CHARACTER LOCK — HIGHEST PRIORITY (applies separately to @image1 and @image2): Each person in every shot is exactly the person in their own reference image. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. No face changes, no identity drift between the two of them. ATTACHED IMAGES ARE MANDATORY AND FINAL: The attached images outrank every word written below them: wherever an attached image and this text disagree, follow the image. ASSET MAP: @image1 — the first character. Photocopy face, hair, makeup, jewelry and the outfit they are wearing in @image1. @image2 — the second character. Photocopy face, hair, makeup, jewelry and the outfit they are wearing in @image2. SCENE vs STILL: @image1 and @image2 are the two people only. The colourful backstage room, clothing racks, vanity bottles, oval frame, extra figures, and the plain studio backdrop in the stills are NOT the set. The set is a real independent art gallery opening night. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. OTHER PEOPLE: background gallery guests and a photographer may appear but are never named, aged, or described by ethnicity/gender — only by role and action. They never share a face with @image1 or @image2. 10-second photorealistic live-event footage at an art gallery opening night. @image1 and @image2 walk together through the gallery space toward a wall of large abstract paintings, where a small cluster of guests and a photographer are gathered. Unbranded: no logos, no brand names, no visible labels, monograms, gallery names or readable signage anywhere in frame — walls show only abstract artwork, no text. The atmosphere feels like a real independent gallery opening: soft track lighting on the paintings, ambient chatter, occasional camera flashes, natural crowd movement in the background. 0–3 seconds: @image1 and @image2 walk side by side through the gallery, relaxed and elegant, natural synchronized movement, outfits moving naturally with each step. They occasionally glance at each other and smile. 3–5 seconds: They arrive near the artwork wall, stop, turn toward the photographer, and naturally adjust their poses. @image1 gives a playful, charming smile while @image2 poses confidently beside them. 5–8 seconds: A handheld camcorder approaches from among the guests, slightly shaky and imperfectly framed, like authentic behind-the-scenes footage. @image1 and @image2 notice the camera, look directly into the lens, smile, wave casually, and pose together. 8–10 seconds: The camera moves closer and slowly pans from @image1 to @image2. They lean slightly toward each other and start laughing naturally and playfully, genuine spontaneous expressions. End on both of them smiling toward the camera, abstract paintings visible but unreadable in the background. CAMERA / REALISM: real handheld camcorder, documentary event footage, slightly shaky operator movement, imperfect framing, subtle autofocus hunting, natural exposure shifts, realistic motion blur, slight lens breathing, authentic camera sensor noise, occasional guest flash photography, practical gallery lighting, realistic skin texture, natural hair movement, realistic fabric physics, candid event photography, no overly smooth gimbal movement. FACIAL PERFORMANCE: natural eye movement, subtle smiles, spontaneous laughter, genuine interaction between the two of them, no frozen expressions. Do not generate any duplicated people, extra limbs, distorted hands, artificial beauty filter, plastic skin, exaggerated body movement, cartoon/anime appearance, or slow-motion effect. No subtitles, no BGM, no watermark, no logos, no brand names or readable text anywhere. Overall feeling: an authentic candid recording from a real gallery-opening photographer, elegant but imperfect, spontaneous and believable. AUDIO: native gallery-opening ambience only — soft chatter, distant footsteps, occasional camera shutter/flash. No music, no voiceover, no lyrics.

CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle their face or hair. No face changes, no identity drift. No other people share their face. @image1 is identity only — photocopy face, hair, eyes, skin and age. Do not wear the black studio top, gold snake necklace or gold bracelet from the still. The still has no gym set — wardrobe and setting come from this prompt. ASSET MAP: @image1 — the character. SINGLE SUBJECT: Only this one person appears. No other people in frame. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. Hands never hold a phone, never hold a camera, never hold a speaker. Empty hands, laces, barbell, plates, or a water bottle only. NO PHONE — HIGHEST PRIORITY: There is no phone anywhere on this person. No phone in either hand, no phone at the ear, no phone in a selfie grip, no phone on a selfie stick, no phone in a pocket being pulled out. The camcorder is already rolling on a rack or mirror — they never film themselves with a device in hand. A small speaker can sit on a bench in the background, untouched. UNBRANDED SNEAKERS — HIGHEST PRIORITY: The training sneakers are plain, generic, unbranded. No logos, no wordmarks, no letters, no numbers, no swoosh, no stripes that read as a brand, no heel tabs with type, no recognizable designer marks. Same pair, clearly visible, every shot. CAMERA/LOOK: Authentic DV/16mm camcorder POV, already propped on a mirror or rack — never held as a phone. Shaky framing, imperfect focus, clumsy zooms, occasional face cutoffs, soft tape blur, subtle tape noise, bloomed gym lights, flickering exposure, muted contrast, realistic skin. Sweat gradually increases. Music plays throughout from the off-screen speaker. STYLE: Playful new-sneakers intro → rising tension before the squat PR → quiet focus during the lift → energetic triumphant ending. Fast handheld cuts with natural gym ambience. PRODUCT (wardrobe/gear only, not identity): a new pair of unbranded training sneakers, worn with their regular gym clothes, no jewelry. The sneakers are the featured product — kept clearly visible and consistent in every shot. SETTING: Early-evening gym with mirrors, squat rack, barbell, weight plates, a speaker on a bench (not in their hands), water bottle, soft overhead lighting. Any numbers or labels on the plates stay soft and unreadable — amounts are described in speech only, never as on-screen text. 30s / 12 CUTS: 1. 0-3s: Mirror shot. Empty hands. The character poses excitedly, lifting one foot to show off the new unbranded sneakers: “Okay guys, new kicks — check these out!” 2. 3-5.5s: Close on the sneaker details as they adjust the laces and flex their foot — blank tongue, blank sides, no marks: “So comfy, and the grip is amazing.” 3. 5.5-8s: Bodyweight squats and lunges to warm up. Hands free or on hips. Speaker already playing on the bench, not held: “Playlist’s locked in, let’s get moving.” 4. 8-10s: Quick playful dance between warmup reps, laughing, empty hands. Music only. 5. 10-12.5s: At the squat rack, they load a heavier plate onto the bar: “Okay... today’s the day I try a new squat PR.” 6. 12.5-14.5s: Macro shot of the unbranded sneakers planting firmly and gripping the gym floor as they set their stance, metal clink from the plates, no dialogue. 7. 14.5-17s: Nervous close-up, shaking out their legs, no phone: “Okay. Okay. Deep breath.” 8. 17-19.5s: Side angle as they unrack the bar onto their shoulders, feet set wide and stable in the sneakers. Music lowers; breathing becomes prominent. 9. 19.5-22.5s: They descend into a deep squat, then drive back up with visible effort, heels planted and stable throughout: “Come on—come on—” 10. 22.5-24.5s: Bar racks. They stand up, stunned, breathing heavily, legs slightly shaking. Empty hands after the rack. 11. 24.5-27s: Close reaction, huge grin, hand over mouth: “Wait—I actually did it!” 12. 27-30s: Sweaty look into the propped camcorder, glancing down at the sneakers, triumphant fist toward camera — no phone in frame: “New squat PR! Okay, best gym shoes ever. See you guys!” No on-screen text, no subtitles, no watermark, no logos.

Generate a live rally broadcast where a car showers you in dust at a gravel hairpin.

Live-action UGC creator video. Fictional dramatization. Authentic social-media realism. @image1 is an absolute character and wardrobe lock — face, hair, body proportions and identity are taken from it exactly and never drift in any shot. It carries TWO looks: the everyday outfit in its upper row and the gift garment in its lower row, and both are reproduced exactly as they appear there. @image2 is the location lock — every interior in this video is that same apartment, with its furniture, wall colour, flooring, window placement and daylight direction unchanged throughout. @image3 is the opening frame — the video begins on it. @image4 is the storyboard — follow it exactly, matching shot order, framing, camera height and pose panel for panel. VISUAL CHARACTER Photorealistic live-action UGC. Authentic social-media creator aesthetic. Natural skin texture. Realistic clothing materials. Natural smartphone exposure. Subtle digital compression. Imperfect framing. Believable broadcast interface. It should feel like a genuine creator documenting a gift from one of their viewers rather than a professionally produced advertisement. STORY Selfie/webcam-style footage of the creator at their desk during a live broadcast. The broadcast interface sits over the footage. They read comments, smile and talk casually to viewers. A viewer sends a gift. A fictional username appears with a highlighted message: "Hope you like the surprise I sent you!" A gift notification appears beneath the message. The creator looks surprised. "Oh my God, you sent me something?" They laugh and thank the viewer. Two days later. Handheld smartphone footage at the apartment entrance. A delivery package is on the floor at the door. The creator picks it up and looks at the shipping label. They smile excitedly. They carry the package inside. The camera trails a step behind them at chest height, framed on their back and the box in their arms, so they stay visible in shot the whole way — this is not a first-person view and no one else walks ahead of them. They set the box down on the table. Natural handheld shake and imperfect framing. Close handheld phone footage. They cut the tape and open the cardboard box. Inside is the neatly folded garment wrapped in simple tissue paper. They react naturally: "No way…" They carefully lift the garment out of the box. They hold it up toward the camera, smiling, and look over the material and the details. Cut to a full-length bedroom mirror shot. The creator is now wearing the garment. The camera stays where it was set down, on a dresser. They turn slightly to show the fit and the way the fabric hangs. No sexualized posing. They adjust the garment at the neckline and smooth the fabric naturally. They look at themselves in the mirror and smile. They check the stitching and the material. "This is actually so nice." Handheld selfie shot. They hold the phone at arm's length while wearing the garment and give an honest excited reaction. "I genuinely didn't expect this." Quick cut back to the desk. They hold the garment up toward the camera while remembering the viewer's message. A small fictional comment overlay shows the same username. Selfie close-up. They look directly into the camera and say: "Thank you so much. I absolutely love it." They smile naturally. They set the phone down on the dresser. Full-room handheld-style composition. They give a final casual look toward the camera, adjust the garment once and laugh. The recording ends naturally. CAMERA Authentic creator-generated smartphone footage. A mix of webcam broadcast perspective, handheld selfie footage, rear-camera POV, delivery footage, close unboxing shots, a full-length mirror shot and a static phone-on-dresser shot. Natural handheld instability. Imperfect framing. Autofocus shifts. Occasional exposure changes. Realistic smartphone sharpening and compression. Natural motion blur. Slight lens distortion. Occasional camera repositioning. No cinematic gimbal shots. No polished commercial cinematography. No beauty-filter appearance. SOCIAL MEDIA INTERFACE The opening broadcast carries a believable fictional live-broadcast interface, vertical and full-screen: live indicator, viewer count, creator username and small profile image, a stack of short viewer comments along the lower left, a highlighted comment, a gift notification, simple controls along the bottom edge, and small hearts drifting up the right side. The interface stays flat and screen-locked, clearly part of the recording and clearly separate from the physical room. It never takes on perspective, never bends and never drifts off the screen plane. Use fictional platform branding and fictional usernames. Do not reproduce any real company's logo, wordmark, icon set or exact proprietary interface artwork. LIGHTING Natural apartment lighting. Soft daylight during the broadcast, natural daylight during the unboxing and the try-on. The ring light produces realistic soft illumination during the broadcast. No artificial cinematic rim lighting. No excessive HDR. No beauty lighting. PHYSICS Realistic package weight. Cardboard bends naturally. Tape tears realistically. Tissue paper folds naturally. The garment behaves like real fabric. Clothing responds naturally to movement. Hair responds naturally to body movement. All objects stay physically grounded. No floating objects. No impossible fabric movement. HUMAN PERFORMANCE Natural UGC personality. The creator speaks casually to their audience. Small pauses, smiles, laughter and spontaneous reactions. Their surprise at the gift feels genuine. They handle the package naturally. They look the garment over like a real customer. The try-on plays as an ordinary fashion review. The creator is clearly an adult. No exaggerated influencer acting. No theatrical reactions. No sexualized posing. AUDIO Authentic creator audio. Room ambience, laptop fan, keyboard sounds, notification sounds, the creator's voice, subtle broadcast audio compression, cardboard packaging sounds, tape ripping, tissue paper movement, clothing fabric sounds, apartment ambience. No cinematic music. No trailer effects. No artificial bass drops. WARDROBE They wear the everyday outfit from the upper row of @image1 for the broadcast, the gift, the delivery, carrying the box in, opening it and holding the garment up. They change into the gift garment from the lower row of @image1 only at the mirror shot, and wear it for the rest of the video. The gift garment is never seen on them before the mirror shot. CONTINUITY Exactly one person appears in this video, in every single shot. There is no second person, no bystander, no passer-by, no friend holding the camera and nobody else anywhere in the apartment at any point. Identical creator identity, face, hair and physical appearance across every shot. The same garment throughout — the one lifted out of the box is the one worn in the mirror. The same apartment, furniture, desk, bedroom, clothing rack and lighting environment throughout. The broadcast happens first; the package arrives two days later. The same fictional username and the same message appear in the broadcast and in the later callback. Each shot begins from the physical state the previous shot left behind. It should read as one continuous creator story: LIVE BROADCAST → GIFT → TWO DAYS LATER → DELIVERY → UNBOXING → TRY-ON → THANK YOU. End as authentic UGC rather than a polished commercial. Avoid: the gift garment worn before the mirror shot, a second person in frame, bystanders, a visible camera operator, any other figure in the apartment, CGI appearance, video-game aesthetics, plastic skin, beauty-filter faces, excessive HDR, perfect framing, cinematic camera movement, sexualized presentation, exaggerated body emphasis, nudity, transparent clothing, impossible fabric physics, fake-looking broadcast graphics, real celebrity likenesses, real usernames, official platform branding.

5 steps904.7K

CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle their face or hair. No face changes, no identity drift. No other people share their face. @image1 is identity only — photocopy face, hair, eyes, skin and age. Do not wear the clothes or jewellery from the still. The still has no aqua park — wardrobe and setting come from this prompt. ASSET MAP: @image1 — the character. SINGLE SUBJECT: Only this one person appears. No other people in frame. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. STYLE: Vertical selfie-style UGC action-camera review, shot on iPhone front and back camera mix, natural daylight, handheld authentic energy, casual “showing a friend how I film everything” vibe, real skin tones, no filters. SETTING: A sunny outdoor aqua park — water slides, splash pools, palm-lined decks, bright open sky. Water spray and natural sunlight throughout. PRODUCT/OUTFIT (wardrobe/gear only, not identity): a lightweight quick-dry rash guard over swimwear. They hold a compact rugged action camera — small waterproof body, wide lens. No jewelry. Action and spoken dialogue (native sound, they speak these lines): 0.0-4.0s SHOT 1 — Front camera: They hold the action camera close to the lens, poolside spray drifting past, relaxed smile. They say: “Okay, I’ve been filming everything with this.” 4.0-8.0s SHOT 2 — Back camera: They walk along the aqua park deck toward a water slide, camera capturing stable forward motion despite the wet, busy surroundings. They say: “It stays smooth even when I’m moving.” 8.0-12.0s SHOT 3 — Neck-mounted POV: The camera now hangs from their neck, lens facing outward, capturing natural walking motion past pools and slides. They say: “I just wear it and film — even here.” 12.0-15.5s SHOT 4 — Medium-wide third-person: The camera is set on a poolside ledge. The action camera is visible neck-mounted on them as they walk toward frame, a light splash of water passing nearby. They say: “I don’t really think about it.” 15.5-18.5s SHOT 5 — Close-up back camera: They bring the camera close to the lens, showing buttons and lens detail, a few water droplets beading on the waterproof body. They say: “And it just shrugs off the water.” 18.5-22.0s SHOT 6 — Final front camera: They hold the camera beside their face, water slides and pool splashes behind them, calm confident smile. They say: “Yeah, I’m definitely bringing this everywhere I go.” Direct every second through 22.0s. Never freeze. Never cut to the attached still. Never open on a studio headshot. No on-screen text, no subtitles, no logos.

A 30-second vertical UGC video of one person showing off their everyday bag, filmed the way a real creator films it: phone at arm’s length, natural daylight, handheld, no music and no captions. Six beats — they hold the bag up to the camera, turn it over, pack their laptop and everyday things into it, check how it sits in the mirror, walk out with it, then sit in a café and pack up again before signing off to the lens. The bag and the person both come from the photos you upload, and they stay identical from the first shot to the last.

3 steps19623.9K

Generate a glossy music video of two people strutting down a white corridor in giant puffy suits.

2 steps19520K