REGIONAL BEAT DANCE — Bollywood Festival @image1 blazes through five signature Bollywood moves — the screw-the-bulb thumka, naagin snake arms, the dhol-beat shoulder pump, the Govinda point-and-step and a spin into a big final pose — at a colourful rooftop festival with marigolds and drifting colour. Music only, mixed loud. One continuous, high-energy 20s take. Swap in ANY avatar.

Match the ORIGINAL 10s FILM shot-for-shot. Ultra-macro luxury perfume ASMR. Photoreal 8K textures. Golden bokeh, black marble, dark studio. Hands only — nude polished nails. No full face. @image1 = the perfume box. Photocopy it exactly as in @image1 — carton colour, pattern and every printed word exactly as shown. @image2 = the perfume bottle. Photocopy it exactly as in @image2 — glass, juice colour, cap, decoration and every printed word exactly as shown. 0.0–2.0s MEDIUM: both hands rest on the closed @image1 box on black marble. Warm gold bokeh behind. Fingers press, then lift the lid — soft click. Macro of the box edges and its emblem, exactly as in @image1. 2.0–4.0s ECU: a fingertip traces the decoration on the @image2 bottle, exactly as shown. Shallow DOF, the juice glowing in its own colour. 4.0–6.0s MACRO: fingers lift the @image2 bottle from the box. Glass facets, liquid swirl, the cap catching light. 6.0–8.0s Spray: inner wrist in frame left, @image2 in the right hand. Slow-motion mist from the atomizer onto skin. Gold bokeh. Satisfying hiss. 8.0–10.0s HERO: @image2 standing among gold-flecked stones on black marble, @image1 box upright behind. Dark luxury. HOLD. No second bottle in the foreground. AUDIO: box lid, glass, spray hiss, luxury. No speech. No lyrics. NEGATIVE: any box or bottle that differs from @image1/@image2, overlay type, full body, extra people.

CHARACTER LOCK — HIGHEST PRIORITY: The character in every shot is exactly the person shown in @image1, shown at miniature scale throughout — same face, facial features, hairstyle, skin tone, build and gender presentation in every shot. No identity drift between shots. Do not beautify, slim, de-age or restyle the face or hair. @image1 is identity only — face, hair, skin — not any studio backdrop, not a frozen headshot, not any specific outfit as locked wardrobe; outfit, hair and accessories are exactly whatever the uploaded photo shows, only the scale changes. Photocopy the person from @image1, shrunk to a few centimetres tall, into the kitchen scene below. No other people in frame. ASSET MAP: @image1 — the character. Tell the following story in exactly 3 shots, same miniature character throughout, facing an oversized everyday environment as the world of the adventure. Clear visual beginning, twist and ending — never ambiguous or faded-out. STORY: On a sunlit kitchen counter, the character — a few centimetres tall — picks their way between towering utensils and a dusting of flour, a single wooden spoon lying nearby like a fallen log. A blueberry escapes from a bowl a short distance away and starts rolling steadily across the counter, straight toward the drop-off at the counter’s edge. They break into a sprint after it, weaving around scattered crumbs, gaining just enough ground to leap and land on top of the rolling berry as it picks up speed. They ride it, off balance and gripping its skin, as it rolls closer and closer to the edge — until it clips a folded kitchen towel and skids to a stop right at the lip of the counter, its momentum spent an arm’s length from the drop. They slide off, breathless, peer over the edge at the long fall below, then straighten up with a relieved, proud grin. STYLE: Whimsical live-action macro realism, warm morning kitchen light through a nearby window, shallow depth of field, visible texture on the wood counter and flour dust catching the light, energetic handheld chase camera that smooths into a controlled tracking shot once they’re riding the berry. Vertical 9:16. Continuous real motion. Never freeze on the reference still. No on-screen text, no subtitles, no logos, no title card. AUDIO (native, synced, no music, no voiceover, no narration): ambient kitchen hum, quick footsteps on the counter, a sharp gasp as they leap, the soft rumble of the berry rolling, a skidding stop against the towel, and a relieved, delighted laugh at the end. SHOT 1 (0.0-6.0s): Establish the scale clearly. Handheld macro at counter height. The character, a few centimetres tall, steps around scattered flour and crumbs, a full-sized wooden spoon and mixing bowl towering beside them. A blueberry tips out of the bowl above and drops onto the counter, starting to roll away from them toward the counter’s edge. The scale contrast — the spoon, the bowl, the edge in the distance — is the single most important thing in this shot. Face readable. SHOT 2 (6.0-13.0s): The twist. They sprint after the rolling blueberry as it gathers speed, weaving around crumbs and closing the gap. At the last possible moment they leap and land on top of it, riding its momentum as it barrels toward the counter’s edge, arms out for balance, expression shifting from panic to focus. Same person as @image1, miniature scale maintained throughout. SHOT 3 (13.0-18.0s): The resolution. The berry clips a folded kitchen towel and skids to a stop right at the edge of the counter, an arm’s length from the drop. They slide off, catch their balance, and cautiously peer over the edge at the long fall below — then straighten up, wipe their brow, and break into a wide, relieved grin. A clear satisfying end, not a fade-out, not a still.

ICONIC MOVES — Rooftop Viral Medley @image1 rips through five instantly-recognisable viral dance moves — the running man, the floss, the dab, the whip & nae-nae and the shoot — on a sunny golden-hour rooftop with a city skyline behind. Music only, mixed loud. One continuous, high-energy 20s take. Swap in ANY avatar.

Match the ORIGINAL 15s 9:16 FILM grammar. Keep the bottle's own colours, label and finish exactly as in @image1 — never recolor it; the rose-gold is the set and light only. @image1 is the toner. Photocopy the bottle exactly — cap, liquid colour, wordmark and label text exactly as printed. NEVER a different product. NEVER a 3-bottle lineup. 0.0–2.5s MACRO droplets of the toner from @image1 (its own liquid colour) on a matte surface. Each drop lands with a LIGHT PING — a bright specular sparkle / ping of light. Luxury rose-gold bokeh background. 2.5–5.5s The @image1 bottle suspended, a splash in the bottle's own colours exploding around it, rose-gold studio background. Slow motion. 5.5–8.0s Slow-motion liquid tendrils rising. Same palette as the bottle in @image1. 8.0–11.0s NOT white ribbons. CLOSE-UP of a woman’s CHEEK only — skin dewy and glowy from the toner, rose-gold light. No full face required. No white strips. No cotton pads as the hero. 11.0–13.0s A flower in the bottle's own colours from @image1, blooming through a water splash. Not a white dahlia. 13.0–15.0s HERO of THIS ONE bottle from @image1 on a stone counter, rose-gold light. HOLD. No product lineup. No added type. AUDIO: light ping on the opening drops, splash, luxury. No speech. No lyrics. NEGATIVE: three-bottle lineup, white ribbons, white flower, overlay type, cotton pads as hero, people walking.

ONE CONTINUOUS UNBROKEN TAKE. No cuts. 20 seconds, 9:16. Handheld phone selfie, gentle micro-movements. Never locked-off. YUKI LOCK: @image1 is Yuki — photocopy her face, hair and eyes exactly as shown; wearing a pink puff-sleeve cropped top. Adult. Same close selfie framing. PRODUCT LOCK: @image2 is this exact lip gloss — same cap, tube, colours, liquid and printed text exactly as shown, never changing. Photocopy. Already in her hand from frame one. She never reaches across a desk. English, clearly audible, lip-synced. Relaxed pace. (0–5s) Looks at the lens. Speaks: “Everyone thinks getting full-looking lips means discomfort. It doesn’t.” (5–9s) Holds the gloss from @image2, casually applies it, smiles. (9–16s) Holds the gloss up to the lens. Speaks: “This one has deep hydration — locking in moisture for a smooth, volumized finish without any harshness.” (16–20s) Warm smile. Speaks: “I love it because it hydrates gently without dryness.” Background: warm ring light, blurred flowers and fairy lights. No mirror. No on-screen text. AUDIO: her English voice at the phone mic. No music. No lyrics. NEGATIVE: cuts, mute, extra people, recast face, wrong gloss bottle, overlay type, the words acid, burn, pain, sting.

Follow the 12-SHOT PROCESS FILM from the source, recast onto @image1. 20 seconds, 9:16. MACRO luxury food. NOT a storyboard grid. NOT chocolate. @image1 is the finished cake: its sponge, cream, filling, toppings and presentation exactly as shown. Photocopy this dessert in the hero. NEVER cocoa. NEVER chocolate batter. NEVER ganache. NEVER chocolate curls. Do every shot. Do not skip. 01 0.0–1.6s ORIGIN. 75mm macro push-in. Flour sifting, whole strawberries, eggs, mascarpone tub on marble. Soft powder whoosh. 02 1.6–3.3s BATTER SWIRL. 90mm orbit. Metal whisk mixing THICK PALE-GOLD vanilla batter in a glass bowl. Glossy swirl. Wet whisk SFX. NOT brown. 03 3.3–4.9s THE POUR. 50mm tilt-down. Pale batter poured into a ROUND tin, concentric ripples. Heavy pour SFX. 04 4.9–6.6s RISE. 50mm push-in. Pale sponge rising in a warm oven, golden top, subtle cracks. Oven hum. 05 6.6–8.2s LEVEL. 85mm track. Serrated knife leveling pale sponge, light crumbs falling. 06 8.2–9.9s CREAM RIBBONS. 70mm orbit. WHITE mascarpone piped in a spiral, then a ribbon of glossy STRAWBERRY jam. Piping SFX. 07 9.9–11.5s STACK. 50mm. Hands place a pale sponge layer onto mascarpone + jam. Soft thump. 08 11.5–13.2s SMOOTH. 85mm track. Offset spatula smoothing WHITE mascarpone on the top (sides finished exactly like @image1). Silky scrape. 09 13.2–14.8s FLOOD. 100mm push-in. Glossy STRAWBERRY coulis poured on the white top — same motion as the original ganache flood, but red jam not chocolate. 10 14.8–16.5s GARNISH. 90mm. Fresh strawberries placed on top (not chocolate curls). 11 16.5–18.2s THE SLICE. 65mm. Knife cuts a slice; layers of pale sponge / white mascarpone / red jam reveal. 12 18.2–20.0s HERO. Slow dolly-in matching @image1: the cake, its stand and its setting exactly as in @image1, a slice on a plate, cake server. HOLD. AUDIO: powder, whisk, pour, oven, knife, pipe, jam pour. No speech. NEGATIVE: chocolate, cocoa, ganache, chocolate curls, dark bakery, storyboard grid, overlay titles, skipped shots, 15-second cut-off.

CHARACTER LOCK — HIGHEST PRIORITY: The character in every shot is exactly the person shown in @image1, shown at miniature scale throughout — same face, facial features, hairstyle, skin tone, build and gender presentation in every shot. No identity drift between shots. Do not beautify, slim, de-age or restyle the face or hair. @image1 is identity only — face, hair, skin — not any studio backdrop, not a frozen headshot, not any specific outfit as locked wardrobe; outfit, hair and accessories are exactly whatever the uploaded photo shows, only the scale changes. Photocopy the person from @image1, shrunk to a few centimetres tall, into the porch scene below. No other people in frame. ASSET MAP: @image1 — the character. Tell the following story in exactly 3 shots, same miniature character throughout, facing an oversized everyday environment as the world of the adventure. Clear visual beginning, twist and ending — never ambiguous or faded-out. STORY: On a sunlit porch railing, the character — a few centimetres tall — stands at the edge of a gap between two large potted plants, a single strand of spider silk stretched taut across it like a tightrope, glinting in the light. A large wind chime hangs nearby, its metal tubes towering overhead and turning slowly. They step out onto the silk thread, arms out for balance, inching across the gap. A sudden gust hits, the thread whips and sways violently beneath them, and their footing gives way — but as they fall they catch hold of one of the wind chime’s dangling strings swinging past at just the right moment. The gust carries the chime string through a wide arc, swinging them clear over the gap, and they tumble safely into the leaves of the far potted plant. They lie there a moment catching their breath, then sit up, look back at the gap they nearly fell into, and break into a relieved, delighted grin. STYLE: Whimsical live-action macro realism, bright midday porch light with dappled shade from the plants, shallow depth of field, glinting silk thread and softly chiming metal tones, handheld camera with a controlled swinging tracking shot through the rescue arc. Vertical 9:16. Continuous real motion. Never freeze on the reference still. No on-screen text, no subtitles, no logos, no title card. AUDIO (native, synced, no music, no voiceover, no narration): light porch ambience and distant birdsong, a gust of wind rising, a sharp gasp as their footing gives way, the soft ring of the wind chime as they grab it, wind rushing through the swing, a soft landing in leaves, and a relieved, delighted laugh at the end. SHOT 1 (0.0-7.0s): Establish the scale clearly. Handheld macro at railing height. The character, a few centimetres tall, stands at the edge of the gap, the spider-silk thread stretched ahead of them and the towering wind chime turning slowly nearby. They step onto the thread and begin inching across, arms out for balance. The wind chime and the potted plants should read as unmistakably giant next to them — the scale contrast is the single most important thing in this shot. Face readable. SHOT 2 (7.0-15.0s): The twist. A sudden gust hits mid-crossing, the silk thread whips violently and their footing gives way. As they fall, they grab hold of one of the wind chime’s dangling strings swinging past, gripping tight as the gust carries it through a wide swinging arc over the gap below, their expression shifting from panic to startled focus. Same person as @image1, miniature scale maintained throughout. SHOT 3 (15.0-20.0s): The resolution. The swing carries them clear over the gap and they tumble safely into the leaves of the far potted plant, landing in a soft sprawl. They lie still a moment catching their breath, then sit up, look back at the gap they nearly fell into, and break into a wide, relieved grin. A clear satisfying end, not a fade-out, not a still.