Live a day as a billionaire sheikh — palace villa, pet tiger, falcon, supercars and a private jet, over-the-top luxury. Upload a photo, you keep your own face. Music only. 15s.

CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGES ARE MANDATORY AND FINAL: The attached images outrank every word written below them. Wherever an attached image and this text disagree, follow the image — including the product’s exact shape, features and proportions. ASSET MAP: @image1 — the tiny person. Photocopy face, hair, skin, and the clothes on the still (black sleeveless cut-out dress, layered pearl and gold chain necklace, gold hoop earrings, gold rings, red lipstick, blunt dark bob). Ignore the grey studio pad around @image1 — that pad is not a set. Ignore any restaurant tables, chairs, windows or city skyline leftover in the still — those are not the location. Never freeze on the attached still as frame 0. Never show a checkerboard or transparency grid. The hand-at-necklace pose on the still is not the action. @image2 — the product: the brown weathered leather cowboy hat with a pinched crown, wide brim, stitched brim edge, and a studded leather hatband with a round metal concho. Unchanged and not regenerated — same shape, colour, materials, band and hardware in every shot it appears. Ignore the grey studio pad and any thin white JPEG fringe around @image2 — those are not part of the hat. No invented branding, text, feathers, or extra hardware. No giant wearer. No other people, hands, or faces enter frame at any point. HANDS: if the subject has hands, they are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. The story does not require the subject to grip, hold or manipulate anything — only to be carried along by the water and ride out the motion. SINGLE SUBJECT: only the @image1 subject appears as a character in this scene — no other people, figures or hands enter frame. PHOTOREAL LIVE-ACTION: real camera, real drizzle, real water — not CGI, not a painting. Match grain, colour and lighting between the subject, the droplet and the product’s surface so the whole shot reads as one photograph. SCALE REALISM: the subject is a few centimetres tall relative to @image2, which stands at its true full size — like a towering landscape. A natural slope or curve on the product’s own surface forms the run the water follows. Match lighting and colour grade between the subject and the product throughout so the whole shot reads as one real photograph, not a composite. The scale contrast is clearly visible in the very first frame. PROP CONTINUITY: the slope on the product’s surface (crown-to-brim leather), a sharp curve partway down it (where the crown meets the brim), and a small ridge near the bottom (stitched brim edge) are all visible from frame 1 or clearly established before first use — nothing new appears later unexplained. CAUSALITY LOCK: every event has a shown, physical cause — a real raindrop lands and gathers into a single large droplet at the top of the slope first, visibly, before it breaks free and starts rolling; the subject is swept along only because the moving water physically reaches and carries them; the brief airborne moment happens because the ridge is a visible bump in the product’s surface, not an unexplained jump; the splash at the end happens because the droplet and subject reach a real puddle that has visibly formed at the product’s base. PACING: real, continuous motion for the full duration — no calm establishing pause longer than 1 second except the brief settled beat at the very end. Each beat below must read as a distinct, clearly readable event, not a blur. Do NOT default to a calm, mostly-still shot. Shot 1 must open already in motion. SCENE: light drizzle falling onto @image2's real surface, overcast daylight, shallow depth of field. The subject, exactly as in @image1, is already perched at the top of the slope as a droplet forms nearby when the shot opens. Whimsical live-action macro realism. 0–2s: A single large droplet gathers from the drizzle right beside the subject, then breaks free and starts rolling down the product’s natural slope — the subject, caught at its edge, is swept along with it. 2–4s: Gathering speed together down the slope, water spraying off to the sides. 4–6s: The slope curves sharply — droplet and subject swing wide around the curve, water fanning outward at the turn. 6–8s: They hit the small ridge near the bottom — a brief airborne moment, both lifting off the surface together — before landing back on the slope, still moving fast. 8–10s: Reaching the bottom, droplet and subject splash together into a small puddle that has formed at the product’s base. 10–12s: Settled at the puddle’s edge, drizzle still falling softly around them, the subject sits or rests there, @image2 towering behind them — the full scale of the product landscape visible in this final frame. AUDIO: natural foley only — soft drizzle, water gathering and breaking free, a rushing trickle as it rolls and speeds up, a brief whoosh at the airborne moment, a soft splash at the bottom, gentle rain ambience settling at the end. No music, no BGM, no voiceover, no narration. No on-screen text, no watermark, no subtitles.