@image1 is LANA — photocopy their exact face and hair exactly as in @image1. IGNORE the clothes and accessories in @image1. Eyes visible. Lana MOVES. @image2 is the OUTFIT. Photocopy every garment, colour, fabric and accessory exactly as in @image2, worn in motion. Never add garments that are not in @image2. NEVER a studio cyclorama. 10-second 9:16. Ultra-real 35mm street fashion. Busy New York — yellow cabs, pedestrians, lights. LANA is ON the CROSSWALK (white stripes), walking toward camera mid-stride. The @image2 outfit moves with the stride. Crowd and traffic are BEATS. [TIMELINE — 10 SECONDS] 0–2s: Lana steps onto the crosswalk, the @image2 outfit moving, NYC behind. 2–6s: Walks toward camera on the stripes. Cabs. People around Lana. 6–10s: Closer, slight head turn, outfit still moving. Designed hold. Audio: city, footsteps, horns far. No lyrics.
Drag the clip sideways
@image1 is the absolute character lock for the opening state: face, body, hair and clothing are taken from it exactly, with no drift or reinterpretation. @image2 is the absolute lock for the state after the transition: hair and makeup match it exactly. The person, the clothing and the location are the same before and after — only the hair and makeup change. One continuous handheld shot at arm's length, the subject framed from the chest up. They face the lens with the chin dipped slightly and lift one open palm toward the camera. The palm rises and sweeps across until it fills the frame completely in motion blur. As it clears to the opposite side they are revealed in the state of @image2, already settled and facing the lens. They raise one hand and rake the fingers slowly back through the hair from the temple, releasing the lengths to fall. They turn the head to one side and back, the hair swinging out and resettling against the shoulder. They lower the hand and square up to the lens, a small closed-lip smile arriving as the last of the hair comes to rest. Constant handheld micro-movement throughout, the framing breathing gently as if the camera is held in one hand. The palm crossing the lens is the only transition — everything on either side of it runs as one unbroken take. The camera holds its distance: no push in, no pull back, no orbit. No spoken dialogue, no on-screen text, no watermark.
Your avatar runs a five-move dance medley on a retro TV soundstage. Music only, loud. See the video step for the full prompt.
@image1 is ELARA — photocopy their exact FACE, bone structure, eye colour and features exactly as in @image1. IGNORE the clothes in @image1. Default hair is exactly as in @image1; hair MAY change with each universe look. Elara MOVES. Never a frozen JPEG. 18-second 16:9 photoreal. Taiwanese street arcade then rooftop. Rapid Everything-Everywhere costume jumps on THE SAME kick. Same extra people (tank-top fighter, onlookers) stay. No on-screen text. No logos. LOOKS (only Elara changes — pose, camera, extras stay): 1 schoolgirl: white short-sleeve shirt, navy pleated skirt 2 fedora detective: black suit, fedora, boots 3 mecha: silver-purple hard-suit, short hair 4 black bladesman 5 alien 6 general 7 ninja 8 pink-girl Keep kicking leg in the foreground, rear leg bent. [TIMELINE — 18 SECONDS] 0–2s: Covered arcade, scooters, metal shutters. ELARA in school-uniform look runs at a tattooed man in black tank + track pants. Two onlookers. 2–5s: Flying side-kick. On impact, Elara's LOOK snaps every ~0.4s through detective → mecha → ninja → bladesman → pink-girl. Same kick. Gun/crowd freeze. 5–8s: Kick lands. He stumbles. They land, still snapping looks. Extras unchanged. 8–11s: HARD CUT dusk rooftop. ELARA with huge red-white wings leaps over three teal-hooded swordsmen. Tokyo tower far. 11–14s: Close-up ELARA (same face) galaxy-purple wings, leather bomber, giant sci-fi energy cannon, firing. Smile. 14–18s: Wide: they fly off a rooftop explosion, cherry tree, Tokyo tower in haze. Wings beat. Designed hold. Audio: kick whoosh, impacts, crowd, wing rush, boom. No lyrics.
Your avatar transforms into the animal from the reference image in one dramatic cinematic take, close on the face. Music only, loud. See the video step for the full prompt.
Two avatars perform a contemporary duet in a marble museum atrium. Music only, loud. See the video step for the full prompt.
Create an ultra-realistic lifestyle video as one seamless continuous-looking shot that loops perfectly. @image1, @image2 and @image3 are absolute locks. @image1 is LOOK 1, @image2 is LOOK 2, @image3 is LOOK 3. Face, hair, body, proportions, garments, materials and colours are taken from these references exactly, with no drift or reinterpretation in any frame. Every accessory shown in a reference stays present and unchanged whenever that look is on screen. Natural Instagram lifestyle Reel, relaxed and relatable. Soft autumn daylight, restrained warm grading, realistic skin, fabric and clothing movement. Not a luxury campaign, runway video or cinematic commercial. Camera on a locked tripod across the street, facing the subject straight-on and showing their full body. The framing never changes: no pan, tilt, zoom, tracking, dolly, handheld movement, reframing, stabilization drift or angle change. The subject stands naturally beside a pedestrian traffic-light pole on a simple city sidewalk, near the centre of frame, with the pedestrian signal clearly visible to their right. Keep the environment clean and minimal: a sidewalk, neutral urban background, road and one traffic-light pole. The pedestrian signal stays red for the entire clip. Beats, each given equal weight: They wait naturally beside the red signal in LOOK 1. A dark gray SUV passes through the extreme foreground and completely hides them. During full occlusion, instantly change to LOOK 2. LOOK 2 is revealed. They make one small, natural posture adjustment. A cream city taxi completely hides them. During full occlusion, instantly change to LOOK 3. LOOK 3 is revealed. They casually shift their weight. A black family sedan completely hides them. During full occlusion, instantly change back to LOOK 1. LOOK 1 is revealed again and they wait naturally beside the red signal, in the same stance, the same position and the same framing as the opening frame. There are exactly three outfit changes and three complete outfits. Every change is performed through a practical foreground vehicle wipe. Each vehicle passes close to the camera and completely hides their head, face, hair, hands, handbag, torso, legs and shoes. Switch outfits instantaneously only while they are 100% invisible behind the vehicle. Never show two outfits simultaneously. No morphing, dissolves, flashes or magical transformations. Their identity, hairstyle, proportions, standing position and background alignment remain perfectly consistent. All three vehicles travel one at a time in the same horizontal direction with natural speed, wheel movement, shadows and motion blur. The last frame must match the first frame so the clip loops with no visible seam: same outfit, same stance, same hand and bag position, same light, same red signal, same background alignment. Strictly no camera movement, visible cuts, outfit morphing, partial transformations, identity drift, face changes, sliding feet, warped hands, extra limbs, disappearing accessories, vehicles passing behind the subject, crowded scenery, a green signal, walking out of frame, text, logos or watermark.
@image1 is CATE — photocopy their exact face, bone structure, eyes and hair exactly as in @image1. Never change their hair colour. IGNORE the clothes in @image1. WARDROBE FROM THE SCENE: white off-the-shoulder sweater, black pleated mini-skirt, backpack. She MOVES. Cinematic photoreal urban daylight. Glowing RED eyes VFX, PINK energy trails, super-speed motion blur, slow-motion impacts. Cops, masked criminals, hostage in beige coat, police car are BEATS. CATE is the hero. 30-second 16:9. No on-screen titles. No logos. [TIMELINE — 30 SECONDS] 0–2s: Outside a modern building. Three masked criminals hold a woman in a beige coat, gun aimed. Cops and a police car behind. 2–4s: Close-up CATE, white sweater, black mini, backpack. Deadpan. Eyes ignite glowing red. 4–9s: She dashes — pink trails and sparks at her feet. Punches a criminal. Gun flies in slow-mo. Hostage shocked. 9–24s: Martial arts. High roundhouse into a chest — pink lightning shockwave, floating petals. Super-speed kicks take down the rest. 24–27s: She kneels by the unconscious hostage, pink energy on her arm, then bridal-carries her to stunned officers. 27–30s: Wide street. Cops over unconscious criminals. CATE zips out — fading pink lightning, gust of wind. Audio: city, impacts, whoosh, no lyrics.
A baby avatar performs a professional popping-and-locking routine in a studio. Music only, loud. See the video step for the full prompt.
Live-action photoreal footage in the grammar of a hand-held front-facing phone camera: real skin, real hair physics, natural indoor daylight, a constant small hand drift and breathing sway, shallow phone-lens depth. Not illustrated, not rendered, not stylised. @image1 is an absolute lock for the opening appearance — face, body and unstyled hair are taken from it exactly, with no drift or reinterpretation. @image2 is an absolute lock for the closing appearance — face, body and finished hair are taken from it exactly. @image1 and @image2 are the same person; the only thing that changes between them is the hair. The subject holds the phone at arm's length, looking straight down the lens with a flat, faintly unimpressed expression, mouthing along to the track, giving a small tilt of the head. Then their eyes flick off to one side and back, lips still moving with the words, shoulders loose, the unstyled lengths hanging heavily and barely moving with them. Then they lift one hand toward the lens and sweep it fast across the frame — the whole image smears into motion blur as the camera whips with it. Then the blur clears on the same person transformed, hair now finished and full, their head lifting into a bright open smile. Then they turn their head sharply one way and back so the styled lengths swing out wide and settle, fingers combing back through them. Then they push the hair back off one shoulder and lean slightly toward the lens, holding the smile while the lengths fall back into shape. On-screen text: the words new hair? in small lowercase serif, low and centred, present from the first frame to the last and unchanged across the transition. Audio: one upbeat pop track running unbroken from the first frame to the last — a bright four-on-the-floor kick, a bouncy synth-bass hook, handclaps on the offbeat and a bright plucked synth riff carrying the hook, confident and celebratory at a steady dance tempo. It plays quieter and slightly muffled across the opening, then opens up full and bright the instant the blur clears, and the whip lands square on a beat. Continuous hand-held motion throughout — nothing in frame is ever fully frozen. The single whip blur is the only transition; no other cut, wipe or dissolve. The subject mouths along to the track; no spoken dialogue, no voice-over, no singing voice and no lyrics — the track is instrumental. No added captions, titles, logos, watermarks or interface elements beyond the words above. No second person in frame. No cel shading, no illustration, no cartoon, no 3D render, no beauty filter, no skin smoothing.
Tiny BooksRecreate workflow