0.0–1.5s. The camera is on the gravel, looking up at the @avatar crouched behind an HVAC box, staying small, curls tucked down, handbag clutched to their chest. The helicopter is already coming in fast along the skyline, city behind it. The gunner is in the open door, watching the roof. 1.5–3.0s. The @avatar lifts their head and sees the helicopter. Their jaw sets — it's now or never. @avatar breaks from the crouch and moves straight at the roof edge the helicopter is lining up on, a heavy determined run, bathrobe streaming. The pilot banks the nose toward the building and starts the descent. 3.0–4.5s. The gunner shoulders the M4 and fires a burst at the runner. Rounds chew gravel ahead of the @avatar’s left slipper. @avatar cuts right without flinching and keeps closing. The pilot sideslips so the open door faces they. 4.5–6.0s. The gunner walks the next burst to follow the cut. Rounds spark the HVAC @avatar just left. @avatar drops a shoulder and holds their line toward the lip, curls flattened in the rotor wash. The helicopter drops until the near skid is almost level with that lip. 6.0–7.5s. The gunner leans out of the doorway, one boot planted on the sill, and fires shorter bursts as the gap shrinks. A round passes at their hip and spalls a roof light. @avatar weaves once and does not break for cover, committed to the edge. 7.5–9.0s. The pilot holds the helicopter parallel, the skid running just above the lip, a few meters of air between them. The gunner dumps the rest of the magazine along the lip. The @avatar hits the lip at full stride. 9.0–10.5s. BULLET TIME begins as their slippers leave the gravel. Time almost stops. @avatar is in the air over the drop, bathrobe and curls frozen mid-billow, both hands reaching the near landing skid. Two bullets hang behind @avatar with visible shock cones, one at their back, one at their calf. Neither touches @avatar. The gunner is frozen mid-lean in the door above, the bolt locking back, a brass case hanging in the air beside the empty mag well. 10.5–12.0s. BULLET TIME. Their hands close on the skid. Their body starts to swing under the bar, slippers over empty city. The gunner's eyes are wide, the muzzle dropping as he sees Their already on the bar. His free boot is coming down toward Their hands on the skid, the stamp caught halfway. 12.0–13.5s. BULLET TIME. The @avatar hangs, one arm locked over the skid, the other reaching up toward the gunner's sill-boot with unbothered calm. The gunner's stamp is still coming, the sole aimed at that reaching hand, fear plain on his face. A third bullet hangs between them, already past Their ear from the last burst. 13.5–15.0s. Time snaps back to full speed. The gunner's stamp misses the hand and hits the door frame. The @avatar gets that boot and yanks downward with their whole weight and impossible strength. The gunner pitches forward out of the doorway. 15.0–16.5s. The gunner catches the door frame with one hand. The empty M4 swings on the sling and hits the frame. The @avatar keeps the yank on the boot. The pilot, seeing it in the side window, yanks the cyclic to shake @avatar off the skid. The helicopter lurches. 16.5–18.0s. The lurch is a beat late. The gunner's fingers slip. He falls past the skid, past the hanging @avatar, and drops away into the open air beside the tower (his fall continues off-screen, no impact shown). The pilot keeps the yaw going, trying to peel @avatar off the bar. 18.0–19.5s. The swing throws the @avatar’s legs out, but @avatar is already hauling themselves to the door sill with steady grandmother effort, one hand on the frame, a knee coming up. In the cockpit the pilot leaves one hand on the cyclic, twists back, and pulls a pistol from the door pocket. 19.5–21.0s. The @avatar is in the cabin. The pilot fires one wild shot into the cabin roof. @avatar ducks the line and crosses the short cabin under the rotor noise, eyes level on the pilot, the open door still behind @avatar. 21.0–22.5s. The @avatar strikes the pilot across the side of the head — one flat, heavy, unhurried blow. The pistol clatters into the footwell. The pilot is still harnessed. The cyclic goes light and the helicopter yaws over the street grid. 22.5–24.0s. The @avatar pops the harness. The pilot grabs their wrist with one hand and the cyclic with the other, trying to fly and fight at the same time. Slippers brace against the pedestal. The city slides sideways in the windshield. 24.0–25.5s. @avatar breaks the grip without visible strain and drags the pilot backward out of the seat toward the open door, using the yaw. The pilot's heels scrape the cabin floor. A glass tower is starting to fill the right side of the windshield. 25.5–27.0s. At the door lip the pilot catches the frame with his free hand. The @avatar drives a shoulder into him and shoves. The pilot loses the frame, goes out into the slipstream, and falls away beside the building (off-screen, no impact). The doorway is empty. @avatar turns back to the cockpit. 27.0–28.5s. The @avatar drops into the right-front seat and takes the cyclic. The glass tower is close on the right, individual facade windows readable. @avatar hauls the cyclic left. 28.5–30.0s. The helicopter banks left. The tower face slides along the right window and falls behind. @avatar is alone in the cockpit, rotors steady, the avenue opening under the nose, curls settling. Hold on their hands on the cyclic and the city moving correctly past the glass.
Drag the clip sideways
Turn your own product photo into a warm, everyday moment. First we build one clean reference image of your exact product, then bring it to life in a short kitchen film: found in the fridge, poured with a light touch, shared over genuine laughter with a friend. Warm daylight, real hands, no faces cast, one continuous take from start to finish.
ONE PRODUCT. EIGHT SHOTS. NO PEOPLE ANYWHERE IN FRAME. ASSET MAP - every reference is bound here and cited by tag below: @image_1 - the product. This is the only physical object in the film. @image_1 is the product source only - its background, surface, props, shadows, framing, lighting and colour grade are ignored. Nothing behind or around the product in @image_1 carries into this film. PRODUCT LOCK: the object in every shot is exactly the object in @image_1@image_1. Preserve its silhouette, proportions, material, finish, packaging artwork, colours, typography and every printed detail exactly as shown, identically from the first frame to the last. Never redesign, restyle, re-letter, relabel, recolour or open the product, never add lettering, a logo, a seal or a symbol that is not already on @image_1, never remove one that is, and never damage, break, dent, crush or deform it. It stays whole and sealed for the entire film. Only one of it exists. WORLD (from this text, never from @image_1): a pure black void with no floor line, no horizon, no table, no plinth, no pedestal, no stand, no podium, no room and no set. The product rests on nothing at all until the final shot. One hard rim light rakes the product from behind, a soft key comes from the front left, and a black glossy reflective plane exists only in the final shot. The product is lit like a jewel in a museum case. COLOUR: the rim light, the mist, the liquid and every particle are tinted with the colours already present on @image_1 - if the product carries one dominant colour, everything takes that colour, and if it carries several, they take its whole palette. Nothing in the film is neutral white or plain grey, and everything else stays black. PARTICLES (from this text): fine glowing dust, crystalline shards and clean liquid droplets. They orbit, burst and streak past the lens. They are never a hanging thread and they never touch or stick to the product. PACE: real commercial speed, already at full velocity on the very first frame. Slow motion happens in exactly one shot and nowhere else. Cuts are hard and clean, and no single shot runs longer than about two seconds. Shot 1: the very first frame is already a large, bright, close three-quarter hero view of the product filling the centre of the frame, and it is already in motion - driving forward through a curtain of glowing mist that blasts apart around it and streaks past the lens. The product never starts small, never starts far away, never approaches from the distance and is never a speck against the dark. <a deep rushing whoosh and a bright particle burst> Shot 2: it slams to a dead stop in hero position at the centre of the frame as a shockwave ring of dust and droplets blows outward past the lens and the rim light snaps on hard behind it. <a heavy impact and a wide expanding boom> Shot 3: the camera makes one fast tight orbit around the product while a hard bar of light rakes slowly across its surface, lighting up its material, its finish and every printed detail in turn. <a rising metallic sweep> Shot 4: hard cut to extreme macro on one small part of the product. A single liquid droplet runs across the surface, light kicks off it, and the micro texture and grain of the material are fully readable. <a small wet tick and a soft high shimmer> Shot 5: the product drops into a shallow pool of glossy liquid and throws a tall sharp splash crown around itself, droplets shooting straight up and raining back down. <a thick heavy splash> Shot 6: slow motion, and only here. The product hangs dead centre, whole and untouched, while a full three hundred and sixty degree shockwave of glowing dust, crystalline shards and liquid droplets detonates outward around it and streaks past the lens, then hangs almost still in the air for half a second. <a low detonation and a long trailing particle wash> Shot 7: back to full speed. Every particle reverses at once and rushes back inward, collapsing into a tight bright halo that spins one full turn around the product and dies out. <a fast inward suck and a clean shimmering snap> Shot 8: the final hero. The product stands upright and perfectly still on a black glossy reflective plane, the last of the dust settling and glinting around its base, and the camera holds rock steady. <one deep bass hit and a soft settling patter> (a cool modern advertising track with punchy low bass, bright percussion and confident premium electronic-pop energy, building through the film and landing hard on the final shot) Only one product exists in this entire video and it is never opened, never broken and never duplicated. There are no people, no hands, no fingers, no arms, no human reflections and no animals anywhere in frame at any moment. No kitchen, no table, no wooden surface, no studio set, no plinth, pedestal, stand or podium under the product, no storyboard grid and no numbered frames. Keep it subtitle-free, avoid generating any text or subtitles anywhere in the frame, do not generate any logo, label or lettering other than the artwork already printed on @image_1, and do not generate a watermark. No long hanging thread of liquid, no endless slow motion, no frozen still-life opening frame, no second product and no voiceover. The very first frame of the film is never black, never empty and never a distant wide shot - the product is already large, lit and moving in it.
Create a cinematic photorealistic travel video of @avatar — the person in the reference image — arriving at an international airport and boarding a flight. @avatar walks through the modern airport terminal while pulling the cream-coloured rolling suitcase and carrying the brown leather holdall from the reference image. Show @avatar checking a boarding pass, walking toward the departure gate, then entering the jet bridge and boarding a commercial airplane. Cut to @avatar finding a window seat inside the aircraft, placing the holdall in the overhead compartment, sitting comfortably, and looking out the window as the plane prepares for takeoff. Realistic airport and airplane details, natural human movement, smooth cinematic camera transitions, soft daylight, shallow depth of field, premium travel-vlog aesthetic, photorealistic, vertical.
30 seconds | 16:9 | Professional Beauty Ritual CHARACTER: Anita #370 — using tool professionally Documentary handheld video. Warm 1970s-inspired salon. Soft golden lighting, observational framing, natural camera movement. SHOTS: 00-03: Prep hands, tool 03-06: Professional positioning 06-10: Tool starts, begins work 10-15: Close-up technique 15-18: Wide working shot 18-22: Transformation moment 22-25: Final touches 25-30: Result reveal CAMERA: Handheld, no stabilization, intimate, observational LIGHTING: Soft, warm, golden, natural window light AUDIO: Diegetic — tool sounds, breathing, footsteps VISUAL: Photorealistic, warm color grade, natural grain Tool shown as skilled instrument in professional hands.
Create a 15-second premium cinematic commercial for @product. The film should feel like a high-budget sportswear advertisement: premium product cinematography, basketball-heritage mood, modern streetwear energy. Ultra-realistic. Elegant pacing. Bold final hero. No fantasy effects, no exaggerated CGI, no distorted proportions. @product stays locked to the reference: same shape, colours, materials, finish, label and logo in every shot. One single product, never duplicated. Shot flow, 15 seconds: 0–2s — box arrival and lid lift. @product shoebox on a dark studio floor under a focused overhead spotlight. Slow overhead push-in. The lid opens, tissue rustles, light spills inward. 2–5s — reveal and material macros. @product is lifted from the box in a low-angle beauty shot. Then tight glides across the real materials: leather grain, overlays, laces, collar, perforated toe, midsole and outsole tread. Light travels across the surfaces. No extra marks invented. 5–8s — court heritage. @product worn on a polished indoor basketball court, warm hardwood, soft arena light. Low wide-angle, then a low tracking shot through a moody arena tunnel. Only the legs and the shoe — no face, no other people. Distant ball bounce, sneaker squeak, firm footsteps. 8–11s — impact and street. A planted step in high-speed slow motion: the sole compresses, fine dust reacts. Then @product on a clean city street at blue hour, low dolly, confident walk forward. Legs and shoe only. 11–15s — studio hero. @product floats on deep black; a controlled orbit shows the full silhouette. A red-and-white light sweep travels collar to toe. It settles on a reflective dark floor with soft red highlights. Slow low-angle push-in into the final hero pose. Fade to black. No end card, no typography. Sound: cardboard, tissue rustle, leather creak, rubber friction, court squeaks, distant basketball, controlled whooshes, warm bass, a clean sting at the end. Music minimal, stylish, building into the hero. No on-screen text, no titles, no subtitles, no watermark, no logos that are not already on @product. Duration: exactly 15 seconds. Aspect ratio: 9:16.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Use they/them throughout. No other people. CHARACTER LOCK — HIGHEST PRIORITY: The person in every panel is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, panel to panel. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. No face changes, no identity drift. No other people. ATTACHED IMAGES ARE MANDATORY AND FINAL: If an avatar image is attached, that is the person — reproduce them exactly, in every single frame, and never invent a different face, hairline, hair colour, skin tone, body or age. The attached images outrank every word written below them: wherever an attached image and this text disagree, follow the image. The avatar reference shows their face and build, not this outfit — put the outfit on them. Fit each garment to the character's body naturally without altering its design, cut, proportions or colour — the garment is fixed, only its drape adapts. Create a high-quality 3D animated fantasy scene in a colorful, cinematic style. The person wears a simple beige cloth outfit. Beside them is a large baby dragon, pearly white with light blue accents, small horns, soft feather-like scales around its head and neck, and a long elegant tail. The scene takes place in a magical tropical valley surrounded by lush green mountains, crystal-clear turquoise water, tropical trees, and a bright blue sky with soft white clouds. Start with a close-up shot of the sleeping baby dragon peacefully resting among vibrant pink-red flowers while the person sits nearby. The dragon slowly opens its eyes, looks around curiously, and makes a cute playful expression. Transition to a wider shot where the dragon and the person are surrounded by a field of beautiful blue flowers near the water. The dragon playfully rolls backward through the flowers while the person watches and laughs. Show a cinematic aerial wide shot revealing the beautiful island-like landscape, flowering fields, tropical trees, mountains, and turquoise water. Colorful small birds fly and hop around a nearby tree while the person and dragon play together below. Then return to a close-up of the person sitting on the dragon's back. The dragon makes funny, playful facial expressions as the person laughs happily. End with the person and the adorable dragon lying peacefully together in a huge colorful flower meadow, smiling and enjoying the magical moment. Use smooth character animation, expressive facial emotions, natural body movement, cinematic camera transitions, shallow depth of field, soft volumetric lighting, vibrant colors, detailed 3D textures, magical family-friendly atmosphere, polished animated-movie quality, and a warm heartwarming tone. No text, no subtitles, no watermark. Aspect ratio: 16:9. Duration: approximately 15 seconds.
Step 1 — Product Shot Turn the shoe in your reference photo into a clean, isolated product shot — same design, straps, heel and colours preserved exactly. Neutral studio background, soft even lighting, three-quarter angle. Ultra-realistic, sharp focus. Step 2 — Flower @image1 is your product shot. Generate a real flower (rose, tulip, orchid, daisy — whichever fits) whose species and petal colour echo @image1's own colour, material and silhouette. Sitting on a warm, softly lit surface. Extreme macro, natural botanical detail, no plastic, no glass, no crystal. Step 3 — Final Video @image1 is the finished shoe — the foot must end up wearing exactly this. @image2 is the flower the foot steps onto — same species and colour. Extreme macro close-up, camera slowly orbits around the foot and the flower@image2. A bare foot lowers onto the flower@image2 on a warm-lit marble surface. As the foot presses down, the petals unfold and wrap around the foot and ankle as it sinks in — straps forming, embellishments appearing, the heel taking shape — until the petals fully resolve into the exact shoe@image1. Motion is continuous and graceful throughout. Warm golden lighting, elegant mood, ultra-realistic textures. AUDIO: soft elegant music (piano or strings) with gentle petal-rustle and skin-contact foley, one soft chime as the shoe fully forms.
Breaking Ice NO SOUNDRecreate workflow