CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or reinterpret it. Do not beautify, slim, de-age or restyle them. The attached image outranks every word below it: wherever the image and the text disagree, follow the image. Frame 1 is already in the scene — never a studio portrait, grey backdrop, or the attached still as an opening plate. Use they/them throughout. No other people. A 10-second photoreal vertical 9:16 commercial. No on-screen text, no subtitles, no logos, no brand marks, no hotel names. @image1 is the rider. Preserve their face, hair, skin, age and build exactly. Do not beautify, slim, de-age or restyle. No other people. @image2 / @product is the suitcase. Lock it exactly: same shell colour, ribbing, handle, wheels, proportions. One suitcase. MOTORCYCLE (shape locked, colour follows the suitcase): a compact futuristic streetfighter / naked electric bike — sharp angular nose, split LED headlamp, black front forks, black disc brake, black wheels, sculpted side panels, under-seat tail, gold-accent LED strip along the mid-body. Body-panel paint takes the dominant colour of @product (if the suitcase is mustard yellow, the side panels and tank are mustard yellow; black mechanical parts stay black). Same bike every frame until it morphs. No manufacturer badge. Wardrobe on the rider: black zip jacket, beige cargo trousers, white sneakers, slim sunglasses. Fit to @image1's body. Setting: a luxury desert-resort plaza at golden hour — pale stone paving, tall palms, glass-and-timber hotel canopy, long shadows. Empty of other people. AUDIO — required: electric bike hum, tyre on stone, a mechanical folding whoosh as the bike becomes the case, suitcase wheels on stone. No dialogue, no lyrics. 0-3 seconds Already in the scene: @image1 rides the colour-matched streetfighter slowly toward camera across the plaza. Tracking three-quarter, low. Palms and hotel behind. 3-5 seconds They slow and put a foot down, still astride. Camera orbits slightly. Bike panels clearly show @product's colour. 5-7 seconds They step off. The bike compresses and folds in one continuous CGI move: wheels tuck, body panels collapse inward and become @product standing on its spinner wheels, handle rising. Same colour throughout. 7-8 seconds @image1 takes the telescopic handle of @product. 8-10 seconds They walk away toward the hotel entrance, pulling @product. Rear three-quarter. Empty plaza. End. Negative: extra people, crowd, BMW badge, readable signage, split-screen, a different suitcase than @image2, studio portrait as frame 1.

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Animate this ink painting. 15 seconds, one continuous shot, no cuts, the camera never moves. Real-time speed, no slow motion. @image1 is the first frame - figure, garment, pose and style are already set. Continue directly from it. She is already dancing and never stops - turning, arms sweeping wide, hair whipping, the painted fabric flaring. Fast and fluid throughout. THE GARMENT KEEPS ITS OWN COLOUR. It is never recoloured or repainted. Ink follows her. Brushstroke ribbons fly off her sleeves and hem in wide arcs and dissolve. Wet spatter flicks onto the paper and pools where her feet land. Colour builds in three ways. First in the air: the trailing ribbons turn crimson, then gold, then violet and blue. Then on the fabric: blooms of those same colours soak into the garment in irregular patches, bleeding at the edges, never covering it evenly. Finally downward: in the last seconds long coloured drips run from the hem onto the paper. By five seconds the paper is already stained with layers of brushwork. Hand-painted throughout - wet ink, soft bleeding edges, visible paper grain. Never photoreal, never 3D. Audio: soft slow instrumental music, a single stringed instrument. No voices.

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A breathless premium tech-launch parody: @image1 is told they hold the very last unit and sprints across a vast glass HQ as a countdown ticks, intercut with glossy beauty shots of the product @image2, bursting into the keynote crowd just in time to hold it up. Photoreal, cinematic, comedic energy, no dialogue except one urgent line. Product @image2 is any premium product and is optional.

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subject_definitions: @image_1 is the performer. Gender, face, hair, skin and body proportions come entirely from @image_1 and not from this text. @image_1 defines identity only - its clothing, pose, framing, background and lighting are ignored. The sprite is a fictional cartoon invented from this text alone and comes from no reference: a tiny 2D cel-shaded character with clean black outlines and flat colour fill, pointed ears, large round eyes, a simple pink-and-white tunic and translucent pink wings. The sprite stays flat 2D in every frame and is roughly the size of @image_1's hand. summary: [reference generation] The target video is a 15-second 16:9 live-action film in which @image_1 and one tiny 2D cartoon sprite play off each other across eight shots inside an empty neon roller rink at night, ending with both of them facing camera. retention_analysis: @image_1 (appears in [Shot 2], [Shot 3], [Shot 4], [Shot 5], [Shot 6], [Shot 7], [Shot 8]): fully_preserved - gender, face, hair, skin and body proportions stay exactly as in @image_1 in every shot. detailed_description: The target video is live-action and cinematic, lit only by hard magenta and ice-blue neon tubes along the rink walls, with a glossy varnished floor that mirrors every light, and a palette of magenta, cyan and black. Only two characters exist: @image_1 and the sprite. The rink is otherwise empty, with no other people and no reflection that resolves into a face, and no lettering, numerals, signage or screens anywhere in frame. @image_1 wears the same outfit in every shot: a glossy black cropped bomber jacket over a plain white tee, wide-leg dark cargo trousers, chunky white trainers and one thin silver chain. That outfit's cut and colour are fixed and only its drape adapts to the body; @image_1's gender, face, hair and skin come from @image_1 and never from this text. [Shot 1] A low-angle wide shot frames a black vintage convertible parked at the edge of the rink floor. Only the sprite is visible, sitting behind the wheel. The sprite waves, snaps its wings open, rises past the windshield, clears the open roof, half-spins and flies off frame right, leaving the driver seat empty. The camera pedestals up slowly. [Shot 2] At 00:01.800, the shot cuts to @image_1 leaning against the open car door, head down, turning a ring on one finger. The sprite curves in and stops at @image_1's shoulder in a proud ta-da pose. @image_1 lifts their head, looks at the sprite, then at camera. The camera pushes in slowly from beside the headlight. [Shot 3] At 00:03.600, the shot cuts to a waist-up framing as @image_1 flicks one finger toward the sprite on a hard beat. The sprite tumbles through one continuous half-spin to camera right and rights itself as @image_1 breaks into a crooked grin. The camera arcs right with large amplitude at fast speed. [Shot 4] At 00:05.400, the shot cuts to the sprite flying a full circle around the outer edge of a hanging mirror ball, passing above and below it, never through it. The camera tracks with the sprite and finds @image_1 sitting on the rink barrier, one foot on the rail. @image_1 holds up a thumb and the sprite copies it beside @image_1's face. [Shot 5] At 00:07.200, the shot cuts to @image_1 opening one palm flat. The sprite descends in one continuous motion and visibly lands, both feet making contact with the skin, then plants a proud stance and copies the tilt of @image_1's head. @image_1 holds still, then smiles. The camera pushes in slowly from the hand up to both faces. [Shot 6] At 00:09.000, the shot cuts to the sprite lifting off the palm first. @image_1 stands and takes three unhurried steps onto the rink floor, their reflection moving under them, while the sprite flies backward in front of them. The camera tracks backward with large amplitude at slow speed along a lateral arc. [Shot 7] At 00:11.000, the shot cuts to a low angle with the convertible sitting diagonally behind @image_1. @image_1 plants a confident stance and pushes their hair back off their face; the sprite copies the gesture on its own hair and @image_1 notices and laughs. The camera pushes in slowly. [Shot 8] At 00:13.000, the shot cuts to a medium close-up of @image_1 raising two fingers in a peace sign beside their face. The sprite hovers at @image_1's shoulder, wings spread, both arms up in the same sign, and both look straight into camera. A single camera flash fires on the last beat and the neon holds its level through it. The camera holds a static shot through the final frame. overall_soundscape: The empty rink carries a low room tone with the electric hum of the neon tubes and the far-off whirr of a ventilation fan. Footsteps land and squeak on the varnished floor, fabric shifts as @image_1 moves, and the sprite's wings make a light dry flutter each time it changes direction. One short breath of a laugh lands near the end. non_diegetic_music: Bubblegum dance pop at 128 BPM with a punchy kick and snare, a bouncing bass line, crisp handclaps and sparkling synth arpeggios. The arrangement stays at one even, moderate level from start to finish, with accents landing on the wing snap, the finger flick, the landing on the palm and the final flash.

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