Use @avatar as the person in the clip - identity only: face, hair, skin and build exactly as shown, never reinterpreted. Wardrobe comes from this text, not from @avatar: a plain light knit top, simple jeans and simple sunglasses, the same in every second. One 15-second vertical selfie, one unbroken handheld shot, no cuts and no zoom. @avatar sits on a bench in a green city park - trees, grass, dappled daylight, a few people far away and out of focus. Natural light only, no grading, no beauty filter. Head-and-shoulders framing with natural arm drift. The phone is the camera itself and is never visible - no phone, camera body or selfie stick appears in frame; one arm of @avatar is off-camera holding the camera, the other holds the cat. The clip opens mid-action on a fully exposed frame, never on a still or a fade from black, and every second carries action. Exactly one small playful cat, the same one from start to finish, and no other animal anywhere. In the very first second the cat, held in the arms of @avatar, already has a paw raised at the sunglasses and bats at them. @avatar pulls back with a surprised laugh: "What are you doing?" The cat grabs one arm of the glasses with its mouth, pulls them sideways and then completely free, turning its head away proudly - @avatar laughs in disbelief: "Hey, give me those!" The cat climbs out of their arms with the sunglasses, @avatar reaches after them laughing and the framing drifts off centre. In the last beat the cat pushes up toward the lens, its nose almost touching it, @avatar starts saying "You little-" and never finishes as the clip ends on that frame. Diegetic sound only: the voice of @avatar, laughter, soft cat breathing, fabric rustle, park ambience with distant birds. No BGM; generate only environmental sounds and action sounds. No subtitles.
@avatar is the lone warrior. @avatar defines IDENTITY ONLY - face, hair and skin. Gender, face, hair and skin come entirely from @avatar and never from this text; the clothing, pose, background and lighting of @avatar are ignored completely. Wardrobe (comes from this text, never from @avatar): a heavy dark grey hooded coat with a long torn cloak over one shoulder, dark wrapped forearms and dark boots, all of it scorched and ash-dusted, unisex cut, no logos or lettering. The same in every shot. Stylized cinematic CG dark-fantasy, 30 seconds, one continuous firestorm over a scorched black ash plain with industrial towers and wind turbines far off in the smoke and heat haze. Long lens, handheld weight, low angles and straight overheads, real motion blur, embers and ash crossing the lens. The world and every enemy burn in deep ember orange, and the light from @avatar's blade is the only white-hot light in the film. 0-5 seconds - A horde of burning beast-riders, their bodies cracked black rock with fire running in the seams, charges in from the horizon. @avatar slides low across the ash crust toward them, the long sword held back, its edge cutting a thin white-hot line through the embers. 5-9 seconds - @avatar plants both feet and raises the sword overhead in both hands; the blade ignites into a long horizontal bar of white-hot light. Straight overhead: the bar comes down into the ash and opens a wide crater ringed with burning embers, the horde curving around the rim into concentric rings. 9-15 seconds - @avatar drops into the centre of the crater and a radial shockwave throws the nearest ranks outward, then dashes low across the plain, the sword dragging one continuous white-hot line that blasts a whole row of burning beasts into cinders and smoke. 15-21 seconds - A wave of white-hot energy sweeps an entire flank and bodies lift off the ground into a rising column of fire and ash, and the column takes shape as a long dragon of flame and embers uncoiling up out of the firestorm. 21-27 seconds - A molten colossus heaves up out of the ash behind @avatar, lava glowing in every seam of its cracked black crust, and swings one huge arm across the frame. @avatar slides flat under the arm and drives the glowing blade up under its jaw; the giant goes over and slides across the crust, throwing up a bank of cinders. 27-30 seconds - The fire dragon collapses back into falling embers. Final wide: @avatar walks away, small in the frame, two tracks in the ash, the plain burning dark orange behind. Sound: the low roar of fire throughout, ash crunching under the boots, blade impacts, beast roars, a deep low hit on each energy release, and a restrained low orchestral score. No subtitles.
Four steps, one generation each. Step 1 pick any avatar (@avatar). Step 2 turn the visitor's product photo (@product) into a three-view product map on grey so every later step sees the same details. Step 3 a two-frame reference sheet that locks the face, the hair, the jacket and the chained product together (Nano Banana Pro holds the face). Step 4 one unbroken 30s 16:9 Seedance 2.5 render, reference mode, with the sheet and the product map attached. The prompts never name the product or a gender, they read both from the images, so the recipe works with any avatar and any product the courier can hold in their hands. Known traps: never write 'a held beat of silence', the model renders it as a literal frozen frame, write tension as micro-motion instead; never write 'walks to the doors', the model walks to the END of the car, so stage the fight to finish beside the side doors; never cut to an outside camera on a door that already opened, the model closes and reopens it.
Five steps, one render. Steps 1 and 2 are your two avatars: Avatar 1 brings the gift and ends up running, Avatar 2 gets the gift and becomes the tiger. Any gender, any pairing, the prompts never say he or she. Step 3 builds one two-frame character sheet of both avatars in the film's wardrobe (Nano Banana Pro): this is where faces get locked and where you may recolor hair or restyle, never in the video prompt. Step 4 is one clean photo of your product, any product. Step 5 is the 30s video: @image1 is the sheet, @image2 is the product, all beats timestamped, the twist at 19s, the only camera move is the push-in on the product at the end. Fire as ONE 30s 9:16 Seedance 2.5 render with audio, 720p. Two traps: a small product is tiny in a wide shot, so the final beat pushes in on it while the tiger stays seated; and never let the product end up on the floor, that is where Avatar 1's shoe goes.
15-second vertical 9:16 fashion lookbook music video. The only person is the person from image 1: same face, hair, skin and body in every shot, only the outfit changes. Premium editorial fashion photography meets Y2K magazine design: black-and-white base, electric cobalt blue accents, oversized typography, scan lines, crosshairs, grids, thin borders, subtle film grain. Camera controlled, model always centered. Structure: 0-1.5s white studio, the brand name from your card expands huge behind the model. 1.5-3s fast push-in to a close-up, direct eye contact. 3-12s six complete outfit changes, one every 1.5 seconds on the beat, each with a new wordless magazine layout and a new pose: natural stance, one step forward, half-turn, lean-in with a smile under the same name in cobalt, a full deep squat sitting on the heels, then standing again. 12-15s final look in a sharp suit: the model walks to camera, stops, crosses arms, the brand name appears large across the lower frame, freeze on the last beat. Outfits: seven looks read from the outfit sheet by position. Brand: read from the brand card. Text rule: the only letters ever on screen are the brand name copied from the brand card, exactly three times, huge and exact. No numbers, no other words, no small print. Audio: music only, a confident runway electronic beat at 120 BPM, no voice, no lyrics. Avoid: face drift, extra limbs, distorted hands, misspelled or invented text, cartoon or CGI look, watermark, subtitles.
SUBJECT. The same @avatar throughout — 25, long honey-blonde hair with sun-lifted ends in a low messy bun with loose strands around their face, green-hazel eyes, freckles across their nose and cheeks, warm sun-kissed skin with real texture, minimal makeup, slim. Soft-yellow sleeveless knit top, loose light-grey trousers, white retro sneakers, dark-green shoulder bag, silver bracelet. Keep face, hair, outfit and accessories identical in every shot. 0–5s. @avatar leaves home with a shopping bag, locks the door, checks their keys, tucks a strand back into their bun, smiles at the camera, walks off down the street. 5–10s. @avatar buys a cup of cold cut mango with lime at the corner store window. Takes a bite, reacts to the sour lime, laughs, offers the cup toward the camera. 10–15s. A small dog behind a chain-link fence notices @avatar and wags. @avatar crouches to let it sniff their hand through the gap. The dog trots along the fence beside them, then turns back. 15–20s. Dry leaves and a few bougainvillea petals drop from the banyan onto their shoulder and hair. @avatar looks up and brushes the leaves away. The camera zooms in awkwardly. @avatar says, "Again?" 20–25s. @avatar sits on a low garden wall and finishes the fruit while a bicycle passes and a neighbour waters plants with a hose. Warm breeze in their hair and clothes; @avatar wipes their hands and adjusts their bag. 25–30s. @avatar walks toward the end of the street, turns back with a playful smile and says, "Let's go." Walks around the corner; the camera follows; abrupt cut to black. AUDIO. Location sound only — cicadas, birds, footsteps on cracked pavement, a bicycle bell, distant scooters, leaves, the hose, the dog, neighbourhood voices, a TV through an open window, camera-handling noise. No music, no narration, no captions.
FRAMING RULE: No full-body shots and no wide shots anywhere in the film. Only chest-up mid-shots, close-ups, extreme close-ups, shot-reverse-shot, and brief partial close-ups of hands, tea cup and ring. CONSISTENCY: Both keep identical faces, ages, clothing, hairstyles and positions throughout — no facial drift, no clothing change, no age variation. The @avatar1 is on the LEFT of the space, the @avatar2 on the RIGHT, separated by a small round table, facing each other or leaning slightly forward. Hold the 180-degree axis; eye lines match precisely in every shot. SHOT ONE (0.0-4.5s): 85mm portrait lens. @avatar1 in chest-up close-up, three-quarter profile facing screen right. Background is blurred ink-green curtain and rainy-night glass reflection; warm lamplight cuts across @avatar1’s face from the side. Camera nearly static with only the faintest handheld breathing. @avatar1 glances down at the ring box on the table, then lifts its eyes to @avatar2. Its brow does not visibly furrow but its gaze is cold, the corner of its mouth twitching almost imperceptibly. Low and slow: "You said earlier you liked this ring." Half-second pause. Then: "Is it the ring you like, or that I believe you?" On "believe you" avatar1’s eyes narrow slightly, as if waiting for @avatar2 to slip. HARD CUT. SHOT TWO (4.5-10.5s): Over-the-shoulder close-up on the @avatar2. The @avatar1’s shoulder and dark suit sit as blurred foreground on the left edge of frame. @avatar2 is centred slightly right, chest-up, the sapphire cheongsam collar and shoulder-neck line clear but not displayed. Background is blurred lamp, wood panelling and rain-streaked glass. @avatar2 does not answer at once. @avatar2 lowers its eyes to the ring first, lashes trembling faintly, @avatar2’s right hand at the bottom edge of frame brushing the rim of the tea cup, fingertips pausing. When @avatar2 lifts its eyes its lips part slightly. Softly: "A woman liking something sometimes doesn't need a reason." A very brief pause; @avatar2 looks at him, gaze unflinching: "But if you must ask, I like the way you hand it to me." Its tone is very light — like the truth, or a carefully rehearsed lie. HARD CUT. SHOT THREE (10.5-16.0s): Back to the @avatar1, closer than shot one — shoulders and face only. 85mm, background fully blurred into blocks of warm lamp and cold rain colour. An almost imperceptible slow push in. @avatar1 is silent for half a second after hearing @avatar2. @avatar1’s jaw tightens gently. @avatar1’s right hand at the bottom edge of frame slowly rotates the ring box without opening it. @avatar1’s gaze shifts from scrutiny to something deeper, as if touched by @avatar2’s words, then immediately suppresses that flicker of doubt. Even lower: "When you lie, your eyes are quieter than when you tell the truth." @avatar1 does not smile afterwards, just stares into @avatar2’s eyes. HARD CUT as the final word lands. SHOT FOUR (16.0-22.0s): @avatar2 in extreme close-up, its face filling most of the frame without distortion. Warm lamplight on one cheek, the other falling into cold rain shadow. @avatar2’s eyes widen slightly, breath shallow, lip colour restrained and vulnerable in the warm light. @avatar2 does not speak at first; its throat swallows gently once. Its inner brows lift faintly, then are quickly suppressed — as if finally pushed to the edge yet still composed. Very lightly, with a subtle tremor: "Then why do you still listen?" Half-second pause; @avatar2 glances at avatar1’s mouth, then back to his eyes: "Didn't you already know?" A faint sheen in its eyes, but no tears. HARD CUT. SHOT FIVE (22.0-25.0s): Two-person chest-up mid-close shot, no full body. They face each other across the small round table, @avatar1 on frame left, @avatar2 on frame right, the warm lamp edge and the unopened ring box between them. Frame stable, space quiet, rain pressing gently at the window. @avatar1 does not answer. @avatar1 slowly pushes the ring box toward @avatra2, stopping it at the centre of the table. @avatar2 looks at the box and does not reach for it. Their gazes collide again. Low: "Because I want to hear you say it once, yourself." @avatar2’s lips tremble faintly, as if about to admit it, then @avatar2 swallows the words. Hold their mutual gaze for 0.4 seconds. DIRECT CUT TO BLACK, no fade. SOUND: Natural spoken English dialogue, strictly distinguishing the two speakers, lip sync matched to every syllable. The man's voice low, slow and oppressively weighted but never roaring; the woman's soft and clear, gaining tension and subtle tremor in the later shots but never sobbing or shouting. Keep realistic breaths, swallows, the faint rustle of silk, the tea cup touching the table, rain at the window, and the natural reverb of a wooden interior. No background music, no voiceover, no subtitles, no exaggerated suspense sound effects.
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