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PRODUCT LOCK — HIGHEST PRIORITY: The product in every shot it appears is exactly as shown in @image1, unchanged and not regenerated — same shape, colour, materials, label and logo text every time it appears. No redesign, no restyling, no substituting a similar-looking item. Never add any lettering or logo that is not already visible on the reference photo. ASSET MAP: @image1 — the product, exactly as shown, unchanged and not regenerated. The product is the dog toy shown in @image1, exactly as photographed. No treat bowl in any shot. HANDS: hands are always anatomically correct with five fingers each, naturally proportioned, in every shot they appear. Tell the following story in exactly 3 shots with a clear visual beginning, twist and ending. The product from @image1 is the twist/resolution — it naturally solves the problem set up in shot 1. STORY: A dog paces by the front door, already unsettled, as their owner ties their shoes and picks up their keys — the dog’s ears pin back, they whine softly and press against the owner’s leg, sensing the goodbye coming. The owner kneels down, takes the product from @image1 from a nearby shelf, and tucks it into the dog’s bed, pressing it in close where the dog can reach it. As the owner opens the door to leave, the dog turns back toward the bed instead of the door, sniffs at the product, and settles down, curling around it. The door closes gently, and the dog exhales and rests calmly, at ease in the quiet room. STYLE: Warm, intimate handheld realism, soft natural window light, shallow depth of field, lived-in home setting. Camera stays low and close, no sweeping moves. Vertical 9:16. Continuous real motion, no freeze-frame. No on-screen text, no subtitles, no watermark, no logo beyond what the product itself shows, no title card. AUDIO (native, synced, no BGM, no voiceover, no narration): soft footsteps and the jingle of keys, a quiet anxious whine, gentle reassuring murmurs from the owner, the soft door latch, and calm settled breathing from the dog as the room quiets. SHOT 1 (0.0-7.0s): Open already in motion — no static establishing beat. Handheld, low angle near the door. The dog paces and presses against the owner’s leg as the owner ties their shoes and picks up their keys, ears back, clearly anxious. Owner’s hands and the dog’s body language both readable and in focus. SHOT 2 (7.0-14.0s): The product is introduced exactly as shown in @image1 — exactly the toy in @image1. The owner kneels, takes it from a nearby shelf, and tucks it into the dog’s bed, pressing it in close. Camera holds steady on the product as the dog notices it and moves toward the bed instead of the door. SHOT 3 (14.0-20.0s): The resolution. The owner opens the door and steps out; the dog, now settled with the product, curls around it and exhales, at ease. The door closes gently on a calm, quiet room. A clear, warm, settled ending — not a fade-out, not a still.

Asset referencing: @image1 is the first frame of this video: a completely closed cream greeting card standing on a pale pink table, folded like a closed book with its fold on the LEFT side, held at its edges by two hands. @image2 is the last frame of this video: the same card opened sideways like a book, its vertical fold in the middle, with a colourful paper pop-up party scene — paper balloons, a flag garland, paper stars and a flat cut-out paper figure of THE PERSON — and the words "You're Invited!" printed inside. Together they define the card, the pop-up scene, the paper figure, the lettering, the hands, the light and the framing. ATTACHED IMAGES ARE MANDATORY AND FINAL: the attached frames outrank every word written below them. Wherever the images and this text disagree, follow the images. The paper figure keeps exactly the face, hair and clothing it has in @image2 for the whole film. THE POP-UP — this is the whole point of the film: the card starts fully shut. The card opens sideways like a book: its fold is the vertical crease on the LEFT side, and the right hand swings the front cover open to the LEFT around that fold in one smooth, continuous movement, until the two halves stand open on the table like an open book with the fold in the middle, exactly as in @image2; it never opens upward or downward and never folds back shut — and as it opens, the whole paper scene springs up out of the fold in layers: the balloons lift and bob on their paper strings, the flag garland pulls taut across the top, the little paper stars flip up, and the paper figure of THE PERSON rises upright in the centre. Then, as if by magic, the paper figure comes alive like a paper puppet: its one paper arm swings up at the shoulder on a tiny paper hinge and waves at the viewer, then settles back down to its side. THE PAPER FIGURE NEVER CHANGES SHAPE: it stays exactly the size and outline it has in @image2 — cut off above the knees, flat as a single sheet of card, with a thin white paper border around its edge. It never grows legs or feet, never becomes rounded or three-dimensional, never becomes a real person, and never grows taller. Only its waving paper arm moves on the hinge. Summary: a playful pop-up invitation film in one unbroken take in which hands open a closed card, a paper party scene springs up out of it, and the paper cut-out of the visitor waves under the words "You're Invited!". Timeline: 0–1s — The framing of @image1: the card is completely closed, the hands holding its edges. 1–4s — The front cover swings open to the left around the vertical fold, like the cover of a book, and the pop-up scene springs up in layers — balloons lifting, the garland pulling taut, stars flipping up, the paper figure rising upright — while "You're Invited!" comes into view. 4–8s — The flat paper figure of THE PERSON swings its paper arm up on its hinge and waves at the viewer, while the paper balloons bob gently. 8–10s — The paper arm settles back down, the scene comes to rest, and the film arrives at the framing of @image2. Notes: everything is made of paper and card and moves the way paper moves — folding, springing, bobbing. The card opens once and never closes again. The paper figure stays a flat paper cut-out. The lettering reads "You're Invited!" whenever it is visible. The same two hands appear throughout. The camera stays still at card height with no cuts, and the film runs as one unbroken take. No subtitles. No BGM; generate only environmental sounds and action sounds: a crisp, playful mix — the stiff creak of the card opening, the lively snap and flutter of paper layers springing up, the tiny tick of the paper hinge as the arm waves, and a cheerful quiet room ambience, to the last frame.

3 steps301.5K

15 seconds, 9:16. Seedance 2.5. ONE CONTINUOUS UNBROKEN TAKE — no hard cuts. Locked frontal tracking camera moving BACKWARD to match his flight speed. WILLIAM LOCK: @image1 is William — photocopy his face, hair, eyes and facial hair exactly as shown. Wardrobe: black ribbed tank, blue jeans, brown belt, black combat boots. Adult. Arms visible. NOT shirtless. No jacket over the tank. SETTING: Hong Kong at dusk. Harbour, neon, ferry, narrow streets, skyscrapers. AUDIO: wind, water, city. No speech. No lyrics. 0.0–5.0s APPROACH. He flies horizontally just above the water toward the skyline. Rapid barrel roll to dodge. Camera tracks backward, locked on him. 5.0–10.0s SLOW-MO DODGE. Past a ferry into the city. Slow-motion as he flies extremely close to a glowing ORANGE neon sign. Both arms reach forward, focused expression, dodging structures. 10.0–15.0s CITY SPRINT. Full speed. Bursts through a splash of water. Flies down a busy narrow street flanked by skyscrapers, ducking under a concrete overpass. HOLD. NEGATIVE: shirtless, nude, jacket, hard cuts, overlay type, weapons, extra people as heroes, recast face.

15 seconds, 9:16. Seedance 2.5. Cinematic PARKOUR at dusk. HARD CUT between shots. ~3.7s each. ERIC LOCK: @image1 is Eric — photocopy their face, hair, facial hair and features exactly as in @image1. Adult. IGNORE casual clothes in @image1. Dark suit, flowing long coat. Same person every frame. SETTING: illuminated NYC skyline at dusk. Sprawling rooftops. Other men in dark suits running behind Eric — anonymous extras, not celebrities. AUDIO: wind, city, helicopter, footsteps. No speech. No lyrics. SHOT 1 (0.0–3.7) Front-facing tracking. A helicopter spotlight SNAPS onto a high-rise rooftop, instantly illuminating Eric already in a full sprint TOWARD the camera. Suited runners behind Eric matching pace. HARD CUT. SHOT 2 (3.7–7.5) Wide profile. Eric hits the ledge at speed and executes a sweeping cinematic leap off the building, soaring with forward momentum over the glowing cityscape. HARD CUT. SHOT 3 (7.5–11.2) Ground-level tracking. Eric hits the lower rooftop and drops into a fluid, SAFE forward shoulder roll, then springs out of the rotation without breaking stride. HARD CUT. SHOT 4 (11.2–15.0) Fast pan. Eric accelerates from the roll, sprints the gravel roof, and launches off the next ledge into the night. HOLD. NEGATIVE: weapons, fight, crash into people, overlay type, Mateo, William, brown bomber, skipped shots, extra celebrity faces.

ANIMAL MORPH — Into a Lion @image1 sprints and leaps, and in cinematic slow-motion detail transforms mid-air into a powerful lion — skin rippling into fur, a hand curling into a clawed paw, the face becoming a lion's — then lands hard and roars. A film-style werewolf-movie morph, one continuous 15s take. Swap in ANY avatar.

Asset referencing: @image1 is the first frame of this video: a birthday cake whose top is covered by a white wafer sheet reading "Happy Birthday", with a lighter flame touching its edge. @image2 is the last frame of this video: the same cake with the sheet burned away, showing THE PHOTO printed on the cake top. Together they define the cake, the photo, the light and the framing. ATTACHED IMAGES ARE MANDATORY AND FINAL: the attached frames outrank every word written below them. Wherever the images and this text disagree, follow the images. THE PHOTO on the cake top is exactly the photo in @image2, and it never changes. THE BURN — this is the whole point of the film: the wafer sheet catches at the edge where the flame touches it, and a thin glowing orange line of fire creeps slowly inward across the sheet from that edge, like paper burning, the burnt edge curling up and turning to fine black and grey ash that crumbles and falls away. Wherever the burning line has passed, the sheet is gone and THE PHOTO underneath is revealed, bright and untouched. The burning line travels slowly and evenly across the whole top, crossing the "Happy Birthday" lettering, until the last of the sheet is gone and THE PHOTO fills the top of the cake. Summary: a birthday burn-away cake film in one unbroken take in which a lighter sets the edge of a "Happy Birthday" wafer sheet alight and the glowing burn line slowly eats across it, revealing the photo printed on the cake beneath. Timeline: 0–2s — The framing of @image1. The flame touches the edge of the sheet, a small bright glow catches, and the hand draws the lighter away out of frame. 2–5s — A glowing orange line of fire spreads slowly inward from the edge, the burnt rim curling and crumbling into ash, and the first part of THE PHOTO appears behind it. 5–8s — The burning line crosses the "Happy Birthday" lettering and sweeps on across the rest of the top, more and more of THE PHOTO revealed, the camera pushing in slowly. 8–10s — The last glowing edge dies out, and THE PHOTO lies fully revealed on the top of the cake, clean and calm, as in @image2. Notes: the cake, the rosette border, the stand, the fairy-light bokeh and the warm light stay exactly as in the two frames. The fire stays small, gentle and contained on the wafer sheet; the buttercream never burns. The camera moves as one slow continuous push-in with no cuts, and the film runs as one unbroken take. No subtitles. No BGM; generate only environmental sounds and action sounds: a close intimate mix — the soft flick of the lighter, a faint whoosh as the edge catches, the fine dry crackling and soft hiss of thin paper burning, tiny crisp ticks as ash crumbles, and the warm murmur of a quiet birthday party in the room behind, to the last frame.

3 steps311.6K

Asset referencing: @image1 is the first frame of this video. It shows a vintage Lambeth-style birthday cake on a silver turntable, piped in a palette and motifs of its own, with ribbon bows and "Happy Birthday" in piped script on the top. It defines the cake, every decoration, the colours, the lettering, the backdrop, the light and the framing of the opening shot. ATTACHED IMAGES ARE MANDATORY AND FINAL: the attached first frame outranks every word written below it. Wherever the image and this text disagree, follow the image. The cake keeps exactly the design, colours and lettering of @image1 for the whole film. THE REVEAL — this is the whole point of the film: the turntable turns slowly and smoothly, and the camera moves with it like a loving hand-held close-up, gliding in from the whole cake to extreme macro detail — skimming along the ruffled frills, over the piped pearls and swags, past the tiny piped motifs and the trailing satin ribbons as they sway gently with the turning — and then rising back up and out to settle on the whole cake from above, with "Happy Birthday" facing the lens. Summary: a cake reveal film in one unbroken take in which a vintage Lambeth-style birthday cake turns slowly on its turntable while the camera glides from the whole cake into macro details of its piping and bows, and back out to the lettering on its top. Timeline: 0–2s — The framing of @image1. The turntable begins to turn slowly, the ribbons swaying softly. 2–5s — The camera glides in close and low, skimming along the side of the turning cake in macro: the frills, the pearls, the tiny piped motifs, a satin bow drifting past the lens. 5–8s — The camera rises along the side to the top edge and travels over the shell border in close-up as the cake keeps turning. 8–10s — The camera pulls back and settles slightly above the whole cake as the turntable slows to a stop with "Happy Birthday" facing the lens, the ribbons swinging gently still. Notes: the cake keeps exactly its design, colours, ribbons and lettering from @image1 throughout, and the lettering reads "Happy Birthday" whenever it faces the camera. The light and the backdrop stay as in @image1. The camera moves as one smooth continuous glide with no cuts, and the film runs as one unbroken take. No subtitles. No BGM; generate only environmental sounds and action sounds: a soft, calm mix — the faint smooth whir of the turntable, the gentle rustle of satin ribbons as they sway, a few soft room sounds of a quiet bright kitchen studio, to the last frame.

2 steps281.5K

@image1 (character sheet) is an absolute character lock: face, head shape, skin tone and build are taken from it exactly, with no drift or reinterpretation at any point. @image2 (look sheet) is an absolute wardrobe lock: every outfit is taken from its panels exactly, in its reading order, and no garment, colour or accessory appears that is not on that sheet. Photographic and low-key throughout, matching the ground and lighting of @image1 — an unlit interior thrown well out of focus behind, deep near-black shadow, a faint warm edge of light from behind and to one side, the face held clearly readable against the dark. Natural colour, realistic skin texture, real fabric weight and knit texture. No stylisation, no illustration, no cel shading, no outlines, no beauty retouching. Locked-off camera throughout — no push, no pull, no pan, no tilt, no handheld drift. Head and shoulders centred at a constant size, front-on and square to camera, for the whole take. The subject holds a neutral front-on pose and never breaks it: shoulders level and settled, gaze steady into the lens, no turning, no gesturing, no expression change. Through every beat they stay alive with the smallest involuntary motion only — shallow breathing, the faintest settle of weight, an occasional slow blink — while the framing and the pose stay fixed. Wearing the first look from @image2, they hold the pose and settle. The look breaks apart into a dense sweep of fine drifting particles that carries across the frame and reforms into the second look from @image2, which settles and holds. The look breaks apart again in the same way and reforms into the third look, which settles and holds. It disperses and reforms into the fourth look, which settles and holds. It disperses and reforms into the fifth look, which settles and holds. It disperses and reforms into the sixth look, which settles and holds. It disperses and reforms into the seventh look, which settles and holds. It disperses and reforms into the eighth look, which settles and holds. It disperses and reforms into the ninth look, which settles and holds square to camera to finish. Every hold carries the same weight as the one before it and every dispersal takes the same time as the one before it, evenly across the whole take. Only the garments dissolve and reform — the face, the head position and the framing stay continuous and untouched through every transition, never breaking apart, never blurring, never re-forming as a different person. One continuous unbroken take, no cuts, no flicker, no duplicated or frozen frames. No text, no captions, no subtitles, no watermarks, no wordmarks, no logos or slogans on any garment, no other people, no props, no background objects.

3 steps2.9K12.3K

MAGIC REVEAL — Dress Swap @image1 stands in a spotlight, a swirl of golden sparkles and silk ribbons wraps around them, and in a flash they are revealed wearing the exact dress/outfit from @image2 — same face (@image1), new outfit (@image2). Plug in ANY avatar and ANY dress photo. Music only. One continuous, glamorous 15s take.

2 steps

REGIONAL BEAT DANCE — Hawaiian Hula @image1 dances a graceful, skilled Hawaiian hula on a golden-hour beach — continuous circular hip rotations, quick vamp steps, crisp knee pops and expressive story-telling hands, to a warm drum-and-ipu island rhythm. Music only, mixed loud. One continuous 20s take. Swap in ANY avatar.

ICONIC MOVES — Rooftop Viral Medley @image1 rips through five instantly-recognisable viral dance moves — the running man, the floss, the dab, the whip & nae-nae and the shoot — on a sunny golden-hour rooftop with a city skyline behind. Music only, mixed loud. One continuous, high-energy 20s take. Swap in ANY avatar.

Match the ORIGINAL 15s 9:16 FILM grammar. Keep the bottle's own colours, label and finish exactly as in @image1 — never recolor it; the rose-gold is the set and light only. @image1 is the toner. Photocopy the bottle exactly — cap, liquid colour, wordmark and label text exactly as printed. NEVER a different product. NEVER a 3-bottle lineup. 0.0–2.5s MACRO droplets of the toner from @image1 (its own liquid colour) on a matte surface. Each drop lands with a LIGHT PING — a bright specular sparkle / ping of light. Luxury rose-gold bokeh background. 2.5–5.5s The @image1 bottle suspended, a splash in the bottle's own colours exploding around it, rose-gold studio background. Slow motion. 5.5–8.0s Slow-motion liquid tendrils rising. Same palette as the bottle in @image1. 8.0–11.0s NOT white ribbons. CLOSE-UP of a woman’s CHEEK only — skin dewy and glowy from the toner, rose-gold light. No full face required. No white strips. No cotton pads as the hero. 11.0–13.0s A flower in the bottle's own colours from @image1, blooming through a water splash. Not a white dahlia. 13.0–15.0s HERO of THIS ONE bottle from @image1 on a stone counter, rose-gold light. HOLD. No product lineup. No added type. AUDIO: light ping on the opening drops, splash, luxury. No speech. No lyrics. NEGATIVE: three-bottle lineup, white ribbons, white flower, overlay type, cotton pads as hero, people walking.

ONE CONTINUOUS UNBROKEN TAKE. No cuts. 20 seconds, 9:16. Handheld phone selfie, gentle micro-movements. Never locked-off. YUKI LOCK: @image1 is Yuki — photocopy her face, hair and eyes exactly as shown; wearing a pink puff-sleeve cropped top. Adult. Same close selfie framing. PRODUCT LOCK: @image2 is this exact lip gloss — same cap, tube, colours, liquid and printed text exactly as shown, never changing. Photocopy. Already in her hand from frame one. She never reaches across a desk. English, clearly audible, lip-synced. Relaxed pace. (0–5s) Looks at the lens. Speaks: “Everyone thinks getting full-looking lips means discomfort. It doesn’t.” (5–9s) Holds the gloss from @image2, casually applies it, smiles. (9–16s) Holds the gloss up to the lens. Speaks: “This one has deep hydration — locking in moisture for a smooth, volumized finish without any harshness.” (16–20s) Warm smile. Speaks: “I love it because it hydrates gently without dryness.” Background: warm ring light, blurred flowers and fairy lights. No mirror. No on-screen text. AUDIO: her English voice at the phone mic. No music. No lyrics. NEGATIVE: cuts, mute, extra people, recast face, wrong gloss bottle, overlay type, the words acid, burn, pain, sting.

BABY DANCE — 80s Pop @image1 is a twelve-month-old baby throwing down a razor-sharp adult-level 80s routine in neon — the running man, the robot, the cabbage patch and the sprinkler, to a bright synth-pop beat. Music only, mixed loud. One continuous 20s take, fast and joyful. Plug in ANY baby avatar.

10 seconds, 9:16. Photoreal. Same camera as the stills, framed vertical. ONE transformation after a snap. Not a slideshow. @image1 = BEFORE backyard. Photocopy it exactly as in @image1: the same house, walls, doors, windows, roof, fence, ground, every object in its place, the same light and time of day. @image2 = AFTER. Photocopy THIS finished patio exactly as in @image2: its paving, structures, lighting, furniture, cushions, decor and plants, every item as shown, same house identity as @image1. 0.0–2.0s Locked of @image1. A black-gloved hand enters lower-left, fingers snap. 2.0–4.5s ORIGAMI UNFOLD: the new ground surface from @image2 folds out of the old ground like paper panels. Edges clean up. Same house, same fence. 4.5–7.5s Each element of @image2 unfolds in turn: structures unfold from flat boards; its lights ignite; any fire feature rises and lights; seating unfolds from geometric slabs; decor and plants appear. Only what is in @image2. Sequential, physical, not a morph smear. 7.5–10.0s HERO matching @image2. Gloved hand still in the lower frame. HOLD. Same house and doors as @image1. AUDIO: snap, paper-wood unfold, a soft crackle if @image2 has a fire, calm outdoor ambience. No speech. NEGATIVE: a different house than @image1, items not in @image2, extra people, overlay type, instant jump-cut to after, bedroom interior, 16:9 letterbox.

Asset referencing: @image1 is the first frame of this video. It shows an old newspaper called "THE BIRTHDAY TIMES" on a wooden table, with the headline "YOU'RE INVITED!" and a large black-and-white photo of THE PERSON on the front page. It defines the newspaper, the masthead, the headline, the photo, the table, the light and the framing of the opening shot. ATTACHED IMAGES ARE MANDATORY AND FINAL: the attached first frame outranks every word written below it. Wherever the image and this text disagree, follow the image. THE PERSON in the photo is exactly the person printed in @image1, with the same face, hair, clothes and background, for the whole film. THE LIVING PHOTO — this is the whole point of the film: the photo printed on the front page comes to life, like magic, while the rest of the newspaper stays ordinary paper. Inside its black border, still in black and white, THE PERSON in the photo blinks, their face lights up, they break into a big warm smile, lean slightly toward the viewer and give a cheerful wave, then point playfully at the headline above them. The printed paper around the photo, the headline and the masthead never move; only the picture inside the border is alive. Summary: a playful invitation film in one unbroken take in which the black-and-white photo on the front page of "THE BIRTHDAY TIMES" comes to life and the person in it smiles, waves and points at the headline "YOU'RE INVITED!". Timeline: 0–2s — The framing of @image1. The newspaper lies still; a soft breeze stirs the corner of the page. 2–4s — The photo on the front page begins to move: THE PERSON blinks and looks up into the lens, their face lighting up. 4–7s — THE PERSON breaks into a big warm smile and waves cheerfully at the viewer from inside the photo, the camera pushing in slowly toward the page. 7–10s — THE PERSON points up playfully at the headline "YOU'RE INVITED!" above the photo and laughs, as the camera settles with the headline and the living photo together in the frame. Notes: the newspaper, the masthead "THE BIRTHDAY TIMES", the headline "YOU'RE INVITED!", the grey columns of newsprint, the table and the light stay exactly as in @image1. Only the picture inside the black border moves, and it stays black and white. The camera moves as one slow continuous push-in with no cuts, and the film runs as one unbroken take. No subtitles. No BGM; generate only environmental sounds and action sounds: a soft, warm mix — the gentle rustle of newspaper in a light breeze, a faint magical shimmer as the photo comes to life, a small happy laugh, the soft crinkle of the paper, and the quiet ambience of a sunny morning kitchen, to the last frame.

2 steps291.5K

Create an ultra-photorealistic MONOLITHIC ORIGAMI transformation from the exact bare room in @image1 to the exact finished room in @image2, static locked first-person POV camera; a black-gloved hand performs ONE finger snap, then large architectural planes sequentially unfold and become the floor → feature walls → built-ins → coffee table → armchair → HERO sofa → rug → curtains → decor → lighting; hard folded geometry transforms into real stone, wood and metal, while the sofa and armchair visibly soften into upholstery and cushions with realistic weight and settling; large calm precise folds, one element at a time, realistic physics and contact shadows, no paper/cardboard look, particles, magic, glow, flying objects, extra gestures or camera movement; finish with warm light and hold the exact completed room to the end.

3 steps228

@image1 (look 1 outfit sheet) and @image2 (look 2 outfit sheet) are absolute locks for the person and for both outfits: face, body, hair, garments, materials and colours are taken from them exactly, with no drift or reinterpretation at any point. @image3 is the storyboard and is followed exactly — same framing, same camera position, same progression of states. Photoreal fashion-campaign film. Real fabric physics throughout: knit that follows the body, leather that creases and catches highlights, heavy wool that carries weight and swings with the stride. Soft high-key studio light, neutral colour, shallow depth on the backdrop, fine natural grain. One continuous locked-off take. The camera does not move, zoom or rotate at any point — a single fixed frontal setup at chest height, the figure centred, floor visible, seamless backdrop behind. The person walks steadily toward camera in the first look, one measured stride after another, arms swinging naturally, shoulders level, gaze forward. The walk continues and the wardrobe transforms in place without a cut. The gathered hair releases and sweeps outward, then settles long and loose. At the same time the second look grows over the first: the jacket forms across the torso from the centre outward, panel by panel; the trouser fabric unfurls downward over the boots and pools at the floor; the necklaces layer in at the throat one strand at a time. The first look stays visible underneath as this happens and is progressively covered, never cut away. The walk continues in the second look, the same measured stride, the long trouser hem dragging and trailing behind on the floor, the necklaces swinging lightly against the chest, the hair moving with each step. Audio: quiet studio room tone, the soft brush of fabric and the muted contact of each footfall. No music, no voice. Give each of the three stages the same amount of screen time so the transformation sits in the middle of the take. Do not generate any text, captions or subtitles. Do not generate a logo or a watermark. No cuts, no cross-dissolves, no flashes, no speed ramps. No additional people, no props, no set dressing.

4 steps31.2K

15 seconds, 9:16. Seedance 2.5. Fast cinematic PARKOUR, overcast city. HARD CUT between shots. ~2.5s each. Handheld tracking, quick pans. WILLIAM LOCK: @image1 is William — photocopy his face, hair and facial hair exactly as shown; wearing a BROWN LEATHER bomber, olive t-shirt, dark cargo pants, brown boots. Same man every frame. Adult. Athletic lead runner. Two other RUNNERS in dark clothing matching his pace behind him. Anonymous, not aggressive, not celebrities. AUDIO: footsteps, wind, city. No speech. No lyrics. SHOT 1 (0.0–2.5) Wide tracking. William sprints a flat rooftop, two runners behind matching pace. Fast pan as he vaults a low wall. HARD CUT. SHOT 2 (2.5–5.0) Low angle. He leaps athletically across a wide alley gap. The following runners take the same path. HARD CUT on landing. SHOT 3 (5.0–7.5) Ground-level tracking. He slides smoothly under rooftop pipes, recovers footing, jumps gracefully from the building edge. HARD CUT. SHOT 4 (7.5–10.0) High angle looking down. He descends from fire-escape scaffolding onto the roof of a passing grey delivery truck. HARD CUT. SHOT 5 (10.0–12.5) Fast pan. He leaps from the moving truck onto wooden crates, then a controlled safe roll onto the wet street. HARD CUT. SHOT 6 (12.5–15.0) Medium tracking. He sprints, glides over the hood of a yellow taxi, glances back at the runners. HOLD. NEGATIVE: violence, weapons, crash, fight, overlay type, Mateo, Istanbul, skipped shots, celebrity extras.

DUO DANCE — Boardwalk Afro-House Groove @image1 and @image2 dance a tight, upbeat afro-house groove together on a golden-hour seaside boardwalk — synchronised low footwork, bouncing shoulder pops and arm waves in unison. Music only, full speed. One continuous 20s take. Plug in ANY two avatars.

LIQUID SHIFT — Silver Midas @image1 turns to gleaming liquid silver — clothes and all — then reaches out and touches an apple, and it turns to shining silver too. A clean, elegant Midas-touch transformation, one continuous cinematic 15s take ending on an extreme close-up of the metallic face. Swap in ANY avatar.

15 seconds, 9:16. Seedance 2.5. Cinematic action chase, golden hour. HARD CUT between every shot. ~2.5s each. MATEO LOCK: @image1 is Mateo — photocopy their face, hair, facial hair and features exactly as in @image1. Adult. IGNORE the clothes in @image1. Wardrobe: BLACK LONG COAT, dark clothes, boots. Same person every shot. SETTING: Istanbul rooftops, golden hour. Mosques and minarets in the distance. Terracotta tiles, chimneys, satellite dishes. Photoreal. AUDIO: wind, footsteps, birds, wood crack, distant city. No speech. No lyrics. SHOT 1 (0.0–2.5) Medium tracking BACKWARD. Mateo LANDS on a roof and runs toward camera. Pigeons scatter. HARD CUT. SHOT 2 (2.5–5.0) Wide trailing. Mateo runs AWAY across a tiled roof toward the cityscape and minarets. HARD CUT. SHOT 3 (5.0–7.5) Side tracking. He leaps a large gap between buildings, lands on a metal roof. Coat flies. HARD CUT. SHOT 4 (7.5–10.0) Low angle STATIC. He crashes through wooden rooftop planks, silhouetted against minarets. HARD CUT. SHOT 5 (10.0–12.5) Wide trailing. He sprints across terraced tiled roofs. HARD CUT. SHOT 6 (12.5–15.0) High angle tracking. He chases another dark-clothed FIGURE over a wooden plank bridging two buildings. Mateo stays Mateo. HOLD. NEGATIVE: the clothes worn in @image1, extra celebrity face, locked-off tripod except shot 4, overlay type, daytime blue sky only with no golden hour, skipped shots.

FIRE — Phoenix Embers @image1 ignites into a controlled swirl of fire and glowing embers that rise into the shape of a great phoenix, then cascade back down and reform @image1 standing calm and unharmed — on a dark volcanic plain. Music only. One continuous, cinematic 15s take. Swap in ANY avatar.

REGIONAL BEAT DANCE — Bollywood Festival @image1 blazes through five signature Bollywood moves — the screw-the-bulb thumka, naagin snake arms, the dhol-beat shoulder pump, the Govinda point-and-step and a spin into a big final pose — at a colourful rooftop festival with marigolds and drifting colour. Music only, mixed loud. One continuous, high-energy 20s take. Swap in ANY avatar.

Match the ORIGINAL 10s FILM shot-for-shot. Ultra-macro luxury perfume ASMR. Photoreal 8K textures. Golden bokeh, black marble, dark studio. Hands only — nude polished nails. No full face. @image1 = the perfume box. Photocopy it exactly as in @image1 — carton colour, pattern and every printed word exactly as shown. @image2 = the perfume bottle. Photocopy it exactly as in @image2 — glass, juice colour, cap, decoration and every printed word exactly as shown. 0.0–2.0s MEDIUM: both hands rest on the closed @image1 box on black marble. Warm gold bokeh behind. Fingers press, then lift the lid — soft click. Macro of the box edges and its emblem, exactly as in @image1. 2.0–4.0s ECU: a fingertip traces the decoration on the @image2 bottle, exactly as shown. Shallow DOF, the juice glowing in its own colour. 4.0–6.0s MACRO: fingers lift the @image2 bottle from the box. Glass facets, liquid swirl, the cap catching light. 6.0–8.0s Spray: inner wrist in frame left, @image2 in the right hand. Slow-motion mist from the atomizer onto skin. Gold bokeh. Satisfying hiss. 8.0–10.0s HERO: @image2 standing among gold-flecked stones on black marble, @image1 box upright behind. Dark luxury. HOLD. No second bottle in the foreground. AUDIO: box lid, glass, spray hiss, luxury. No speech. No lyrics. NEGATIVE: any box or bottle that differs from @image1/@image2, overlay type, full body, extra people.

CHARACTER LOCK — HIGHEST PRIORITY: The character in every shot is exactly the person shown in @image1, shown at miniature scale throughout — same face, facial features, hairstyle, skin tone, build and gender presentation in every shot. No identity drift between shots. Do not beautify, slim, de-age or restyle the face or hair. @image1 is identity only — face, hair, skin — not any studio backdrop, not a frozen headshot, not any specific outfit as locked wardrobe; outfit, hair and accessories are exactly whatever the uploaded photo shows, only the scale changes. Photocopy the person from @image1, shrunk to a few centimetres tall, into the kitchen scene below. No other people in frame. ASSET MAP: @image1 — the character. Tell the following story in exactly 3 shots, same miniature character throughout, facing an oversized everyday environment as the world of the adventure. Clear visual beginning, twist and ending — never ambiguous or faded-out. STORY: On a sunlit kitchen counter, the character — a few centimetres tall — picks their way between towering utensils and a dusting of flour, a single wooden spoon lying nearby like a fallen log. A blueberry escapes from a bowl a short distance away and starts rolling steadily across the counter, straight toward the drop-off at the counter’s edge. They break into a sprint after it, weaving around scattered crumbs, gaining just enough ground to leap and land on top of the rolling berry as it picks up speed. They ride it, off balance and gripping its skin, as it rolls closer and closer to the edge — until it clips a folded kitchen towel and skids to a stop right at the lip of the counter, its momentum spent an arm’s length from the drop. They slide off, breathless, peer over the edge at the long fall below, then straighten up with a relieved, proud grin. STYLE: Whimsical live-action macro realism, warm morning kitchen light through a nearby window, shallow depth of field, visible texture on the wood counter and flour dust catching the light, energetic handheld chase camera that smooths into a controlled tracking shot once they’re riding the berry. Vertical 9:16. Continuous real motion. Never freeze on the reference still. No on-screen text, no subtitles, no logos, no title card. AUDIO (native, synced, no music, no voiceover, no narration): ambient kitchen hum, quick footsteps on the counter, a sharp gasp as they leap, the soft rumble of the berry rolling, a skidding stop against the towel, and a relieved, delighted laugh at the end. SHOT 1 (0.0-6.0s): Establish the scale clearly. Handheld macro at counter height. The character, a few centimetres tall, steps around scattered flour and crumbs, a full-sized wooden spoon and mixing bowl towering beside them. A blueberry tips out of the bowl above and drops onto the counter, starting to roll away from them toward the counter’s edge. The scale contrast — the spoon, the bowl, the edge in the distance — is the single most important thing in this shot. Face readable. SHOT 2 (6.0-13.0s): The twist. They sprint after the rolling blueberry as it gathers speed, weaving around crumbs and closing the gap. At the last possible moment they leap and land on top of it, riding its momentum as it barrels toward the counter’s edge, arms out for balance, expression shifting from panic to focus. Same person as @image1, miniature scale maintained throughout. SHOT 3 (13.0-18.0s): The resolution. The berry clips a folded kitchen towel and skids to a stop right at the edge of the counter, an arm’s length from the drop. They slide off, catch their balance, and cautiously peer over the edge at the long fall below — then straighten up, wipe their brow, and break into a wide, relieved grin. A clear satisfying end, not a fade-out, not a still.

15 seconds, 9:16. MiniMax H3. Fast character reveal of THIS illustration. Preserve identity, proportions, outfit, and ANIME rendering style of @image1. CATE LOCK: @image1 is Cate — photocopy their face, hair, eyes, outfit and jewellery exactly as drawn in @image1. Adult. Same woman, same clothes, same illustrated look. Do not recast photoreal. Never change the hair colour from @image1. Exactly 10 fast-cut shots, progressing UPWARD: 1 feet / boots 2 lower legs 3 knees/thighs 4 hips/waist 5 hand beside torso 6 shoulders/collarbone 7 lips/jawline 8 eyes 9 full-face portrait 10 head-to-toe hero, signature pose, hold Alternate frontal, profile, rear three-quarter, low-angle, tight oblique. Punchy push-ins, quick lateral passes, short orbits. She shifts weight, small hand gestures. No slow motion. No lingering pans. Animate hand-drawn contour strokes and graphic shapes OVER the footage, tracing her form (legs, waist, shoulders, jaw, clothes). Graphics in colours matching the hair and outfit in @image1. Rings, ribbons, sketch bursts, sparkles, motion trails. Graphics in the foreground. Clear face and silhouette. On the final beat: distinctive pose, strokes complete a graphic frame around the full figure. Brief hold. NO text, letters, numbers, captions, titles, logos. AUDIO: character-appropriate beat, precise SFX. No lyrics. No speech. NEGATIVE: photoreal recast, extra people, overlay type, slow motion, nude, revealing under clothes.

Asset referencing: @image1 is the first frame of this video: a large sealed burgundy envelope with a whole ivory wax seal on its flap, on dark velvet, with two hands on it. @image2 is the last frame of this video: the same hands holding up an ivory invitation card, smaller than the envelope, with THE PHOTO in a gold frame and the words "You're Invited", above the opened envelope, with the wax seal lying loose on the velvet beside it. Together they define the envelope, the card, the photo, the hands, the light and the framing. ATTACHED IMAGES ARE MANDATORY AND FINAL: the attached frames outrank every word written below them. Wherever the images and this text disagree, follow the images. THE PHOTO on the card is exactly the photo in @image2 and never changes. THE OPENING — this is the whole point of the film: the fingertips peel the whole wax seal off the flap in one piece with a soft crackle and set it down on the velvet to the left of the envelope, then lift the flap and slowly draw out the thick ivory invitation card, which is smaller than the envelope and slides out of it easily. As the card slides free, they lift it up and turn it toward the camera, revealing THE PHOTO in its gold-foil frame and "You're Invited" in gold script beneath it. Summary: an elegant invitation film in one unbroken take in which hands break the wax seal of a burgundy envelope and draw out an ivory card that shows the visitor's photo in a gold frame above the words "You're Invited". Timeline: 0–2s — The framing of @image1. The fingertips peel the whole wax seal off the flap and set it down on the velvet to the left of the envelope. 2–4s — The hands lift the flap and open the envelope, and the top edge of the ivory card appears inside. 4–7s — The hands slowly draw the card out of the envelope and lift it up toward the camera, the gold foil catching the candlelight. 7–10s — The card is held still facing the camera, as in @image2: THE PHOTO in its gold frame and "You're Invited" beneath, the candlelight flickering softly across the foil. Notes: the envelope, the velvet, the hands and the warm candlelight stay as in the two frames. Once the seal is off, it lies on the velvet beside the envelope for the rest of the film and never returns to the flap. The card is always smaller than the envelope. The only lettering is "You're Invited" on the card. The camera eases back slowly and continuously from the closer framing of @image1 to the wider framing of @image2, with no cuts, and the film runs as one unbroken take. No subtitles. No BGM; generate only environmental sounds and action sounds: a close intimate mix — the soft crackle of the wax seal peeling away and a small tap as it is set down, the soft rasp of thick paper as the flap lifts, the smooth slide of the card out of the envelope, a faint rustle as it turns, and the quiet crackle of candles in a hushed room, to the last frame.

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CHARACTER LOCK - HIGHEST PRIORITY: @avatar is the person on the attached look sheet (the first reference image), exactly as shown - the face matches the large portrait on that sheet and the look matches its full-length views. Preserve facial identity, facial structure, eye shape and spacing, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build, body proportions and gender presentation exactly as shown. Do not beautify, slim, de-age or restyle. No other people in frame. Every reference to the person in this prompt is @avatar - no pronouns, no description. The second reference image is the location: follow its platform, lighting and palette exactly. Nothing is added to @avatar's look that is not on the sheet. Photoreal fashion film, music-video energy, vertical 9:16, 10 seconds. Mixed handheld fashion-cam and locked beauty close-ups, shallow depth of field on the face, the passing train smeared into silver-and-light streaks behind. A train rushes past behind @avatar for the whole film; its wind keeps the hair and the outfit moving throughout. 0.0-1.3s MEDIUM CLOSE-UP, handheld. @avatar stands shoulder to the lens and looks back over it straight into camera as the train screams past. 1.3-2.6s CLOSE PROFILE, locked. @avatar lifts a lip balm and applies it, the train wind catching the hair and the outfit. 2.6-3.6s MEDIUM CLOSE-UP, handheld. A quick turn to face the lens, the outfit swinging with the turn, eyes on camera, a slight smirk. 3.6-5.0s WIDER, knees up, handheld drifting left. @avatar touches the collarbone and runs a finger along the strap of the bag, the bag readable at the hip, the train still running behind. 5.0-6.0s MEDIUM CLOSE-UP, locked. Head tipped back, chin up, the hair and the outfit catching the rush. 6.0-7.2s MEDIUM SHOT, handheld. Shoulder to the lens again, @avatar looks back over it and breaks into a smile. 7.2-8.2s MEDIUM SHOT, handheld. A hand sweeps up over the head in a fast toss as @avatar turns partly away, face still three-quarter to the lens. 8.2-10.0s TIGHT CLOSE-UP, locked beauty framing. @avatar brings the fingers to the lips and blows a kiss to the lens, then breaks into a wide smile, the flower still behind the ear. Every movement runs forward in normal time: @avatar always moves in the direction the body faces and nothing moves in reverse. Audio: an upbeat instrumental dance-pop / Latin-pop track, with the train's rumble low underneath. No speech, no dialogue, no lyrics, no voice-over. No other people in focus. No text, no captions, no logos, no watermarks, no end card.

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A dog loses its mind while a delivery box is opened in a quiet living room. Twelve seconds: the wait, the tape, the film, the strain, the collapse.

3 steps

BEAST TO HUMAN — Awakening A majestic lion gathers golden light, its fur dissolving into glowing embers, and from the light @image1 steps forward as a clothed human. A clean, magical beast-to-human transformation in a moonlit stone temple, one cinematic 15s take. Swap in ANY avatar.

Asset referencing: @image1 is the first frame of this video. It shows THE PERSON sitting behind a small pink vintage birthday cake at a party at night, holding an unlit striped birthday candle between their lips like a cigar tilted steeply upward, its wick end high above, looking into the camera. It defines THE PERSON's identity, face, hair, clothing and jewellery, the cake, the candle, the room, the light and the framing of the opening shot. ATTACHED IMAGES ARE MANDATORY AND FINAL: the attached first frame outranks every word written below it. Wherever the image and this text disagree, follow the image. THE PERSON is exactly the person in @image1 for the whole film — the same face, hair, age, clothing and jewellery. THE BIT — this is the whole point of the film: a cheeky, stylish birthday moment. With the candle held like a cigar between their lips, THE PERSON waits coolly while a hand comes in from the side of the frame and lights the wick with a small lighter. Then THE PERSON takes the lit candle from their lips with two fingers and simply lowers it straight down, still upright with the flame on top, and pushes it into the top of the cake; then they lean in and blow it out in one breath, and break into a big delighted laugh. THE CANDLE NEVER TURNS OVER: from the first frame to the last, the candle keeps the same orientation — its plain base end is always the lower end and its wick end is always the upper end. The base end is the one between THE PERSON's lips, and it is the base end that goes down into the buttercream. The wick at the top is the only part that is ever lit, and the flame always stays at the top. The candle is never flipped, tilted downward or turned around. Summary: a playful birthday film in one unbroken take in which THE PERSON holds a birthday candle like a cigar, has it lit by a hand from the side, sets it into their pink vintage cake and blows it out, laughing. Timeline: 0–2s — The framing of @image1. THE PERSON holds the unlit candle between their lips like a cigar and gives the camera a cool, playful look. 2–4s — A hand enters from the right side of the frame holding a small lighter up high, and a small flame lights the wick at the upper end of the candle, well above THE PERSON's face; the hand leaves the frame. 4–6s — THE PERSON takes the lit candle from their lips between two fingers, like a cigar, straightens it fully upright and lowers it straight down, and pushes its base end — the end that was between their lips — into the centre of the top of the cake; the small flame stays at the top the whole time, glowing warmly. 6–8s — THE PERSON leans in over the cake and blows out the candle in one breath, a thin curl of smoke rising. 8–10s — THE PERSON sits back and breaks into a big delighted laugh, eyes bright, looking at the camera, the soft warm party light on their face. Notes: THE PERSON keeps exactly the face, hair, clothing and jewellery of @image1 throughout. The candle is one long slim pink-and-white striped birthday candle; the flame is always at its upper end and never near THE PERSON's face or hair. The cake stays whole and pink with its frills and bows. The same single hand with the lighter appears only once. The camera stays at table height with only a slow gentle push-in, with no cuts, and the film runs as one unbroken take. No subtitles. No BGM; generate only environmental sounds and action sounds: a close lively mix — the click and soft flick of the lighter, the tiny crackle of the wick catching, a soft sink as the candle goes into the buttercream, a quick breath and a puff as it is blown out, a big warm laugh from THE PERSON, and the happy murmur of a small birthday party in the room behind, to the last frame.

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STREET DANCE — B-boy Cypher @image1 breaks through a high-energy cypher — top-rock, fast footwork, one clean spin and a strong held freeze — at a gritty concrete cypher at dusk. Music only, full speed. One continuous 15s take. Swap in ANY avatar.

Use @image1 as an absolute lock for the subject in the first beat and @image2 as an absolute lock for the subject in every beat after it — face, body, build, hair, clothing, materials and colours are taken from them exactly, with no drift, no reinterpretation and no change of identity at any point. Follow @image3 exactly: match its beat order, its camera framing, its subject position in frame and its caption placement panel for panel. Look: contemporary social-video realism. Real camera capture on a handheld phone, available light only, natural handheld micro-movement in every beat, honest skin and fabric texture, neutral true-to-life colour, shallow but unforced depth. Not an illustration, not a 3D render, not CGI, not anime, not painterly, not cel shaded, no outlines, no film grain overlay, no colour grade, no speed ramps, no slow motion. Standing full body, facing camera, arms relaxed, holding the pose while the camera holds steady. On-screen text: "the workout split that took me from this" Cut to the same standing pose in the same framing and the same camera height, holding steady for the same length of time. On-screen text: "to this" Cut to the free-weight floor. Hinging forward at the hips with a barbell, lowering it along the shins and driving back up to standing, two controlled repetitions, camera locked off side-on at mid height. On-screen text: "day 1: glute focused leg day" Cut to the cardio row. Walking steadily on an inclined treadmill, arms swinging naturally, camera locked off behind and slightly to the side. On-screen text: "day 2: cardio and abs" Cut to the free-weight floor. Back braced against a bench, driving the hips up with a loaded barbell across the lap and lowering under control, two repetitions, camera locked off side-on at low height. On-screen text: "day 3: glute focused leg day" Cut to the matted studio corner. Lying back on a mat, curling up into a crunch and lowering down again, two repetitions, camera locked off side-on at floor height. On-screen text: "day 4: cardio and abs" Cut to a machine on the free-weight floor. Seated, pressing both arms upward and overhead and lowering them back to the shoulders, two repetitions, camera locked off behind at seated height. On-screen text: "day 5: upper body" Cut to the cardio row. Jogging at a steady pace on a treadmill, camera locked off behind, holding to the end. On-screen text: "day 6: active recovery/freestyle cardio" Every beat carries the same amount of action and holds for the same length as the others. One camera position per beat, locked off, no pans, no pushes, no pulls, no orbits, no handheld reframing beyond natural micro-movement. Framing shows the whole movement with the full body or full upper body in frame at all times. On-screen text is small plain white sans-serif, centred in the upper third, two lines maximum, sitting directly on the image with no box, bar, band, scrim or underline behind or beneath it. Render only the exact words given for each beat and no other text. Exclusions: no swimwear, no underwear, no crop tops, no bare midriff, no framing that isolates the hips, rear or chest, no close-ups of body parts, no mirror-selfie phone in hand, no other people in frame, no brand names, no logos, no signage copy, no watermarks, no captions other than the on-screen text specified, no subtitles, no counters, no progress bars, no split screens, no before-and-after side-by-side comparison frames.

5 steps351K

15 seconds, 9:16. Handheld UGC. English spoken, lip-synced. Lana MOVES. LANA LOCK: @image1 is Lana — photocopy her face and hair exactly as shown in @image1; dressed in an ivory silk shirt, camel trousers, gold chain necklace, gold bangles. Same woman, same outfit every frame. IGNORE whatever clothes are in @image1. GLASSES LOCK: @image2 is these exact sunglasses — same frame shape, colour, lenses, hardware and logo as shown, never changing. Photocopy. Only this pair. BOX LOCK: @image3 is the packaging — the exact box, case and inserts as shown — same colours, materials and any brand name exactly as printed in @image3. Photocopy. SETTING (prompt only): she sits on the cream curved sofa in a luxury living room — gold-framed art, stacked gold mirrors, marble console, warm cove lighting. NOT a bedroom. NOT a grey cyclorama. 0.0–3.0s Sitting on the sofa, box and case beside her. Smiles at camera. Speaks: “I genuinely wasn't expecting to love these this much.” Opens the box from @image3, reveals the case. 3.0–6.0s Lifts the sunglasses from the case. Speaks: “The packaging already feels incredibly premium.” 6.0–9.0s Rotates the glasses for the lens — frame, hinges, reflections. Speaks: “The finish feels amazing, and they're incredibly lightweight.” 9.0–12.0s Puts them on, stands, walks to the gold-mirror wall. Adjusts frames. Speaks: “Honestly... they look so good, and they're really comfortable on the eyes, even in bright sunlight.” Turns L/R. 12.0–15.0s Back on the sofa. Holds glasses beside her face. Speaks: “Definitely one of my favorite accessories this year.” Push-in on the sunglasses. HOLD. AUDIO: her English voice, box, case. No lyrics. No extra music bed required. NEGATIVE: bedroom, extra people, overlay type, grey seamless, recast hair colour, two pairs of glasses.

REGIONAL BEAT DANCE — Spanish Flamenco @image1 dances a fiery, virtuoso flamenco solo — blazing heel-stamping zapateado, elegant curling braceo arms, dramatic turns and an explosive desplante finish — in an intimate Spanish tablao at night. Music only, mixed loud. One continuous, high-intensity 20s take. Swap in ANY avatar.

Follow the 12-SHOT PROCESS FILM from the source, recast onto @image1. 20 seconds, 9:16. MACRO luxury food. NOT a storyboard grid. NOT chocolate. @image1 is the finished cake: its sponge, cream, filling, toppings and presentation exactly as shown. Photocopy this dessert in the hero. NEVER cocoa. NEVER chocolate batter. NEVER ganache. NEVER chocolate curls. Do every shot. Do not skip. 01 0.0–1.6s ORIGIN. 75mm macro push-in. Flour sifting, whole strawberries, eggs, mascarpone tub on marble. Soft powder whoosh. 02 1.6–3.3s BATTER SWIRL. 90mm orbit. Metal whisk mixing THICK PALE-GOLD vanilla batter in a glass bowl. Glossy swirl. Wet whisk SFX. NOT brown. 03 3.3–4.9s THE POUR. 50mm tilt-down. Pale batter poured into a ROUND tin, concentric ripples. Heavy pour SFX. 04 4.9–6.6s RISE. 50mm push-in. Pale sponge rising in a warm oven, golden top, subtle cracks. Oven hum. 05 6.6–8.2s LEVEL. 85mm track. Serrated knife leveling pale sponge, light crumbs falling. 06 8.2–9.9s CREAM RIBBONS. 70mm orbit. WHITE mascarpone piped in a spiral, then a ribbon of glossy STRAWBERRY jam. Piping SFX. 07 9.9–11.5s STACK. 50mm. Hands place a pale sponge layer onto mascarpone + jam. Soft thump. 08 11.5–13.2s SMOOTH. 85mm track. Offset spatula smoothing WHITE mascarpone on the top (sides finished exactly like @image1). Silky scrape. 09 13.2–14.8s FLOOD. 100mm push-in. Glossy STRAWBERRY coulis poured on the white top — same motion as the original ganache flood, but red jam not chocolate. 10 14.8–16.5s GARNISH. 90mm. Fresh strawberries placed on top (not chocolate curls). 11 16.5–18.2s THE SLICE. 65mm. Knife cuts a slice; layers of pale sponge / white mascarpone / red jam reveal. 12 18.2–20.0s HERO. Slow dolly-in matching @image1: the cake, its stand and its setting exactly as in @image1, a slice on a plate, cake server. HOLD. AUDIO: powder, whisk, pour, oven, knife, pipe, jam pour. No speech. NEGATIVE: chocolate, cocoa, ganache, chocolate curls, dark bakery, storyboard grid, overlay titles, skipped shots, 15-second cut-off.

CHARACTER LOCK — HIGHEST PRIORITY: The character in every shot is exactly the person shown in @image1, shown at miniature scale throughout — same face, facial features, hairstyle, skin tone, build and gender presentation in every shot. No identity drift between shots. Do not beautify, slim, de-age or restyle the face or hair. @image1 is identity only — face, hair, skin — not any studio backdrop, not a frozen headshot, not any specific outfit as locked wardrobe; outfit, hair and accessories are exactly whatever the uploaded photo shows, only the scale changes. Photocopy the person from @image1, shrunk to a few centimetres tall, into the porch scene below. No other people in frame. ASSET MAP: @image1 — the character. Tell the following story in exactly 3 shots, same miniature character throughout, facing an oversized everyday environment as the world of the adventure. Clear visual beginning, twist and ending — never ambiguous or faded-out. STORY: On a sunlit porch railing, the character — a few centimetres tall — stands at the edge of a gap between two large potted plants, a single strand of spider silk stretched taut across it like a tightrope, glinting in the light. A large wind chime hangs nearby, its metal tubes towering overhead and turning slowly. They step out onto the silk thread, arms out for balance, inching across the gap. A sudden gust hits, the thread whips and sways violently beneath them, and their footing gives way — but as they fall they catch hold of one of the wind chime’s dangling strings swinging past at just the right moment. The gust carries the chime string through a wide arc, swinging them clear over the gap, and they tumble safely into the leaves of the far potted plant. They lie there a moment catching their breath, then sit up, look back at the gap they nearly fell into, and break into a relieved, delighted grin. STYLE: Whimsical live-action macro realism, bright midday porch light with dappled shade from the plants, shallow depth of field, glinting silk thread and softly chiming metal tones, handheld camera with a controlled swinging tracking shot through the rescue arc. Vertical 9:16. Continuous real motion. Never freeze on the reference still. No on-screen text, no subtitles, no logos, no title card. AUDIO (native, synced, no music, no voiceover, no narration): light porch ambience and distant birdsong, a gust of wind rising, a sharp gasp as their footing gives way, the soft ring of the wind chime as they grab it, wind rushing through the swing, a soft landing in leaves, and a relieved, delighted laugh at the end. SHOT 1 (0.0-7.0s): Establish the scale clearly. Handheld macro at railing height. The character, a few centimetres tall, stands at the edge of the gap, the spider-silk thread stretched ahead of them and the towering wind chime turning slowly nearby. They step onto the thread and begin inching across, arms out for balance. The wind chime and the potted plants should read as unmistakably giant next to them — the scale contrast is the single most important thing in this shot. Face readable. SHOT 2 (7.0-15.0s): The twist. A sudden gust hits mid-crossing, the silk thread whips violently and their footing gives way. As they fall, they grab hold of one of the wind chime’s dangling strings swinging past, gripping tight as the gust carries it through a wide swinging arc over the gap below, their expression shifting from panic to startled focus. Same person as @image1, miniature scale maintained throughout. SHOT 3 (15.0-20.0s): The resolution. The swing carries them clear over the gap and they tumble safely into the leaves of the far potted plant, landing in a soft sprawl. They lie still a moment catching their breath, then sit up, look back at the gap they nearly fell into, and break into a wide, relieved grin. A clear satisfying end, not a fade-out, not a still.