CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Frame 1 is already in the scene — never a studio portrait, grey backdrop, or the attached still as an opening plate. Use they/them throughout. No other people. The person in every shot is exactly the person in @image1 — face, bone structure, skin, blonde hair, age, body. The photo is identity only, not wardrobe. Do not keep the ivory blazer, camel skirt, boots or bag from the photo. Do not give them black hair. WARDROBE (from the source film): butter-yellow cropped t-shirt with a silver rhinestone star, black neck trim, beaded fringe at the hem; distressed blue denim shorts; thin black belt; layered silver necklaces; white crew socks with stripes; chunky silver-white sneakers. Same outfit for the full 15 seconds. SETTING: charcoal-grey seamless studio, dry floor with a faint reflection. No furniture, no crowd, no props. Soft white key from front-left, pale blue-violet rim from behind. One person only. No on-screen text. MUSIC: 128 BPM four-on-the-floor k-pop dance track already in the chorus. Heavy kick, bouncing bass, sharp claps. No intro, no fade-out, no ending hit. The clip is a mid-routine slice — they are already dancing in frame 1 and still moving in the last frame. CHOREOGRAPHY — one continuous 15s routine in four phrases. Never freeze. Never a start pose or a finish pose. Phrase 1 (0–3.75s): already weighting the left leg as arms return to the chest. Step hard right, uncross the arms out and open the chest. Weight back left, arms circle down. Two small forward steps, a sharp chest hit on the clap. Open the right foot, drop the knees, arms to the hips into a hip figure-eight. Phrase 2 (3.75–7.5s): low hip figure-eight, weight right-left-centre. Wave up from pelvis through belly to chest. Uncoil the arms as the right foot crosses in front, glance at the lens with a brief smile without stopping. Phrase 3 (7.5–11.25s): smooth stepping turn, hair lagging the spin. Land into a right side lunge, left arm high, long diagonal. Push back to centre, wave down the torso. Phrase 4 (11.25–15s): two strong hip accents. Two quick steps to centre, load the arms. Open the right foot wide, big arm unfold — not a finish, a send-off. Circle the arms down, take weight on the left, right foot already starting the next cross-step. Last frame still travelling. CAMERA (cut on the body, never reset the step): 0–3.75s full body, slight three-quarter, short lateral slide. 3.75–5.625s waist-up, hip figure-eight, locked frame. 5.625–7.5s face and shoulders, 85mm, the wave hitting the collarbone. 7.5–11.25s full body for the turn and lunge. 11.25–13.125s head to mid-thigh. 13.125–15s full body, short lateral move, no zoom-in to end. Photoreal skin, light sweat, motion blur on hair and hands. No slow-mo, no logos, no extra limbs.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Frame 1 is already in the scene — never a studio portrait, grey backdrop, or the attached still as an opening plate. Use they/them throughout. No other people. PRODUCT LOCK — HIGHEST PRIORITY AFTER THE PERSON: @image2 is the hero bag. It is the only bag. Preserve its exact camel-tan leather, bunny-ear knots, slim shoulder strap, gold hardware, gold ball charm, gathered silhouette and proportions. No other bag, no tote, no redesign. The bag is in every shot with the person — worn on the shoulder, held in the hand, or sitting against them on the floor. Never leave the bag out of frame. WARDROBE: keep the look from @image1 — ivory double-breasted blazer, white shirt, camel mini skirt, tall tan suede boots. Do not put them in a black blazer, shorts, white socks or loafers. SETTING: a clean luxury fashion studio, seamless cyclorama, warm ivory-beige walls, glossy pale floor with soft reflections, hard directional sunlight from one side. No crew, no photographer, no other people, no on-screen text, no captions. STYLE: high-fashion bag commercial, 9:16, 15 seconds. Copy this studio-fashion movement and camera language: full-body hero, overhead floor sit, over-shoulder look, walk with the bag, seated pose, squat, walk-away look-back. Slow editorial pacing, photoreal, shallow depth, commercial lighting. Frame 1 is already in the scene — never a studio portrait plate of the attached still. Beat 1 (0-2s). Full-body hero. They stand in the cyclorama, weight on one leg, the bunny-ear bag on the shoulder exactly as in the product photo. Slow push-in. Bag fully visible. Beat 2 (2-4s). Overhead. They sit on the glossy floor, knees folded, one hand on the bag beside them. Bag fills a clear part of the frame. Camera high above. Beat 3 (4-6s). Medium. They turn, look back over the shoulder at camera. Bag in the hand at their side, bunny ears readable. Beat 4 (6-8s). Product insert. Close-up of the bag in their hand: bunny-ear knot, leather grain, gold charm. They do not leave the shot — fingers and forearm stay in frame. Slow orbit. Beat 5 (8-10s). Walk. They walk across the cyclorama carrying the bag by the strap, a natural swing. Full-body, floor reflection. Bag never hidden by the body. Beat 6 (10-12s). Floor sit. They sit with one leg extended, the bag standing or held against the hip, facing camera. Plenty of negative space above. Beat 7 (12-13s). Low squat, facing camera, bag on the shoulder. Still, then a small weight shift. Beat 8 (13-15s). They walk away and look back over the shoulder, bag in hand. Hold on the look. Slow push-in. End. No extra products, no logos invented, no on-screen type.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Frame 1 is already in the scene — never a studio portrait, grey backdrop, or the attached still as an opening plate. Use they/them throughout. No other people. A 15-second photoreal 16:9 urban time-lapse. Night. Locked camera. No on-screen text, no subtitles, no logos, no watermarks. The mural face is exactly the person in @image1: same facial identity, structure, eyes, brows, nose, mouth, skin, hairline and hair. Do not beautify, slim, de-age or invent a different face. No other people. No painter. No extra spray cans. No paint bucket. Setting: a narrow city alley at night. Left: a long brick wall, two-tone brown over peeling white, rusted electrical boxes, a downpipe. Right: a wet sidewalk and a live street. Warm sodium streetlight. Fixed wide shot, same framing the whole clip. THE CAN: from frame 1, exactly one spray-paint can stands on the sidewalk at the base of the wall. It is the only prop. That single can sprays by itself — it tips, hisses, and paints the mural. No hand holds it. No second can. TRAFFIC: cars drive past on the street to the right. Headlights can sweep the lens and briefly flare the frame. AUDIO — required: night traffic, one spray-can hiss and rattle, no dialogue, no lyrics. 0-3 seconds Already in the scene: empty wall, boxes, wet pavement, one spray can standing on the sidewalk. The can starts to spray. A car may pass. 3-8 seconds The lone can sprays in time-lapse: cyan, magenta, yellow and violet hit the wall, then the outline of @image1's face in graffiti style. Still only one can. 8-12 seconds The portrait fills in: @image1's face as a large mural, photoreal identity under bold graffiti colour-blocking, tropical flowers and birds. The same single can keeps spraying. 12-15 seconds Hold the finished mural. The one can rests on the sidewalk. Night traffic. End. Negative: extra cans, a paint bucket, a visible person or painter, a second face, MiniMax or Hailuo logos, subtitles, studio portrait as frame 1.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Frame 1 is already in the scene — never a studio portrait, grey backdrop, or the attached still as an opening plate. Use they/them throughout. No other people. Create a 30-second late-2000s handheld flip-camera vlog. 16:9. The person in the attached reference is a teenage boy — keep that presentation in every frame. Do not feminize. He is the only person. OPENING — MANDATORY: Frame 1 is already walking toward a tiny beachside meat stand, handheld flip-camera running. Do not open on a studio portrait, grey backdrop, still headshot, or the attached image as a plate. Wardrobe, locked: oversized dusty-blue linen shirt, beige cropped pants, brown flip-flops, canvas shoulder bag. Fit these clothes to the attached person's body. Short boyish hair; wind may move it, do not restyle into long hair. Keep one tiny all-black kitten throughout, same kitten every frame, natural cat behavior. No other people, no vendor face (the stand is self-serve: wrapped cuts on ice, a cash tin, handwritten prices with no readable words). Style: genuine late-2000s handheld flip-camera vlog. Heavy camera shake, focus hunting, accidental reframing, warm faded colors, digital noise, imperfect zooms, no cinematic look. 0-8s — approach: Walking on sand toward the little beachside meat stand. The all-black kitten starts following at his flip-flops. He laughs and points the camera down. Exact lip sync: "Oh... you're coming too?" 8-16s — buy: He picks up a small wrapped cut of meat for himself, drops cash in the tin, then tears off a piece for the kitten. He crouches, smiles, exact lip sync: "This one's for you." The kitten sniffs the meat. 16-24s — feed: On a small wooden stool in the sand beside the stand, he sets the piece down. The kitten eats while he gently pets its head. Exact lip sync: "You were hungry." 24-30s — leave: He walks along the shore carrying the remaining wrapped meat as the same black kitten keeps following beside his flip-flops. He laughs at the camera, exact lip sync: "I have company now." The kitten meows as the recording abruptly ends. Audio: natural beach-stand ambience only — surf, wind, plastic wrap, footsteps on sand, cash tin, kitten meows, the spoken lines. No music, subtitles, logos, or cinematic effects. No on-screen text. Duration: exactly 30 seconds. Aspect ratio: 16:9.
A fifteen-second candid handheld home video in a modern kitchen on a dark rainy morning. @image_1 fights a tightly sealed glass jar in three escalating attempts - bare hands, then a tea towel wrapped around the lid, then the whole body braced against the worktop - and when the lid finally pops, dips a fingertip in to taste it and turns to the camera with a small proud smile. Natural location sound only, no music.
Olive GRWMRecreate workflow