CHARACTER LOCK — HIGHEST PRIORITY: the person is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions. Preserve their gender presentation exactly as shown. Photocopy their hair, eyes, skin, outfit and accessories exactly as in @image1. Do not beautify, slim, de-age or restyle them. Do not change the hair or the outfit. @image1 is identity and wardrobe — only their scale changes. No other people in frame. Use they / their / them only. SUBJECT LOCK — HIGHEST PRIORITY: Preserve the subject in @image1 exactly. If it is a person: their exact face, facial features, hairstyle, skin tone, build and gender presentation stay unchanged — only their scale changes. Do not beautify, restyle or alter identity in any way. @image1 is a REFERENCE still. Do not paste it as the opening frame. Do not open on a studio-grey headshot. CONTINUOUS MOTION REQUIRED: Real, visible physical motion for almost the entire 12 seconds — but the opening 2 seconds prioritize CLARITY over speed, so a first-time viewer immediately understands both the craft and the scale. SCENE: The subject, shrunk to a few centimeters tall, works at a tiny wooden bookbinding desk tucked into the gap between two real, full-sized books leaning against each other, their towering spines and pages framing the scene on both sides — the scale contrast unmistakable from the first frame. A tiny pot of glue, a miniature awl and a needle and thread sit on the desk. Warm desk-lamp light. 0-2s: ESTABLISHING SHOT — wide, clear view: the subject sits at the tiny desk stitching the pages of a small handmade book together with a needle and thread, the two giant books clearly visible looming on either side. Camera slowly pushes in, making both the craft (bookbinding) and the scale obvious immediately. 2-4s: They finish stitching the spine, set down the needle, and carefully brush glue along the book’s spine with a tiny brush, focused and precise. WOW MOMENT — TIME FREEZE + ORBIT (4-6.5s): They lift the finished tiny book and open its cover. As the pages begin to flutter open, everything suddenly FREEZES — the pages suspended mid-flutter catching warm light, tiny dust motes glittering around the subject. The camera performs a slow, cinematic 180-degree orbit around the frozen book and subject, revealing the two giant books towering on either side from multiple angles, shallow depth of field. This freeze holds for roughly 2 seconds. 6.5-7s: TIME RESUMES at full speed — the pages settle open, the tiny book now fully assembled in their hands. 7-9.5s: They close the book gently, walk it to the base of one giant book, and lean it upright directly against it — a small, complete, unmistakably-a-book object standing next to a real book, the scale payoff instantly clear. 9.5-12s: They step back, dust off their hands, and give a proud, satisfied smile toward camera, warm lamp light around them. SCALE REALISM: The giant books’ paper texture, cover material and page edges, and the tiny desk’s wood grain must all read at true scale relative to the tiny subject — every texture enormous next to them. Match lighting and color grade between the subject, the tiny book and the giant books throughout so the whole shot reads as one real photograph, not a composite. Frame wide enough that the establishing shot, the stitching, the freeze-orbit, and the final side-by-side book comparison all stay clearly visible. AUDIO: Generate synchronized natural audio for this scene — quiet thread pulling and stitching sounds, soft brush strokes, a gentle page flutter, near-silence during the freeze, then a soft whoosh as pages settle, and a satisfied contented sigh at the end. No music, no voiceover, no narration. No on-screen text, no watermark, no subtitles.

A baby avatar performs a professional popping-and-locking routine in a studio. Music only, loud. See the video step for the full prompt.

Live-action photoreal footage in the grammar of a hand-held front-facing phone camera: real skin, real hair physics, natural indoor daylight, a constant small hand drift and breathing sway, shallow phone-lens depth. Not illustrated, not rendered, not stylised. @image1 is an absolute lock for the opening appearance — face, body and unstyled hair are taken from it exactly, with no drift or reinterpretation. @image2 is an absolute lock for the closing appearance — face, body and finished hair are taken from it exactly. @image1 and @image2 are the same person; the only thing that changes between them is the hair. The subject holds the phone at arm's length, looking straight down the lens with a flat, faintly unimpressed expression, mouthing along to the track, giving a small tilt of the head. Then their eyes flick off to one side and back, lips still moving with the words, shoulders loose, the unstyled lengths hanging heavily and barely moving with them. Then they lift one hand toward the lens and sweep it fast across the frame — the whole image smears into motion blur as the camera whips with it. Then the blur clears on the same person transformed, hair now finished and full, their head lifting into a bright open smile. Then they turn their head sharply one way and back so the styled lengths swing out wide and settle, fingers combing back through them. Then they push the hair back off one shoulder and lean slightly toward the lens, holding the smile while the lengths fall back into shape. On-screen text: the words new hair? in small lowercase serif, low and centred, present from the first frame to the last and unchanged across the transition. Audio: one upbeat pop track running unbroken from the first frame to the last — a bright four-on-the-floor kick, a bouncy synth-bass hook, handclaps on the offbeat and a bright plucked synth riff carrying the hook, confident and celebratory at a steady dance tempo. It plays quieter and slightly muffled across the opening, then opens up full and bright the instant the blur clears, and the whip lands square on a beat. Continuous hand-held motion throughout — nothing in frame is ever fully frozen. The single whip blur is the only transition; no other cut, wipe or dissolve. The subject mouths along to the track; no spoken dialogue, no voice-over, no singing voice and no lyrics — the track is instrumental. No added captions, titles, logos, watermarks or interface elements beyond the words above. No second person in frame. No cel shading, no illustration, no cartoon, no 3D render, no beauty filter, no skin smoothing.

4 steps

CHARACTER LOCK — HIGHEST PRIORITY: the person is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions. Preserve their gender presentation exactly as shown. Photocopy their hair, eyes, any eyewear and outfit exactly as in @image1. Do not beautify, slim, de-age or restyle them. Keep glasses only if @image1 shows them; never add any. @image1 is identity and wardrobe — only their scale changes. No other people in frame. Use they / their / them only. SUBJECT LOCK — HIGHEST PRIORITY: Preserve the subject in @image1 exactly. If it is a person: their exact face, facial features, hairstyle, skin tone, build and gender presentation stay unchanged — only their scale changes. Do not beautify, restyle or alter identity in any way. @image1 is a REFERENCE still. Do not paste it as the opening frame. Do not open on a studio-grey headshot. CONTINUOUS MOTION REQUIRED: Real, visible physical motion for almost the entire 12 seconds — but the opening 2 seconds prioritize CLARITY over speed, so a first-time viewer immediately understands the setting before the action builds. NO MUG. There is no coffee mug, no cup, no steam anywhere in the shot. The scale anchor is a stack of real, full-sized hardcover books. SCENE: The subject, shrunk to a few centimeters tall, works at a tiny handcrafted workshop bench built from scrap wood and matchsticks, laid out with a small anvil and a row of miniature tools — a tiny hammer, wrench and screwdriver — under a small glowing desk lamp. The bench sits on the corner of a real, full-sized desk, right beside a short stack of normal-sized hardcover books (worn cloth and paper spines, a few millimetres of page-edge showing) that tower over the tiny subject and anchor the scale contrast. Warm lamp light from one side. 0-2s: ESTABLISHING SHOT — wide, clear view of the full miniature workshop bench and its tools, the subject standing at it holding a small piece of metal up to the lamp light, inspecting it. The giant stack of hardcover books is visible in the same frame beside the bench, making the scale contrast unmistakable from the very first seconds. Camera slowly pushes in. 2-4s: The subject sets the metal piece onto the anvil, picks up the tiny hammer, and begins striking it in a steady rhythm — each hit sends a spark into the air, the metal slowly glowing and taking shape, sweat visible on their brow. WOW MOMENT — TIME FREEZE + ORBIT (4-6.5s): On the final, hardest strike, a bright shower of sparks bursts upward. At the instant the sparks reach their peak height, everything suddenly FREEZES. Dozens of glowing sparks hang suspended in mid-air around the subject, who is frozen mid-swing with the hammer raised. The camera performs a slow, cinematic 180-degree orbit around the frozen subject and sparks, revealing the full workbench layout and the giant book stack from multiple angles, shallow depth of field. This freeze holds for roughly 2 seconds. 6.5-7s: TIME RESUMES at full speed — sparks shower down and fade out, the hammer completes its strike with a final ringing clang. 7-9.5s: The subject sets down the hammer, picks up the now-finished tiny piece — a small gleaming gear or medallion — with miniature tongs, and holds it up to inspect it against the lamp light. 9.5-12s: They walk it over and place the finished piece down directly beside the giant book stack, creating a clear side-by-side size comparison against the book spines and page edges, then step back, wipe their brow, and give a satisfied nod and thumbs-up toward camera. SCALE REALISM: The workbench grain, the miniature tools and the books’ cloth spines, paper edges and cover boards must all read at true scale relative to the tiny subject — every texture enormous next to them. Match lighting and color grade between the subject, the sparks and the desk throughout so the whole shot reads as one real photograph, not a composite. Frame wide enough that the establishing shot, the hammering, the freeze-orbit, and the final side-by-side reveal all stay clearly visible. AUDIO: Generate synchronized natural audio for this scene — ambient workshop quiet, rhythmic metallic hammer clangs, a sharp sizzle with each spark, near-silence during the freeze, then a whoosh as sparks shower down, and a satisfied exhale at the end. No music, no voiceover, no narration. No on-screen text, no watermark, no subtitles.

@image1 is the absolute character lock for the opening state: face, body, hair and clothing are taken from it exactly, with no drift or reinterpretation. @image2 is the absolute lock for the state after the transition: hair and makeup match it exactly. The person, the clothing and the location are the same before and after — only the hair and makeup change. One continuous handheld shot at arm's length, the subject framed from the chest up. They face the lens with the chin dipped slightly and lift one open palm toward the camera. The palm rises and sweeps across until it fills the frame completely in motion blur. As it clears to the opposite side they are revealed in the state of @image2, already settled and facing the lens. They raise one hand and rake the fingers slowly back through the hair from the temple, releasing the lengths to fall. They turn the head to one side and back, the hair swinging out and resettling against the shoulder. They lower the hand and square up to the lens, a small closed-lip smile arriving as the last of the hair comes to rest. Constant handheld micro-movement throughout, the framing breathing gently as if the camera is held in one hand. The palm crossing the lens is the only transition — everything on either side of it runs as one unbroken take. The camera holds its distance: no push in, no pull back, no orbit. No spoken dialogue, no on-screen text, no watermark.

2 steps80

@image1 is LANA — photocopy their exact face and hair exactly as in @image1. IGNORE the clothes and accessories in @image1. Eyes visible. Lana MOVES. @image2 is the OUTFIT. Photocopy every garment, colour, fabric and accessory exactly as in @image2, worn in motion. Never add garments that are not in @image2. NEVER a studio cyclorama. 10-second 9:16. Ultra-real 35mm street fashion. Busy New York — yellow cabs, pedestrians, lights. LANA is ON the CROSSWALK (white stripes), walking toward camera mid-stride. The @image2 outfit moves with the stride. Crowd and traffic are BEATS. [TIMELINE — 10 SECONDS] 0–2s: Lana steps onto the crosswalk, the @image2 outfit moving, NYC behind. 2–6s: Walks toward camera on the stripes. Cabs. People around Lana. 6–10s: Closer, slight head turn, outfit still moving. Designed hold. Audio: city, footsteps, horns far. No lyrics.

Your avatar transforms into the animal from the reference image in one dramatic cinematic take, close on the face. Music only, loud. See the video step for the full prompt.

3 steps

Two avatars perform a contemporary duet in a marble museum atrium. Music only, loud. See the video step for the full prompt.