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THE SCULPTOR. @image1 (the sculptor) unveils a clay bust of @image2 (the woman he lost); touching her clay lips throws him into warm Super-8 memories of their love, then he returns and presses his forehead to the bust. Plug in ANY two avatars. Sound effects and four spoken lines only, no music. See the video step for the full prompt.
CHARACTER LOCK — HIGHEST PRIORITY (applies separately to @image1, @image2, @image3): Each character in every shot is exactly the character in their own reference image. Photocopy facial identity from the matching tag. Preserve facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve each parent’s gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age, restyle hair, or morph any face into another. Never swap the three identities. Do not invent extra leads. Do not describe the faces — follow the images only. @image1 is the child. Photocopy @image1 exactly: same face, same hair, same skin, same body and the same clothes as in the photo. This is the child in the photo at their own age, not a recast, not a different kid. Clothing from @image1 stays on them the whole film. @image2 is the first parent (sleeping, then waking). Photocopy @image2 exactly: same face, same hair, same features. Never swap with @image3. @image3 is the second parent (pickup at the door). Photocopy @image3 exactly: same face, same hair, any facial hair, and the same clothes as in the photo. Never swap with @image2. Ignore any checkerboard behind @image3 — that is not part of the set. HANDS: always anatomically correct with five fingers each, naturally proportioned, including the child’s hands, in every shot they appear. Never open on a studio headshot, a garden still, a checkerboard, or the attached photos as frame 0. First frame is already in the bedroom, in-scene. 19 seconds. 9:16 vertical. Heartwarming cinematic 3D animated short film, high-quality family-animation style (premium animated-movie look, not live-action photoreal street). Expressive characters, realistic soft skin and hair on the locked faces, detailed facial expressions, physically accurate lighting, warm golden color palette, soft shadows, realistic cloth and blanket textures, smooth natural body movement, cinematic depth of field, subtle camera motion. AUDIO (native, synced): quiet morning household only — soft breathing, bed sheets, small feet on wood, a gentle door, a warm parent laugh. No BGM, no score, no songs, no on-screen text. SCENE 1 — 0–5s: Warm cozy bedroom. The child (@image1) sits behind the sleeping parent (@image2) on a comfortable bed and gently touches and plays with their hair. @image2 sleeps peacefully, head on a soft pillow. The child smiles mischievously, looking at them with curiosity. Warm golden morning sunlight through sheer curtains. Cozy wooden bed, bedside lamp, soft blankets. Cinematic close-ups, shallow depth of field, soft volumetric lighting. Faces match their tags. SCENE 2 — 5–9s: The child slowly crawls over the bed toward the edge. @image2 begins to wake, looking surprised as they realize the child is moving away, raising their head and reaching toward the child. The child continues crawling with an excited expression. Natural character movement. Faces still match @image1 and @image2. SCENE 3 — 9–13s: The child carefully climbs down from the bed and crawls across the bedroom floor toward the open doorway. Camera follows from behind at the child’s eye level. Warm wooden flooring, soft morning light, cozy home interior, cinematic tracking shot. The child is still @image1 in the same clothes. SCENE 4 — 13–16s: The child crawls through the hallway toward the entrance of the home, camera smoothly following from behind across the polished wooden floor. Tiny hands and knees move naturally. Emotional, playful family atmosphere. SCENE 5 — 16–19s: @image3 appears and picks up the child, smiling warmly and looking at them with affection. The child happily touches @image3's face and gives a gentle kiss on the cheek. Warm indoor lighting, emotional close-up, beautiful family moment. Both faces photocopy their tags. CAMERA: Smooth cinematic camera movement, close-ups, medium shots, low-angle child perspective, gentle tracking shots, shallow depth of field, natural focus transitions. No text, no subtitles, no logos, no burned-in watermark, no BGM, no distorted anatomy, no extra fingers or limbs, no flickering, no sudden character changes, no garden terrace from @image1, no checkerboard from @image3. NEGATIVE: age recast of @image1, swapped parents, third invented adult, studio grey still as frame 0, live-action street photoreal that drops the 3D family-film look, on-screen type.
MELT — LIQUID CHROME Cornered in a rain-slicked neon alley, @image1 melts into mirror-bright liquid chrome, pours away to escape, then re-solidifies into themselves. Plug in ANY avatar. Music only, loud. See the video step for the full prompt.
DRONE TO PLANET IN HAND. A fast FPV drone flight through a city at golden hour zooms out until the whole Earth shrinks to a tiny glowing miniature planet held in @image1's palm as they look at it with wonder. Plug in ANY avatar. See the video step for the full prompt.
FIRE — WALK THROUGH FLAMES @image1 walks calmly toward camera down a dark corridor as a wall of fire erupts and rolls behind them, unburned, ending on a hero close-up. Plug in ANY avatar. Music only, loud. See the video step for the full prompt.
HORIZONTAL 16:9 30 seconds. Vlog camera review. Hard cuts between live action and still-photo inserts. @image1 = ELARA. Photocopy FACE and hair exactly as in @image1, light makeup. White long-sleeve top, not the clothes from @image1. Not a studio still as frame 0. @image2 = the camera. Photocopy THIS camera exactly as in @image2 — body, grip, lens, dials and any badge exactly as shown. Never invent a different camera. Never a phone. No brand or model name is spoken. Lip-sync English. 0:00–0:04 Street walk, they hold the camera up. VO: “I’ve been testing this new camera, and I honestly love how much you can do with something this compact.” 0:04–0:09 Camera to their eye. Cut to a still of yellow tulips, then out-of-focus people walking. VO: “The lens gives you really sharp detail, and the autofocus locks onto your subject so quickly.” 0:09–0:13 They kneel, photographing a woman posing at a floral mural. Cut to that portrait still. Extra person is a beat. VO: “For portraits, I love the background separation. It keeps the subject sharp while giving you that beautiful, natural depth.” 0:13–0:17 NYC rooftop skyline. They point at pigeons; the birds fly; they shoot. Cut to a pigeon-in-flight still. VO: “And the autofocus is great when your subject is moving, too.” 0:17–0:26 Cafe table, avocado toast, iced coffee. Montage stills: toast, cyclist, skyline, red flowers, guitar player. VO: “It also works really well for everyday shots—food, details, literally anything you want to capture. Whether I’m shooting portraits, landscapes, close-ups, or moving subjects, it keeps everything looking sharp and detailed.” 0:26–0:30 Street at sunset. Holds the camera, smiles, brings it to their eye. VO: “It’s compact enough to take everywhere but gives me the control and quality I want from a professional camera.” Same Elara. Same camera. No on-screen UI text.
Photoreal live-action commercial, shot on a full-frame cinema camera with fast prime lenses: shallow depth of field, warm low sun raking across the frame, dust drifting in the light, true pore texture and true fabric behaviour, the camera handheld-steady with only small settling movements. Not illustration, not a 3D render, not stylised. @image1 is the reference plate and is an absolute lock for BOTH the person and the product. The face, build, apparent age, hair, garment and jewellery are taken from the large portrait in its left zone exactly, with no drift and no reinterpretation in any shot. The product is the object in its right zone, reproduced exactly — same container, same label artwork and lettering, never redrawn, substituted or mirrored. Only that product exists; no second container appears at any point. @image2 is the storyboard and is followed exactly, panel for panel: six shots in that order, matching its framing, subject scale, pose and composition. One character is on camera throughout. A second person is heard off camera and is never seen, except for one hand. Shot 1 — the character holds the product up beside their face and speaks to the lens in a warm, confident tone: "Everyone asks about my morning routine." A brief pause. The smile drops, the eyes roll, and they shrug through the next line: "Nobody asks, but I already rented the studio." Shot 2 — slow motion, close on the product standing upright. A hand enters from the edge of frame and slides a leafy branch in behind it, clumsily and in plain view. The character speaks off camera: "That's my friend holding a plant. We wanted it to feel natural." Shot 3 — the character holds the product casually at chest height, the face of the label squared to the lens, and says brightly: "It's part of my daily routine," then the tone drops to reluctance as the eyes flick up and away toward the top right, "The kitchen isn't," and the eyes come back to the lens for the flat, deadpan finish, "I can't afford this kitchen." Shot 4 — tight on the face. The character attempts a hair flip into a strong breeze and a leaf blows against their mouth. They pick it away with quiet irritation and ask: "Do we need the wind machine?" The second voice answers off camera: "You paid for it." The character shrugs and answers immediately: "Keep it on." Shot 5 — close on the product standing upright, warm sunlight, soft shadows, clean composition. A hand enters from above and clumsily rotates it until the face of the label squares to the lens. The character speaks in voiceover: "One simple part of my day." Shot 6 — the product alone, centred on a clean empty ground, lit softly, settling and holding with only the faintest drift of light across it. The second voice says off camera: "Studio time's up." The character replies: "Get the plant." End immediately. Understated lifestyle music runs throughout with the dialogue clearly audible above it, and the music stops briefly for the final exchange. No on-screen captions or subtitles are burned into the frame.
MMA — THE UNDERDOG. @image1 (Ria, the underdog) is dominated by @image2 (Brecka, the favorite) in an octagon cage, then lands a knockout counter and stands over her as the crowd erupts. Plug in ANY two avatars. Music only, loud. See the video step for the full prompt.
FIRE — SPARK TO FIRESTORM @image1 snaps a flame onto a fingertip, unleashes a swirling firestorm around them like a fire-bender, then gathers it into a glowing fireball. Plug in ANY avatar. Music only, loud. See the video step for the full prompt.
16:9 30 seconds. DV/16mm camcorder gym vlog. Shaky handheld. Music throughout. @image1 = LANA. Photocopy FACE; outfit is this set: dusty-rose satin bustier bra, matching shine leggings, white sneakers; hair exactly as in @image1. She HOLDS the phone for every outfit-check / talking-head — influencer selfie. The camera is IN HER HAND, never a floating cam in front of her face. @image2 = the HIP THRUST MACHINE only. Photocopy this exact machine: exactly as shown in @image2 — same frame, colours, pad, plates and platform. IGNORE any person shown on it in the still — that person is not in the film. LANA sits on this machine the same way (upper back on pad, feet on platform, hip pad across her hips). NO bench press. The PR is a hip thrust on this machine. Adding plates stays. 0–3s She HOLDS the phone, mirror selfie, excited: “Okay guys, new gym fit. Check it out!” 3–5.5s Still holding the phone, outfit details: “So comfy, and the color is perfect.” 5.5–8s Phone in hand, warmup: “Playlist is locked in. This one always gets me going.” 8–10s Quick dance between stretches, laughing. She still has the phone or sets it down on a rack — never floating. 10–12.5s At the hip-thrust machine she slides a heavier plate onto the machine's bar: “Okay... today’s the day I try a new PR.” 12.5–14.5s Macro hands sliding a plate onto the machine’s sleeve. Metal clink. 14.5–17s Nervous close-up: “Okay. Okay. Deep breath.” 17–19.5s She gets on the machine like @image2: upper back on the pad, feet planted, hip pad across her hips. Hands on the pad or handles. 19.5–22.5s Hip thrust PR: unrack/drive hips up, pause, lower with control. “Come on—come on—” 22.5–24.5s She sits the weight down, sits up, stunned, breathing hard. 24.5–27s Huge grin: “Wait—I actually did it!” 27–30s She HOLDS the phone again, sweaty selfie, fist: “New PR! Okay, best gym fit ever. See you guys!” Same Lana. Same machine. No floating camera. No bench press. No on-screen UI.
Shy Then SuperstarRecreate workflow
