A crisp autumn afternoon on a tree-lined city path takes an unexpected turn when a passing cyclist clips your avatar's shoulder mid-stride. In that instant, time suspends — earbuds, a latte cup and a small parcel are caught in extreme slow-motion bullet-time, rotating through warm autumn light as coffee arcs and leaves drift mid-air. Time resumes, everything falls, and your avatar turns to camera with a perfectly deadpan "did that really just happen" expression. A polished, 15-second cinematic bullet-time moment blending high-fashion editorial style with a touch of everyday comedy.

2 steps211.4K

Create a cinematic photorealistic travel video of @avatar — the person in the reference image — arriving at an international airport and boarding a flight. @avatar walks through the modern airport terminal while pulling the cream-coloured rolling suitcase and carrying the brown leather holdall from the reference image. Show @avatar checking a boarding pass, walking toward the departure gate, then entering the jet bridge and boarding a commercial airplane. Cut to @avatar finding a window seat inside the aircraft, placing the holdall in the overhead compartment, sitting comfortably, and looking out the window as the plane prepares for takeoff. Realistic airport and airplane details, natural human movement, smooth cinematic camera transitions, soft daylight, shallow depth of field, premium travel-vlog aesthetic, photorealistic, vertical.

2 steps1469.1K

Create a 15-second photorealistic workshop video of @product being carved from a single block of wood. Keep @product locked to the reference: same silhouette, proportions, colours, livery and details once the form appears. One object, never duplicated. Two maker hands only — no faces, no other people. @product is an open-wheel race car: low nose, front wing, cockpit, sidepods, rear wing, slick tires. Do not invent extra logos. 0–2s — raw wood. An unworked block of pale hardwood sits on a worn workbench. Two hands pencil the outline of @product onto the top grain. Soft workshop light, wood-pencil scratch, distant shop ambience. 2–6s — carve the form. Hands cut, chisel and sand. Shavings curl off. The open-wheel body of @product emerges from the block: same shape as the reference, still raw wood. Macro of blade in grain, then a wider bench shot. Same block throughout. 6–10s — parts and paint. Hands fit small wooden details that belong to @product (front wing, rear wing, cockpit opening, wheels). Then stain and paint match the reference colours. Wet brush, even coats, wood grain still visible. 10–15s — finished on track. The completed wooden @product sits on empty asphalt under natural daylight. A gentle push, it rolls forward a short way, slow low orbit hero of the carved open-wheel car. No on-screen text. Sound: pencil, chisel taps, sanding, brush, quiet tire roll. No dialogue. No titles, no subtitles, no watermark, no logos that are not already on @product. Duration: exactly 15 seconds. Aspect ratio: 9:16.

2 steps1.3K127.8K

Create a 15-second premium cinematic commercial for @product. The film should feel like a high-budget sportswear advertisement: premium product cinematography, basketball-heritage mood, modern streetwear energy. Ultra-realistic. Elegant pacing. Bold final hero. No fantasy effects, no exaggerated CGI, no distorted proportions. @product stays locked to the reference: same shape, colours, materials, finish, label and logo in every shot. One single product, never duplicated. Shot flow, 15 seconds: 0–2s — box arrival and lid lift. @product shoebox on a dark studio floor under a focused overhead spotlight. Slow overhead push-in. The lid opens, tissue rustles, light spills inward. 2–5s — reveal and material macros. @product is lifted from the box in a low-angle beauty shot. Then tight glides across the real materials: leather grain, overlays, laces, collar, perforated toe, midsole and outsole tread. Light travels across the surfaces. No extra marks invented. 5–8s — court heritage. @product worn on a polished indoor basketball court, warm hardwood, soft arena light. Low wide-angle, then a low tracking shot through a moody arena tunnel. Only the legs and the shoe — no face, no other people. Distant ball bounce, sneaker squeak, firm footsteps. 8–11s — impact and street. A planted step in high-speed slow motion: the sole compresses, fine dust reacts. Then @product on a clean city street at blue hour, low dolly, confident walk forward. Legs and shoe only. 11–15s — studio hero. @product floats on deep black; a controlled orbit shows the full silhouette. A red-and-white light sweep travels collar to toe. It settles on a reflective dark floor with soft red highlights. Slow low-angle push-in into the final hero pose. Fade to black. No end card, no typography. Sound: cardboard, tissue rustle, leather creak, rubber friction, court squeaks, distant basketball, controlled whooshes, warm bass, a clean sting at the end. Music minimal, stylish, building into the hero. No on-screen text, no titles, no subtitles, no watermark, no logos that are not already on @product. Duration: exactly 15 seconds. Aspect ratio: 9:16.

2 steps403.6K

CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Frame 1 is already in the scene — never a studio portrait, grey backdrop, or the attached still as an opening plate. Use they/them throughout. No other people. Create a 15-second ultra-realistic early-2000s consumer camcorder home video in London. 9:16. The person in the attached reference is the only person. OPENING — MANDATORY: Frame 1 is already in the London street, handheld camcorder running. They are already mid-run toward a bus. Do not open on a studio portrait, grey backdrop, still headshot, or the attached image as a plate. NEVER insert the attached still, a grey seamless, or a beauty-headshot as a cutaway. Every single frame is handheld location footage. The spoken line is delivered on the street, in the hoodie, after missing the bus — not as a studio talking-head. IDENTITY: preserve the attached face exactly, including green eyes, freckles, black wavy hair, and the pointed elf ears — both ears stay pointed in every frame. Do not humanize the ears. Do not change the face. Wardrobe, locked: navy hoodie over a white top, beige cargo shorts, gray sneakers, burgundy crossbody bag, silver watch. Fit these clothes to the attached person's body. Do not restyle the hair except as wind and running move it. STYLE: handheld footage from an old consumer DV camcorder on a hot summer afternoon in a quiet older London neighborhood. Brick terraces, a red double-decker bus, a corner café with a takeaway window, a shop front with a glass display. Strong natural handheld shake, imperfect framing, autofocus hunting, faded DV colours, mild tape noise. No cinematic gimbal. Never show the camera operator. No other faces (barista hands only if needed, no face). 0–3s — chase: Already running after a red double-decker pulling away from the stop. Chaotic handheld chase, breathing, footsteps. They miss it by a second. 3–6s — the line: They stop, out of breath, turn fully toward the camera and clearly say in English, exact lip sync: "Oh, I guess I'll walk today." Those exact words. Then a small resigned laugh. Do not say "I'm going to drive it." 6–10s — coffee: They duck to a neighbourhood café takeaway counter, grab a paper takeaway coffee cup with a lid (plain cup, no brand logo), pay quickly, keep walking. Cup stays in one hand for the rest of the clip. 10–13s — shop window: They slow down and peer through a shop window at something in the display, coffee in hand, a beat of curiosity, then keep walking. 13–15s — heat: It is baking hot. They pull a small paper fan from the bag and fan their face while holding the coffee, slightly overheated, a little laugh, camera still following. Abrupt DV cut. AUDIO: one spoken English line only — "Oh, I guess I'll walk today." Plus running, breathing, bus engine, café clink, street, fan flutter. No music, no subtitles, no logos, no watermark. No on-screen text. Duration: exactly 15 seconds. Aspect ratio: 9:16.

2 steps322.2K

Turn your own product photo into a warm, everyday moment. First we build one clean reference image of your exact product, then bring it to life in a short kitchen film: found in the fridge, poured with a light touch, shared over genuine laughter with a friend. Warm daylight, real hands, no faces cast, one continuous take from start to finish.

2 steps675266K