VERTICAL 9:16 30 seconds. TikTok UGC problem/solution. Handheld selfie, medium close-up. Hard cuts. ONE person. No on-screen captions. CHARACTER LOCK: the person is exactly @image1. Preserve face, hair, skin, age, build, gender presentation. Use they / their / them only. @image1 = FACE only. Photocopy this person. Do not copy studio wardrobe from the lock. WARDROBE: fitted beige long-sleeve top, small gold hoop earrings, delicate gold necklace. SET: bright home kitchen, white subway tile, dark cabinets, microwave and stove behind. Talk TO CAMERA, English lip-sync. 0.0–3.0s Hands open, disbelief. “No one ever talks about this and it blows my mind.” 3.0–14.0s Frustration. Point to ear on ring. Head-shake. “When I try to fall asleep at night in the dead quiet, it is anything but quiet for me. My ears ring when it’s that quiet and I often just lay there in bed. My brain just will not turn off.” 14.0–17.0s “I discovered this white noise app and it has completely changed my life.” 17.0–21.0s Hands near chin, then open, relieved. “I choose what kind of white noise I want to listen to to fall asleep.” 21.0–25.0s “My favorite is the fan, but they have so many options to choose from.” 25.0–30.0s Point up on cherry on top, then at camera. “It drowns out every noise and I’m able to fall asleep so fast. The cherry on top is it’s completely free to download, so go check it out now.” Same person. No extra people. Never a studio still as frame 0.

CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGES ARE MANDATORY AND FINAL: The attached images outrank every word written below them: wherever an attached image and this text disagree, follow the image — including the product’s exact shape, features and proportions. ASSET MAP: @image1 — the tiny person. @image2 — the product, exactly as shown, unchanged and not regenerated — same shape, colour, materials, label and logo text in every shot it appears. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. SINGLE SUBJECT: only @image1 appears in this video — no other people, hands, or faces enter frame at any point. SCALE REALISM: @image1 is shrunk to only a few centimeters tall relative to @image2, which stands at its true full size — like a towering landmark. Match lighting and colour grade between the tiny person and the product throughout so the whole shot reads as one real photograph, not a composite. The size contrast must be clearly visible in the very first frame, not revealed later. Do NOT default to a calm, mostly-still shot. Shot 1 must open already in motion. SCENE: @image1, shrunk down, stands at the base of @image2, which now looms above them like a giant landmark, its real shape, curves, ridges, textures and any natural handles, caps, straps or edges reading as an oversized landscape. 0–2s: Already climbing/scrambling along one of the product’s natural features (a ridge, a strap, an edge, a textured surface) — in motion from the first frame, using the product’s real shape as handholds and footholds. 2–5s: They continue upward, using another distinct natural feature of the product (a different textured section, a curve, a seam) as the next obstacle — visibly different action from the first beat, not a repeat of the same climbing motion. 5–8s: Near the top, they reach the product’s highest or most distinctive point (its cap, its peak, its rim — whatever @image2 actually has) and pull themselves up onto it, slightly out of breath but triumphant. 8–10s: They stand on top of the product, hands on hips or arms raised, looking out over the “landscape” below with a proud, delighted grin. The full scale contrast between them and @image2 is clearly visible in this final frame. STYLE: whimsical live-action macro realism, warm natural lighting, shallow depth of field, believable physical interaction with the product’s real surface — no invented parts, functions or textures that don’t match @image2's actual design. No on-screen text, no watermark, no subtitles, no BGM.

CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGES ARE MANDATORY AND FINAL: The attached images outrank every word written below them: wherever an attached image and this text disagree, follow the image. ASSET MAP: @image1 — the person. Photocopy face, hair, makeup, jewelry and the outfit they are wearing in @image1. Do not change their clothes. @image2 — the product, exactly as shown, unchanged and not regenerated — same bottle shape, glass colour, cap, neck, label and decoration exactly as shown. Photocopy that bottle in every shot it appears. Do not invent a different bottle, a spray nozzle that is not on @image2, a box, or extra hardware. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. SINGLE SUBJECT: only @image1 appears in this video — no other people, hands, or faces enter frame at any point. Unbranded scene: no extra logos, brand names, labels, monograms or readable signage added to the room. Any lettering already on @image2 is part of the bottle and must stay on the bottle; do not add subtitles, captions, or other on-screen type. Create a cinematic luxury commercial. @image1 stands in a softly lit space with clean natural lighting against a neutral studio-style background, in a quiet, unhurried moment. 0–3s: @image1 holds the product (@image2) with both hands toward the camera, presenting it. Close-up on their fingers lifting or revealing the cap in whatever way naturally fits its design. Five fingers on each hand. 3–6s: @image1 interacts with the product in a natural, deliberate, tactile way that reveals exactly how it is meant to be used — following the product’s own form exactly as shown in @image2. Lift the cap; bring the open bottle to an inner wrist or the side of the neck and apply with a slow, precise motion. No invented parts, no spray mist unless that hardware is visible on @image2, no incense burner, no extra props. 6–8s: @image1 pauses with a subtle, composed, satisfied expression — a quiet moment of confidence. They still hold the bottle. Same face as @image1. 8–10s: Final shot: the product (@image2) fills the frame in sharp focus, while @image1 is softly blurred behind it. Bottle shape, cap, glass colour and lettering match @image2 exactly. STYLE: soft natural lighting, shallow depth of field, high-end fashion-film aesthetic, slow elegant movements, premium commercial look, realistic skin and fabric texture. VOICEOVER (off-camera, not lip-synced): “One last touch before the moment begins. Make it yours.” Soft luxury-commercial delivery over quiet room tone. No music lyrics. Do not generate: any extra brand name, logo, readable subtitles, watermark, distorted hands, extra fingers, a second person, or a redesigned bottle.

CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGE IS MANDATORY AND FINAL: The attached image outranks every word written below it on the FACE: wherever the attached image and this text disagree on face, hair, or skin, follow the image. ASSET MAP: @image1 — the person. Photocopy @image1 for FACE, HAIR, SKIN and identity only. Do not copy any burgundy or wine dress, gold snake necklace, gold bracelet, crossed-arms studio pose, or white studio backdrop from the still. Ignore any pad around the still — that pad is not a set. Never freeze on the attached still as frame 0. WARDROBE: casual beachwear for a sunny public beach — a simple tank or short-sleeve tee and shorts WITH A REAL SIDE POCKET they can put a phone into. Barefoot or simple sandals. No formal dress, no silk blouse, no office look, no gold snake pendant. PHONE CONTINUITY — HIGHEST PRIORITY: the phone is a real physical object. It never vanishes, never teleports, never dissolves, never cuts away. While they walk and look at it, it is in their hand. BEFORE they pick up the volleyball or play, they visibly SLIDE THE PHONE INTO THE SHORTS POCKET. After that, the phone stays in that pocket through the pickup and the hit — both hands are free because the phone is in the pocket, not because it disappeared. Do not generate a play beat with empty hands and no pocket stow. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. OTHER PEOPLE: the volleyball players are background people only — never named, aged, or described by ethnicity/gender, only by role and action. CAUSALITY LOCK: the ball only moves because of a shown cause — a player’s bad pass, it bouncing off @image1's back, them picking it up, and them serving it — never on its own. PROP CONTINUITY: it is the SAME volleyball throughout — never duplicated, never swapped. The SAME phone throughout. SETTING: sunny public beach with a real outdoor beach volleyball court in warm late-afternoon light. Sand, a few beach chairs, a fence line, players, and ONE clearly visible net visible from frame one. A few people casually play volleyball. @image1 walks beside the court, looking at their phone, wearing the casual beachwear above. CAMERA: normal handheld phone footage by another person nearby. Natural shake, imperfect framing, mild motion blur, small autofocus/exposure shifts. No cinematic moves. ONE continuous handheld shot, no cuts. 00:00–00:04 @image1 walks beside the court, focused on their phone held in one hand. The players play normally behind them. One player makes a bad pass; the same volleyball flies out of the court, lightly hits @image1 in the UPPER BACK, then drops to the sand beside them. They never see it coming. Phone still in their hand. 00:04–00:07 They turn, surprised. They put the phone into their shorts pocket — a clear, visible stow, phone going into the pocket, hand coming out empty. Then they pick up the same ball. One player calls: “Hey! Serve it back!” 00:07–00:10 Phone is in the pocket. Still facing mostly AWAY from the net, @image1 casually tosses and hits the ball BACKWARD over one shoulder without looking at the net. One clean hit only. Both hands are on the ball/hit because the phone is already in the pocket. Camera quickly follows the ball. 00:10–00:13 The ball flies in a realistic arc and drops cleanly on the other side of the net, in bounds, for a clean point. The players freeze, then react in genuine disbelief. One shouts: “No way!” Phone still in the pocket. 00:13–00:15 Camera returns to @image1. They give a tiny casual glance back, then take the phone back out of the pocket (visible draw) and keep walking along the sand looking at the phone like nothing happened. IMPORTANT: ball hits their BACK, NEVER their legs; net visible from frame one; same ball only; one backward hit; phone goes IN THE POCKET before they play and only comes out after; no cuts, duplicated ball, disappearing phone, distortions, extra limbs, or cartoon behavior. Realistic physics and reactions. Already in motion from frame 0. AUDIO: beach/park ambience, ball bounces, voices, footsteps, the ball landing, surprised reactions. No BGM. Do not generate: subtitles, on-screen text, watermark, logos, distorted hands, extra fingers or limbs, the studio still as a cutaway, burgundy dress, gold snake necklace, a vanishing phone.

Photoreal 15-second 9:16 fitness coach video. Sound ON. The person in every frame is exactly the person in @image1. Preserve their face and gender presentation. Not a cartoon. OUTFIT: grey t-shirt, dark joggers, lime wristbands. SET: real gym. Already in the gym. Never a grey studio headshot. 0–4s: looks at camera and says clearly, loud: "Today I'm showing you squats, push-ups, and a plank." 4–8s: SQUATS. Two clean reps. "Sit back, chest up." 8–12s: PUSH-UPS on the mat. Two reps. "Core tight." 12–15s: forearm PLANK. "Hips up." Hold. Voice must be loud and intelligible. No on-screen text in the generated footage. Duration 15s. Aspect 9:16.

CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGES ARE MANDATORY AND FINAL: The attached images outrank every word written below them. Wherever an attached image and this text disagree, follow the image — including the product’s exact shape, features and proportions. ASSET MAP: @image1 — the tiny person, exactly as shown — face, hair, skin, and every clothing item and accessory unchanged and not regenerated, in every shot they appear. Ignore the grey studio pad around @image1 — that pad is not a set. Never freeze on the attached still as frame 0. Never show a checkerboard or transparency grid. @image2 — the product, exactly as shown, unchanged and not regenerated — same shape, colour, materials, label/logo/patch and hardware in every shot it appears. Ignore any table, wall or surface visible behind it in the reference image — that is not a second landscape. No giant wearer. No other people, hands, or faces enter frame at any point. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. SINGLE SUBJECT: only @image1 appears as a person — no other people. SCALE REALISM: @image1 is shrunk to only a few centimetres tall relative to @image2, which stands at its true full size — like a towering landmark. Match lighting and colour grade between the tiny person and the product throughout so the whole shot reads as one real photograph, not a composite. The size contrast must be clearly visible in the very first frame, not revealed later. PROP CONTINUITY: the small bridging object (a twig or leaf found nearby) is introduced in Scene 2 and used once to cross the gap — it does not appear before that point and is not reused afterward. CAUSALITY LOCK: every movement has a shown cause — the near-slip happens because their foothold gives way, visibly, and their catch/recovery is a direct, physical reaction to it, not an unexplained recovery. Do NOT default to a calm, mostly-still shot. Shot 1 must open already in motion. SCENE: @image1, shrunk down, is partway up the side of @image2, which looms above them like a giant landmark. The product’s real shape and distinctive features, exactly as shown in @image2, read as an oversized landscape — no invented parts, functions or textures that do not match @image2. Warm natural lighting, shallow depth of field, whimsical live-action macro realism. Believable physical interaction with the product’s real surface. 0–3s: Already mid-climb, @image1 scrambles along one of the product’s natural features, moving with effort and momentum, when they reach a wide gap between two distinct parts of the product’s surface — too far to jump. 3–6s: They spot a small twig or leaf lying nearby, drag it over, and wedge it across the gap as a makeshift bridge. They test it with one foot before committing. 6–8s: Halfway across, their foothold on the bridge shifts and gives way slightly — they wobble, arms pinwheeling, and grab the edge of the product just in time to catch themselves, dangling for a beat before pulling back up onto solid footing. 8–12s: Shaken but grinning, they finish the climb up the last stretch of the product’s surface and reach the top — the highest distinctive point of @image2 — standing tall, arms raised, looking out over the giant product landscape below. The full scale contrast between them and @image2 is clearly visible in this final frame. AUDIO: natural foley only — surface rustle, tiny footsteps, a twig scrape, a short effort sound on the catch, a breath of relief at the top. No music, no BGM, no voiceover, no narration. No on-screen text, no watermark, no subtitles.

ASSET MAP: @image1 — the creature, exactly as shown, unchanged and not regenerated — same colour, pattern, skin/surface texture, limb count and proportions in every shot it appears. ATTACHED IMAGE IS MANDATORY AND FINAL: The attached image outranks every word written below it for the creature’s anatomy. Photocopy the creature in @image1 exactly — colour, skin, fins, eyes, limbs and suckers as shown. Same limb count as @image1. No extra limbs, no missing limbs, no humanoid features. @image1 is the creature’s body only. Do not reproduce the deep-ocean rocks, bioluminescent fish, submersible, searchlight beam, or dark underwater lighting from the still. Those are not part of this film. The setting below is a working fishing boat in overcast daylight. ANATOMY LOCK — HIGHEST PRIORITY: This is one intact squid. Mantle, head, arms and both long tentacles stay connected as a single animal in every frame. When the crew loosen and pull the net away, only mesh and water move off the creature — no arm or tentacle detaches, severs, or lies as a separate piece on the deck. CAUSALITY LOCK: every movement has a shown cause — the net is lowered by the visible winch/boom, the creature’s motion begins only after the net loosens around it, and the water splash happens only because of the creature’s own visible body movement. PROP CONTINUITY: the net, winch, boom, and deck layout are established in the opening frame and remain consistent throughout — nothing new appears later that wasn’t already there. Create a 15-second, ultra-realistic found-footage video of two crew members hauling an unusually large sea creature (@image1) aboard a working fishing boat. Recorded by an unseen crew member standing on deck. CAMERA AND LIGHTING: Authentic casual smartphone footage — slight hand shake, imperfect framing, ordinary autofocus, natural motion blur, realistic digital zoom. The recording device and its operator stay out of frame. Bright overcast daylight, neutral colours, soft shadows, wet surfaces, worn fishing equipment, ordinary grey sea. Natural skin/texture rendering, no cinematic lighting or beauty filters. Observer stays several steps inside the deck, with a clear view of the net, both crew members, and the creature. The boat rocks gently. SETTING AND SUBJECT: A working fishing boat with a broad wet deck, metal gunwale, and a small hydraulic lifting boom. Two crew members wear waterproof jackets, rubber gloves, and work boots. A heavy fishing net hangs from the boom above the deck, the winch supporting its weight while the crew guide and open it. Inside is the creature (@image1), unusually large, its body filling much of the net. CONTINUOUS ACTION: Start MID-HAUL — the dripping net is already being brought aboard, suspended just above the deck, its load filling much of the frame. Part of the creature’s body protrudes through the loose netting, shifting slightly. The unseen person filming reacts immediately: “That thing is huge — what is that?” The winch lowers the net onto the clear deck. Water drains across the boards. The creature’s weight visibly settles onto the surface before the crew loosen the net. One crew member pulls the slack mesh away from one end of the creature while the other draws it clear from the opposite end. The creature stays in the same position as the net opens around it. Arms and tentacles stay attached. The view makes a short, slightly uneven digital zoom toward the creature’s body, then adjusts to reveal more of it beneath the wet netting — its eye, matching @image1, slowly shifting toward the nearest crew member. Hold this discovery briefly, with audible breathing from behind the camera. Then the creature abruptly makes a sudden, forceful full-body movement, striking the wet deck and throwing a sheet of water toward the crew. Both crew members recoil in separate, instinctive movements, releasing the loose mesh and stepping away. The person filming shouts: “It’s moving!” The view quickly zooms back out to keep the creature and the retreating crew visible. A brief startled shake interrupts the framing, but the creature stays readable as one intact squid. End at 15 seconds with the creature raised slightly off the deck, oriented toward the person filming. The loosened net remains beneath and beside it. SOUND AND CONTINUITY: Natural live audio only — winch motor, water draining, quiet boat engine, wind, wet netting, boots on deck, the impact of the creature’s movement, startled breathing, and the two short reactions. No music or added horror sound effects. One uninterrupted recording at normal speed — no cuts, hidden transitions, slow motion, or external viewpoints. Do not generate: subtitles, on-screen graphics, watermark, recording interface, distorted anatomy, extra limbs or body parts beyond what @image1 shows, a detached tentacle, or any humanoid features.