stand and walk away from the bench, camera holding then tracking behind
them, their figure receding down the path into the golden backlight.

PERFORMANCE
Unhurried, self-possessed street energy — the walk is the performance. No mugging and no posing
for the lens: their attention is on the street, the window, the light, and the camera happens to
be there. Small real beats only — a glance back over the shoulder at the crossing, a half-smile
at the café glass, a breath after the water, a settle into the bench. Catch-lights from the low
sun visible in their eyes throughout; pore-level skin realism.

PHYSICS
Hair moves with their walking pace and the air off passing traffic; the fabric of the outfit
from @image2 swings and settles with each step exactly as that material would; condensation runs
down the cold bottle and wets their fingers; the water level drops as they drink and the bottle
deforms slightly under their grip; their weight settles naturally onto the bench slats.

LIGHTING
Natural daylight throughout, low golden-hour sun from camera left: warm rim light on hair and
shoulders, long soft shadows down the sidewalk, cool skylight fill from the open sky bouncing
off the buildings opposite. Warm interior spill from the café window at 8–11.5s. Dappled sun
through the trees at the bench at 22.5–30s.

AUDIO
Street ambience only — traffic hum, footsteps on concrete, a horn some blocks away, the hiss of
air brakes, the crack of the bottle seal and the swallow. No dialogue. No BGM; generate only
environmental sounds and action sounds. Do not add subtitles. No subtitles.

STYLE
Natural daylight, golden-hour highlights, smooth handheld and tracking shots, close-ups of their
face, hair, and the details of the outfit from @image2. Aesthetic street-style, filmic color
grade, shallow depth of field. Photoreal throughout, fine authentic skin and fabric micro-detail,
real-time motion.

POSITIVE LOCKS
Their face and identity stay consistent with @image1 in every cut. The garment from @image2 stays
the same cut, colour and markings from the first frame to the last, and THE SHOES stay with them
across all eight cuts. Exactly one person is the subject throughout; everyone else
in frame is a soft out-of-focus passer-by. The palette stays warm gold, concrete grey, taxi
yellow and the greens of the trees and bench. Every visible surface stays plain and unbranded.

ModelSeedance 2.5

Aspect1:1

Duration30s

Steps3

SourceX

NY Street StyleSeedance 2.5 · 1:1 · 30sRecreate workflow