Asset referencing: @image1 is PARTNER ONE — the visitor's first chosen avatar. @image2 is PARTNER TWO — the visitor's second chosen avatar. They are the only two people in this film and they are a couple. ATTACHED IMAGES ARE MANDATORY AND FINAL FOR IDENTITY ONLY: wherever an attached image and this text disagree about a face, hair, skin tone, body or age, follow the image. For everything else — every place, every garment, every pose, the framing, the camera and the light — this text is final and the attached images carry no information at all: ignore their backgrounds, their clothing, their framing and their lighting completely. IDENTITY LOCK — HIGHEST PRIORITY: in every shot, the first person is exactly @image1 and the second person is exactly @image2 — the same facial identity, facial structure, eyes, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and marks, apparent age, build and body proportions, identical from shot to shot. Preserve each person's gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. The two are two different people and never share a face. No other people appear. WARDROBE (comes from THIS TEXT, never from @image1 or @image2): @image1 wears a faded denim jacket over a white t-shirt; @image2 wears a soft mustard-yellow knit sweater. The same clothes in every shot. THE HOME VIDEO — this is the whole point of the film: the couple's years together, remembered as old home-camcorder footage. The whole film plays inside one small landscape window with softly rounded corners, floating on a pure black vertical screen. THE WINDOW IS FIXED: it is exactly 80 % of the frame's width and 45 % of the frame's height, its centre sits exactly at the middle of the frame (50 % across, 50 % down), and it never moves, grows, shrinks or changes shape from the first frame to the last. The window is a hard mask: the image exists only inside it; every person and every object is cropped cleanly by its rounded edges, and nothing — no head, no shoulder, no hand, no light — ever reaches past its edge onto the black. Inside the window everything looks like real 1990s camcorder tape: soft focus, warm faded colours, gentle tape grain, a slight shimmer, handheld and personal, as if one of them is filming the other. Summary: a nostalgic anniversary memory reel of four short home-video moments of the same couple, cut together inside a rounded window on black, ending on their hands. Timeline: 0–3s — Shot 1, a sunny park picnic: @image2, filming, points the camera at @image1, who laughs, covers the lens with a hand for a second and then pulls it away, grinning. 3–5s — HARD CUT. Shot 2, a car at dusk: @image1 at the wheel and @image2 in the passenger seat sing loudly to the radio together, streetlights sliding over their faces. 5–8s — HARD CUT. Shot 3, a small warm kitchen at night: the camera stands on the counter; @image1 and @image2 slow-dance barefoot between the counters, @image2's head on @image1's shoulder, turning slowly. 8–10s — HARD CUT. Shot 4, a close-up: their two hands resting together on a wooden table, fingers intertwined. Below the rounded window, on the black, the words "Happy Anniversary" appear in a small thin white handwritten script, spelled exactly like that, and stay to the last frame. Notes: the rounded window keeps exactly the same size and place in every shot, centred in the frame, and everything outside it stays pure, empty black in every frame, apart from the words of shot 4 — the people are always framed so they fit inside the window, cropped by its edges where needed. The only words in the film are "Happy Anniversary", only in shot 4, only on the black below the window. Each shot is one continuous handheld home-video take; the only cuts are the three hard cuts named above. No subtitles. No BGM; generate only environmental sounds and action sounds: the faint hiss and whir of an old camcorder under everything, warm laughter and birdsong in the park, both of them singing along off-key to a car radio playing faintly, the soft shuffle of bare feet and a quiet hum in the kitchen, and a gentle room tone on the hands to the last frame.

An immersive first-person night bike ride downhill through any city you choose — wet neon streets, the city glowing below. Change the city in the bold first line of the video-step prompt. Cinematic FPV. 15s.

Wake up sealed inside a coffin underground — pound and claw through the wooden lid, dig up through the packed earth, and burst out into the moonlight, gasping. Upload your photo. 15s horror.

Asset referencing: @image1 is the first frame of this video: a dark room with one round spotlight on a plaster wall carrying the words "Happy Anniversary", PARTNER ONE on the left holding a small white cake with one candle whose wick has just caught, PARTNER TWO on the right holding the lit match that lit it. PARTNER ONE is the person on the left of @image1 and PARTNER TWO is the person on the right of @image1. It defines the two people, their clothing, the cake, the wall, the light and the framing. ATTACHED IMAGES ARE MANDATORY AND FINAL: the two people are exactly the people in @image1 — the same faces, hair, skin and clothing — from the first frame to the last, and they never swap places. The words in the light always read "Happy Anniversary" and never move or change. THE ONE CANDLE — this is the whole point of the film: two people light one candle together, blow it out together, and end with their foreheads touching while their shadows on the wall become one. Summary: a quiet, cinematic one-take anniversary moment in a dark room under a single spotlight, in which a couple lights one candle on a small cake, blows it out together and leans into each other. Timeline: 0–1s — The framing of @image1: the candle has just caught from the match, its small flame growing steady, both looking at it. 1–3s — PARTNER TWO draws the match back from the candle, lowers it and gently shakes it out; a thin thread of smoke rises from the match. The candle keeps burning with a small steady flame. 3–5s — Both look up from the candle at each other and smile; PARTNER ONE lifts the cake a little higher, between their faces, the candle flame lighting both of them warmly. 5–7s — They lean in together and blow out the candle at the same moment; the flame goes out and a soft curl of white smoke rises through the spotlight. 7–10s — PARTNER ONE lowers the cake; they laugh softly and rest their foreheads together, eyes closed. Behind them, their two shadows on the lit wall meet and merge into one. The camera has drifted slowly closer the whole time and ends on the two of them under the words in the light. Notes: the candle stays upright in the centre of the cake for the whole film; it burns from the first frame until it is blown out, only once. The cake stays in PARTNER ONE's hands. Every hand has five natural fingers. The spotlight never moves and the words stay inside it. The camera moves slowly and smoothly, one unbroken take with no cuts. No subtitles. No BGM; generate only environmental sounds and action sounds: the hush of a large empty room, the tiny crackle of the fresh wick, the soft whoosh of the match being shaken out, a shared gentle breath blowing out the candle, a warm soft laugh from both of them, and a low room tone to the last frame.

2 steps291.5K

VERTICAL 9:16 15 seconds. TikTok/Reels influencer advice. Handheld smartphone selfie. Hard cuts. CHARACTER LOCK — HIGHEST PRIORITY: the person is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions. Preserve their gender presentation exactly as shown. Do not beautify, slim, de-age or restyle them. No other people in frame. Use they / their / them only. @image1 = FACE only. Photocopy this person. Do not copy studio wardrobe from the lock photo. WARDROBE EVERY SECOND: casual passenger-seat clothes — fuzzy white fleece jacket, light top, light blue jeans, seatbelt on. Small brown sunglasses as a PROP they put on. SETTING: passenger seat of a modern car. Raindrops on the SIDE WINDOWS. Bright SUNNY daylight outside. Open SUNROOF with sun coming in. No driver visible. No other people. STRUCTURE: 0.0–4.0s LIVE ACTION (the only moving shot). 4.0–15.0s HARD CUTS to STATIC PHOTO INSERTS — each beat is a frozen Instagram still, no motion, no blink, no talking mouth. Voiceover continues over the stills. SPOKEN VOICEOVER — upbeat, conversational, trendy, bestie energy, English, continuous over the whole 15s: 0.0–4.0s INTRO (LIVE): selfie held static. They sit in the passenger seat, seatbelt on. Both hands put on brown sunglasses, then they lean back, knees up toward chest, pose. They talk to camera. VO: “Riding shotgun, stop taking basic photos! Here are four go-to car selfie angles you have to try.” 4.0–7.0s VISOR (FROZEN STILL): hard cut. Looking UP into the pulled-down sun-visor mirror. Their reflection in the tiny visor mirror, their own phone in their hand taking the picture, head tilt. Retro aesthetic frame. No extra hands. VO: “First, flip down the visor and use the tiny mirror for a super aesthetic, retro frame.” 7.0–10.0s CHEERS (FROZEN STILL): hard cut. Front-facing selfie. Green paper iced-coffee cup toward the lens, playful smile, wink. VO: “Next, do a quick cheers with your iced coffee to show off the morning vibe.” 10.0–12.0s I SEE YOU (FROZEN STILL): hard cut. Brown sunglasses ON. Chin on hand. Calm direct stare into the lens. VO: “Lower your shades and hit the camera with an I see you look that feels totally effortless.” 12.0–15.0s BORED (FROZEN STILL): hard cut. Sunglasses pushed up onto the top of their head. Head heavy on their hand. Unamused dramatic bored face. VO: “And when traffic hits, just hit the bored pose. Save this for your next ride!” Same person every cut. No on-screen captions. No logos. Never a studio headshot as frame 0.

A sleeper's mattress turns to churning black tar and clawed shadow-arms drag them under — until they slam onto the bed frame and tear free, bolting awake. Upload your photo. 15s horror.

Asset referencing: @image1 is the first frame of this video: two face-down playing cards with red patterned backs lying side by side on a green cutting mat, a hand resting across them, a kraft note reading "Happy Anniversary" below. @image2 is the last frame of this video: the same mat, with the two cards now face up — the Ace of Hearts on the left holding the photo of PARTNER ONE and the Ace of Diamonds on the right holding the photo of PARTNER TWO — their edges touching, the same note below. Together they define the table, the cards, the photos, the hand, the light and the framing. ATTACHED IMAGES ARE MANDATORY AND FINAL: the photographs inside the two aces are exactly the photographs in @image2 and never change; the note always reads "Happy Anniversary". THE PAIR — this is the whole point of the film: one hand turns over the left card to reveal the first face, then turns over the right card to reveal the second face, and then nudges the two cards together until their edges touch, so the two faces lean towards each other — a pair. Summary: a top-down, one-take anniversary reveal on a craft table in which a hand turns over two playing cards to reveal two photographs and nudges them together into a pair. Timeline: 0–1s — The framing of @image1: two face-down cards side by side, the hand resting across them. 1–3s — The hand lifts the edge of the left card and turns it over flat onto the mat, face up: the Ace of Hearts with the photo of PARTNER ONE appears. 3–5s — The hand moves to the right card and turns it over the same way: the Ace of Diamonds with the photo of PARTNER TWO appears. 5–8s — With two fingers the hand nudges the right card gently to the left until its long edge touches the left card, and angles the two cards a little towards each other. 8–10s — The hand lifts away and leaves the frame; the pair and the note hold still exactly as in @image2. Notes: the hand is one natural human hand with five fingers. Each card turns over only once, flat and close to the mat, and after it is face up it never turns back. The card fronts show only the white border, the red "A" and the red pips around the photo window. The photos stay inside their windows and never move, change or animate. The note, the scissors and the offcuts never move. The camera is a still top-down phone shot for the whole film, one unbroken take with no cuts. No subtitles. No BGM; generate only environmental sounds and action sounds: a close intimate mix — the soft snap of a card edge lifting, the light slap of a card landing on the mat, the dry whisper of a card being nudged across the mat, a faint room tone with distant birdsong through the window, to the last frame.

3 steps281.5K

Become a rooftop ninja: parkour across rooftops and a neon alley, hurl shuriken at your pursuers, and finish in a low crouch. Upload your photo. 20s action.