Asset referencing: @image1 is the first frame of this video: two face-down playing cards with red patterned backs lying side by side on a green cutting mat, a hand resting across them, a kraft note reading "Happy Anniversary" below. @image2 is the last frame of this video: the same mat, with the two cards now face up — the Ace of Hearts on the left holding the photo of PARTNER ONE and the Ace of Diamonds on the right holding the photo of PARTNER TWO — their edges touching, the same note below. Together they define the table, the cards, the photos, the hand, the light and the framing. ATTACHED IMAGES ARE MANDATORY AND FINAL: the photographs inside the two aces are exactly the photographs in @image2 and never change; the note always reads "Happy Anniversary". THE PAIR — this is the whole point of the film: one hand turns over the left card to reveal the first face, then turns over the right card to reveal the second face, and then nudges the two cards together until their edges touch, so the two faces lean towards each other — a pair. Summary: a top-down, one-take anniversary reveal on a craft table in which a hand turns over two playing cards to reveal two photographs and nudges them together into a pair. Timeline: 0–1s — The framing of @image1: two face-down cards side by side, the hand resting across them. 1–3s — The hand lifts the edge of the left card and turns it over flat onto the mat, face up: the Ace of Hearts with the photo of PARTNER ONE appears. 3–5s — The hand moves to the right card and turns it over the same way: the Ace of Diamonds with the photo of PARTNER TWO appears. 5–8s — With two fingers the hand nudges the right card gently to the left until its long edge touches the left card, and angles the two cards a little towards each other. 8–10s — The hand lifts away and leaves the frame; the pair and the note hold still exactly as in @image2. Notes: the hand is one natural human hand with five fingers. Each card turns over only once, flat and close to the mat, and after it is face up it never turns back. The card fronts show only the white border, the red "A" and the red pips around the photo window. The photos stay inside their windows and never move, change or animate. The note, the scissors and the offcuts never move. The camera is a still top-down phone shot for the whole film, one unbroken take with no cuts. No subtitles. No BGM; generate only environmental sounds and action sounds: a close intimate mix — the soft snap of a card edge lifting, the light slap of a card landing on the mat, the dry whisper of a card being nudged across the mat, a faint room tone with distant birdsong through the window, to the last frame.