CHARACTER LOCK — HIGHEST PRIORITY: the person is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions. Preserve their gender presentation exactly as shown. Do not beautify, slim, de-age or restyle them. Photocopy the clothes, hair, makeup and jewelry exactly as in @image1 — never restyle. Use they / their / them only. ATTACHED IMAGES ARE MANDATORY AND FINAL. Never freeze on either attached still as frame 0. Never show a checkerboard or transparency grid. Ignore any porch, garden, city window or studio set around the stills — those backgrounds are not this film's set. ASSET MAP: @image1 — the living person. Photocopy face, hair, skin, clothes, makeup and jewelry exactly as shown. @image2 — the product, exactly as shown, unchanged and not regenerated — same shape, colour, materials, lettering and finish in every shot it appears. Keep its real material and finish exactly as shown, never restyled. Any lettering already on @image2 is part of the product; do not add or change any lettering. @image2 appears free and unpackaged, never inside a new box, case or wrapper. Only one @image2 exists in every shot, always at its real size. THE GHOST (original character, not from any film): a thin, pale ghost with long tangled silver-white hair hanging over its face, a faded lavender old-fashioned nightgown with frayed lace hem, bare grey feet, long slender grey fingers, faint cold-blue glowing eyes behind the hair. Moves in slow, jerky, unnatural motions. It is clearly a different being from @image1 — never resembles them. Refer to the ghost as “it”. No blood, no gore. The ghost is not a second living person. CONCEPT: “Even ghosts want it.” A terrifying ghost crawls out of the wardrobe in the middle of the night — but it isn’t after @image1. It only wants @image2. STYLE: Photorealistic cinematic horror with a comedic twist. A dark bedroom at night: an antique carved wooden wardrobe with a frosted glass door panel, cold blue moonlight through the window on the walls, and a small warm bedside lamp as the only warm light — warm light falls on @image1’s face and on @image2. Natural healthy skin tone. Visible textures: carved wood, frosted glass, lace, bedsheets. Avoid large smooth dark gradients — keep practical light sources in frame. Vertical 9:16. CAST: only @image1 and the ghost. No extra living people. No duplicate @image2. 0.0–2.0s HOOK — strongest opening. Close-up of the frosted glass door of the wardrobe. A pale grey hand slams flat against the glass from inside with a loud thud, fingers spreading slowly; the bedside lamp flickers sharply; the blurry shape of the ghost’s face presses behind the glass. Already in motion. Never open on the attached stills. 2.0–5.5s THE ROOM. Medium shot: @image1 sits frozen upright in bed, staring at the wardrobe, clutching the blanket. Clothes, hair, makeup and jewelry match @image1. On the bedside table next to them, @image2 stands in the warm pool of lamplight, clearly visible, one unit, real size, photocopy of @image2. 5.5–10.0s THE DOOR OPENS. The wardrobe door creaks open by itself. The ghost slowly crawls out onto the floor on all fours, hair dragging on the floor, joints twitching unnaturally. @image1 stays in bed. @image2 stays on the table. 10.0–15.0s THE APPROACH. The ghost crawls toward the bed. @image1 pulls the blanket up to their eyes, terrified. The ghost rises to its full height beside the bed… and then ignores @image1 completely, turning its head toward @image2. 15.0–20.0s THE TWIST. The ghost picks up @image2 with both long grey hands and cradles it lovingly like a treasure, tilting its head, its glowing eyes softening. Close-up of @image2 in the ghost’s hands, lit by the warm lamp, every detail of @image2 sharp and visible — photocopy shape, colour, lettering, finish. Still only one @image2. 20.0–24.0s THE SNATCH. @image1’s fear turns into offence. They lean over and snatch @image2 back out of the ghost’s hands and hold it close to their chest. @image1 says firmly, in English, mouth clearly forming the words: “Get your own.” The ghost freezes, its shoulders slump, it sulks. 24.0–27.0s THE RETREAT. The ghost slowly shuffles back into the wardrobe and pulls the door shut. Silence. @image1 exhales, still hugging @image2. 27.0–30.0s FINAL SHOT. Close-up of @image2 back on the bedside table in the warm lamplight, photocopy of @image2. Behind it, the wardrobe door creaks open just a crack, and a long grey finger slowly reaches out toward @image2. Hold on this moment. AUDIO: Low eerie drone and creaking wood, the hand thud on glass, lamp buzz and flicker, bones-cracking twitch sounds as the ghost crawls, a soft music-box note when the ghost cradles @image2, then silence under the spoken line “Get your own.”, a final slow door creak. Dialogue in English only, clear and above the sound design. No voiceover besides that one line. NO SUBTITLES. NO ON-SCREEN TEXT. NO LOGOS other than lettering already on @image2. NO BLOOD, NO GORE.

REFERENCES @image1 = THE LOCATION: the place where the dance happens, with its light and mood. Ignore any people in @image1. Every image after @image1 is ONE DANCER (one, two or three images). The number of dancers in the video = the number of dancer images — never add anyone else. Each dancer's face, hair, makeup and outfit or costume come ONLY from their own image — never mix faces, hair or outfits between dancers. CHARACTER LOCK The dancers stand side by side in the same order the whole time, in the order of their images from left to right: with three dancers @image2 left, @image3 center, @image4 right; with two dancers @image2 left and @image3 right; with one dancer, @image2 alone in the center. No other people. Footage NOT mirrored. GROUND The ground is completely DRY: no puddles, no water, no wet shine and no reflections on the ground anywhere. STYLE A real phone video of friends doing a synchronized hip-hop dance challenge for Halloween. Loose, groovy, confident, a little playful — knees always slightly bent and bouncing on every beat, about 100 BPM. All dancers do the SAME move at the SAME time, perfectly in sync, with natural tiny differences in style. Real weight, feet planted on the ground, natural cloth movement. CAMERA 0.0–8.2 s: one wide shot from chest height, almost static (slight handheld drift), every dancer fully visible head to feet. 8.2 s: ONE hard cut to a closer medium-wide shot (from the knees up); from there the camera slowly pushes in and drifts slightly left and right to follow the group until the end. CHOREOGRAPHY (25 s, every move lands on the beat) 0.0–2.0 s — Bounce in the knees and step side to side (right, left, right, left), arms hanging loose, shoulders shrugging on each step. 2.0–3.5 s — Hands clasped together in front of the waist; lift the right knee and stomp it down, then the left knee and stomp. 3.5–6.0 s — Raise the right forearm horizontally in front of the chest and send a smooth wave from the elbow out through the fingers, then the same with the left arm, knees bent, swaying. 6.0–8.2 s — Hip sway left and right, a sharp head turn to the side and back, one arm swinging out to the side on the beat. 8.2–10.6 s (closer shot) — Kick the right leg out to the side, then turn the bodies a quarter to the side and walk in place four steps with swinging arms, then turn back to the camera. 10.6–12.5 s — Fists up in front of the chest, pump both elbows down on every beat (four pumps), chin nodding. 12.5–14.0 s — Point one finger down at the ground, lean to the side and drop the hip, head tilted, then switch sides. 14.0–16.5 s — One hand flat at the forehead like looking into the distance, lean and bounce in the knees, then switch hands. 16.5–18.0 s — One big step to the side with one fist raised up high, then both arms straight forward at chest height with a chest pop. 18.0–20.0 s — Cross both forearms in front of the chest and roll them over each other (hand roll), bouncing in the knees. 20.0–22.0 s — One fist pressed to the chest with the elbow out, pumping that shoulder on every beat, then the other side. 22.0–24.0 s — Lift one knee and step out to the side, arms swinging, then the other side. 24.0–25.0 s — Final hit: one big fist pump straight up over the head on the last beat, all dancers FREEZE in that pose, grinning at the camera. TEXT AND LOGOS No on-screen text, no captions, no logos anywhere. QUALITY Photorealistic, sharp faces, correct anatomy — two arms, two legs, five fingers per hand for every dancer — no merging bodies, no extra limbs, feet never sliding or floating.

VERTICAL 9:16 from frame 0. 30 seconds. Photoreal cinematic comedy. Never open on a studio still or either attached photo as frame 0. No on-screen captions, logos, watermarks, or end cards except the two calendar shots described below. @image1 is the person. Photocopy their face, facial structure, eye shape, skin tone, hairline, hairstyle, hair length, texture and colour, apparent age, build and body proportions, makeup, and clothes exactly as shown in @image1. Do not beautify, slim, de-age, restyle hair, or wipe the makeup. Keep this same outfit in every shot. Do not add a different cape or costume. Refer to them only as they/them. @image2 is the product. Photocopy it exactly as shown: same shape, colour, materials, finish and any lettering. Unchanged. Free and unpackaged. Only one @image2 exists in every shot, always at real size. Do not restyle it. Do not put it in a box. Do not duplicate it on the bar. CONCEPT: they are so excited Halloween season has started that they rush out to celebrate with @image2 — and learn it is October 1. STYLE: photoreal gothic Halloween fairytale comedy. Candlelit old-world interiors, foggy cobblestone streets, moody blue night outside vs warm orange candlelight inside. Comedic timing. Smooth camera. CALENDAR RULES: Exactly two calendar shots, different. 1) OPENING (0.0-2.0s only): the revealed page is only the word OCTOBER. No day number. No date grid. 2) TAVERN wall calendar, including the LAST SCENE: a plain October month calendar with NO date marked, NO circle, NO highlight on any day. Completely unmarked. CAR / ARRIVAL: @image1 is the driver in every moving-car shot — in the seat, hands on the wheel. The car only moves while they are driving it. At the tavern: full STOP. Parked. Then @image1 opens the car door (door swings), steps out holding @image2, and walks through the tavern doors. Behind them the SAME car STAYS PARKED in that exact place. It does not creep, roll, reverse, or leave empty. 0.0-2.0s HOOK. Hand rips a calendar page: only OCTOBER, no date. Candles flare. Whip to @image1 delighted. Never start on the attached still. 2.0-5.5s GETTING READY. Bedroom. Their own clothes from @image1, mirror. @image2 on the dresser. Photocopy @image1 and @image2. No calendar. 5.5-7.5s GRAB. Picks up @image2, rushes out. 7.5-12.5s DRIVE. @image1 driving the vintage black convertible, visible in the seat, @image2 buckled on the passenger seat. Mansion, lightning, cobblestone. 12.5-18.5s ARRIVAL. Car with @image1 at the wheel slows and STOPS in front of the timber-framed tavern. Full stop, parked. @image1 opens the car door, steps out with @image2. The parked car stays in that same place. They walk through the tavern doors. 18.5-21.5s TAVERN. Empty bar, no Halloween decorations. Places ONE @image2 on the counter. Photocopy @image2. No calendar yet. 21.5-24.5s REVEAL. Elderly bartender, distinct from @image1. Points at a paper calendar on the tavern wall. Close-up: an October calendar with NO date marked or circled. 24.5-28.0s PUNCHLINE. Smile melts. Bartender, English: "Halloween is in thirty days." @image1 sits by the single @image2: "...I'll wait." Two mugs. 28.0-30.0s FINAL. Wide empty tavern: @image1 and bartender at the bar, ONE @image2 between them. The wall calendar is visible and has NO date marked. Slow push-in on @image2. Hold. AUDIO: playful spooky orchestral until the tavern, silence at the reveal. SFX: paper rip, candles, coat, car engine that STOPS, car door, footsteps, tavern doors, cricket. Dialogue English, clear. NO SUBTITLES. NO TEXT except the two calendars. NO WATERMARK. NO LOGOS other than lettering already on @image2. NO EXTRA PEOPLE besides @image1 and the bartender. NO DUPLICATE @image2. NO EMPTY CAR DRIVING. NO MARKED DATE ON THE WALL CALENDAR.

REFERENCES @image1 = THE LOCATION: the empty gothic ballroom decorated for a winter ball — frosted white branches, hanging crystal icicles, gothic windows, cold blue light and haze. The whole video happens here. @image2 = THE DANCER. Face, hair, make-up and the complete outfit come ONLY from @image2 — keep every piece of the outfit exactly as in @image2. @video1 = THE CHOREOGRAPHY ONLY. Copy the dance of the main dancer in @video1 exactly — every move, its timing, rhythm, head snaps, arm positions, hand shapes and steps — performed by ONE dancer. Ignore everything else in @video1: other people, blurred areas, the room, the floor and the side borders. CHARACTER LOCK Exactly ONE dancer: the person from @image2, in every frame, in the same outfit the whole time. No other people anywhere in the hall. Footage NOT mirrored. STYLE Deadpan gothic attitude: a calm, serious, expressionless face, steady stare, never smiling — the charm comes from the sharp, slightly strange moves done with total seriousness. High energy: the dancer is already dancing in frame 0 and never stands still. Every move is BIG, sharp and full-arm, hitting hard and exactly on the beat — snappy head jerks, wide arm swings, fast hand flicks; hair and fabric swing and fly with every turn. CAMERA One continuous handheld phone shot at chest height, no cuts, slight natural drift, full 9:16 frame with no borders. MEDIUM SHOT: the dancer is in the centre and framed from the knees up the whole time, the body filling most of the frame height — never a small figure in a wide shot. At 14.0 s the dancer leans toward the lens and the face fills the upper half of the frame. GROUND Dark MATTE wooden dance floor, completely DRY — no puddles, no water, no shine, no reflections. ENDING (14.0–15.0 s) The dancer leans toward the camera and freezes with a dead-serious stare straight into the lens. TEXT AND LOGOS No on-screen text, no captions, no logos anywhere. QUALITY Photorealistic, sharp face, correct anatomy — two arms, two legs, five fingers per hand — no extra limbs, feet never sliding or floating.

2 steps

A beat-synced Halloween costume walk: upload your location and photos of you and two friends in costume — legs on the beat, a rising reveal of each full look, then all three strutting together. 15 s, 9:16.

The person from @image1 lies on their stomach on a pink pillow, close to the camera, exactly as in @image1, in a dim purple-pink bedroom with the open doorway glowing bright pink behind them. One single static phone shot, no camera movement, no cuts. The attached audio is a phone call: the deep male voice is the caller heard only through the phone; the other voice is the person, and they say their lines themselves with clear, precise lip-sync — the mouth shapes every word exactly in time with the voice, and stays closed or smiling while the caller talks. Mood the whole call: coy, flirty, shy and playful — melting into the pillow, giggling, twirling a strand of hair around a finger, biting the lip, looking down shyly and back up, stretching the words slowly and teasingly, like pretending to be hard to get. 0–2.9 s: listens, smiling shyly, twirling the hair. 2.9–5.2 s: giggles and says the line teasingly, tilting the head. 5.7–7.8 s: listens, biting the lip, rolling slightly on the pillow. 8.9–9.3 s: a slow, playful, drawn-out "No…", shaking the head with a grin. 9.7–11.1 s: listens, twirling the hair, smiling down. 11.8–13.1 s: says the line in a slow, teasing, curious voice, playing with the hair. 13.3–15.0 s: listens; the smile slowly fades. The figure: at 0.5 s a tall figure in a black hooded robe and a plain white ghost Halloween mask is already standing in the bright pink doorway; it slowly walks into the room step by step and by 10 s stands still right behind the person. The person never notices it. 15.0–16.0 s: the person takes the phone away from the ear and looks at its screen, confused. 16.0–18.0 s: the face turns to fear and they start to turn around — the video ends mid-turn. After 15 s there are NO voices at all — only silence and quiet room sound. No music. No blood, no weapon, no text.

2 steps

REFERENCES @image1 = THE DARK HOUSE: the empty abandoned family home at night, broken window, cold blue moonlight, dust, family photos scattered on the floor. The location only — the people come from @image2, @image3 and @image4. @image2 = PERSON A as a ZOMBIE — the zombie look for PART 1: grey-green pale skin, dark veins, cloudy milky-white eyes, tangled dusty hair, torn dirty t-shirt. Still clearly the face of @image3. No blood, no wounds, no gore. @image3 = PERSON A as they really are (normal, happy, alive). Face, features and hair of PERSON A come ONLY from @image3. @image4 = PERSON B. Face, features and hair of PERSON B come ONLY from @image4. CHARACTER LOCK Exactly two people in the whole video: PERSON A and PERSON B. Nobody else. Footage NOT mirrored. Correct anatomy, two hands with five fingers each. Cinematic film look, shallow depth of field, real emotion. PART 1 — THE DARK HOUSE (0.0–9.2 s). Cold blue moonlight, slow and heavy, a movie scene cut into short shots. SHOT 1 (0.0–1.5 s) — Extreme close-up of PERSON B's face: eyes full of tears, breathing hard, the top of a raised pistol soft and blurred at the bottom of the frame, held in front of the chest, shaking. SHOT 2 (1.5–2.5 s) — Wide shot of the dark house like @image1: PERSON A as the zombie stands still at the far end of the room, CLEARLY LIT by a beam of cold moonlight from the broken window — the pale zombie face, tangled hair and torn t-shirt clearly visible, not a dark silhouette. SHOT 3 (2.5–4.0 s) — Close-up of the zombie's face (@image2): milky-white eyes, head tilting slowly, a low raspy breath. SHOT 4 (4.0–5.5 s) — Extreme close-up of PERSON B's face: one tear rolls slowly down the cheek, lips trembling; PERSON B whispers, voice breaking: "I'll always love you." SHOT 5 (5.5–6.5 s) — Medium shot from the front: PERSON B slowly lowers the pistol and lets it fall from the hands; it drops and hits the floor (clearly visible). SHOT 6 (6.5–7.5 s) — Same medium shot, hands now EMPTY: PERSON B slowly spreads both arms straight out to the SIDES at shoulder height, fully extended like a cross, palms open and facing forward, fingers relaxed and open — surrendering, "come to me". The arms stay wide open like this through SHOTS 8 and 9 until the zombie leaps into them. Never point the hands forward, never make fists or thumbs-up. SHOT 7 (7.5–8.2 s) — Close-up: the zombie snarls with the mouth open and lunges straight toward the lens. SHOT 8 (8.2–8.6 s) — Close-up of PERSON B, arms still wide open: closes the eyes, accepting. SHOT 9 (8.6–9.2 s) — Wide side shot: the zombie sprints across the room and LEAPS into PERSON B's open arms. The cut happens at the exact moment their bodies meet, mid-leap. 9.2 s — MATCH CUT ON THE LEAP: the same leap continues without a break, but the world changes from the dark house to bright sunshine. PART 2 — THE HAPPY MEMORY (9.2–18.0 s). A perfect holiday on a Maldives island: white powder sand, crystal-clear turquoise water, palm trees leaning over the water, overwater villas in the distance, warm golden sun. PERSON A is completely normal again — exactly the face, skin and hair of @image3, no zombie make-up at all. Both wear light, fully covered summer clothes. SHOT 10 (9.2–11.5 s) — Side shot at the waterline: PERSON A lands the leap in PERSON B's arms, legs wrapped around, arms around the neck; PERSON B catches and spins PERSON A around once, both laughing, foreheads touching. SHOT 11 (11.5–14.0 s) — They run knee-deep into the turquoise water and playfully splash water at each other with their hands, laughing, droplets sparkling in the sun. SHOT 12 (14.0–18.0 s) — Golden sunset: they sit close together on the sand, seen from behind and slightly to the side, PERSON A's head on PERSON B's shoulder, arms around each other, watching the sun sink into the sea. The camera slowly drifts back and holds this calm moment until the end. SOUND A sad, emotional piano and soft strings play under the whole video, swelling at the leap (9.2 s) and turning warm in PART 2. PART 1: quiet house ambience, PERSON B's breathing and the whispered line, the zombie's raspy breath and snarl, the thud of the pistol on the floor. PART 2: waves, laughter and splashing under the music. The ONLY spoken words in the whole video are the whisper "I'll always love you." in SHOT 4. TEXT AND LOGOS No on-screen text, no captions, no logos anywhere. QUALITY Photorealistic, cinematic, emotional, sharp faces that always match the references.

2 steps10

A beat-synced Halloween costume walk: upload your location and photos of you and a friend in costume — legs on the beat, a rising reveal of each full look, then both of you strutting together. 15 s, 9:16.

REFERENCES @image1 = THE LOCATION: the Seoul street crossing at night with giant glowing LED billboards and neon signs, and the warm spotlight on the empty centre of the crossing. @image2 = THE DANCER. Face, wig, make-up and the complete stage costume (every piece, colour and accessory) come ONLY from @image2. @video1 = THE CHOREOGRAPHY ONLY. Copy the dance from @video1 exactly — every move, its timing, rhythm, arm positions, hair flips, steps and poses. Ignore the person, the clothes, the coloured background and the floor of @video1. CHARACTER LOCK The dancer from @image2 in every frame, wearing the complete costume and wig the whole time — the long ponytail and braid swing naturally with the moves and never change colour or length. One dancer only. Footage NOT mirrored. Real human proportions: the dancer's own height and build from @image2. SCENE A real K-pop music-video moment in the middle of the Seoul crossing from @image1: the dancer performs in the spotlight on the empty crossing; a few people far away on the sidewalks stop and film with their phones. Nobody walks in front of the dancer. All billboards and screens show ABSTRACT colourful graphics only — no readable text, brand names or logos. The asphalt is DRY and matte: no puddles, no water, no wet reflections. CAMERA A phone on a tripod at chest height, one continuous take with no cuts, almost static with a slight handheld drift, like @video1. The dancer is fully visible head to boots, in the centre, most of the time. PERFORMANCE Confident idol energy: sharp, clean, powerful moves exactly on the beat, a cool confident face with small smiles; the costume sequins sparkle in the spotlight. TEXT AND LOGOS No on-screen text, no captions, no logos anywhere. QUALITY Photorealistic, sharp face, correct anatomy — two arms, two legs, five fingers per hand — no merging, no extra limbs, feet never sliding or floating.

2 steps

MODEL: Seedance 2.5. Do not switch models. FORMAT: 9:16, 30 seconds, 1080p. Vertical frame. @image1 — THE SET: the empty moonlit garden with the oak trunk on the left and the empty rope swing, seen from this exact camera position. Keep this exact swing (one flat wooden plank on two thick ropes), the trunk, the hedge, the moon and the jack-o'-lanterns, and this exact side-on framing. @image1 shows no person; the only person in the film is @image2, sitting on this swing. @image2 — the person. Photocopy their face, facial structure, eye shape, skin tone, hairline, hairstyle, hair length, texture and colour, apparent age, build and body proportions exactly as shown in @image2. Do not beautify, slim, de-age, smooth, or restyle hair. Refer to them only as they/them. @image2 is identity only — not wardrobe. NATURAL LOOK: A real person filmed at night, not CGI, not a doll, not airbrushed. Real skin texture and pores. No porcelain skin, no beauty filter, no plastic face. FACE IN EVERY LOOK: @image2's own face is fully visible in every costume — no mask, no veil or web over the face, no face paint. No added makeup — no eyeliner, lipstick, contouring, glitter or false lashes — in any look. NATURAL MOVEMENT — CRITICAL: They sit on a real wooden rope swing with real weight. Hands hold the ropes. Knees and feet swing with the arc. The seat dips slightly at the bottom of each swing. Ropes taut, then slacken a little at the ends. Slow, human, slightly imperfect — not posed fashion holds, not frozen, not floating, not a mannequin. Hair and costume fabric follow the swing with real inertia. THE SWING — EXACT SETUP: One flat wooden plank hanging from two thick ropes tied to a high branch above the frame. The person sits ON the plank — hips and thighs on the seat, the seat directly under them, lower legs hanging below it. Never beside the seat, never in front of it, never floating next to it. The ropes hang on either side of their hips; both hands grip the ropes at chest height. Seen exactly side-on: the person faces the RIGHT edge of the frame in clean profile on every pass; one rope is in front of the body, one behind it. The swing moves only LEFT–RIGHT across the frame in a slow pendulum arc parallel to the camera. It never moves toward or away from the camera, never twists, and the person's size in frame stays the same. Only at 28.8–30.0s, when the swing has stopped, do they turn their head (not their body) to the camera. CAMERA: Fixed side view at swing height. Locked-off tripod. No camera movement, no cuts, no zoom. Vertical 9:16. The thick oak trunk is in the LEFT half of frame, near foreground, between camera and swing. The person lives ONLY on the RIGHT of the trunk for the entire film. They never appear on the left. They never change sides. ONE-SIDE TREE WIPE: The swing arcs slowly on the RIGHT toward the trunk, goes FULLY BEHIND the trunk (zero body/costume visible), then comes back out on the SAME RIGHT SIDE in ONE new Halloween costume. ONE hide behind the trunk = ONE new costume on the same side. Do NOT emerge on the left. Do NOT morph, dissolve, ghost, or double-expose clothes in the open. Do NOT change clothes while any part of them is visible. Do NOT make the swing fast. COSTUME SEQUENCE: 0.0–4.0s RIGHT SIDE: @image2 on the rope swing, fully visible right of the trunk, simple elegant dark outfit. Natural face from @image2. Slow human swing toward the trunk. 4.0–5.2s FULLY HIDDEN behind the trunk. The left of frame stays empty garden. No ghost. No person on the left. 5.2–9.5s RIGHT SIDE: emerge on the RIGHT as PUMPKIN ROYAL — burnt-orange costume with a pumpkin-shaped puffed body, autumn leaves and vines across the chest, small crown of tiny glowing jack-o’-lanterns. Slow natural swing on the right, then back toward the trunk. Hem flutters with inertia. 9.5–10.7s FULLY HIDDEN. Still nobody on the left. 10.7–15.0s RIGHT SIDE: emerge on the RIGHT as MOON MAGE — midnight-blue velvet cloak with silver stars, crescent-moon headpiece, lantern in one hand. Cloak follows the swing. 15.0–16.2s FULLY HIDDEN. 16.2–20.5s RIGHT SIDE: emerge on the RIGHT as BLACK CAT — sleek black cat suit, long tail, soft cat ears on top of the head, velvet gloves. @image2's own face uncovered — no cat mask, no face paint, no eye makeup. 20.5–21.7s FULLY HIDDEN. 21.7–25.5s RIGHT SIDE: emerge on the RIGHT as SPIDER MONARCH — black costume with silver spiderweb lace, a cobweb cape behind the head and shoulders (never over the face), jointed spider-leg shoulder pieces. Hair still exactly as in @image2 — do not restyle or bleach it. 25.5–26.7s FULLY HIDDEN. 26.7–28.8s RIGHT SIDE: emerge on the RIGHT as SCARECROW — patched burlap and plaid outfit, straw at sleeves and collar, worn straw hat, a crow on the swing rope. Natural @image2 face, no makeup. Arc eases like a real swing dying out. 28.8–30.0s RIGHT SIDE: swing slows to a stop on the right of the trunk. @image2 turns their head and looks into the camera with a slow knowing smile — natural @image2 face. The crow takes off. Hold. Hair stays exactly as in @image2 through every costume. Every costume is cut to fit @image2's own build and style — a long flowing robe, a fitted suit or anything in between, whichever suits them. ENVIRONMENT (unchanged): moonlit gothic garden at night, tall vertical composition. Huge full moon. Fog on the ground. Jack-o’-lanterns on the grass. Ivy stone wall. Bare branches. Falling autumn leaves. Teal moonlight, warm pumpkin candlelight. Photoreal live-action. AUDIO: creaking swing rope, soft wind, rustling leaves, a distant crow, a soft eerie music box. No dialogue. No voiceover. NO TEXT. NO SUBTITLES. NO END CARD. NO LOGOS. NO EXTRA PEOPLE. NO CAMERA MOVEMENT. NO CUTS. NO FAST SWING. NO LEFT-SIDE PERSON. NO VISIBLE MORPH. NO RUNWAY. NO STUDIO. KEY RULES: 9:16. Person only on the right of the tree, sitting ON the swing plank, seen side-on. Every clothes change happens fully behind the trunk, then they come back on that same side. Natural human swing motion.