30 seconds, 9:16. Informative influencer. Handheld phone, slight sway. Medium waist-up. HARD CUT. Bright grocery/pharmacy SUPPLEMENT AISLE. He TALKS from frame 1. RASHID LOCK: @image1 is Rashid — photocopy their FACE, hair, facial hair and features exactly as in @image1, adult. IGNORE the clothes, props and background in @image1. He wears BLACK MEDICAL SCRUBS. Stands behind a BLUE shopping cart. Same person every scene. 0.0–6.0s HOOK. Aisle, hands gesturing. Simple animated 3D supplement bottles with question marks float beside him. Spoken: "So honestly, there are four supplements that I think are non-negotiable that everyone should consider taking." HARD CUT. 6.0–16.0s MAGNESIUM. Holds a green-and-white bottle of magnesium glycinate, points at it. Spoken: "Magnesium glycinate. Magnesium is needed for over 300 processes in your body, and 85% of people are deficient. Working out, running, causes deficiency in magnesium. So we want magnesium glycinate because it's very absorbable..." HARD CUT. 16.0–27.0s CREATINE. Holds a WHITE TUB of creatine monohydrate, free hand gesturing. Spoken: "Creatine monohydrate. Do not fall for the scams of liposomals or any of that stuff. Creatine monohydrate, five grams every day. It helps with muscle recovery, helps with cognition, and it helps with our gains..." HARD CUT. 27.0–30.0s Tosses the white tub into the BLUE cart. Looks at camera, casual friendly nod. Spoken: "...effort in the gym. I'll cover the other two non-negotiables in Part 2, so drop a follow and stay tuned." On-screen text, lower third: Follow for Part 2! HOLD. AUDIO: spoken English, store ambience. No songs. NEGATIVE: clothes, props or background from @image1, extra people, overlay except Follow for Part 2, Lana, Elara.
Drag the clip sideways
30 seconds, 9:16. Handheld street interview. Sunny beach path, boats, water, buildings behind. Both men in frame. Slight sway. HARD CUT between beats. MATEO (interviewer): @image1 FACE, hair and facial hair exactly as shown. IGNORE the outfit worn in @image1. Outfit from @image2 ONLY: every garment, colour and accessory exactly as shown in @image2, never changing. IGNORE the background of @image2. WILLIAM (interviewee): @image3 FACE, hair and facial hair exactly as shown. IGNORE the outfit worn in @image3. Outfit from @image4 ONLY: every garment, colour and accessory exactly as shown in @image4, never changing. IGNORE the background of @image4. They FACE EACH OTHER. Mateo holds a small professional MIC and a bright YELLOW protein cookie-dough PACKET. Natural, easy-going. 0.0–12.0s HOOK. Mateo points the mic at William, holds up the yellow packet. Mateo: "Quick question, brother. Do you like cookie dough?" William: "I absolutely love cookie dough." Mateo: "What if I told you that this cookie dough right here actually has 15 grams of protein, but it doesn't have that chalky protein bar taste?" HARD CUT. 12.0–18.0s OFFER. Mateo gestures with the packet. Mateo: "You want to try this out?" William: "Let's do it." Mateo: "Moment of truth right here. I want an honest reaction." HARD CUT. 18.0–30.0s REACTION. William has just tasted it. Hands gesture, nodding. William: "There's no chalky taste to it. This is like a genuine... like, you know as a kid growing up with your grandma or mom, like, 'hey you wanna try the cookie dough as long as there's no raw egg in it?' That's exactly how it tastes." HOLD. AUDIO: beach, two male voices. No songs. NEGATIVE: studio backdrop, the outfits worn in @image1 or @image3, extra people, overlay type, girls, Lana.
Photoreal live-action, saturated neon night: magenta and cyan practical light, glossy specular highlights on wet ground, shallow depth of field, rich deep blacks, fine film grain, smooth cinematic camera with a trace of handheld life in it. Not animation — no cel shading, no anime, no cartoon, no illustration, no ink outlines, no flat banded shadows. @image1 is an absolute character lock: face, body, hair, wardrobe, colours and materials are taken from it exactly and must not drift or be reinterpreted at any point. @image2 is the location lock. @image3 is the storyboard — follow it exactly, matching its shot order, framing, camera height and pose. ONE UNBROKEN TAKE. No cuts, no transitions, no jumps. A single camera travelling continuously from the first framing to the last; every change of framing below is achieved by the camera physically moving. They walk toward the lens down the centre of the passage, unhurried, shoulders swinging with the stride, one hand skimming lightly along the wall beside them. The camera pushes in to a medium as they plant both feet, drop their weight onto one hip and throw a quick pose, chin tipping up toward the lens. The camera dips low to the ground and holds on the feet as they bounce through a short footwork step, and fine glitter lifts off the wet surface around the soles. The camera rises and glides backward into a wide as broad wet paint strokes sweep in across the frame from both edges, laying fresh colour over the surfaces behind them. They hold the centre of the wide and dance — arms carving outward, a spin on the ball of one foot, hands snapping back to the lapels — while more strokes bloom outward around them. The camera pushes in to a tight close-up as they turn away and then look back over one shoulder into the lens, mouth curving. Audio: an upbeat electronic track with a steady kick driving the whole take, plus close ambient detail — footsteps landing on wet ground, the rustle of fabric as they move. No voice, no dialogue, no narration. No on-screen text, no captions, no subtitles, no logo, no watermark.
@image1 is an absolute product lock: all three pieces in it keep their exact form, proportions, material, finish, colour and every surface detail, and must not drift, restyle, merge or swap with one another at any point. Exactly one piece is on screen at a time, and each appears once. Follow @image2 exactly — its shot order, framing progression, hand position and staging. Soft editorial product film, shot on a long lens wide open. High-key white, blown-out daylight from above, heavy bloom, warm-neutral white balance, very shallow depth of field, delicate tissue and fabric texture held in the mid-tones, no hard shadows anywhere. Calm, intimate, unhurried. One continuous take, no cuts. The whole film is shot from inside a bag of crumpled translucent white material, looking out through one irregular soft-edged opening torn through it. That material fills the foreground on every edge, far out of focus and glowing, and the opening is blown out to pure white. The camera stays down at the bottom of the enclosure with the lens angled steeply up at that opening, and creeps steadily nearer it across the film so it grows in frame, never pulling back and never leaving the enclosure. RIGID ATTACHMENT RULE: once the fingers close on a piece, that piece is locked to the hand and moves ONLY because the hand moves. It never turns, spins, rotates, tilts, drifts, floats, sways or changes its angle on its own. Every change in how it faces the camera comes from the wrist rolling or the fingers rolling it — hand and piece travel as one rigid unit, with the piece keeping exactly the same grip position in the fingers from the moment it is picked up to the moment it leaves frame. If the hand is still, the piece is still. THE HAND IS NEVER STILL AND NEVER POSES. It is always travelling — descending, closing, rising, or leaving frame. No held beats, no static presentation, no hovering in place. The action is one simple cycle, repeated three times: the hand reaches DOWN into the bag toward the camera, closes on a piece, lifts it UP and carries it OUT of frame to the side — leaving the bag empty for a beat before the hand comes down again for the next one. The hand comes down through the opening toward the lens, filling the frame and covering the light so the picture falls to near-black for a moment. The fingers close on the first piece and the hand rises without pausing, the wrist rolling over as it climbs so the piece it is gripping swings through the light with it, and carries it up and away out of frame. The frame is left empty — folded white material and the bright opening, nothing else. The hand comes down again into the same brief darkness, the fingers close on the second piece, and the hand draws straight back up, the wrist turning as it rises so the gripped piece comes round with the hand, then takes it up and out of frame to the side. The bag is empty again. The hand descends a third and last time, closes on the final piece and climbs again, the fingers rolling it slightly as the wrist turns, then carries it out of frame after the others — leaving the empty bag and the softening light to hold to the end. Each descent covers the lens and darkens the frame, and each beat ends with the piece leaving frame upward. Nothing is ever set back down, no piece reappears once it has gone, and only one piece is ever on screen at a time. Do not animate any product independently of the hand. No spinning jewellery, no floating or hovering pieces, no product rotating in mid-air, no piece turning while the hand holds still, no piece slipping or shifting inside the grip. Audio: soft ambient room tone, the faint rustle of tissue and bag, and a quiet sparse music bed low in the mix. No dialogue, no voiceover. Do not generate any text, subtitles, captions, logos or watermarks.
22 seconds, 9:16. UGC hair tutorial. Static front-facing phone. Medium waist-up. HARD CUT. Bright influencer energy. Anna TALKS from frame 1. Bedroom: bed, pillows, small fan on the floor, crystal chandelier, softly blurred. ANNA LOCK: @image1 is Anna — photocopy their FACE, hair colour, length and features exactly as in @image1, adult. IGNORE whatever clothes and accessories are in @image1. She wears a short-sleeve CREAM t-shirt, blue sweatpants, simple necklace, pearl bracelets. Rosy makeup. Hair colour exactly as in @image1. Hair gel: a plain blue-and-red tube, no readable brand. 0.0–2.0s Holds the blue-and-red gel tube to camera, talks, looks down, squeezes onto fingers. Spoken: "I'm just gonna put you all onto this hair gel that I've been loving." HARD CUT. 2.0–6.0s Rubs hands, both hands on their hair, smoothing it straight back. Spoken: "This is not an ad, this is just a product I actually love. If you know me, I love a slick back hairstyle..." HARD CUT. 6.0–8.0s Back to camera, gathering a smooth mid-head ponytail. Spoken: "...and I do like them to last all day." HARD CUT. 8.0–19.0s Facing camera, holds ponytail, pink styling brush on flyaways, then black fine-tooth comb slicking top and sides. Spoken: "This is my mega-hold gel, and I love it because it's like a wet gel and then it dries super naturally and just really quickly. Doesn't leave any sticky residue, and it's just so, so, so good." HARD CUT. 19.0–22.0s Perfect slick ponytail. Holds the tube next to their face, points, nods, bright smile. Spoken: "So if you need a new gel product for your hair, I would 100% recommend this." HOLD. AUDIO: clear spoken English. No songs. NEGATIVE: hair-colour change, overlay type, extra people, clothing from @image1, Layla.
25 seconds, 9:16. Handheld street interview. NYC daylight, tall buildings, pedestrians, cars. Natural sway. HARD CUT. Relaxed TikTok pace. ELARA (interviewer): @image1 is Elara's FACE and hair, exactly as shown, adult. IGNORE the clothes in @image1. ELARA OUTFIT: @image2 clothes ONLY — every garment and accessory exactly as shown in @image2. IGNORE the backdrop in @image2. CATE (interviewee): @image3 is Cate — photocopy face, hair, outfit, bag, sunglasses and jewellery exactly as shown in @image3. Adult. Same woman every scene. They FACE EACH OTHER. Cate holds a small professional handheld MIC. Easy-going, not a vlog into the lens. 0.0–8.0s Medium two-shot. Elara asks, Cate answers, adjusts hair, holds the mic. Elara: "What's something you do everyday that makes you feel beautiful?" Cate: "I think makeup. I'm a makeup artist, so makeup for me is that." HARD CUT. 8.0–14.0s Elara gestures with her free hand. Elara: "What makeup brand are we loving? That's, like, the go-to right now." Cate: "Honestly, a local brand I discovered last year." HARD CUT. 14.0–25.0s Wider full-body of both, outfits readable. Elara: "It is everything. What are you wearing today?" Cate: "Thank you. Well, this top is my favourite." She touches her top. "These are my go-to." Touches her sunglasses. "And this bag goes everywhere with me." Lifts the bag. Elara, excited: "Nice giiirl." HOLD. AUDIO: street, two voices. No songs. NEGATIVE: studio backdrop, girls looking only at camera, Lana, overlay type, Cate's hair differing from @image3, Elara's outfit differing from @image2.
@image1 is an absolute character lock for the first dancer and @image2 is an absolute character lock for the second dancer: face, body, hair, costume, materials and tones are taken from them exactly, with no drift or reinterpretation at any point. @image3 is the storyboard and is followed exactly — the same order of moments, the same framing, the same poses, the same camera positions. High-contrast monochrome film look throughout: deep blacks, luminous whites, fine film grain, no colour at any point. One single continuous take from first frame to last, with no cuts, no transitions and no jumps. They dance a hypnotic Argentine tango in a classic close embrace — only two people, two bodies, two heads, four hands, four feet — their steps precise and continuous through a sequence of ochos. The embrace never breaks. Then the surface beneath them unravels into silk-like vapour ribbons and drifting smoke, and they carry a controlled giro through it without pausing. Then they fall through it without interrupting the dance, bodies still locked together, feet still drawing tango lines in midair. Then they land softly and open into a slow volcada, holding the same unbroken embrace and the same fluid rhythm. Head and neck motion stays small and natural throughout. Faces stay oriented toward each other inside the tango hold. No sudden head snaps, no 180-degree head spins, no whipping turns, no broken necks, no impossible rotations. The camera orbits them slowly from a high three-quarter angle, then descends with them in one smooth unbroken move. Camera motion is steady and fluid. No whip pans. No jump cuts. No abrupt orbit reversals. Identity lock for the entire clip: the same two dancers, the same faces, the same clothing, the same hair, the same tango hold, from first frame to last. Sound: a raw bandoneón tango, close footsteps on vapour and then on stone, wind shearing through the fall, distant city hush. Audio fades out as the screen goes black. Negative: no ghosts, no doubles, no extra people, no extra couple, no extra limbs, no extra heads, no extra arms, no transparent clones, no motion-ghost afterimages, no face morph, no sudden head spins, no whip turns, no broken anatomy, no colour, no cuts, no text until the final black frame.
30 seconds, 9:16. BRIGHT GRWM. TikTok influencer energy — upbeat, chatty, looking at the lens. Static front-facing phone. Medium close-up. HARD CUT. LIGHTING like a well-lit bathroom/bedroom selfie: bright, even, flattering, not dim, not moody. LAYLA LOCK: @image1 is Layla — photocopy their FACE, hair and features exactly as in @image1, adult. IGNORE any clothing in @image1. WHITE HALTER, gold bracelet RIGHT wrist, LONG RED NAILS. Layla TALKS from frame 1 and TALKS at the end. Lip-sync. NO on-screen text. NO overlay. 0.0–3.5s She is ALREADY TALKING while holding her hair back with both hands, smiling at the camera, influencer energy. Spoken: "Let's run through my glass skincare routine. Step by step, I'm going to break it all down." Drops her hands. HARD CUT. 3.5–10.0s WHITE PUMP vitamin C serum. Pumps, rubs, pats cheeks. Still talking. Spoken: "This is my vitamin C serum. It is the main product that I credit my dark spots clearing up to. Just that alone is stunning." HARD CUT. 10.0–23.0s GREY glazing-milk bottle. Pours, rubs, massages face and forehead. Chatty. Spoken: "I know this may be controversial, but this glazing milk has never once broken me out. I am extremely acne-prone, and this has healed my skin barrier more than any other product. And just nothing will ever beat this glow." HARD CUT. 23.0–30.0s Hair down. She holds hair back, still TALKING, shows glow, drops hands, palms-up, then a small WAVE while she says bye. Spoken: "And there you have it. Bye." HOLD. AUDIO: bright spoken English, influencer cadence. No songs. NEGATIVE: overlay type, silent opening, silent ending, dim lighting, clothing from @image1, extra people.
@image1 is the first frame and @image2 is the last frame. The product's identity comes entirely from @image2 — its shape, colour, material, finish and every marking on it are taken from there and are never invented, substituted or restyled. The product, its position, the tabletop, the reflection and the framing are identical in both frames and do not change at any point. One continuous locked-off take. The product is revealed by light arriving on it. The product holds as a dark silhouette while a soft key light begins to come up from the front, catching only its nearest edge. The key keeps rising and the product's form separates out of the shadow — curvature, edges and depth become readable while the surface is still dark. The light climbs across the face of the product and the true colour, material and finish of @image2 emerge out of the dark. The key reaches full and the product stands exactly as it appears in @image2, completely lit, colour true and every marking clearly readable, the tabletop reflection matching it below. The backdrop stays dark and even throughout and does not brighten, bloom or form a glow behind the product. The product keeps its position and orientation, the camera holds its frame, and the light rises continuously and evenly from first frame to last. No cut, no zoom, no push, no orbit.
30 seconds, 9:16. Handheld STREET INTERVIEW. Natural, easy-going, slightly messy. Daylight cobblestone, blurred pedestrians. Eye-level. HARD CUT between groups. LANA LOCK: @image1 is Lana — photocopy her FACE. IGNORE the clothes in @image1. OUTFIT: @image2 clothes ONLY — every garment, colour, fabric and accessory exactly as shown in @image2, never changing. IGNORE the studio backdrop. She wears this on the STREET. Lana is IN EVERY SHOT. She holds a BLACK handheld INTERVIEW MICROPHONE. She FACES the girls. The girls look at LANA, not the camera. Two-shots and over-the-shoulder. Never a talking-head into the lens. 0.0–3.0s Lana mic toward a young blonde in denim jacket, white pants, sunglasses on her head. They face each other. Lana: "Can you rate your hair out of ten?" Woman looking at Lana: "Rate my hair? Yeah. Seven." HARD CUT. 3.0–6.0s Lana with mic, two women: brown leather trench + orange pants, beige coat + grey hoodie. They look at Lana. Beige to Lana: "I'm gonna give it a solid six." Brown to Lana: "Like a seven." HARD CUT. 6.0–14.0s Lana with mic. Olive quilted jacket + cap (gestures), beige coat + green scarf. They look at Lana. Olive to Lana: "I'm going to say an eight. Just because it's very low maintenance. I don't really have to do anything to it." Beige to Lana: "For me, it's six." HARD CUT. 14.0–22.0s Lana with mic, blonde curly hair, beige trench, white top, light blue jeans. Woman looks at Lana, smiles, shrugs. Woman to Lana: "I love my hair, but having, like, naturally curly hair, like, sometimes it's just like a wreck. So I feel like I can't give it higher than a six. I'm always dealing with it." HARD CUT. 22.0–30.0s Wider two-shot. Lana still holding the mic, hands a plain WHITE tube of curl cream. Woman smiles and takes it. Lana: "We'd love to give you this curl defining cream, which will really help you maintain your hair and really nourish it. So here you go." Woman: "Thank you." HOLD. AUDIO: street, two voices, mic presence. No songs. NEGATIVE: girls looking into camera, Lana missing from a shot, no microphone, studio backdrop, overlay type, talking-head vlog.
Glam RevealRecreate workflow