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You walk into a candlelit hall lined with the seated dead; a spectral host floats up and glides high above the long banquet table toward you, then the doors slam and her skull-face shrieks inches from your face. Upload a photo, you keep your own face. One continuous cinematic take with a loud score. 20s.
You violently turn undead in a flickering morgue — veins erupt, lights burst, you thrash and fully transform, then the feral zombie explodes into a lunge at the camera. Upload a photo, you keep your own face. One continuous cinematic take with a loud score. 20s.
Look into a bathroom mirror and watch your reflection turn undead first — then the change spreads to your real face, and the fully-turned zombie lunges at the camera. Upload a photo, you keep your own face. One continuous cinematic take with a loud score. 20s.
4:3 10 seconds. ONE continuous MiniDV shot. No cuts. No slow-mo. No captions. No music. No DV camera body in frame. CHARACTER LOCK: the person is exactly @image1. Preserve face, hair, skin, age, build, gender presentation. Use they / their / them only. @image1 = FACE only. Photocopy this person. Do not copy studio wardrobe from the lock. STANDING: both feet ON TOP of a real wooden broom shaft, body upright, like standing on a sword or skateboard. The broom is under their shoes. NOT sitting. NOT straddling. NOT riding. One broom, stick forward, bristles behind. No glow. SETTING: NYC around 2000. Brick, fire escapes, yellow cabs, rusted yellow-and-black truck HEIGHT BAR across the road ~4.5m. Not China. Empty-ish street. MiniDV handheld, 50mm-ish. Photographer on the sidewalk. Broom ~3m up. They look at the CAMERA while flying by, not at the bar. Only the forehead can hit the bar. 0.0–1.5s Messy street. They STANDING on the broom fly in FAST past camera. Photographer pans right. Glance at camera. Height bar already on the right. 1.5–3.0s They AND the bar visible. Still looking at camera, still STANDING. Off-screen English: “Watch out!” Broom tip passes under. Forehead clips the bar. Dong. Off the broom. Broom drops. They fall. 3.0–10.0s Camera yanks down, brief blur, finds them. Hit pavement, half-roll, sit up, hand to forehead, look at the bar, annoyed. End handheld. They do not fly again. AUDIO: DV wind, traffic, cloth, dong, thud, gasp. No score. English only if anyone speaks. Never a studio still as frame 0.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGES ARE MANDATORY AND FINAL: The attached images outrank every word written below them: wherever an attached image and this text disagree, follow the image — including the product’s exact shape, features and proportions. ASSET MAP: @image1 — the tiny person. @image2 — the product, exactly as shown, unchanged and not regenerated — same shape, colour, materials, label and logo text in every shot it appears. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. SINGLE SUBJECT: only @image1 appears in this video — no other people, hands, or faces enter frame at any point. SCALE REALISM: @image1 is shrunk to only a few centimeters tall relative to @image2, which stands at its true full size — like a towering landmark. Match lighting and colour grade between the tiny person and the product throughout so the whole shot reads as one real photograph, not a composite. The size contrast must be clearly visible in the very first frame, not revealed later. Do NOT default to a calm, mostly-still shot. Shot 1 must open already in motion. SCENE: @image1, shrunk down, stands at the base of @image2, which now looms above them like a giant landmark, its real shape, curves, ridges, textures and any natural handles, caps, straps or edges reading as an oversized landscape. 0–2s: Already climbing/scrambling along one of the product’s natural features (a ridge, a strap, an edge, a textured surface) — in motion from the first frame, using the product’s real shape as handholds and footholds. 2–5s: They continue upward, using another distinct natural feature of the product (a different textured section, a curve, a seam) as the next obstacle — visibly different action from the first beat, not a repeat of the same climbing motion. 5–8s: Near the top, they reach the product’s highest or most distinctive point (its cap, its peak, its rim — whatever @image2 actually has) and pull themselves up onto it, slightly out of breath but triumphant. 8–10s: They stand on top of the product, hands on hips or arms raised, looking out over the “landscape” below with a proud, delighted grin. The full scale contrast between them and @image2 is clearly visible in this final frame. STYLE: whimsical live-action macro realism, warm natural lighting, shallow depth of field, believable physical interaction with the product’s real surface — no invented parts, functions or textures that don’t match @image2's actual design. No on-screen text, no watermark, no subtitles, no BGM.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGES ARE MANDATORY AND FINAL: The attached images outrank every word written below them: wherever an attached image and this text disagree, follow the image. ASSET MAP: @image1 — the person. Photocopy face, hair, makeup, jewelry and the outfit they are wearing in @image1. Do not change their clothes. @image2 — the product, exactly as shown, unchanged and not regenerated — same bottle shape, glass colour, cap, neck, label and decoration exactly as shown. Photocopy that bottle in every shot it appears. Do not invent a different bottle, a spray nozzle that is not on @image2, a box, or extra hardware. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. SINGLE SUBJECT: only @image1 appears in this video — no other people, hands, or faces enter frame at any point. Unbranded scene: no extra logos, brand names, labels, monograms or readable signage added to the room. Any lettering already on @image2 is part of the bottle and must stay on the bottle; do not add subtitles, captions, or other on-screen type. Create a cinematic luxury commercial. @image1 stands in a softly lit space with clean natural lighting against a neutral studio-style background, in a quiet, unhurried moment. 0–3s: @image1 holds the product (@image2) with both hands toward the camera, presenting it. Close-up on their fingers lifting or revealing the cap in whatever way naturally fits its design. Five fingers on each hand. 3–6s: @image1 interacts with the product in a natural, deliberate, tactile way that reveals exactly how it is meant to be used — following the product’s own form exactly as shown in @image2. Lift the cap; bring the open bottle to an inner wrist or the side of the neck and apply with a slow, precise motion. No invented parts, no spray mist unless that hardware is visible on @image2, no incense burner, no extra props. 6–8s: @image1 pauses with a subtle, composed, satisfied expression — a quiet moment of confidence. They still hold the bottle. Same face as @image1. 8–10s: Final shot: the product (@image2) fills the frame in sharp focus, while @image1 is softly blurred behind it. Bottle shape, cap, glass colour and lettering match @image2 exactly. STYLE: soft natural lighting, shallow depth of field, high-end fashion-film aesthetic, slow elegant movements, premium commercial look, realistic skin and fabric texture. VOICEOVER (off-camera, not lip-synced): “One last touch before the moment begins. Make it yours.” Soft luxury-commercial delivery over quiet room tone. No music lyrics. Do not generate: any extra brand name, logo, readable subtitles, watermark, distorted hands, extra fingers, a second person, or a redesigned bottle.
VERTICAL 9:16 30 seconds. Handheld selfie GRWM. Hard cuts. ONE person. No on-screen captions. No hat at any second. CHARACTER LOCK: the person is exactly @image1. Preserve face, hair, skin, age, build, gender presentation. Use they / their / them only. @image1 = FACE only. Photocopy this person. Do not copy studio wardrobe from the lock. WARDROBE: gold CROSS necklace always visible. Black denim jeans. They PULL ON a loose-fit brown t-shirt (already in jeans — skip a long shirtless intro). Brown leather belt. Brown leather cowboy boots. Gold ring. Hair uncovered, no hat. VOICE: casual influencer, clear English lip-sync. 0.0–8.0s Modern walk-in closet, white walls, black door. Eye-level selfie. Black jeans, pull on the brown t-shirt, step back, fasten the belt. VO: “What’s going on guys. Quick get ready with me. Throwing on this brown shirt and a belt.” 8.0–13.0s Hard cut. Hold brown cowboy boots to the lens, then they’re on. Close-up: gold ring onto a finger. VO: “Going with my nicest brown boots to match, and adding the gold ring.” 13.0–24.0s Hard cut. Bathroom, black marble. Small WHITE squeeze bottle with a BLUE cap to the lens. Open, dab on a finger, rub into face. Tight on face and product. VO: “But this right here is the main event. If you know, you know. You gotta keep the face fresh and hydrated.” 24.0–27.0s Same bathroom. Sleek BLACK cologne bottle. Two sprays on neck and chest. Confident nod. VO: “Quick spray of this cologne. Always gets a ton of compliments.” 27.0–30.0s Hard cut. Bedroom, large bed. Hand through hair — NO HAT. Step back, one arm slightly raised. VO: “Alright, that’s the final look. Let’s head out.” Same person every cut. Gold cross on. Hatless. No extra people. Never a studio still as frame 0.
16:9 30 seconds. Seedance 2.5. Cinematic live-action, light-comedy sparring in a luxury apartment. Two people only. No dialogue. CHARACTER LOCK: @image1 and @image2 are exactly those people. Preserve each face, hair, skin, age, build, gender presentation. Do not beautify or restyle. No other people. Use they / their / them only. @image1 = PERSON 1 (the one who dodges, two-finger taps, gets the kiss, then the hook). Photocopy FACE only. Do not copy studio wardrobe from the lock. @image2 = PERSON 2 (the one who punches, gets tapped, kisses, then the uppercut). Photocopy FACE only. Do not copy studio wardrobe from the lock. Casual fitted apartment clothes. Bare hands. SET: one luxury living room, evening. Floor-to-ceiling city skyline, warm interior vs cool dusk. Wood walls, low sofa and stone table at the edges, thick light carpet in the CENTER. All action on that open carpet. @image2 starts LEFT, @image1 RIGHT. AUDIO: no speech, no lyrics. Breath, effort, footsteps, cloth, punches cutting air. Two light tap sounds on the head knocks. Light tight rhythm music, then quieter after the strategy change. Solid hit on the last punch, dull carpet thud on the fall. 0.0–4.5s Already sparring. @image2 guard up, fast jabs and hooks at head height. @image1 slips, leans, lets punches miss. Bigger right cross; @image1 steps outside, behind the shoulder, RIGHT HAND: index+middle fingers together slightly bent, one light knuckle TAP on the top of the head, then retract. 35mm two-shot. Light tap — not a fist, slap, grab, or forehead flick. 4.5–7.3s 75mm on @image2: surprise → pout → frown. @image1 half-step back, easy. 7.3–12.6s Harder attack. @image1 ducks a hook, rises; jabs, fades. Second independent duck-and-rise, then circles behind and TWO-FINGER TAPS again. @image2 flinches, stays standing. Two separate ducks. 12.6–15.8s 85mm @image2: sly small smile — an idea. Hands unclench. No laugh, no magic. 15.8–18.0s Over @image2 shoulder on @image1: confused head tilt, hands lower, guard down. 18.0–21.4s Side two-shot, @image2 left / @image1 right. Short kiss on the lips (~0.25s), no hug. Pull back. THEN @image1 is stunned. @image2 jaw sets, right fist closes. 21.4–25.5s One right uppercut to the jaw while stunned. Contact, then slow-mo: head snaps, fall onto the carpet on the back. @image2 stays standing. No extra punches. No blood. 25.5–27.7s Low on @image1 on the carpet, dazed, eyes open, not unconscious. @image2’s legs in the background. 27.7–30.0s Tilt up to @image2 looking down, small satisfied smile. No hug, no help-up, no extra people. Same two faces every second. Never a studio still as frame 0.
Asset referencing: @image1 is the first frame of this video: a dark room with one round spotlight on a plaster wall carrying the words "Happy Anniversary", PARTNER ONE on the left holding a small white cake with one candle whose wick has just caught, PARTNER TWO on the right holding the lit match that lit it. PARTNER ONE is the person on the left of @image1 and PARTNER TWO is the person on the right of @image1. It defines the two people, their clothing, the cake, the wall, the light and the framing. ATTACHED IMAGES ARE MANDATORY AND FINAL: the two people are exactly the people in @image1 — the same faces, hair, skin and clothing — from the first frame to the last, and they never swap places. The words in the light always read "Happy Anniversary" and never move or change. THE ONE CANDLE — this is the whole point of the film: two people light one candle together, blow it out together, and end with their foreheads touching while their shadows on the wall become one. Summary: a quiet, cinematic one-take anniversary moment in a dark room under a single spotlight, in which a couple lights one candle on a small cake, blows it out together and leans into each other. Timeline: 0–1s — The framing of @image1: the candle has just caught from the match, its small flame growing steady, both looking at it. 1–3s — PARTNER TWO draws the match back from the candle, lowers it and gently shakes it out; a thin thread of smoke rises from the match. The candle keeps burning with a small steady flame. 3–5s — Both look up from the candle at each other and smile; PARTNER ONE lifts the cake a little higher, between their faces, the candle flame lighting both of them warmly. 5–7s — They lean in together and blow out the candle at the same moment; the flame goes out and a soft curl of white smoke rises through the spotlight. 7–10s — PARTNER ONE lowers the cake; they laugh softly and rest their foreheads together, eyes closed. Behind them, their two shadows on the lit wall meet and merge into one. The camera has drifted slowly closer the whole time and ends on the two of them under the words in the light. Notes: the candle stays upright in the centre of the cake for the whole film; it burns from the first frame until it is blown out, only once. The cake stays in PARTNER ONE's hands. Every hand has five natural fingers. The spotlight never moves and the words stay inside it. The camera moves slowly and smoothly, one unbroken take with no cuts. No subtitles. No BGM; generate only environmental sounds and action sounds: the hush of a large empty room, the tiny crackle of the fresh wick, the soft whoosh of the match being shaken out, a shared gentle breath blowing out the candle, a warm soft laugh from both of them, and a low room tone to the last frame.
VERTICAL 9:16 15 seconds. TikTok/Reels influencer advice. Handheld smartphone selfie. Hard cuts. CHARACTER LOCK — HIGHEST PRIORITY: the person is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions. Preserve their gender presentation exactly as shown. Do not beautify, slim, de-age or restyle them. No other people in frame. Use they / their / them only. @image1 = FACE only. Photocopy this person. Do not copy studio wardrobe from the lock photo. WARDROBE EVERY SECOND: casual passenger-seat clothes — fuzzy white fleece jacket, light top, light blue jeans, seatbelt on. Small brown sunglasses as a PROP they put on. SETTING: passenger seat of a modern car. Raindrops on the SIDE WINDOWS. Bright SUNNY daylight outside. Open SUNROOF with sun coming in. No driver visible. No other people. STRUCTURE: 0.0–4.0s LIVE ACTION (the only moving shot). 4.0–15.0s HARD CUTS to STATIC PHOTO INSERTS — each beat is a frozen Instagram still, no motion, no blink, no talking mouth. Voiceover continues over the stills. SPOKEN VOICEOVER — upbeat, conversational, trendy, bestie energy, English, continuous over the whole 15s: 0.0–4.0s INTRO (LIVE): selfie held static. They sit in the passenger seat, seatbelt on. Both hands put on brown sunglasses, then they lean back, knees up toward chest, pose. They talk to camera. VO: “Riding shotgun, stop taking basic photos! Here are four go-to car selfie angles you have to try.” 4.0–7.0s VISOR (FROZEN STILL): hard cut. Looking UP into the pulled-down sun-visor mirror. Their reflection in the tiny visor mirror, their own phone in their hand taking the picture, head tilt. Retro aesthetic frame. No extra hands. VO: “First, flip down the visor and use the tiny mirror for a super aesthetic, retro frame.” 7.0–10.0s CHEERS (FROZEN STILL): hard cut. Front-facing selfie. Green paper iced-coffee cup toward the lens, playful smile, wink. VO: “Next, do a quick cheers with your iced coffee to show off the morning vibe.” 10.0–12.0s I SEE YOU (FROZEN STILL): hard cut. Brown sunglasses ON. Chin on hand. Calm direct stare into the lens. VO: “Lower your shades and hit the camera with an I see you look that feels totally effortless.” 12.0–15.0s BORED (FROZEN STILL): hard cut. Sunglasses pushed up onto the top of their head. Head heavy on their hand. Unamused dramatic bored face. VO: “And when traffic hits, just hit the bored pose. Save this for your next ride!” Same person every cut. No on-screen captions. No logos. Never a studio headshot as frame 0.
A sleeper's mattress turns to churning black tar and clawed shadow-arms drag them under — until they slam onto the bed frame and tear free, bolting awake. Upload your photo. 15s horror.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGES ARE MANDATORY AND FINAL: The attached images outrank every word written below them. Wherever an attached image and this text disagree, follow the image — including the product’s exact shape, features and proportions. ASSET MAP: @image1 — the tiny person. @image2 — the product, exactly as shown, unchanged and not regenerated — same shape, colour, materials, label and logo text in every shot it appears. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. SINGLE SUBJECT: only @image1 appears in this video — no other people or hands enter frame at any point. SCALE REALISM: @image1 is shrunk to only a few centimeters tall relative to @image2, which sits at its true full size, towering like a landmark. PROP CONTINUITY: a natural loop, strap, fold, or edge on the product — whatever @image2 actually shows — is established in the opening frame as the thing @image1 grabs. It does not appear out of nowhere later. CAUSALITY LOCK: @image1 only swings because they grab and push off from that natural feature of the product — the motion has a shown, deliberate cause throughout, not an unexplained swing. Do NOT default to a calm, mostly-still shot. Shot 1 must open already in motion. SCENE: @image1, shrunk down, stands at the base of the product (@image2), which towers beside them at full size, a natural loop/strap/edge of its own design within reach, design/label/logo unchanged. 0–2s: Already reaching up, @image1 grabs that natural feature with both hands and kicks off, starting to swing. 2–5s: They swing in a wide, confident arc past the side of @image2, close enough that its real texture and details are clearly visible passing by. 5–7s: At the peak of the swing, they let go, sailing briefly through the air before landing in a controlled crouch on another part of the product’s surface. 7–10s: They rise from the crouch and stand tall, looking out over the towering product with a proud grin — the full scale contrast between them and @image2 clearly visible in this final frame. STYLE: whimsical live-action macro realism, warm natural lighting, shallow depth of field, believable physical interaction with the product’s real surface — no invented parts that don’t match @image2's actual design. AUDIO: natural foley only. No music, no BGM, no voiceover, no narration. No on-screen text, no watermark, no subtitles.
Stand in a ring of candles as embers sweep up and transform your look into a dark horned demon-lord — same face, glowing ember cracks, a menacing final grin. Upload a photo, you keep your own face. One continuous cinematic take with a loud score. 15s.
VERTICAL 9:16 30 seconds. Short-form social UGC skincare review. Quick hard cuts. Hands and face of one person. White bathroom sink. Blue cloth. English voiceover. No extra captions. @image1 = THIS cleanser. Photocopy the bottle exactly as in @image1: same shape, colour, cap or pump, and its label as printed. NEVER a different bottle than @image1. @image2 = THIS balm. Photocopy the pack exactly as in @image2, its label as printed. NEVER a different pack than @image2. 0.0–5.0s CU rubbing a bare cheek, dry tired skin. VO: “Recently my skin’s been feeling tired, dry, cracking, and stripped of moisture.” 5.0–13.0s Water in a white sink. Hands holding @image1 in sunlight. Opening its cap or pump exactly as on @image1. VO: “Every cleanser I tried left my sensitive skin red and irritated until I found this: this gentle hydrating face cleanser.” 13.0–21.0s Dispense a little of the cleanser from @image1 onto the back of a hand. Static of @image1 in sunlight. VO: “It’s so simple. Nothing harsh, nothing complicated, just a gentle cleanse with skin-loving care...” 21.0–30.0s Apply cleanser to cheek. Clean wet calm skin. Final: @image1 and @image2 together on a blue cloth. VO: “...that leaves my face feeling soft and comfortable. I use it after removing makeup to clear out impurities and let my skin breathe again. And the best part, my skin feels hydrated, calm, and clear every time.” Same products as the photos, labels as printed. No extra people. Never a studio headshot as frame 0.
16:9 30 seconds. Seedance 2.5. Cinematic music-video, slight anamorphic flare, warm dusty grade. Photoreal. CHARACTER LOCK: the person is exactly @image1. Preserve face, hair, skin, age, build, gender presentation. Use they / their / them only. @image1 = FACE only. Photocopy this person. Do not copy studio wardrobe from the lock. OUTFIT: black polka-dot halter crop top, tight black mini skirt, black jeweled thong sandals, hoop earrings, layered silver necklaces, small black ribbon bows in the hair. They smoke a cigarette, unbothered. SET: sunlit old courtyard apartment block — weathered grey concrete and wood, wooden second-floor balconies, laundry on lines, potted plants, stone paving, wooden benches, corrugated roofs. ACTION: 4–5 men in black suits charge from all sides, leaping, swinging wooden-handled hatchets. Extras, not extra heroes. They barely move at first, exhale smoke, one hand on hip. Then precise elegant martial-arts kicks. Men fly back onto the stone. CU jeweled sandals. ECU face as an axe blade passes just in front of the lips — bored, pretty. One last man charges; a high-kick flips him backward over the laundry lines. Hands on hips among the fallen, flick ash, adjust top straps, look at camera, cool. CAMERA: wide establish, circling track, low-angle foot CU, slow-mo mid-air, handheld mixed with locked beauty shots. Music-video score. No spoken lines. No on-screen captions. No logos. No blood, no gore. Never a studio still as frame 0.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGE IS MANDATORY AND FINAL: The attached image outranks every word written below it on the FACE: wherever the attached image and this text disagree on face, hair, or skin, follow the image. ASSET MAP: @image1 — the person. Photocopy @image1 for FACE, HAIR, SKIN and identity only. Do not copy any burgundy or wine dress, gold snake necklace, gold bracelet, crossed-arms studio pose, or white studio backdrop from the still. Ignore any pad around the still — that pad is not a set. Never freeze on the attached still as frame 0. WARDROBE: casual beachwear for a sunny public beach — a simple tank or short-sleeve tee and shorts WITH A REAL SIDE POCKET they can put a phone into. Barefoot or simple sandals. No formal dress, no silk blouse, no office look, no gold snake pendant. PHONE CONTINUITY — HIGHEST PRIORITY: the phone is a real physical object. It never vanishes, never teleports, never dissolves, never cuts away. While they walk and look at it, it is in their hand. BEFORE they pick up the volleyball or play, they visibly SLIDE THE PHONE INTO THE SHORTS POCKET. After that, the phone stays in that pocket through the pickup and the hit — both hands are free because the phone is in the pocket, not because it disappeared. Do not generate a play beat with empty hands and no pocket stow. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. OTHER PEOPLE: the volleyball players are background people only — never named, aged, or described by ethnicity/gender, only by role and action. CAUSALITY LOCK: the ball only moves because of a shown cause — a player’s bad pass, it bouncing off @image1's back, them picking it up, and them serving it — never on its own. PROP CONTINUITY: it is the SAME volleyball throughout — never duplicated, never swapped. The SAME phone throughout. SETTING: sunny public beach with a real outdoor beach volleyball court in warm late-afternoon light. Sand, a few beach chairs, a fence line, players, and ONE clearly visible net visible from frame one. A few people casually play volleyball. @image1 walks beside the court, looking at their phone, wearing the casual beachwear above. CAMERA: normal handheld phone footage by another person nearby. Natural shake, imperfect framing, mild motion blur, small autofocus/exposure shifts. No cinematic moves. ONE continuous handheld shot, no cuts. 00:00–00:04 @image1 walks beside the court, focused on their phone held in one hand. The players play normally behind them. One player makes a bad pass; the same volleyball flies out of the court, lightly hits @image1 in the UPPER BACK, then drops to the sand beside them. They never see it coming. Phone still in their hand. 00:04–00:07 They turn, surprised. They put the phone into their shorts pocket — a clear, visible stow, phone going into the pocket, hand coming out empty. Then they pick up the same ball. One player calls: “Hey! Serve it back!” 00:07–00:10 Phone is in the pocket. Still facing mostly AWAY from the net, @image1 casually tosses and hits the ball BACKWARD over one shoulder without looking at the net. One clean hit only. Both hands are on the ball/hit because the phone is already in the pocket. Camera quickly follows the ball. 00:10–00:13 The ball flies in a realistic arc and drops cleanly on the other side of the net, in bounds, for a clean point. The players freeze, then react in genuine disbelief. One shouts: “No way!” Phone still in the pocket. 00:13–00:15 Camera returns to @image1. They give a tiny casual glance back, then take the phone back out of the pocket (visible draw) and keep walking along the sand looking at the phone like nothing happened. IMPORTANT: ball hits their BACK, NEVER their legs; net visible from frame one; same ball only; one backward hit; phone goes IN THE POCKET before they play and only comes out after; no cuts, duplicated ball, disappearing phone, distortions, extra limbs, or cartoon behavior. Realistic physics and reactions. Already in motion from frame 0. AUDIO: beach/park ambience, ball bounces, voices, footsteps, the ball landing, surprised reactions. No BGM. Do not generate: subtitles, on-screen text, watermark, logos, distorted hands, extra fingers or limbs, the studio still as a cutaway, burgundy dress, gold snake necklace, a vanishing phone.
Photoreal 15-second 9:16 fitness coach video. Sound ON. The person in every frame is exactly the person in @image1. Preserve their face and gender presentation. Not a cartoon. OUTFIT: grey t-shirt, dark joggers, lime wristbands. SET: real gym. Already in the gym. Never a grey studio headshot. 0–4s: looks at camera and says clearly, loud: "Today I'm showing you squats, push-ups, and a plank." 4–8s: SQUATS. Two clean reps. "Sit back, chest up." 8–12s: PUSH-UPS on the mat. Two reps. "Core tight." 12–15s: forearm PLANK. "Hips up." Hold. Voice must be loud and intelligible. No on-screen text in the generated footage. Duration 15s. Aspect 9:16.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. No face changes, no identity drift. No other people share their face. Use they / their / them only. ATTACHED IMAGES ARE MANDATORY AND FINAL: If an avatar image is attached, that is the person — reproduce them exactly, in every single frame, and never invent a different face, hairline, hair colour, skin tone, body or age. The attached images outrank every word written below them: wherever an attached image and this text disagree, follow the image. ASSET MAP: @image1 — the character. @image1 is face, hair, skin and identity only. Ignore the café, bookshelves, window street, espresso machine, and any beige pad around the still — that pad is not a set. Wardrobe is comfortable at-home loungewear from the scene (soft knit, lounge pants) — do not treat the still as a frozen smiling headshot, and do not copy the café as the location. SINGLE SUBJECT: only @image1 appears in this video — no other people, hands, or faces enter frame at any point. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. PROP CONTINUITY: the laptop, the blanket, and a mug on the side table are all present from Scene 1 onward — nothing new appears later that wasn’t already established (only refills/accumulation of the same mug, shown clearly as a growing stack, not a new object type). Unmarked laptop — no brand logos on the lid. CAUSALITY LOCK: every prop change has a shown cause — the mug stack grows only through visible refill actions across the cuts, the window light shifts only through a natural time-lapse of the sky, and the laptop/room-scale shift in Scene 4 is an intentional stylized visual metaphor, not a continuity error. OPENING LIGHTING — HIGHEST PRIORITY FOR 0–4s: Do not open on an empty couch, a blown-out lampshade, a dark hallway, or a person entering from the shadows. Frame 1 already has @image1 in a medium shot on/near the couch, face fully in frame and fully readable. Warm practical lamp light plus a soft fill so skin, eyes and hair are correctly exposed from the first frame — cozy, even, cinematic, not gloomy, not silhouette, not spotlighted from behind. The lamp is a light source in the room, not the subject. No underexposed doorway, no motion-smear collapse as the first beat. Create a short cinematic, humorous lifestyle video about someone who refuses to sleep because they finally have time for themself after work — this time, the trap is “just one more episode.” SCENE 1 — 0–4s: Late evening, already home. Warm, even lamp lighting on @image1 from frame 1. They drop their bag beside the couch, settle into comfortable loungewear, and sit down — face readable the whole time. Exhausted but relieved, they reach for a laptop already on the couch. Exposure stays correct on their face. SCENE 2 — 4–8s: They settle under a blanket and dim the room lights (a visible, motivated dim — not a sudden blackout). They open a streaming show on the laptop. The laptop’s glow mixes with the remaining warm lamp. A soft whispered voice-over: “Just one more episode.” They press play, smiling. Face stays readable. SCENE 3 — 8–12s: A cinematic time-lapse of the night passing — shown only through the sky outside the window steadily darkening and the moon rising higher, never through any on-screen clock or number. Intercut quick beats of @image1 still watching, eyes growing progressively more tired, soft dark circles slowly deepening under their eyes with each cut. The mug on the side table is refilled again each time, the stack quietly growing taller. Faces stay lit enough to read. SCENE 4 — 12–15s: Visual metaphor, stylized and surreal: the laptop screen appears to loom larger in frame while @image1 curls smaller beside it, as if the show is consuming the night. Their dark circles read as soft, ink-like shadows beneath their eyes. Still enough light on the face to hold identity. SCENE 5 — 15–18s: Close-up on @image1's face, lit by a mix of leftover lamp warmth and laptop glow, heavy-eyed. They glance at the tall mug stack beside them, then back at the screen — and immediately click to the next episode anyway, whispering “Just one more...” Cut to black as the faintest hint of dawn light touches the window. STYLE: cinematic realistic lifestyle film, relatable internet humor, warm even lamp lighting at the open mixed later with cool laptop-screen light, subtle exaggerated dark circles, expressive facial acting, smooth camera movements, realistic skin and fabric, shallow depth of field, natural handheld moments, tasteful comedy, premium social-media reel aesthetic, seamless time transitions, highly polished visual storytelling. Vertical 9:16. Never freeze on the reference still. CAMERA: Scene 1 opens already as a medium shot on their face and upper body — not a foreground couch/laptop still-life with them out of focus in the back. Then close-ups, medium shots, natural handheld moments, shallow depth of field, natural focus transitions. AUDIO (native, synced, no BGM, no extra music): home-evening ambience, bag drop, fabric and blanket, laptop keys/trackpad, a soft whispered “Just one more episode,” mug refill clink, then a last whisper “Just one more...” No karaoke, no soundtrack bed. Do not generate any legible on-screen text, subtitles, numbers, clocks, or timestamps anywhere in frame. No BGM, no watermark, no logos, no distorted hands, no extra fingers or limbs, no duplicated people, no flickering, no sudden identity changes.
VERTICAL 9:16 15 seconds. ONE continuous handheld smartphone recording. Spectator at standing eye height beside a running lane. No cuts. No slow-mo. No captions. No music. No logos. CHARACTER LOCK — the person is exactly @image1. Preserve facial identity, hair, skin, age, build, gender presentation. Do not beautify or restyle. Use they / their / them only. @image1 = FACE only. Photocopy this person. Do not copy studio wardrobe from the lock photo. OUTFIT: fitted cobalt-blue short-sleeve top, high-waisted light-grey straight-leg trousers, white low-top sneakers. Their hair, exactly as in @image1, moves with the run. They are silent. Crowd noise only. SET: public plaza, dark-grey stone slabs, glass towers, trees, bright day. Dense spectators behind silver barriers. ONE enormous matte charcoal-grey curved ramp, several storeys high, starts off-screen right then enters during the pan. CAMERA: one phone lens, slight shake, tilted horizon, imperfect track, motion blur on the fast pan. Stay on the ground. Zoom ONLY after they land. 0.0–4.0s Already sprinting from left background toward camera. Crowd behind them. ~2–3s they rush past 1–2 metres away, filling the frame. Spectator pans right: front ¾ → side → rear ¾. They run toward the ramp. ~4s their foot hits the ramp’s lower curve. 4.0–6.9s Continuous run UP the steepening curve. Camera tilts up. They get small against the towering ramp. Last running footstep just below the lip launches them. Palms never touch the ramp. 6.9–9.9s Launch, several rapid end-over-end somersaults against sky and buildings, then they open out. ~9.9–10s BOTH sneakers hit the paving inside the barriers. Off-screen (~6.7–9.3s): “Oh my God, that was insane!” 10.0–12.4s Deep knee bend, recover, small step, upright by ~10.7, satisfied smile. Crowd erupts. Off-screen (~10.3–12s): “Whoa! That was crazy!” 12.4–15.0s Fast 3–4x smartphone zoom ~0.5s to a medium of them. ~13.2 they smile bigger, both arms up. Crowd still cheering. Off-screen (~12.7–13.6s): “Oh, no way!” End on raised arms. Same person every second. Crowd is behind barriers — extras, not a second hero. Live phone audio. Never a studio still as frame 0.
Asset referencing: @image1 is PARTNER ONE — the visitor's first chosen avatar. @image2 is PARTNER TWO — the visitor's second chosen avatar. They are the only two people in this film and they are a couple. ATTACHED IMAGES ARE MANDATORY AND FINAL FOR IDENTITY ONLY: wherever an attached image and this text disagree about a face, hair, skin tone, body or age, follow the image. For everything else — every place, every garment, every pose, the framing, the camera and the light — this text is final and the attached images carry no information at all: ignore their backgrounds, their clothing, their framing and their lighting completely. IDENTITY LOCK — HIGHEST PRIORITY: in every shot, the first person is exactly @image1 and the second person is exactly @image2 — the same facial identity, facial structure, eyes, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and marks, apparent age, build and body proportions, identical from shot to shot. Preserve each person's gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. The two are two different people and never share a face. No other people appear. WARDROBE (comes from THIS TEXT, never from @image1 or @image2): @image1 wears a faded denim jacket over a white t-shirt; @image2 wears a soft mustard-yellow knit sweater. The same clothes in every shot. THE HOME VIDEO — this is the whole point of the film: the couple's years together, remembered as old home-camcorder footage. The whole film plays inside one small landscape window with softly rounded corners, floating on a pure black vertical screen. THE WINDOW IS FIXED: it is exactly 80 % of the frame's width and 45 % of the frame's height, its centre sits exactly at the middle of the frame (50 % across, 50 % down), and it never moves, grows, shrinks or changes shape from the first frame to the last. The window is a hard mask: the image exists only inside it; every person and every object is cropped cleanly by its rounded edges, and nothing — no head, no shoulder, no hand, no light — ever reaches past its edge onto the black. Inside the window everything looks like real 1990s camcorder tape: soft focus, warm faded colours, gentle tape grain, a slight shimmer, handheld and personal, as if one of them is filming the other. Summary: a nostalgic anniversary memory reel of four short home-video moments of the same couple, cut together inside a rounded window on black, ending on their hands. Timeline: 0–3s — Shot 1, a sunny park picnic: @image2, filming, points the camera at @image1, who laughs, covers the lens with a hand for a second and then pulls it away, grinning. 3–5s — HARD CUT. Shot 2, a car at dusk: @image1 at the wheel and @image2 in the passenger seat sing loudly to the radio together, streetlights sliding over their faces. 5–8s — HARD CUT. Shot 3, a small warm kitchen at night: the camera stands on the counter; @image1 and @image2 slow-dance barefoot between the counters, @image2's head on @image1's shoulder, turning slowly. 8–10s — HARD CUT. Shot 4, a close-up: their two hands resting together on a wooden table, fingers intertwined. Below the rounded window, on the black, the words "Happy Anniversary" appear in a small thin white handwritten script, spelled exactly like that, and stay to the last frame. Notes: the rounded window keeps exactly the same size and place in every shot, centred in the frame, and everything outside it stays pure, empty black in every frame, apart from the words of shot 4 — the people are always framed so they fit inside the window, cropped by its edges where needed. The only words in the film are "Happy Anniversary", only in shot 4, only on the black below the window. Each shot is one continuous handheld home-video take; the only cuts are the three hard cuts named above. No subtitles. No BGM; generate only environmental sounds and action sounds: the faint hiss and whir of an old camcorder under everything, warm laughter and birdsong in the park, both of them singing along off-key to a car radio playing faintly, the soft shuffle of bare feet and a quiet hum in the kitchen, and a gentle room tone on the hands to the last frame.
16:9 15 seconds. Seedance 2.5. Early-2000s consumer MiniDV, faded, soft contrast, digital noise, handheld shake. Suburban US garage 2002. THREE people only. Camcorder is POV — no fourth face. CHARACTER LOCK — HIGHEST PRIORITY: each person is exactly the person in their photo. Preserve facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions. Preserve their gender presentation exactly as shown. Do not beautify, slim, de-age or restyle them. No other people. Use they / their / them only. @image1 = FACE 1. Photocopy this person. Keyboard player. @image2 = FACE 2. Photocopy this person. Guitarist. @image3 = FACE 3. Photocopy this person. Drummer. Do not copy studio wardrobe from the lock photos. WARDROBE: authentic early-2000s casual — oversized band T-shirts, baggy jeans, hoodies, skate shoes, wristbands, baseball caps. Fit the clothes to each person’s body. Same era on all three. SET: cluttered garage, cheap electric guitar, secondhand keyboard on a stand, basic drum kit, small combo amp, tangled cables, folding chairs, old posters, cardboard boxes, dusty workbench. Fluorescent overhead. CAMERA: bulky MiniDV, heavy handheld, accidental zooms, sudden pans, autofocus breathing, imperfect framing. Operator laughs off-camera. BEATS: 0.0–3.0s THREE of them stand in the garage. @image2 holds the guitar and says “This is our first official rehearsal.” @image1 immediately asks “Do we actually know a song?” 3.0–6.0s They try to play. @image3 on drums starts too early. @image2 plays a different rhythm. @image1 looks around lost at the keys. They stop after two seconds. 6.0–9.0s They try again. @image2 hits the amp with a huge burst of feedback. Everyone jumps. Camera jerks. 9.0–12.0s @image3 does an overly dramatic drum fill. One stick slips and rolls across the floor. Everyone laughs. 12.0–15.0s They sit exhausted on folding chairs. @image2 to camera: “We'll be famous eventually.” @image3 quietly: “Hopefully not for this.” They burst out laughing. Camcorder zooms toward the amp and cuts to black. Audio: guitar, amp feedback, uneven drums, keyboard notes, garage echo, laughter, talk. No added music. No narration. No on-screen text. Same three faces every cut. Never a studio headshot as frame 0.
An immersive first-person night bike ride downhill through any city you choose — wet neon streets, the city glowing below. Change the city in the bold first line of the video-step prompt. Cinematic FPV. 15s.
Wake up sealed inside a coffin underground — pound and claw through the wooden lid, dig up through the packed earth, and burst out into the moonlight, gasping. Upload your photo. 15s horror.
You are swept up in marigold petals and candle-smoke and transformed into La Calavera — a charro suit, calavera sugar-skull makeup and an ornate sombrero — in one continuous cinematic take with a big dramatic score. Upload a photo, you keep your own face. 20s.
Enter a vast dark mansion foyer — a door opens at the top of the grand staircase and a pale figure descends, flicker-jumping closer with each flash, until it's right at your face at the locked front door. Upload a photo, you keep your own face. One continuous cinematic take with a loud score. 20s.
VERTICAL 9:16 30 seconds. TikTok UGC problem/solution. Handheld selfie, medium close-up. Hard cuts. ONE person. No on-screen captions. CHARACTER LOCK: the person is exactly @image1. Preserve face, hair, skin, age, build, gender presentation. Use they / their / them only. @image1 = FACE only. Photocopy this person. Do not copy studio wardrobe from the lock. WARDROBE: fitted beige long-sleeve top, small gold hoop earrings, delicate gold necklace. SET: bright home kitchen, white subway tile, dark cabinets, microwave and stove behind. Talk TO CAMERA, English lip-sync. 0.0–3.0s Hands open, disbelief. “No one ever talks about this and it blows my mind.” 3.0–14.0s Frustration. Point to ear on ring. Head-shake. “When I try to fall asleep at night in the dead quiet, it is anything but quiet for me. My ears ring when it’s that quiet and I often just lay there in bed. My brain just will not turn off.” 14.0–17.0s “I discovered this white noise app and it has completely changed my life.” 17.0–21.0s Hands near chin, then open, relieved. “I choose what kind of white noise I want to listen to to fall asleep.” 21.0–25.0s “My favorite is the fan, but they have so many options to choose from.” 25.0–30.0s Point up on cherry on top, then at camera. “It drowns out every noise and I’m able to fall asleep so fast. The cherry on top is it’s completely free to download, so go check it out now.” Same person. No extra people. Never a studio still as frame 0.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGES ARE MANDATORY AND FINAL: The attached images outrank every word written below them. Wherever an attached image and this text disagree, follow the image — including the product’s exact shape, features and proportions. ASSET MAP: @image1 — the tiny person, exactly as shown — face, hair, skin, and every clothing item and accessory unchanged and not regenerated, in every shot they appear. Ignore the grey studio pad around @image1 — that pad is not a set. Never freeze on the attached still as frame 0. Never show a checkerboard or transparency grid. @image2 — the product, exactly as shown, unchanged and not regenerated — same shape, colour, materials, label/logo/patch and hardware in every shot it appears. Ignore any table, wall or surface visible behind it in the reference image — that is not a second landscape. No giant wearer. No other people, hands, or faces enter frame at any point. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. SINGLE SUBJECT: only @image1 appears as a person — no other people. SCALE REALISM: @image1 is shrunk to only a few centimetres tall relative to @image2, which stands at its true full size — like a towering landmark. Match lighting and colour grade between the tiny person and the product throughout so the whole shot reads as one real photograph, not a composite. The size contrast must be clearly visible in the very first frame, not revealed later. PROP CONTINUITY: the small bridging object (a twig or leaf found nearby) is introduced in Scene 2 and used once to cross the gap — it does not appear before that point and is not reused afterward. CAUSALITY LOCK: every movement has a shown cause — the near-slip happens because their foothold gives way, visibly, and their catch/recovery is a direct, physical reaction to it, not an unexplained recovery. Do NOT default to a calm, mostly-still shot. Shot 1 must open already in motion. SCENE: @image1, shrunk down, is partway up the side of @image2, which looms above them like a giant landmark. The product’s real shape and distinctive features, exactly as shown in @image2, read as an oversized landscape — no invented parts, functions or textures that do not match @image2. Warm natural lighting, shallow depth of field, whimsical live-action macro realism. Believable physical interaction with the product’s real surface. 0–3s: Already mid-climb, @image1 scrambles along one of the product’s natural features, moving with effort and momentum, when they reach a wide gap between two distinct parts of the product’s surface — too far to jump. 3–6s: They spot a small twig or leaf lying nearby, drag it over, and wedge it across the gap as a makeshift bridge. They test it with one foot before committing. 6–8s: Halfway across, their foothold on the bridge shifts and gives way slightly — they wobble, arms pinwheeling, and grab the edge of the product just in time to catch themselves, dangling for a beat before pulling back up onto solid footing. 8–12s: Shaken but grinning, they finish the climb up the last stretch of the product’s surface and reach the top — the highest distinctive point of @image2 — standing tall, arms raised, looking out over the giant product landscape below. The full scale contrast between them and @image2 is clearly visible in this final frame. AUDIO: natural foley only — surface rustle, tiny footsteps, a twig scrape, a short effort sound on the catch, a breath of relief at the top. No music, no BGM, no voiceover, no narration. No on-screen text, no watermark, no subtitles.
ASSET MAP: @image1 — the creature, exactly as shown, unchanged and not regenerated — same colour, pattern, skin/surface texture, limb count and proportions in every shot it appears. ATTACHED IMAGE IS MANDATORY AND FINAL: The attached image outranks every word written below it for the creature’s anatomy. Photocopy the creature in @image1 exactly — colour, skin, fins, eyes, limbs and suckers as shown. Same limb count as @image1. No extra limbs, no missing limbs, no humanoid features. @image1 is the creature’s body only. Do not reproduce the deep-ocean rocks, bioluminescent fish, submersible, searchlight beam, or dark underwater lighting from the still. Those are not part of this film. The setting below is a working fishing boat in overcast daylight. ANATOMY LOCK — HIGHEST PRIORITY: This is one intact squid. Mantle, head, arms and both long tentacles stay connected as a single animal in every frame. When the crew loosen and pull the net away, only mesh and water move off the creature — no arm or tentacle detaches, severs, or lies as a separate piece on the deck. CAUSALITY LOCK: every movement has a shown cause — the net is lowered by the visible winch/boom, the creature’s motion begins only after the net loosens around it, and the water splash happens only because of the creature’s own visible body movement. PROP CONTINUITY: the net, winch, boom, and deck layout are established in the opening frame and remain consistent throughout — nothing new appears later that wasn’t already there. Create a 15-second, ultra-realistic found-footage video of two crew members hauling an unusually large sea creature (@image1) aboard a working fishing boat. Recorded by an unseen crew member standing on deck. CAMERA AND LIGHTING: Authentic casual smartphone footage — slight hand shake, imperfect framing, ordinary autofocus, natural motion blur, realistic digital zoom. The recording device and its operator stay out of frame. Bright overcast daylight, neutral colours, soft shadows, wet surfaces, worn fishing equipment, ordinary grey sea. Natural skin/texture rendering, no cinematic lighting or beauty filters. Observer stays several steps inside the deck, with a clear view of the net, both crew members, and the creature. The boat rocks gently. SETTING AND SUBJECT: A working fishing boat with a broad wet deck, metal gunwale, and a small hydraulic lifting boom. Two crew members wear waterproof jackets, rubber gloves, and work boots. A heavy fishing net hangs from the boom above the deck, the winch supporting its weight while the crew guide and open it. Inside is the creature (@image1), unusually large, its body filling much of the net. CONTINUOUS ACTION: Start MID-HAUL — the dripping net is already being brought aboard, suspended just above the deck, its load filling much of the frame. Part of the creature’s body protrudes through the loose netting, shifting slightly. The unseen person filming reacts immediately: “That thing is huge — what is that?” The winch lowers the net onto the clear deck. Water drains across the boards. The creature’s weight visibly settles onto the surface before the crew loosen the net. One crew member pulls the slack mesh away from one end of the creature while the other draws it clear from the opposite end. The creature stays in the same position as the net opens around it. Arms and tentacles stay attached. The view makes a short, slightly uneven digital zoom toward the creature’s body, then adjusts to reveal more of it beneath the wet netting — its eye, matching @image1, slowly shifting toward the nearest crew member. Hold this discovery briefly, with audible breathing from behind the camera. Then the creature abruptly makes a sudden, forceful full-body movement, striking the wet deck and throwing a sheet of water toward the crew. Both crew members recoil in separate, instinctive movements, releasing the loose mesh and stepping away. The person filming shouts: “It’s moving!” The view quickly zooms back out to keep the creature and the retreating crew visible. A brief startled shake interrupts the framing, but the creature stays readable as one intact squid. End at 15 seconds with the creature raised slightly off the deck, oriented toward the person filming. The loosened net remains beneath and beside it. SOUND AND CONTINUITY: Natural live audio only — winch motor, water draining, quiet boat engine, wind, wet netting, boots on deck, the impact of the creature’s movement, startled breathing, and the two short reactions. No music or added horror sound effects. One uninterrupted recording at normal speed — no cuts, hidden transitions, slow motion, or external viewpoints. Do not generate: subtitles, on-screen graphics, watermark, recording interface, distorted anatomy, extra limbs or body parts beyond what @image1 shows, a detached tentacle, or any humanoid features.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGE IS MANDATORY AND FINAL: The attached image outranks every word written below it: wherever the attached image and this text disagree on the FACE, follow the image. ASSET MAP: @image1 — the person. Photocopy @image1 for face, hair, skin and identity only. Do not copy the olive-green quarter-zip, the white crew t-shirt, the crossed-arms studio pose, or the lounge interior from the still. Ignore any pad around the still — that pad is not a set. Never cut to the attached still as frame 0. WARDROBE — TWO LOOKS ONLY: - 0–8s (bedroom wake, then kitchen coffee): pajamas only — a matching sleep set (soft long-sleeve pajama top and pajama pants). No blazer, no office shirt, no street coat, no olive zip, no bag, no umbrella in this block. - 8–16s (getting ready in a dressing area / by the front door, NOT in the kitchen): they change out of the pajamas into formal first-day clothes — a dark tailored blazer over a light button-down shirt, tailored trousers. Pajamas off; formal on before they leave. Then they pick up bag and umbrella at the door. - 16–30s (wet city and office): formal clothes only. No pajamas on the street or at the office. Do not restyle hair. Do not mix the two looks in one shot. ROOMS — HIGHEST PRIORITY: The bedroom and the kitchen are two different rooms. - Bedroom: bed, window, rain on the glass. They wake HERE. - Then they WALK OUT of the bedroom through a doorway / hall into a real kitchen — separate space with a counter, cabinets, sink, and a coffee maker or kettle. Coffee is made ONLY in that kitchen. No coffee tray on the bed. No kitchen counter beside the bed. No brewing in the bedroom. - Getting dressed happens after coffee, in a dressing area or at a mirror near the front door — not back in bed. UMBRELLA PHYSICS — HIGHEST PRIORITY: The umbrella never holds itself, never stands on its own, never floats, never hovers. Gravity. When the umbrella is open, one of their hands is visibly gripping the handle the entire time. When they check the time (watch or phone), the OTHER hand holds the umbrella — they do not let go. The umbrella does not stay upright without a hand. Closed umbrella is carried in a hand or tucked under an arm, never standing alone. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. SINGLE SUBJECT: @image1 is the only named subject — background pedestrians, drivers and passersby may appear naturally but are never named, aged or described by ethnicity/gender, only by generic role and action. Create a 30-second ultra-photorealistic live-action vlog of @image1 waking to a rainy morning in pajamas, walking to a separate kitchen to make coffee, changing into formal clothes, grabbing an umbrella, walking through a wet city, and arriving at a new office just before their first shift. Already in motion from frame 0 — never a frozen studio pose. 0–8s: @image1 wakes up in pajamas in the bedroom, glances out the bedroom window at the rain, sighs with a small smile, then walks through a doorway into a separate kitchen and makes coffee at the kitchen counter. Modern smartphone vlog style — natural handheld movement, subtle shake, autofocus changes. Dialogue: “Good morning… apparently, it’s raining. Perfect first-day weather.” 8–16s: @image1 gets ready away from the kitchen — taking off the pajamas, putting on the formal blazer and trousers, checking themselves in a hall/door mirror in the full formal look, grabbing their bag and picking up the umbrella with their hand by the door. Natural expressions, believable human movement. Dialogue: “First coffee. Then… new job.” 16–24s: @image1 walks through the wet city streets in the formal clothes. Umbrella is open and held in one hand the whole time. They navigate puddles, reflections, passing traffic and other umbrellas. If they check the time, the free hand does that while the umbrella hand keeps gripping the handle — the umbrella does not stand or float by itself. Realistic rain, wet clothing, natural pacing — not rushed. Dialogue: “Two minutes early. I’m impressed.” 24–30s: @image1 arrives at the office entrance in the same formal clothes, still holding the umbrella, shakes it off with their hands, takes a breath, and steps inside. Dialogue: “Okay… here we go.” CAMERA / REALISM: natural handheld movement, subtle shake, autofocus changes, realistic rain, puddles, reflections, traffic, umbrellas, wet clothing, natural expressions, believable human movement, no overly smooth gimbal look. Landscape 16:9. AUDIO: natural diegetic audio only — rain, footsteps, traffic, umbrella sounds, ambient city noise, and the spoken dialogue lines above. No music, no narration, no voiceover other than those lines. Do not generate: music, narration, CGI look, artificial rain, face changes, distorted anatomy, extra fingers or limbs, impossible physics, floating umbrella, coffee in the bedroom, subtitles, on-screen text, logos, or watermark. Never freeze on the attached still.
CHARACTER LOCK — HIGHEST PRIORITY: The person in every shot is exactly the person in @image1. Preserve their facial identity, facial structure, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, build and body proportions — identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. Refer to them only as they/them in this prompt. ATTACHED IMAGE IS MANDATORY AND FINAL: The attached image outranks every word written below it: wherever the attached image and this text disagree on the FACE, follow the image. ASSET MAP: @image1 — the person. Photocopy @image1 for face, hair, skin and identity only. Do not copy the olive-green quarter-zip, the white crew t-shirt, the crossed-arms studio pose, or the lounge interior from the still. Ignore any pad around the still — that pad is not a set. Never cut to the attached still as frame 0. WARDROBE (scene, not the still): they wake in simple home lounge clothes, then put on a dark tailored blazer over a light shirt, grab a bag and a compact umbrella for a first-day commute. Do not restyle hair. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. SINGLE SUBJECT: @image1 is the only named subject — background pedestrians, drivers and passersby may appear naturally but are never named, aged or described by ethnicity/gender, only by generic role and action. Create a 30-second ultra-photorealistic live-action vlog of @image1 waking to a rainy morning, making coffee, getting ready, grabbing an umbrella, walking through a wet city, and arriving at a new office just before their first shift. Already in motion from frame 0 — never a frozen studio pose. 0–8s: @image1 wakes up, glances out the window at the rain, sighs with a small smile, and heads to the kitchen to make coffee. Modern smartphone vlog style — natural handheld movement, subtle shake, autofocus changes. Dialogue: “Good morning… apparently, it’s raining. Perfect first-day weather.” 8–16s: @image1 gets ready — putting on a blazer, checking themselves in the mirror, grabbing their bag and umbrella by the door. Natural expressions, believable human movement. Dialogue: “First coffee. Then… new job.” 16–24s: @image1 walks through the wet city streets, umbrella up, navigating puddles, reflections, passing traffic and other umbrellas. Realistic rain, wet clothing, natural pacing — not rushed. Dialogue: “Two minutes early. I’m impressed.” 24–30s: @image1 arrives at the office entrance, shakes off the umbrella, takes a breath, and steps inside. Dialogue: “Okay… here we go.” CAMERA / REALISM: natural handheld movement, subtle shake, autofocus changes, realistic rain, puddles, reflections, traffic, umbrellas, wet clothing, natural expressions, believable human movement, no overly smooth gimbal look. Landscape 16:9. AUDIO: natural diegetic audio only — rain, footsteps, traffic, umbrella sounds, ambient city noise, and the spoken dialogue lines above. No music, no narration, no voiceover other than those lines. Do not generate: music, narration, CGI look, artificial rain, face changes, distorted anatomy, extra fingers or limbs, impossible physics, subtitles, on-screen text, logos, or watermark. Never freeze on the attached still.
VERTICAL 9:16 30 seconds. Talking-head GRWM. Phone on the vanity. ONE person. NO ON-SCREEN TEXT. NO captions. NO subtitles. NO karaoke. NO lower-thirds. Picture + voice only. CHARACTER LOCK: the person is exactly @image1. Preserve face, hair, skin, age, build, gender presentation. Use they / their / them only. @image1 = FACE only. Photocopy this person. Do not copy studio wardrobe from the lock. WARDROBE: silky nightgown / slip. Hair in a WHITE TOWEL turban. Luxury vanity. Never a studio headshot as frame 0. Never say a product name. “one thing” and “it’s in my bio” only. They SAY each line WHILE doing that makeup step. MAKEUP ORDER — LOCKED: 0.0–4.0s NO makeup yet. Bare face, close, venting. THEN they pick up PRIMER and dot it on. 4.0–10.0s PRIMER blending into FOUNDATION. 10.0–13.0s CONCEALER tap-tap-tap, THEN POWDER. Tired face. 13.0–22.0s BRONZER then BLUSH. Hands slow. Brush PAUSES mid-air on “one thing.” Blush brighter. 22.0–26.0s MASCARA, quick strokes, smirk. 26.0–30.0s LIP product, lean back, full finished face, slight smile. 0–4s: “Get ready with me while I tell you why the freelancer lifestyle never sleeps. A client texted me at eleven forty-seven P M — wanted a full ad campaign — video, copy, launched — by 9am. And I said yes.” Never say boring. Say “never sleeps.” 4–10s: “So by midnight I’ve got six tabs open. Video. Captions. Stock photos. Ad account. And one just to remember my logins.” 10–13s: “By 2 am I was beat.” 13–22s: “Next morning, half-dead, I found… one thing that does it all.” Pause on “one thing.” “You type what you’re selling. It writes the ad, makes the video, launches it — and tells you what’s actually working.” 22–26s: “Same client, next campaign? Twenty minutes. From my phone. In bed.” 26–30s: “You’ll still get the eleven P M texts. You’ll just survive them. It’s in my bio.” Same person. Same nightgown. Same towel. No extra people. Zero on-screen words.
VERTICAL 9:16 30 seconds. Outerwear UGC review. Hard cuts. One person only. CHARACTER LOCK — HIGHEST PRIORITY: the person is exactly the person in @image1. Preserve their facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions. Preserve their gender presentation exactly as shown. Do not beautify, slim, de-age or restyle them. No other people in frame. Use they / their / them only. @image1 = FACE only. Photocopy this person. Do not copy studio wardrobe from the lock photo. @image2 = THE RAINCOAT. Photocopy THIS garment: exactly as shown in @image2 — same colour, length, cut, closures, pockets and fabric. NEVER a different colour. WARDROBE every second: @image2 raincoat over a black turtleneck, black jeans, black over-the-knee boots. NEVER white sneakers. They talk to camera, English, lip-sync. 0.0–4.0s City sidewalk. They point to the raincoat. Cut to CU of the coat's waist and fabric. VO: “I’ve been testing this new raincoat, and I wanted to see how it actually performs in different conditions.” 4.0–9.0s Medium profile walking on a sidewalk, then CU of the coat moving as they walk. VO: “It’s lightweight, comfortable, and really stylish to wear all day.” 9.0–13.0s Medium front-tracking brisk walk on an asphalt park path, then CU of the hood. VO: “For walking, I really like how breathable the material is.” 13.0–18.0s Basketball court. They pose to show length and fit. Cut to CU of the deep pockets. VO: “I also wanted to show off the practical details like these deep pockets.” 18.0–23.0s Wet city street in the rain. Then slow-mo CU of raindrops beading and rolling off THIS coat's fabric. VO: “And it keeps me completely dry when the weather gets bad.” 23.0–30.0s Empty concrete parking garage. They walk toward camera. Final medium in the raincoat. VO: “After testing it out, this raincoat definitely feels built for everyday wear.” Same person. Same @image2 coat. No extra people. No on-screen text. No logos. Never a studio headshot as frame 0.
Asset referencing: @image1 is the first frame of this video: two face-down playing cards with red patterned backs lying side by side on a green cutting mat, a hand resting across them, a kraft note reading "Happy Anniversary" below. @image2 is the last frame of this video: the same mat, with the two cards now face up — the Ace of Hearts on the left holding the photo of PARTNER ONE and the Ace of Diamonds on the right holding the photo of PARTNER TWO — their edges touching, the same note below. Together they define the table, the cards, the photos, the hand, the light and the framing. ATTACHED IMAGES ARE MANDATORY AND FINAL: the photographs inside the two aces are exactly the photographs in @image2 and never change; the note always reads "Happy Anniversary". THE PAIR — this is the whole point of the film: one hand turns over the left card to reveal the first face, then turns over the right card to reveal the second face, and then nudges the two cards together until their edges touch, so the two faces lean towards each other — a pair. Summary: a top-down, one-take anniversary reveal on a craft table in which a hand turns over two playing cards to reveal two photographs and nudges them together into a pair. Timeline: 0–1s — The framing of @image1: two face-down cards side by side, the hand resting across them. 1–3s — The hand lifts the edge of the left card and turns it over flat onto the mat, face up: the Ace of Hearts with the photo of PARTNER ONE appears. 3–5s — The hand moves to the right card and turns it over the same way: the Ace of Diamonds with the photo of PARTNER TWO appears. 5–8s — With two fingers the hand nudges the right card gently to the left until its long edge touches the left card, and angles the two cards a little towards each other. 8–10s — The hand lifts away and leaves the frame; the pair and the note hold still exactly as in @image2. Notes: the hand is one natural human hand with five fingers. Each card turns over only once, flat and close to the mat, and after it is face up it never turns back. The card fronts show only the white border, the red "A" and the red pips around the photo window. The photos stay inside their windows and never move, change or animate. The note, the scissors and the offcuts never move. The camera is a still top-down phone shot for the whole film, one unbroken take with no cuts. No subtitles. No BGM; generate only environmental sounds and action sounds: a close intimate mix — the soft snap of a card edge lifting, the light slap of a card landing on the mat, the dry whisper of a card being nudged across the mat, a faint room tone with distant birdsong through the window, to the last frame.
Become a rooftop ninja: parkour across rooftops and a neon alley, hurl shuriken at your pursuers, and finish in a low crouch. Upload your photo. 20s action.
