CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Frame 1 is already in the scene — never a studio portrait, grey backdrop, or the attached still as an opening plate. Use they/them throughout. No other people. The person in every shot is exactly the person in @image1 — face, bone structure, skin, blonde hair, age, body. The photo is identity only, not wardrobe. Do not keep the ivory blazer, white shirt, camel skirt or bunny bag from the photo. Start look (shots 1–5): white cropped tank and short white fitted shorts. Barefoot until the final reveal. Final outfit (from the source film, not the photo): oversized moss-olive mohair sweater with balloon sleeves; olive satin mini skirt with a floral lace hem; dark chocolate knee-high slouch leather boots; dark brown leather belt with a gold buckle, front of the sweater tucked into the belt; structured dark chocolate-brown leather tote; warm gold collar necklace, hoop earrings, ring and bangle. SETTING: cream Paris hallway, gold rococo mirror, two wall sconces, marble console, open shopping boxes on the floor. Warm lamp light. No other people. No on-screen text. No bottom reference panels, no collage, no character sheet, no flat-lay. CAMERA: one locked tripod in the doorway, frontal, eye level. Hard cuts on the beat. 9:16, 20 seconds. Frame 1 is already in the hallway — never a studio portrait plate. SHOT 1 (0–1.7s) They hold the olive satin lace mini skirt by the waistband against their waist, lift it once so the satin sways, look into the lens and smile. SHOT 2 (1.7–3.4s) Same camera. They hold the moss-olive sweater against their torso by both shoulder seams, bounce it once, glance down, then smile at the lens. SHOT 3 (3.4–5.0s) They hold the brown leather belt horizontally, gold buckle centred close to the lens, eyes visible above it, a small smile. SHOT 4 (5.0–5.8s) They flip their blonde hair over one shoulder and grin at the lens. SHOT 5 (5.8–7.5s) They hold the chocolate-brown tote in front of their chest; face visible between the handles; head tilt and smile. SHOT 6 (7.5–10.2s) Sweater already above their head. One uncut action: they pull it down, arms through the balloon sleeves, hem settles at the hips, hair falls back. Eyes find the lens. Smile. SHOT 7 (10.2–11.7s) Wearing the sweater, they spray perfume beside their neck once, eyes close, then look back at the viewer. SHOT 8 (11.7–14.0s) Wider. They already wear the olive lace mini under the sweater. They adjust the high waistband once, shift onto one hip, pleased smile. SHOT 9 (14.0–15.7s) Closer. Gold jewellery already on. They close one gold hoop earring with both hands, check it in the lens, playful smile. SHOT 10 (15.7–20.0s) Full length, hair to boot soles. Complete outfit, tote in the left hand. Hold, small bounce, turn through a side view to a back three-quarter, then look over the shoulder at the lens and hold the smile to 20s. AUDIO: one upbeat instrumental fashion track. Cuts on the beat. Fabric, one spray, jewellery click, boots, tote.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Frame 1 is already in the scene — never a studio portrait, grey backdrop, or the attached still as an opening plate. Use they/them throughout. No other people. PRODUCT LOCK — HIGHEST PRIORITY AFTER THE PERSON: @image2 is the hero bag. It is the only bag. Preserve its exact camel-tan leather, bunny-ear knots, slim shoulder strap, gold hardware, gold ball charm, gathered silhouette and proportions. No other bag, no tote, no redesign. The bag is in every shot with the person — worn on the shoulder, held in the hand, or sitting against them on the floor. Never leave the bag out of frame. WARDROBE: keep the look from @image1 — ivory double-breasted blazer, white shirt, camel mini skirt, tall tan suede boots. Do not put them in a black blazer, shorts, white socks or loafers. SETTING: a clean luxury fashion studio, seamless cyclorama, warm ivory-beige walls, glossy pale floor with soft reflections, hard directional sunlight from one side. No crew, no photographer, no other people, no on-screen text, no captions. STYLE: high-fashion bag commercial, 9:16, 15 seconds. Copy this studio-fashion movement and camera language: full-body hero, overhead floor sit, over-shoulder look, walk with the bag, seated pose, squat, walk-away look-back. Slow editorial pacing, photoreal, shallow depth, commercial lighting. Frame 1 is already in the scene — never a studio portrait plate of the attached still. Beat 1 (0-2s). Full-body hero. They stand in the cyclorama, weight on one leg, the bunny-ear bag on the shoulder exactly as in the product photo. Slow push-in. Bag fully visible. Beat 2 (2-4s). Overhead. They sit on the glossy floor, knees folded, one hand on the bag beside them. Bag fills a clear part of the frame. Camera high above. Beat 3 (4-6s). Medium. They turn, look back over the shoulder at camera. Bag in the hand at their side, bunny ears readable. Beat 4 (6-8s). Product insert. Close-up of the bag in their hand: bunny-ear knot, leather grain, gold charm. They do not leave the shot — fingers and forearm stay in frame. Slow orbit. Beat 5 (8-10s). Walk. They walk across the cyclorama carrying the bag by the strap, a natural swing. Full-body, floor reflection. Bag never hidden by the body. Beat 6 (10-12s). Floor sit. They sit with one leg extended, the bag standing or held against the hip, facing camera. Plenty of negative space above. Beat 7 (12-13s). Low squat, facing camera, bag on the shoulder. Still, then a small weight shift. Beat 8 (13-15s). They walk away and look back over the shoulder, bag in hand. Hold on the look. Slow push-in. End. No extra products, no logos invented, no on-screen type.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Frame 1 is already in the scene — never a studio portrait, grey backdrop, or the attached still as an opening plate. Use they/them throughout. No other people. A 15-second photoreal 16:9 urban time-lapse. Night. Locked camera. No on-screen text, no subtitles, no logos, no watermarks. The mural face is exactly the person in @image1: same facial identity, structure, eyes, brows, nose, mouth, skin, hairline and hair. Do not beautify, slim, de-age or invent a different face. No other people. No painter. No extra spray cans. No paint bucket. Setting: a narrow city alley at night. Left: a long brick wall, two-tone brown over peeling white, rusted electrical boxes, a downpipe. Right: a wet sidewalk and a live street. Warm sodium streetlight. Fixed wide shot, same framing the whole clip. THE CAN: from frame 1, exactly one spray-paint can stands on the sidewalk at the base of the wall. It is the only prop. That single can sprays by itself — it tips, hisses, and paints the mural. No hand holds it. No second can. TRAFFIC: cars drive past on the street to the right. Headlights can sweep the lens and briefly flare the frame. AUDIO — required: night traffic, one spray-can hiss and rattle, no dialogue, no lyrics. 0-3 seconds Already in the scene: empty wall, boxes, wet pavement, one spray can standing on the sidewalk. The can starts to spray. A car may pass. 3-8 seconds The lone can sprays in time-lapse: cyan, magenta, yellow and violet hit the wall, then the outline of @image1's face in graffiti style. Still only one can. 8-12 seconds The portrait fills in: @image1's face as a large mural, photoreal identity under bold graffiti colour-blocking, tropical flowers and birds. The same single can keeps spraying. 12-15 seconds Hold the finished mural. The one can rests on the sidewalk. Night traffic. End. Negative: extra cans, a paint bucket, a visible person or painter, a second face, MiniMax or Hailuo logos, subtitles, studio portrait as frame 1.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Frame 1 is already in the scene — never a studio portrait, grey backdrop, or the attached still as an opening plate. Use they/them throughout. No other people. Create a 30-second late-2000s handheld flip-camera vlog. 16:9. The person in the attached reference is a teenage boy — keep that presentation in every frame. Do not feminize. He is the only person. OPENING — MANDATORY: Frame 1 is already walking toward a tiny beachside meat stand, handheld flip-camera running. Do not open on a studio portrait, grey backdrop, still headshot, or the attached image as a plate. Wardrobe, locked: oversized dusty-blue linen shirt, beige cropped pants, brown flip-flops, canvas shoulder bag. Fit these clothes to the attached person's body. Short boyish hair; wind may move it, do not restyle into long hair. Keep one tiny all-black kitten throughout, same kitten every frame, natural cat behavior. No other people, no vendor face (the stand is self-serve: wrapped cuts on ice, a cash tin, handwritten prices with no readable words). Style: genuine late-2000s handheld flip-camera vlog. Heavy camera shake, focus hunting, accidental reframing, warm faded colors, digital noise, imperfect zooms, no cinematic look. 0-8s — approach: Walking on sand toward the little beachside meat stand. The all-black kitten starts following at his flip-flops. He laughs and points the camera down. Exact lip sync: "Oh... you're coming too?" 8-16s — buy: He picks up a small wrapped cut of meat for himself, drops cash in the tin, then tears off a piece for the kitten. He crouches, smiles, exact lip sync: "This one's for you." The kitten sniffs the meat. 16-24s — feed: On a small wooden stool in the sand beside the stand, he sets the piece down. The kitten eats while he gently pets its head. Exact lip sync: "You were hungry." 24-30s — leave: He walks along the shore carrying the remaining wrapped meat as the same black kitten keeps following beside his flip-flops. He laughs at the camera, exact lip sync: "I have company now." The kitten meows as the recording abruptly ends. Audio: natural beach-stand ambience only — surf, wind, plastic wrap, footsteps on sand, cash tin, kitten meows, the spoken lines. No music, subtitles, logos, or cinematic effects. No on-screen text. Duration: exactly 30 seconds. Aspect ratio: 16:9.
A fifteen-second candid handheld home video in a modern kitchen on a dark rainy morning. @image_1 fights a tightly sealed glass jar in three escalating attempts - bare hands, then a tea towel wrapped around the lid, then the whole body braced against the worktop - and when the lid finally pops, dips a fingertip in to taste it and turns to the camera with a small proud smile. Natural location sound only, no music.
Yellow Star RoutineRecreate workflow