LOOK: photographic beauty-campaign footage. Even frontal lighting on a plain white seamless, clean natural colour, realistic skin texture, shallow falloff behind the shoulders. No stylisation, no illustration, no film grain, no vignette. @image1 (bare-styling reference) is an absolute character lock for the first half and @image2 (glam-styling reference) is an absolute character lock for the second half — face, body, hair, makeup, wardrobe, materials and colours are taken from them exactly, with no drift or reinterpretation. The face is the same person in both halves; only the styling changes. @image3 (storyboard) is to be followed exactly: same framing, same hand positions, same order. CAMERA: one locked frame for the entire piece — a centred front-on bust framing, no pan, no tilt, no push, no zoom, no handheld drift. The framing, the lens, the distance and the background are identical before and after the cut. The subject stays centred and facing the lens throughout, breathing and blinking naturally. Beats, in order, each held for roughly the same time: 1. Both hands rise up into the lower frame, fingers extended, palms turning toward each other in front of the chest. 2. The palms press flat together in a single sharp clap, fingers pointing up, elbows out to the sides. 3. The palms part by a hand's width and clap together again, rhythmic and deliberate, and hold pressed together. 4. Hard cut on the held clap. The hands hold the identical position, now gloved, and the styling has changed completely. 5. The hands lower and open apart, sliding down and outward across the chest, then leave the frame at the sides. 6. Shoulders square, the chin lifts slightly and settles, holding a still pose to the lens. THE CUT: beat 3 to beat 4 is a hard instantaneous cut on the matched hand position — same height, same angle, same distance from the chest on both sides of the cut — one frame to the next, nothing in between. Do not dissolve, crossfade, morph, wipe, whip-pan or blur between the two halves. Do not animate the styling changing on screen. Do not show any intermediate state. AUDIO: sharp, close hand claps landing on beats 2, 3 and 4, with quiet room tone underneath. No spoken dialogue, no voiceover, no music. Do not generate any text, subtitles or captions. Do not generate a logo or a watermark. Do not change the background, the framing or the camera distance at any point. Do not add a second person or a mirror.

4 steps1231K

@image1 is an absolute character lock — face, body, hair, wardrobe, materials and colours are taken from it exactly, with no drift or reinterpretation in any shot. @image2 is the location. @image3 is the storyboard, to be followed exactly: same shot order, same framing, same pose and same staging in every beat. LOOK: shot on a DV tape camcorder. Soft, slightly blurry tape quality, faint tape noise, bloomed highlights under the overhead practicals, flickering auto-exposure, muted contrast, realistic skin tones. CAMERA: the subject is holding the camcorder themselves, sometimes propping it on a rack or bench. Hand shake throughout, misaligned framing, delayed focus pulls, clumsy zooms, the face occasionally cut off by the frame edge. Imperfect, unrehearsed shots. The camcorder never appears on screen. STYLE: playful and self-deprecating workout-vlog energy — exaggerated complaining, genuine laughs, exhausted but amused. Quick handheld cuts, the camera wobbling in sympathy with their unsteady legs. Beats, in order, each held for roughly the same time: 1. Propped at the rack, medium shot. They stand with hands on hips, catch their breath and let out a dramatic exhale. Dialogue: "Okay... leg day is not it today." 2. Handheld, close on the face. They wince, shake out one leg and laugh at themselves. Dialogue: "Why did I do that many reps—" 3. Propped medium shot at the machine. They sit down, push through a rep with their face straining, then flop back with a groan. Dialogue: "Okay that's it, I'm done, I'm so done." 4. Macro insert, shallow depth of field. Their hand closes around the machine handle, knuckles tensing, a faint tremor running through the fingers before the grip releases. No dialogue — ambient room sound only. 5. Handheld, walking, camera wobbling. They stand up and immediately wobble, grabbing the rack for balance, bursting into laughter. Dialogue: "Wait— okay my legs are literally shaking—" 6. Handheld, unsteady walk. They take exaggerated wobbly steps across the room toward the water fountain, the camera bouncing with their uneven gait. Dialogue, laughing: "This is so embarrassing, someone help me—" 7. Close handheld at the fountain. They lean down for a sip, sigh in relief and wipe their mouth with the back of a hand. Dialogue: "Okay... water is life right now." 8. Arm's-length framing against the wall. They lean back, still catching their breath, and grin tiredly into the lens. Dialogue: "Never doing legs again — see you guys, I'm going to go lie down somewhere." AUDIO: all dialogue spoken in English, close and slightly clipped as a camcorder's on-board microphone would capture it, breathless between lines. Ambient room tone underneath — distant plates settling, a machine cycling, faint footfall. No music. Do not generate any text, subtitles or captions. Do not generate a logo or a watermark. Do not show a camera, phone or recording device in frame. Do not add a timecode or recording indicator overlay.

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CHARACTER LOCK — HIGHEST PRIORITY: The character in every shot is exactly the person shown in @image1 — same face, facial features, hairstyle, skin tone, build and gender presentation throughout all 3 shots. No identity drift between shots. Do not beautify, slim, de-age or restyle the face or hair. @image1 is identity only — face, hair, skin — not any studio backdrop, not a frozen headshot, not any specific outfit as locked wardrobe. Photocopy the person from @image1 into the scene below. No other people in frame. WARDROBE (from the scene, not the still): a regular at-home bathrobe over sleep clothes. Not an evening gown, not a black cutout dress, not restaurant jewelry. Ignore the still's background completely — it is not the set. ASSET MAP: @image1 — the character. Tell the following story in exactly 3 shots, same character throughout, with a clear visual beginning, twist and ending — never an ambiguous or faded-out close. STORY: The character steps outside their front door in a bathrobe to grab the newspaper, and the door swings shut and locks behind them. They pat down the robe’s pockets, realize they have no key, and panic — pulling at the locked handle, peering through the window, pacing the porch. Then they freeze, remembering something, and hurry to a fake plastic rock sitting among the garden plants. They lift it, twist it open, and pull out a spare key hidden inside. They unlock the door, step back in relieved, then do a small triumphant fist-pump before the door clicks shut behind them. STYLE: Warm, relatable live-action realism, natural morning daylight, handheld documentary-style camera energy, comedic but grounded — no exaggerated slapstick. Vertical 9:16. Continuous real motion. Never freeze on the reference still. No on-screen text, no subtitles, no logos, no title card. AUDIO (native, synced, no music, no voiceover, no narration): a door clicking shut, birds and quiet street ambience, frantic patting on fabric, a rising sigh of panic, footsteps on a porch, the rock’s plastic lid twisting open, a key jingle, a relieved exhale and a short triumphant laugh. SHOT 1 (0.0-6.0s): Establish the lockout clearly. Handheld 35mm, medium then closer. The character steps out in a bathrobe, the door swings shut behind them with a click, and they turn the handle to find it locked. They pat down empty robe pockets, panic rising, peering through the window and pacing the porch. The problem is immediately obvious. Face readable. SHOT 2 (6.0-12.0s): The twist. The character freezes mid-pace, a realization crossing their face, then hurries to a cluster of garden plants beside the porch. They crouch and pick up an ordinary-looking fake rock, twist its hidden lid open, and pull out a small brass key, holding it up with a relieved grin. Handheld, eye-level. Same person as @image1. SHOT 3 (12.0-18.0s): The resolution. The character unlocks the front door, pushes it open, and steps back inside — then turns back for one beat to pump a fist in quiet triumph before pulling the door shut behind them. A clear satisfying end — not a fade-out, not a still.

@image1 is an absolute lock for the starting look and @image2 is an absolute lock for the revealed look: face, hair, styling, wardrobe, jewellery, materials and colours are taken from them exactly, with no drift and no reinterpretation at any point. Photographic live-action beauty-campaign rendering: soft even studio key, shallow depth of field, fine skin texture retained, neutral colour, natural motion blur on fast movement. No stylisation, no illustration, no beauty smoothing. A single locked-off centred portrait, framed head and shoulders. The camera does not move, push, pan or cut at any point, and the backdrop and framing stay identical from first frame to last. Facing the lens in the starting look, they raise both hands to the temples and run them up and back through the hair, fingers combing through to the ends, lips moving as if mouthing along to music. They lower both hands away out of the bottom of frame, the head settling square to the lens, shoulders shifting slightly, gaze steady into the camera. One hand lifts fast toward the lens, palm open and fingers spread, sweeping up across the frame until the palm fills it and the image blurs through the motion. The hand pulls away downward out of frame and clears the lens, revealing the revealed look in the same position, same framing and same backdrop. The chin lifts slightly, the head turns a few degrees, and the gaze returns to the lens, holding with small natural movement — breath, a settle of the shoulders, the curls swaying to rest — through to the end.

3 steps2720

15-second 9:16 ultra-realistic beauty vlog. Fast 1–2s cuts, gimbal, macro application, golden morning light, LED vanity mirror. @image1 is FACE ONLY — photocopy their face. Realistic skin: visible pores, texture, peach fuzz. Do not beautify, do not de-age. Do not describe hair or clothes. @image2 is the sheet — photocopy outfit. One person only. 0–2s: Makeup-free, smile to camera, holding a brush. They SAY out loud: "Come get ready with me in under a minute!" 2–5s: Primer, foundation, concealer jump cuts. They SAY: "Keeping it light, fresh, and glowy for today's look." 5–9s: Blush, bronzer, highlighter, brows. Macro of real skin. They SAY: "A little blush and glow... because we're going for that effortless look." 9–12s: Shadow, mascara, glossy nude lip. Hair flip. They SAY: "Mascara, lip gloss... and we're basically done!" 12–15s: Walk toward camera. They SAY: "Simple, fresh, and ready for the day. What's your favorite makeup step?" No on-screen text. AUDIO (required): generate a full soundtrack. All five spoken lines must be clearly audible English lip-sync. Light upbeat music bed under the voice from 0s to 15s. Never silent. Never SFX-only.

2 steps8924.3K

CHARACTER LOCK — HIGHEST PRIORITY: The character in every shot is exactly the person shown in @image1 — same face, facial features, hairstyle, skin tone, build and gender presentation throughout all 3 shots. No identity drift between shots. Do not beautify, slim, de-age or restyle the face or hair. @image1 is identity only — face, hair, skin — not the dark studio backdrop, not a frozen smiling headshot, not the white crew-neck t-shirt as locked wardrobe. Photocopy the person from @image1 into a lived-in apartment. No other people in frame. ASSET MAP: @image1 — the character. PROP LOCK: From the first frame, a pair of ordinary thin-framed glasses is already sitting on top of their head, resting in their hair above the forehead. They do not notice them until the mirror. Do not recast their face with glasses on their eyes until they slide them down in shot 3. Do not invent a different person. Tell the following story in exactly 3 shots, same character throughout, with a clear visual beginning, twist and ending — never an ambiguous or faded-out close. STORY: The character is running late for an important meeting and frantically searches their apartment for their glasses — digging through couch cushions, patting down their jacket pockets, shuffling through papers on their desk, glancing anxiously at a wall clock as the panic visibly builds. Rushing past a hallway mirror on their way to grab their coat, they catch their own reflection and freeze mid-stride — their glasses have been resting on top of their head the entire time. They blink at themselves in disbelief, then burst out laughing, shaking their head at their own mistake. They slide the glasses down onto their face, grab their coffee and bag from the counter, throw open the front door, and step out confidently into the morning light, still chuckling to themselves — now completely composed and right on time. STYLE: Warm, relatable live-action realism, natural home lighting, handheld documentary-style camera energy, comedic but grounded — no exaggerated slapstick. Vertical 9:16. Continuous real motion. Never freeze on the reference still. No on-screen text, no subtitles, no logos, no title card. AUDIO (native, synced, no music, no voiceover, no narration): rustling and rummaging sounds, a ticking clock building tension, a sudden silence at the mirror moment, a surprised gasp, genuine self-deprecating laughter, then keys jingling and a door closing. SHOT 1 (0.0-7.0s): Establish the panic clearly. Handheld 35mm, medium then closer. They rummage couch cushions, pat jacket pockets, shuffle papers on a desk, then an anxious glance at a wall clock. Urgency and mild chaos immediately obvious. Face readable. Glasses already on top of their head the whole time — visible in hair if the camera angle allows, but they never look for them there. No other people. SHOT 2 (7.0-13.0s): The twist. They rush past a hallway mirror, catch their reflection, freeze mid-stride. Close enough to read their face: the glasses sitting on top of their head, the realization, a blink of disbelief, then a burst of genuine laughter at themselves, shaking their head. Sudden silence then the gasp and laugh. Handheld, eye-level. Same person as @image1. SHOT 3 (13.0-20.0s): The resolution. They slide the glasses down onto their face, grab coffee and a bag from the counter, throw open the front door, and step out into morning daylight — relaxed, put together, still chuckling, keys jingling, door closing. A clear satisfying end — not a fade-out, not a still.

30-second 9:16 ultra-premium cinematic fashion film. @image1 is the product. Photocopy that object — same olive leather grain, chunky black platform, grey laces, silver eyelets, proportions. Do not redesign. Do not turn it into a sandal or a different shoe. @image2 is the storyboard — photocopy those camera beats. Dark futuristic runway. Glossy black floor. Charcoal architecture. Haze. Olive light accents. No people, no feet, no extra products. 0–3s: Extreme wide establishing. Product on the runway. Slow mysterious open. 3–6s: Low-angle hero. Slow cinematic dolly-in. 6–10s: Smooth lateral track, then a 90° orbit. Stabilized. 10–16s: Macro of original leather texture, then close-up of dark-chrome / silver hardware. Speed ramps, match cuts. Cutting speeds up. 16–22s: Low-to-high reveal. Fast but elegant push-in. Slow-motion three-quarter rotation. 22–27s: Slow down. Final symmetrical low three-quarter hero, overhead spotlight, floor reflection. Subtle last push-in. 27–30s: Hold the hero. Fade to black. No on-screen text, no captions, no logos. AUDIO: deep cinematic bed, sub-bass, fashion-show pulse, metallic whooshes, material foley. Calm confident VO: "Some designs are made to be worn. Others are made to be remembered. Sculpted with precision. Defined by presence. This is more than footwear. This is the new icon." Music under the voice, never silent.

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8-second 9:16 premium cinematic advertisement. @image1 is the product. Photocopy that object — same silhouette, materials, grain, hardware, colours. Do not redesign. Do not turn it into a watch. @image2 is the storyboard — photocopy those four beats. 0.0–2.0s: Slow cinematic push-in toward the hero product. Dark luxury set, rim light. 2.0–4.0s: Macro of the original texture. Realistic reflections moving across the real surface. Gentle light sweep, shallow depth of field. Subtle camera rotation. 4.0–6.0s: Lifestyle still of the same product on a refined surface. No people, no hands. 6.0–8.0s: Cinematic luxury hero. Hold. Same product, no deformation. No on-screen text. AUDIO: soft luxury bed, light whoosh, no vocals.

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15 seconds, 9:16. Rapid HARD CUTS on action. Static front-facing camera with occasional ECU. Modern minimalist apartment LIVING ROOM — pale walls, sofa, daylight. NOT the room or background from @image1. LANA LOCK: @image1 is Lana — photocopy face, hair and eyes exactly as shown; dressed in a cream silk shirt, white trousers, brown belt. IGNORE any watermark or overlay in @image1. Same woman every shot. She MOVES. JEWELRY: @image2 = the gift box — photocopy it exactly as shown, any brand name exactly as printed. Never a different box. @image3 = the necklace — photocopy it exactly as shown (metal, pendant, stones, chain, detail). @image4 = the first ring — photocopy it exactly as shown (metal, shape, stones, detail). @image5 = the second ring — photocopy it exactly as shown (metal, shape, stones, detail). AUDIO: room, box, jewelry. No speech. No lyrics. HARD CUT between every shot. ~1.5s each. SHOT 1 (0.0–1.5) Medium. Lana waves BOTH hands near her face, smiling. Living room. HARD CUT. SHOT 2 (1.5–3.0) Medium. She tosses the gift box (@image2) a little in the air, CATCHES it, holds it near her chin. HARD CUT. SHOT 3 (3.0–4.5) CLOSE-UP of her hands opening the box. Inside: the necklace from @image3. HARD CUT. SHOT 4 (4.5–6.0) Medium. She puts the necklace around her neck. HARD CUT. SHOT 5 (6.0–7.5) Medium pose, necklace on, looking at camera. HARD CUT. SHOT 6 (7.5–9.0) ECU of the necklace on her collarbone. HARD CUT. SHOT 7 (9.0–10.5) She takes the first ring (@image4) from a small pouch / from the box and slides it onto a finger. HARD CUT. SHOT 8 (10.5–12.0) ECU fitting the second ring (@image5) onto a finger. HARD CUT. SHOT 9 (12.0–13.5) Pose, both hands together, both rings visible. HARD CUT. SHOT 10 (13.5–15.0) ECU: hand near lower lip, both rings sharp. HOLD. NEGATIVE: the background of @image1, a hair colour different from @image1, a box different from @image2, blob rings, pebble pendant, watermark, on-screen text, extra people, one continuous uncut take.