CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Use they/them throughout. No other people. CHARACTER LOCK — HIGHEST PRIORITY: The person in every panel is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, panel to panel. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. No face changes, no identity drift. No other people. ATTACHED IMAGES ARE MANDATORY AND FINAL: If an avatar image is attached, that is the person — reproduce them exactly, in every single frame, and never invent a different face, hairline, hair colour, skin tone, body or age. The attached images outrank every word written below them: wherever an attached image and this text disagree, follow the image. The avatar reference shows their face and build, not this outfit — put the outfit on them. Fit each garment to the character's body naturally without altering its design, cut, proportions or colour — the garment is fixed, only its drape adapts. Create a high-quality 3D animated fantasy scene in a colorful, cinematic style. The person wears a simple beige cloth outfit. Beside them is a large baby dragon, pearly white with light blue accents, small horns, soft feather-like scales around its head and neck, and a long elegant tail. The scene takes place in a magical tropical valley surrounded by lush green mountains, crystal-clear turquoise water, tropical trees, and a bright blue sky with soft white clouds. Start with a close-up shot of the sleeping baby dragon peacefully resting among vibrant pink-red flowers while the person sits nearby. The dragon slowly opens its eyes, looks around curiously, and makes a cute playful expression. Transition to a wider shot where the dragon and the person are surrounded by a field of beautiful blue flowers near the water. The dragon playfully rolls backward through the flowers while the person watches and laughs. Show a cinematic aerial wide shot revealing the beautiful island-like landscape, flowering fields, tropical trees, mountains, and turquoise water. Colorful small birds fly and hop around a nearby tree while the person and dragon play together below. Then return to a close-up of the person sitting on the dragon's back. The dragon makes funny, playful facial expressions as the person laughs happily. End with the person and the adorable dragon lying peacefully together in a huge colorful flower meadow, smiling and enjoying the magical moment. Use smooth character animation, expressive facial emotions, natural body movement, cinematic camera transitions, shallow depth of field, soft volumetric lighting, vibrant colors, detailed 3D textures, magical family-friendly atmosphere, polished animated-movie quality, and a warm heartwarming tone. No text, no subtitles, no watermark. Aspect ratio: 16:9. Duration: approximately 15 seconds.
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Step 1 — Product Shot Turn the shoe in your reference photo into a clean, isolated product shot — same design, straps, heel and colours preserved exactly. Neutral studio background, soft even lighting, three-quarter angle. Ultra-realistic, sharp focus. Step 2 — Flower @image1 is your product shot. Generate a real flower (rose, tulip, orchid, daisy — whichever fits) whose species and petal colour echo @image1's own colour, material and silhouette. Sitting on a warm, softly lit surface. Extreme macro, natural botanical detail, no plastic, no glass, no crystal. Step 3 — Final Video @image1 is the finished shoe — the foot must end up wearing exactly this. @image2 is the flower the foot steps onto — same species and colour. Extreme macro close-up, camera slowly orbits around the foot and the flower@image2. A bare foot lowers onto the flower@image2 on a warm-lit marble surface. As the foot presses down, the petals unfold and wrap around the foot and ankle as it sinks in — straps forming, embellishments appearing, the heel taking shape — until the petals fully resolve into the exact shoe@image1. Motion is continuous and graceful throughout. Warm golden lighting, elegant mood, ultra-realistic textures. AUDIO: soft elegant music (piano or strings) with gentle petal-rustle and skin-contact foley, one soft chime as the shoe fully forms.
ONE PRODUCT. EIGHT SHOTS. NO PEOPLE ANYWHERE IN FRAME. ASSET MAP - every reference is bound here and cited by tag below: @image_1 - the product. This is the only physical object in the film. @image_1 is the product source only - its background, surface, props, shadows, framing, lighting and colour grade are ignored. Nothing behind or around the product in @image_1 carries into this film. PRODUCT LOCK: the object in every shot is exactly the object in @image_1@image_1. Preserve its silhouette, proportions, material, finish, packaging artwork, colours, typography and every printed detail exactly as shown, identically from the first frame to the last. Never redesign, restyle, re-letter, relabel, recolour or open the product, never add lettering, a logo, a seal or a symbol that is not already on @image_1, never remove one that is, and never damage, break, dent, crush or deform it. It stays whole and sealed for the entire film. Only one of it exists. WORLD (from this text, never from @image_1): a pure black void with no floor line, no horizon, no table, no plinth, no pedestal, no stand, no podium, no room and no set. The product rests on nothing at all until the final shot. One hard rim light rakes the product from behind, a soft key comes from the front left, and a black glossy reflective plane exists only in the final shot. The product is lit like a jewel in a museum case. COLOUR: the rim light, the mist, the liquid and every particle are tinted with the colours already present on @image_1 - if the product carries one dominant colour, everything takes that colour, and if it carries several, they take its whole palette. Nothing in the film is neutral white or plain grey, and everything else stays black. PARTICLES (from this text): fine glowing dust, crystalline shards and clean liquid droplets. They orbit, burst and streak past the lens. They are never a hanging thread and they never touch or stick to the product. PACE: real commercial speed, already at full velocity on the very first frame. Slow motion happens in exactly one shot and nowhere else. Cuts are hard and clean, and no single shot runs longer than about two seconds. Shot 1: the very first frame is already a large, bright, close three-quarter hero view of the product filling the centre of the frame, and it is already in motion - driving forward through a curtain of glowing mist that blasts apart around it and streaks past the lens. The product never starts small, never starts far away, never approaches from the distance and is never a speck against the dark. <a deep rushing whoosh and a bright particle burst> Shot 2: it slams to a dead stop in hero position at the centre of the frame as a shockwave ring of dust and droplets blows outward past the lens and the rim light snaps on hard behind it. <a heavy impact and a wide expanding boom> Shot 3: the camera makes one fast tight orbit around the product while a hard bar of light rakes slowly across its surface, lighting up its material, its finish and every printed detail in turn. <a rising metallic sweep> Shot 4: hard cut to extreme macro on one small part of the product. A single liquid droplet runs across the surface, light kicks off it, and the micro texture and grain of the material are fully readable. <a small wet tick and a soft high shimmer> Shot 5: the product drops into a shallow pool of glossy liquid and throws a tall sharp splash crown around itself, droplets shooting straight up and raining back down. <a thick heavy splash> Shot 6: slow motion, and only here. The product hangs dead centre, whole and untouched, while a full three hundred and sixty degree shockwave of glowing dust, crystalline shards and liquid droplets detonates outward around it and streaks past the lens, then hangs almost still in the air for half a second. <a low detonation and a long trailing particle wash> Shot 7: back to full speed. Every particle reverses at once and rushes back inward, collapsing into a tight bright halo that spins one full turn around the product and dies out. <a fast inward suck and a clean shimmering snap> Shot 8: the final hero. The product stands upright and perfectly still on a black glossy reflective plane, the last of the dust settling and glinting around its base, and the camera holds rock steady. <one deep bass hit and a soft settling patter> (a cool modern advertising track with punchy low bass, bright percussion and confident premium electronic-pop energy, building through the film and landing hard on the final shot) Only one product exists in this entire video and it is never opened, never broken and never duplicated. There are no people, no hands, no fingers, no arms, no human reflections and no animals anywhere in frame at any moment. No kitchen, no table, no wooden surface, no studio set, no plinth, pedestal, stand or podium under the product, no storyboard grid and no numbered frames. Keep it subtitle-free, avoid generating any text or subtitles anywhere in the frame, do not generate any logo, label or lettering other than the artwork already printed on @image_1, and do not generate a watermark. No long hanging thread of liquid, no endless slow motion, no frozen still-life opening frame, no second product and no voiceover. The very first frame of the film is never black, never empty and never a distant wide shot - the product is already large, lit and moving in it.
The Professional Touch - 1970s BeautyRecreate workflow