Kinetic Reveal

Recreated 1 Sep 2026

Inspired by @Just_sharon7on XTheir workflow. Rebuilt step by step on OpenClips.

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Prompt106 chars

Build an explosive motion-graphics character reveal trailer, exactly 13 distinct cuts, from the moodboard.

How it was made

Create an avatar.

Creates a moodboard with your avatar.

MONOGRAM: GH
TITLE: GOLDEN HOUR
HERO WORD: BLOOM
TAGLINE: SOFT LIGHT HARD STARE
FOUR WORDS: WARM / SHARP / PRETTY / WILD
BACKGROUND COLOUR: cream
ACCENT COLOUR: blush pink
cream crew-neck knit, with straight-cut charcoal trousers

ATTACHED IMAGES ARE MANDATORY AND FINAL: If an avatar image is attached, that is the
person — reproduce them exactly, in every single frame, and never invent a different
face, hairline, hair colour, skin tone, body or age. If a product image is attached,
that is the product — reproduce it exactly, in every single frame, and never invent a
different shape, proportion, colour, material, finish, label or branding. The attached
images outrank every word written below them: wherever an attached image and this text
disagree, follow the image. Nothing about an attached avatar or an attached product may
be imagined, substituted, swapped, restyled, simplified or "improved" at any point in
the chain.

Create a single 13-panel motion-graphics design board, arranged as a clean editorial
grid of equal 16:9 panels separated by thin hairline rules on a BACKGROUND-coloured paper field.
This is the storyboard for a character reveal title sequence.

CHARACTER LOCK — HIGHEST PRIORITY: The character in every panel is exactly the person
in the attached reference image. Copy their face, facial structure, eye shape and
spacing, eyebrows, nose, mouth, exact skin tone, hairline, hair length, texture and
colour, facial hair as shown or none if none, eyeglasses, freckles and distinctive
marks, apparent age and build — identically, panel to panel. Preserve their gender
presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret
it. Do not beautify, slim, de-age or restyle. When the figure is small in frame, simplify but keep the silhouette, hair shape and outfit colours recognisable. No other characters.

above, and nothing else. The avatar reference shows the face and build, not this
outfit — put the outfit on them. Adapt the fit of the garments to the character
naturally, cut loose and straight so the outfit reads the same on any build, without
restyling the person. Keep the outfit identical from panel to panel — same garments,
same colours, same proportions. Do not add jewellery, ties, scarves, hats, prints,
patterns or logos that are not on the attached garment. The outfit's colours must
be clearly visible in every panel where the character appears.

DESIGN LANGUAGE: 80% bold graphic design, 20% character. Giant kinetic typography,
hard-edged shapes, split-screens, flat colour fields, torn-paper edges, analog film
frames with sprocket ticks, gold-foil stamps, torn paper fragments, sunflare bursts,
shutter flashes, halftone, technical arcs and crop marks. Premium AAA title-sequence
design crossed with a vintage-editorial campaign. Palette strictly: the BACKGROUND COLOUR, the ACCENT COLOUR, the colours of the attached garment, plus pale yellow, champagne gold, sage, sky blue and black. The paper field behind everything
is the BACKGROUND COLOUR; the loud graphic accent is the ACCENT COLOUR.

PANEL SEQUENCE — one panel each:
1. Pure graphics. A massive ACCENT-coloured circle slammed onto the BACKGROUND, two gold bars wiping
across, film-sprocket ticks, a torn paper strip, and the two MONOGRAM letters
punching in with heavy impact.
2. One MONOGRAM letter used as a car-window frame; an extreme close-up of the
character's eye inside it; analog light-leak flash; the frame breaking into flat
pastel shards.
3. A BACKGROUND-coloured field with an enormous black MONOGRAM; the character leaning in from frame
left along the baseline of the type, gold dust and ACCENT-coloured ribbons trailing.
4. Split-screen triptych of flat ACCENT / BACKGROUND / sage panels, the character in a
different pose in each — look-back, hair toss, settle — with the TITLE set huge
and vertical behind them.
5. The character rising through a giant rotating ring of type reading the TAGLINE,
letters scattering outward.
6. A BACKGROUND-coloured editorial card with the HERO WORD set huge in black and cut by a gold slash;
the character leaning over the word itself, fingers grazing the first letter.
7. Pale-yellow field with a black diagonal stripe; the character turning along the
stripe in three stroboscopic ghost frames, each ghost tinted a different palette
colour; the word TURN set large in outline type.
8. Kinetic type barrage — the FOUR WORDS stacked and slamming in, shutter flashes,
the character sliding across the foreground in a car seat, outer layer flaring open, gold
dust bursting from window light.
9. Black frame with a giant white wireframe farmhouse silhouette tilted in 3D; the
character sitting up through the grid; an ACCENT-coloured circle stamped around the pose like
a target lock with foil brackets.
10. The character leaning toward camera through layered flat-colour panes shattering
like glass shutters, each broken pane revealing a bigger MONOGRAM letter.
11. A rapid-fire poster row — four small full-bleed graphic posters of the character
in different still poses (window gaze, three-quarter, chin down, hands on lap),
each with a different bold layout, oversized numbers 01 to 04, ACCENT-coloured slashes and
gold stamps.
12. Hero panel on a clean BACKGROUND-coloured cyclorama. The character dead centre, chin lifted, a
shockwave of concentric ACCENT rings, sunflare streaks and shattered typography
blasting outward.
13. Final identity card. An enormous black MONOGRAM dominating the BACKGROUND colour, with
translucent gold rings, technical arcs, halftone and a rough black circular emblem
containing a ghosted farmhouse-and-window motif; the character sitting relaxed,
overlapping the letters.

TYPOGRAPHY: All wording comes from the fields above — MONOGRAM, TITLE, HERO WORD,
TAGLINE, FOUR WORDS, plus the word TURN and the numbers 01 to 04. Every piece of text
must be spelled exactly as given and be fully readable. Do not invent extra words, do
not use pseudo-language, do not add fake foreign characters. Typography is always
readable before the character overlaps it.

NEGATIVE: No colour outside the stated palette. No weapons, no combat, no fire. No
misspelled or garbled text. No watermark, no signature, no URL. No extra characters.
No distorted hands. No panel borders other than the thin hairline rules.

OUTPUT: One design board, all 13 panels clearly separated, consistent character and
consistent design system across every panel, high resolution.

Creates the final video.

Explosive motion-graphics character reveal trailer, exactly 13 distinct cuts, 24fps, built from the attached design board as the primary visual reference and the single source of truth.
CHARACTER LOCK — HIGHEST PRIORITY: The character in every shot is exactly the character drawn in the attached design board. Preserve their face, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hair length, texture and colour, facial hair as shown or none if none, eyeglasses, freckles and distinctive marks, apparent age, build and body proportions — identically, in every frame of every cut. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle. Never replace them with a generic model. They wear exactly the outfit shown in the design board, unchanged throughout — same garments, same colours, same proportions, with nothing added or removed.
REFERENCE FIDELITY: Animate the 13 panels of the design board in order as 13 cuts. Each cut keeps its panel's composition, layout, camera framing, colour and typography placement. The board is finished artwork — add motion to it, do not redesign it and do not reorder the cuts.
TYPOGRAPHY PRESERVATION: All wording visible in the design board is finished artwork. Preserve its spelling, capitalization, placement and design exactly. Do not invent new words, labels or numbers, and do not rewrite existing text. Whole text blocks may slide, snap, wipe, scale uniformly or rotate as intact graphic layers, but individual letters must never morph or change shape. Typography is always fully readable before the character overlaps it.
This film is 80% bold graphic design in motion and 20% character action. Palette strictly: the BACKGROUND COLOUR, ACCENT COLOUR and wardrobe colours set on the design board, plus pale yellow, champagne gold, sage, sky blue and black. The paper field behind everything is the BACKGROUND COLOUR; the loud graphic accent is the ACCENT COLOUR. Every graphic element moves fast and snaps hard on the beat.
CUT 01 | 0.00–1.00s — Pure graphics from Panel 1: the ACCENT-coloured circle slams onto the BACKGROUND, two gold bars wipe across, film-sprocket ticks and a torn paper strip flicker, and the two monogram letters punch in one after another with heavy impact shake.
CUT 02 | 1.00–2.00s — The monogram letter becomes a car-window frame; extreme close-up of the character's eye inside it, glancing toward camera; analog light-leak flash, then the frame shatters into shards of flat pastel colour.
CUT 03 | 2.00–3.10s — A BACKGROUND-coloured frame with the enormous black MONOGRAM; the character leans in from frame left and slides across the baseline of the typography, gold dust and ACCENT-coloured ribbons trailing, letter shards kicked up like petals. Whip-pan out.
CUT 04 | 3.10–4.00s — Split-screen triptych of flat ACCENT, BACKGROUND and sage panels; in each panel the character's silhouette performs a different pose in stroboscopic freeze — look-back, hair toss, settle. The TITLE text scrolls vertically behind the panels.
CUT 05 | 4.00–5.10s — The character rises through the giant rotating ring of TAGLINE typography; camera tracks them as they turn toward us in slow motion while the letters scatter, then snap-zoom on their face.
CUT 06 | 5.10–6.00s — Hard cut to the BACKGROUND-coloured editorial card with the HERO WORD and its gold slash; the character leans over the word itself, fingers grazing the first letter, hair whipping across frame; the word compresses like paper under their hand and rebounds.
CUT 07 | 6.00–7.00s — Pale-yellow field with the black diagonal stripe; the character turns along the stripe in three stroboscopic ghost frames, each ghost tinted a different palette colour; the outlined TAGLINE word rotates 180 degrees in sync with the motion.
CUT 08 | 7.00–8.00s — Kinetic type barrage: the FOUR WORDS slam in one per beat with shutter flashes and camera shake, while the character slides across the foreground in the car seat, outer layer flaring open, gold dust bursting from the window light.
CUT 09 | 8.00–9.00s — Black frame, giant white wireframe farmhouse silhouette tilting in 3D; the character sits up through the grid like a rising portrait, then hangs frozen; an ACCENT-coloured circle stamps around the pose like a target lock with foil brackets and sprocket ticks.
CUT 10 | 9.00–10.10s — The freeze releases into a burst: the character leans toward camera through layered flat-colour panes that shatter one by one like glass shutters, each shattering pane revealing a bigger MONOGRAM letter; foreground wipe with a sleeve or collar edge crossing the lens.
CUT 11 | 10.10–11.10s — Rapid-fire poster montage: the four full-screen graphic posters of the character snap past with hard cuts, each with a different bold layout, oversized numbers, ACCENT-coloured slashes and gold stamps.
CUT 12 | 11.10–13.00s — Hero moment on the clean BACKGROUND-coloured cyclorama: the character settles dead centre in slow motion, lifts their chin, and a shockwave of concentric ACCENT rings, sunflare streaks and shattered typography blasts outward; brief iconic freeze on a faint closed-mouth look, overexposing to white.
CUT 13 | 13.00–15.00s — Final identity card: the enormous black MONOGRAM dominates the BACKGROUND colour with translucent gold rings, technical arcs, halftone and the rough black circular emblem; the character sits relaxed overlapping the letters, wind rippling their hair and the open front of the overshirt; one last ACCENT pulse sweeps through the typography and a gold-ring flash punctuates the end.
EDITING: Extremely aggressive rhythm — hard cuts on every beat, graphic matches, whip pans, snap zooms, stroboscopic freezes, foreground wipes, light-leak splits, shutter flashes, impact shakes and speed ramps. Every cut must feel compositionally different.
ENERGY: No weapons, no combat, no fire. All energy comes from motion design, wind, gold dust, glass, paper and the character's quiet, precise presence.
AUDIO: Hard-hitting electronic drum-heavy future bass with aggressive drops, risers, sub hits and glitch fills locked to every cut. Fabric whooshes, glass shatters, foil stamps and typography slams as rhythmic sound design. Peak at CUT 12, ending on a cold electronic logo stinger.
QUALITY: Premium AAA, photoreal-to-editorial cinematic rendering, strong graphic-design identity, consistent character from the reference board, exactly 13 cuts.
NEGATIVE: No colour outside the stated palette. No identity drift, no face changes, no wardrobe changes. No misspelled, garbled or invented text. No letter morphing. No subtitles, captions, logos or watermarks beyond the design board's own wordmark. No extra characters. No distorted hands or fingers. No random slow motion outside the specified beats.

ModelMiniMax H3

Aspect16:9

Steps3

SourceX

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