CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGE IS MANDATORY AND FINAL: The attached image outranks every word written below it: wherever the attached image and this text disagree, follow the image. ASSET MAP: @image1 — the tiny living person. Photocopy face, hair, skin, and the clothes on the still (sleeveless bare shoulders, long curly brown hair, layered gold necklaces with a round coin pendant). Ignore the grey studio pad around @image1 — that pad is not a set. Never freeze on the attached still as frame 0. Never show a checkerboard or transparency grid. SUBJECT LOCK — HIGHEST PRIORITY: The tiny subject in every shot is exactly what is in @image1, only shrunk in scale. Do not beautify, restyle, slim or redesign it. No other version of it appears anywhere in frame. HANDS: if the subject has hands, they are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. The story does not require them to grip, hold or manipulate anything — only to ride, sway and settle with the boat’s motion. SINGLE SUBJECT: only the @image1 subject rides the leaf-boat as the story’s subject — a real frog and real fireflies may appear as natural wildlife in the scene, not as characters, and no other people, figures or hands enter frame. They are a tiny real person, not a doll. PHOTOREAL LIVE-ACTION: real camera, real miniature stream, real water, real light — not CGI, not a painting, not an animated illustration. Match grain, colour and lighting between the subject and the water so the whole shot reads as one photograph. SCALE REALISM: the subject, riding on a single large fallen leaf, is a few centimetres tall relative to a real miniature garden stream — the blades of grass on either bank tower like canyon walls, a lily pad ahead is the size of a small island. Match lighting and colour grade between the subject and the water throughout so the whole shot reads as one real photograph, not a composite. The scale contrast is clearly visible in the very first frame. Unbranded: no logos, no brand names, no readable text on leaves, petals or water. PROP CONTINUITY: the leaf-boat the subject rides, the grass-blade banks, and the overhanging curtain of petals partway downstream are all visible from frame 1 or clearly established before first use — nothing new appears later unexplained. CAUSALITY LOCK: every event has a shown, physical cause — a real frog leaps from the bank into the water first, visibly, before the ripple-wave it creates reaches the boat; the boat tips because that same wave physically strikes it, not randomly; it rights itself because the wave passes and the water settles, a visible physical process, never an unexplained recovery. PACING: real, continuous motion for the full duration — no calm establishing pause longer than 1 second except the brief settled beat at the very end. Each beat below must read as a distinct, clearly readable event, not a blur. Do NOT default to a calm, mostly-still shot. Shot 1 must open already in motion. Never freeze on the reference still. SCENE: a miniature garden stream at dusk, warm fading light on the water, grass blades rising like canyon walls on either bank. The tiny living person, built exactly from @image1, is already riding the leaf-boat downstream when the shot opens. Whimsical live-action macro realism, shallow depth of field. Tiny real person — not a doll, not a statue. 0–2s: Already racing downstream, the leaf-boat weaves between the grass-blade banks, a fine spray kicking up at its bow, the subject riding steady at its centre. 2–4s: Ahead on the bank, a real frog leaps into the water — the splash sends a ripple-wave racing toward the boat. 4–6s: The wave strikes — the leaf-boat rears up and tips hard to one side, the subject sliding toward the rim, before the wave passes and the leaf levels out flat on the water again. 6–8s: The current carries the boat under a low curtain of overhanging petals — they brush just overhead as the boat ducks beneath, emerging into open water on the far side. 8–10s: The stream widens into a still, glowing pool, real fireflies hovering low over the surface, their light scattered across the water. 10–12s: The leaf-boat drifts to rest against a large lily pad at the pool’s edge, the subject settled and steady at its centre, fireflies circling softly above — the full miniature river world visible in this final frame. STYLE: photoreal live-action macro, real garden stream at dusk, warm fading light, shallow depth of field. Vertical 9:16. Tiny real person on a giant leaf-boat — not a doll, not a statue. AUDIO (native, synced, no BGM, no voiceover, no narration): rushing water, a frog’s splash and the ripple that follows, water lapping against the leaf, a soft rustle as petals brush overhead, gentle water settling at the pool, faint insect hum at the end. No on-screen text, no watermark, no subtitles.

CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGE IS MANDATORY AND FINAL: The attached image outranks every word written below it: wherever the attached image and this text disagree, follow the image. ASSET MAP: @image1 — the tiny living person. Photocopy face, hair, skin, and the clothes on the still (emerald satin button-down, black wide-leg trousers, long blonde braid from a high ponytail, thin gold necklace, tan structured handbag in one hand, tan loafers). Ignore the grey studio pad and any gym, brick wall, banners, weights, or extra people behind @image1 — that pad is not a set. Never freeze on the attached still as frame 0. Never show a checkerboard or transparency grid. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. SINGLE SUBJECT: only @image1 appears as a living subject — no other people or extra hands enter frame at any point. They are a tiny real person, not a doll. SCALE REALISM: @image1 is only a few centimetres tall on a real, full-size home-office desk among everyday objects (a stapler, a phone charger cable, a stack of books, loose coins). Match lighting and colour grade between the tiny person and the surroundings so the whole shot reads as one real photograph, not a composite. The scale contrast is clearly visible in the very first frame. Unbranded: no logos, no brand names, no readable text on the stapler, books, cable or desk. PROP CONTINUITY: the charger cable, the stapler and the stack of books are all visible from frame 1, placed across the desk — nothing new appears later unexplained. CAUSALITY LOCK: every obstacle has a shown, physical cause — the cable swings because it was already gently moving from a draft, not randomly; papers stir from a desk-fan gust a half-second before that same gust reaches them; their catch and recovery are a direct physical reaction to that gust, never an unexplained save. PACING: real, energetic, continuous motion for nearly the whole duration — no calm establishing pause longer than 1 second. Each beat below must read as a distinct, clearly readable event, not a blur — slow down fractionally at the peak of each obstacle so the action is visible, then keep moving. Do NOT default to a calm, mostly-still shot. Shot 1 must open already in motion. Never freeze on the reference still. SCENE: a cluttered home-office desk at warm late-afternoon light. @image1, only a few centimetres tall, is already running across the desk surface toward a stapler at the far end, weaving between obstacles. Whimsical live-action macro realism, shallow depth of field. Tiny real person — not a doll, not a statue. 0–2s: Already sprinting — they dash across open desk space, dodging a stray coin rolling slowly in their path, vaulting over it without breaking stride. 2–4s: A phone charger cable hanging off the desk edge swings into their path like a pendulum, already mid-swing from an earlier draft. They time it, duck low, and slide underneath just as it passes overhead. 4–6s: A sudden gust from an unseen desk fan hits — loose papers nearby flutter and lift first, a half-second before the gust reaches them. They stagger, grab the edge of a book to keep from being blown back, and hold on through the gust. 6–8s: Gust passes. They let go, climb the stacked books like steps, using the raised spine of the top book as a final foothold to reach the base of the stapler. 8–10s: They reach the top of the stapler — the highest point on the desk in view — and stand there, chest heaving, looking out across the whole desk landscape they just crossed. The full size contrast is clearly visible in this final frame. STYLE: photoreal live-action macro, warm late-afternoon desk lighting, shallow depth of field. Vertical 9:16. Tiny real person on a giant desk — not a doll, not a statue. AUDIO (native, synced, no BGM, no voiceover, no narration): quick tiny footsteps, a whoosh as the cable swings past, a gust of wind and papers fluttering, a grunt of effort at the book-grab, a relieved exhale at the top. No on-screen text, no watermark, no subtitles.

Stylized 3D animated film, exaggerated cartoon physics, squash and stretch. The attached first frame is the set, the cast and the flat unassembled pieces of THE PRODUCT. Every piece keeps the exact colour, material, texture, trim, hardware and markings it has in the first frame. THE PRODUCT is never redesigned, recoloured or relettered, and it never changes scale: it stays the same small piece of pet furniture the pieces belong to, roughly two kittens tall. It must never grow into a shed, a cabin or a human-sized building. 0-2s - Two kittens plant their paws on the blueprint; one taps the drawing twice, another bats the chunky calculator. All of them look up from the paper toward the pieces on the grass. 2-4s - They haul the first upright panel into standing position, three kittens shoving it from behind while a fourth steadies the edge with both paws. 4-7s - The second panel is walked into place and joined into a standing corner, then the panel carrying the opening is slotted in between them. THE PRODUCT now stands as an open frame. 7-9s - Two kittens carry a roof piece over their heads and lower it onto the frame; another fits a shelf or ledge onto the side, turning a screw with one paw. 9-10s - The kittens step back onto the grass and look up at what they have built. Camera: low and slow, a push-in over the blueprint, then a steady arc around THE PRODUCT as it rises. Warm golden afternoon light, green lawn, wooden fence and flowering shrubs behind. High-end CG animation, lively and slightly unreal. No text anywhere, no lettering on the hard hats. No cardboard boxes or cartons anywhere in the frame. AUDIO: upbeat comedic orchestral score running the whole take, hollow wooden knocks and clacks as pieces meet, a couple of screwdriver ratchets, busy excited kitten meows, light garden ambience with birds. No dialogue and no human voice of any kind.

5 steps

CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGE IS MANDATORY AND FINAL: The attached image outranks every word written below it: wherever the attached image and this text disagree, follow the image. ASSET MAP: @image1 — the tiny living person. Photocopy face, hair, skin, and the clothes on the still (deep burgundy long-sleeve V-neck top, two layered gold chains with a snake pendant, thin gold cuff on one wrist, long dark wavy hair). Ignore the grey studio pad around @image1 — that pad is not a set. Never freeze on the attached still as frame 0. Never show a checkerboard or transparency grid. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. SINGLE SUBJECT: only @image1 appears as a living subject — no other people or extra hands enter frame at any point. They are a tiny real person, not a doll. SCALE REALISM: @image1 is only a few centimetres tall in a real back-garden flower bed at dusk — among real moss, pebbles, fallen petals, a spanning strand of spider silk, and two large blooms. Match lighting and colour grade between the tiny person and the surroundings so the whole shot reads as one real photograph, not a composite. The scale contrast is clearly visible in the very first frame. Unbranded: no logos, no brand names, no readable text on pots, petals or stones. PROP CONTINUITY: the mossy stone step, the scattered petals, the spider-silk strand spanning the gap between the two blooms, and both blooms themselves are all visible from frame 1 or clearly established before first use — nothing new appears later unexplained. CAUSALITY LOCK: every event has a shown, physical cause — the petals scatter because a real gust moves through the garden first (grass and moss stir before the petals lift); the stumble happens because a loose pebble shifts underfoot, visibly; the silk strand sways because the same recurring gust catches it mid-crossing, not randomly; every recovery is a direct physical reaction to its cause, never unexplained. PACING: real, energetic, continuous motion for the full duration — no calm establishing pause longer than 1 second. Each beat below must read as a distinct, clearly readable event, not a blur — slow down fractionally at the peak of each moment so the action is visible, then keep moving. Do NOT default to a calm, mostly-still shot. Shot 1 must open already in motion. Never freeze on the reference still. SCENE: a magical-feeling corner of a real garden at dusk, warm golden-blue light, soft natural bokeh from real distant light sources (not added sparkle effects). The tiny living person, built exactly from @image1, is already climbing when the shot opens. Whimsical live-action macro realism, shallow depth of field. Tiny real person — not a doll, not a statue. 0–2s: Already mid-climb up a mossy stone step, they reach the top just as a gust moves through the garden — grass and moss stir first, a beat before the fallen petals around them lift into the air. 2–4s: Caught in the drifting petals, they duck and shield their face with one arm as petals swirl past, one grazing their shoulder. 4–6s: Stepping forward through the thinning petal-fall, a loose pebble shifts underfoot — they stumble, catch themselves on the stem of the first large bloom, steadying in one motion. 6–8s: Looking up, they spot a single strand of spider silk spanning the gap to a second, taller bloom. They test it with one foot, grip it with both hands, and start crossing hand-over-hand above the drop. 8–10s: Midway across, the same recurring gust catches the strand — it sways hard, their feet slip free for a moment, swinging, before they hook a leg back over the strand and keep moving, shaken but steady. 10–12s: Reaching the far side, they haul themselves up the last stretch onto the second bloom’s open petal edge and stand there, breathing hard but upright — the full dusk garden, both blooms, the crossed strand, and the soft distant lights all visible in this final frame. STYLE: photoreal live-action macro, real garden at dusk, warm golden-blue light, shallow depth of field. Vertical 9:16. Tiny real person among giant blooms — not a doll, not a statue. AUDIO (native, synced, no BGM, no voiceover, no narration): rustling grass and moss, a soft gust of wind, petals fluttering past, a small stumble sound, the silk strand creaking and swaying, an effort grunt mid-swing, a relieved exhale at the top. No on-screen text, no watermark, no subtitles.

ATTACHED IMAGES ARE MANDATORY AND FINAL. They outrank every word written below them: wherever an attached image and this text disagree, follow the image. @image1 is the absolute identity lock for the cat — its exact coat colour, pattern and markings, face, eyes, ears, build and its white apron, with no drift in any frame. Never invent a different animal. @image2 is the absolute lock for the drink — the same vessel, the same contents, the same colour and the same fill level in every serving on the tray. Handheld vertical phone footage, documentary look, inside a traditional Balkan kafana tavern. The cat@image1 walks upright on its hind legs like a waiter. One front paw is raised high above its head, balancing a round metal tray that carries exactly five identical servings of the drink@image2, every one matching the reference exactly. The camera tracks alongside at cat height, low to the wooden floor, bouncing slightly with each step, table legs and chair legs rushing past, the cat clear of furniture and never hidden behind it. Around it a warm dim kafana: dark wood panelling, long tables under red-and-white checkered tablecloths, bentwood chairs, framed old photographs on the walls, amber pendant lamps. The guests at the tables turn to look, laughing and clapping, a few lifting phones to film. In the final beats the cat reaches an occupied table, slows, brings both front paws to the rim of the tray and slides it flat down onto the checkered tablecloth, then lets go and lowers its paws; the five servings rock once and settle, the glasses clink, and the guests burst out laughing. Realistic fur detail, warm tungsten interior light, shallow depth of field, natural handheld shake, normal speed. AUDIO: kafana ambience — overlapping chatter and bursts of laughter, chairs scraping, glasses clinking as the tray lands, faint live tamburitza music underneath. No voice-over, no music sting.

2 steps

CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGE IS MANDATORY AND FINAL: The attached image outranks every word written below it: wherever the attached image and this text disagree, follow the image. ASSET MAP: @image1 — the tiny living person. Photocopy face, hair, skin, and the clothes on the still (dark charcoal corduroy overshirt with two buttoned chest pockets, olive-green crew-neck t-shirt, gold chain with a small vertical bar pendant). Ignore the grey studio pad around @image1 — that pad is not a set. Never freeze on the attached still as frame 0. Never show a checkerboard or transparency grid. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. SINGLE SUBJECT: only @image1 appears as a living subject — no other people or extra hands enter frame at any point. They are a tiny real person, not a doll. SCALE REALISM: @image1 is only a few centimetres tall on a real windowsill among full-size objects (a small potted plant, a window-blind cord, the sill’s edge dropping to the floor below). Match lighting and colour grade between the tiny person and the surroundings so the whole shot reads as one real photograph, not a composite. The scale contrast is clearly visible in the very first frame. Unbranded: no logos, no brand names, no readable text on the plant pot, tag, blinds or sill. PROP CONTINUITY: the plant pot, the hanging blind cord and the drop to the floor are all visible from frame 1 — nothing new appears later unexplained. CAUSALITY LOCK: every event has a shown, physical cause — a gust from the cracked-open window knocks a small paper tag off the sill first, visibly, before they react to it; their slide down the cord happens because they grab it mid-fall, not instantly; the catch at the bottom is a direct physical response to the tag’s falling speed, not a lucky unexplained grab. PACING: real, energetic, continuous motion for nearly the whole duration — no calm establishing pause longer than 1 second. Each beat below must read as a distinct, clearly readable event, not a blur — slow down fractionally at the peak of each moment so the action is visible, then keep moving. Do NOT default to a calm, mostly-still shot. Shot 1 must open already in motion. Never freeze on the reference still. SCENE: a windowsill at dusk, warm indoor light mixing with cool blue evening light through the glass. @image1, only a few centimetres tall, is already moving the instant the gust hits. Whimsical live-action macro realism, shallow depth of field. Tiny real person — not a doll, not a statue. 0–2s: A gust through the cracked window knocks a small blank paper tag off the sill edge — they, standing nearby, immediately turn and sprint after it as it tumbles off the edge. 2–4s: At the sill’s edge, with no time to climb down safely, they leap and grab the hanging blind cord, swinging out over the drop. 4–6s: Sliding fast down the cord, both hands gripping tight, passing the plant pot’s rim at speed — a near-miss as a leaf brushes past their shoulder. 6–8s: Lands hard on the floor below, rolls once to absorb the impact, and scrambles forward just as the tag flutters down — catching it in both hands a breath before it hits the ground. 8–10s: Stands up straight on the floor, tag held up triumphantly, looking back up at the long drop they just came down, the windowsill towering above them. STYLE: photoreal live-action macro, dusk windowsill, warm indoor light mixed with cool evening window light, shallow depth of field. Vertical 9:16. Tiny real person on a giant windowsill — not a doll, not a statue. AUDIO (native, synced, no BGM, no voiceover, no narration): a soft window-gust whoosh, quick tiny footsteps, the cord creaking under grip, a brief rush of air during the slide, a soft thud on landing, a satisfied exhale at the catch. No on-screen text, no watermark, no subtitles.

VERTICAL 9:16 22 seconds. Handheld selfie UGC in an SUV, driver’s seat. Hard cuts. ONE person. No on-screen captions. CHARACTER LOCK: the person is exactly @image1. Preserve face, hair, skin, age, build, gender presentation. Use they / their / them only. @image1 = FACE only. Photocopy this person. Do not copy studio wardrobe from the lock. Casual car clothes: plain t-shirt, no hat. @image2 = THIS drink, FRONT. Photocopy the can exactly as in @image2, its colours and label as printed. NEVER a different can. @image3 = THIS drink, BACK / nutrition label. Photocopy the label panel. NEVER invent a different label. They hold the real @image2 can whenever the can is in frame. 0.00–6.00 Driver’s seat selfie. Holds @image2 up to camera. ON CAMERA: “All right, hot take here, but this is way more important than coffee in my cup holder in the morning. Like, I don’t leave without it.” 6.00–9.00 Hard cut. Close-up of @image3 nutrition label, readable. ON CAMERA: “And look at what’s in it. That’s it.” 9.00–13.00 Speaks to camera, then cut to close-up of @image2 front of the can. ON CAMERA: “It’s so good and it just hits every time. I literally bought a whole case again last night.” 13.00–22.00 Points at the label on the can, then talks to camera. ON CAMERA: “See that? That’s my drink, and it keeps me going for the whole day. Don’t sleep on this. If you need a real boost, this is it right here.” Same person. Same can as the photos, both sides. SUV interior. No extra people. Never a studio still as frame 0.

A reaction reveal in two shots. Three people at a bus stop react one by one to something the camera never shows, then a hard cut reveals it: the person standing astride two identical copies of the uploaded car, arms folded, riding them down a sunlit street. Upload ANY face and ONE photo of ANY car — the second shot builds a matching twin of it. 10s, 9:16, ambient audio, no dialogue.