Generate a glossy music video of two people strutting down a white corridor in giant puffy suits.

2 steps19520K

A product sits forgotten on a shop shelf. A mouth opens on its front and it quietly talks about being ignored, until a hand reaches in, lifts it off the shelf and finally uses it.

2 steps

VERTICAL 9:16 13 seconds. ONE continuous take. Camera LOCKED: wide full-group, tripod, no pan, no cut. @image1 = MATEO, front row LEFT (the lead). Photocopy FACE only. Ignore whatever clothes are in @image1. @image2 = ERIC, front row RIGHT. Photocopy FACE and hair exactly as in @image2. Ignore whatever clothes are in @image2. Six GENERIC women in a loose formation behind/around them — attractive, mixed, not copies of Mateo or Eric. Dirt mountain path, scenic peaks behind. Outdoor athletic/casual clothes on everyone. No on-screen text. 0:00–0:02 Six women standing. Mateo and Eric RUN IN from the background and take the two front spots. Mateo left, Eric right. 0:02–0:04 Whole group jumps, lands in a squat, hands together prayer. Then wide stance, arms thrown out, martial pose. The two leads lead. 0:04–0:06 Jump together, prayer hands. Right arms shoot up. Then wide stance, arms out. 0:06–0:09 Sync: wide squat arms out → side step → jump, hands clasped in front. Mateo leads. 0:09–0:13 Low squat fists forward → strong punch forward → FINAL: legs wide, right arm punching high. Hold. Same two faces on the two leads every frame. Women stay generic. Camera never moves.

Generate a live rally broadcast where a car showers you in dust at a gravel hairpin.

@image1 is the opening frame of the film and the single source of truth for everything in it: the round turntable with its brass rim, the three wedges it is divided into, the colour of each wedge, the three products standing on them, every small object beside them, and the collection bar at the top. Nothing is added, removed, redrawn, recoloured or relabelled. The turntable stays divided into exactly the three wedges shown in @image1 for the whole film — the same three seams meeting at the centre, the same three colours, never a fourth wedge. Each product keeps its exact shape, colours, cap and every mark it carries, as shown in @image1, and always stands upright on its wedge. One continuous 16-second take, 9:16 vertical, premium studio product film. THE POINT OF THE FILM: the turntable presents the three products one by one. Each product in turn is carried by the turning disc into a hero spot right in front of the lens, where it is seen big, sharp and upright at its own height, while the whole studio behind it takes on that product's colour. Then the disc carries it away and brings the next one. TWO THINGS MOVE, NEVER AT THE SAME TIME: 1. THE CAMERA moves only once, in the first three seconds, while the disc is still: from the high view of @image1 it glides down and forward to the HERO POSITION — low, at the height of the products, slightly above them, 50 mm look, facing the front edge of the disc, so the product standing on the front wedge fills the lower middle of the frame, big and sharp, with the studio wall behind it and the neighbouring products soft at the left and right edges. From the third second to the last frame the camera is locked in that hero position on a tripod and never moves again — no orbit, no pan, no drift, no zoom. The camera never travels around the disc. 2. THE DISC turns only from the third second on: it spins around its own centre at one slow, steady speed, a third of a turn every four seconds, clockwise as seen from above. It is the disc that carries the products past the lens: each wedge, with its upright product and its small objects, rides round from the right side of the frame into the hero spot at the front, holds the spotlight there, and rides on out to the left, while the next wedge comes in from the right. The seams visibly sweep past the front as the wedges change. Every product is always solid, upright and on its own wedge, never sliding, fading, doubling or lying down. THE COLOUR RULE: the seamless studio wall behind the turntable and the light in the studio take the colour of whichever product is in the hero spot — a soft, lighter tone of that product's own dominant colour on the wall, a deeper tone of it in the shadows — and flow smoothly to the next product's colour as the next one arrives. THE COLLECTION BAR: the bar at the top of @image1 is a fixed on-screen overlay. It stays exactly as in @image1 in every frame — same position, same size, the same three tiles in the same order — and nothing in it ever lights up, moves or changes. TIMELINE: [0–3 s] Opens on @image1. The disc is still. The camera glides down and forward in one smooth move into the hero position; the product on the front wedge grows big and sharp in the lower middle of the frame, and the wall behind it takes on its colour. [3–7 s] Camera locked. The disc starts turning: that first product rides slowly through the hero spot and out to the left, and the next product rides in from the right into the hero spot, big and sharp; the wall flows to its colour. [7–11 s] Camera locked. The disc keeps turning: the next product rides in from the right into the hero spot, big and sharp; the wall flows to its colour. [11–15 s] Camera locked. The disc keeps turning: the third product rides in from the right into the hero spot, big and sharp; the wall flows to its colour. [15–16 s] Camera locked, the disc still turning slowly; the film ends on that product in the hero spot. NOTES: one turntable divided into exactly three wedges, one take, no cuts. The camera moves only in the first three seconds and is locked after that; after that only the disc turns. Exactly three products, each always on its own wedge, never duplicated, swapped or merged. Nothing in the frame carries text. No people and no hands. AUDIO: a soft, minimal instrumental pulse under the whole take, the quiet smooth hum of the turning disc, and a faint airy whoosh each time the colour flows to a new product. No subtitles.

2 steps281.5K

Editing task: replace the Warrior in @video1 with the person in @image1. @video1 is the finished film. @image1 is the new Warrior: face, hair, hair colour, hairstyle, skin tone, age, gender presentation and body proportions come entirely from @image1. The clothing, background, framing and lighting of @image1 are ignored completely. Replace only the Warrior - the one unmasked fighter with the ember-orange cloak and the glowing ice axe - in every shot where the Warrior appears, including the close-ups of the face, the wide shots and the shots from behind. The person from @image1 wears exactly the same frosted gunmetal armour, grey wolf-fur pauldrons, ember-orange cloak and ice axe as the Warrior in @video1; the armour is fixed, only its fit adapts to the body of @image1. Frost settles on their hair and eyebrows but never changes the colour of their hair. Keep everything else in @video1 exactly as it is: every shot, every cut and its timing, every camera move, every action and pose of the Warrior, the frost soldiers, the Frost King, the frozen lake, the ice spire, the blizzard, the light and colour, and the soundtrack. No subtitles.

VERTICAL 9:16 30 seconds. ONE continuous handheld selfie. Medium close-up. They walk forward down a sunny city sidewalk. Slight sway from their steps. No cuts. @image1 is CATE. Photocopy FACE and hair exactly as in @image1, with this outfit: white V-neck jersey with coral-pink side panels and sleeve stripes, pink cargo shorts, white socks, silver sneakers, red string bracelet. NOT the top from @image1. NOT a studio grey void as frame 0 — they are already walking on the street. Iced coffee with a straw in their RIGHT hand the whole time. Lip-sync the English lines. They talk to the lens like a vlog. 0:00–0:11 Walking, looking into the lens: “Okay, walk with me. I’m meeting my sister for brunch, and I’m, like, 10 minutes early for once. I love this street in the morning before all the people...” 0:11–0:15 Flower stall on their LEFT, colorful bouquets in white buckets. Glance left, back to camera: “Oh, the flower stall’s out again. So pretty.” 0:15–0:26 Bakery on their RIGHT, window of round pastries. Look right, back, laugh: “And that bakery? No. Be strong.” 0:26–0:30 Keep walking, smile, small wave: “Okay, it’s just up here. I’ll show you what we get. Bye!” Trees, storefronts, parked cars. No on-screen text. No logos. Same face every frame.

VERTICAL 9:16 18 seconds. ONE continuous take. Camera LOCKED: full-body, tripod, no pan, no tilt, no cut. @image1 is CATE — photocopy FACE and hair only, exactly as in @image1. Do not keep any clothing or accessories from the still. Wardrobe from the scene: black loose martial-arts uniform, white undershirt, white socks. Grey brick wall, paved outdoor ground. No other people. No on-screen text. They are already in the first pose at frame 0 — never a studio headshot. 0:00–0:02 Balance on RIGHT leg. LEFT leg high, foot to the ceiling. Right arm up, palm out. Left arm down, palm down. Slowly lower the left leg. 0:02–0:04 Left leg coming down. Both arms cross at the chest, then open: right arm forward, left arm back. Still on the right leg. Left knee bent, foot pointing down. 0:04–0:06 Swift high left kick straight up. Right arm above the head, left hand to the waist. Hold a beat, then left knee bends again. 0:06–0:10 Left knee bent, deep squat on the right leg. Arms cross at the chest, then right arm up, left arm forward, palms out. Hold the low squat. 0:10–0:13 Rise on the right leg. Arms cross again. Left leg extends forward, knee bent. Left arm up. 0:13–0:18 Left leg kicks straight out, toe pointed. Right hand to the face, palm out. Left hand at the waist. Slowly sink into a deep squat on the right leg with the left leg still straight out. Hold. Intense stare into the lens to the end. Precise, controlled, one breath. No freeze-as-JPEG except the designed holds.