@image1 is an absolute lock for the object: shape, proportions, colour, material, surface finish and markings are taken from it exactly and must not drift, morph or be reinterpreted in any shot. @image2 is the storyboard and is followed exactly — same shot order, same framing, same hand positions, same camera distance, same bench and lighting. The object begins heavily soiled, dulled and discoloured, and is restored across the film to the exact condition shown in @image1. Nothing else about it changes. Five shots of equal length, hard cuts between them, no dissolves. Shot 1: gloved hands work a small abrasive pad back and forth across a soiled area in short firm strokes. Loose deposits lift, flake away and drift down out of frame. Shot 2: hard cut. The hands fold a dark cloth and draw it along the same area in slow overlapping passes, carrying away the loosened residue and leaving the surface beneath uneven and partly revealed. Shot 3: hard cut. A fingertip carrying a small dab of pale compound presses to the surface and works it in tight, even circles, leaving a soft opaque film in its track. Shot 4: hard cut. A clean cloth wrapped over the fingers draws steadily along the object and lifts the film away. The surface brightens behind the cloth as it travels, catching the lamp light in small moving glints along the cleaned edges. Shot 5: hard cut. The hands withdraw out of frame and the finished object is held alone while the lamp light travels slowly across its surface and settles. Camera: locked-off macro, one fixed framing per shot. No push in, no pull back, no pan, no tilt, no orbit, no handheld drift. Audio: close ASMR. The dry grain of the abrasive pad, the soft drag of cloth across the surface, the faint squeak of a fingertip working compound in circles, quiet room tone underneath. No music, no voice, no narration. Do not generate any text, captions, subtitles, watermarks or logos.