Two steps, one generation. Step 1 is the visitor's photo (@image1): shot at eye level, vertical or croppable to 9:16, with 3 or 4 clear objects in view (vehicles, boats, furniture, anything) and at most one small person, no dense crowd. Streets work best because everything already moves. Step 2 is one unbroken 15s 9:16 Seedance 2.5 render with @image1 attached as the first frame. The prompt never names a city, a brand or a specific object, it picks the largest object, a smaller moving one, a third one and a person if present, so the same recipe works on any photo. Known traps: dense crowds make Seedance 2.5 fail, crop them out before uploading; a face filling the frame gets blocked by moderation, keep people small; the original viral version shouts Biu! on every hit, this recipe swaps that for a sparkle reveal chime so nothing has to be translated.
Drag the clip sideways
Generate a video with your animated avatar, in japanese anime world, fighting the siege.
Ultra-realistic premium beverage commercial, 20 seconds, 3:4, continuous cinematic sequence built from 8 shots, @product as the central hero throughout. Reference @product for label, bottle shape, cap color and liquid color — keep identical across every shot. Style: crystal-clear liquid, realistic condensation physics, natural premium lighting, clean packaging reflections, luxury commercial photography, shallow depth of field, subtle motion blur on fast liquid/ice movement, 8K detail. 0–3s: chilled @product stands on wet natural stone, condensation beading on the surface; slow push-in. 3–5s: extreme close-up on the cap/seal opening — crisp mechanical motion, a small hiss of released pressure. 5–8s: liquid pours from @product into a transparent glass, smooth continuous stream, no splashing outside the glass. 8–10s: swirling liquid inside the glass, tiny bubbles rising, macro detail on the surface tension. 10–13s: Garnish pieces drop beside @product in slow motion, natural physics, soft impact. 13–15s: ice cubes fall into the drink, controlled splash with droplets catching the light, no liquid leaving the glass. 15–18s: extreme macro on condensation droplets running down @product's surface, natural gravity and pooling. 18–20s: final hero shot — @product and glass centered, surrounded by garnish and a frozen mid-air water splash; camera holds still for the last second. Audio: tropical water ambience, refreshing ASMR-style liquid/ice sounds, soft premium beverage-ad score building toward the final hero shot. Negative: no visible human hands/faces unless added intentionally, no liquid color/label inconsistency between shots, no unrealistic splash physics, no generic stock-footage look, no subtitles.
7-second ultra-realistic comedic viral video. @avatar is the Viking. Preserve the exact face, identity, body proportions, hair and facial features from @avatar with zero identity drift. Dress them in traditional Viking clothing with fur, wool and leather. They sit alone at a table in a cosy modern coffee shop. A large striped popcorn bag is on the table. Fast comedic sequence: they suspiciously grab the bag and accidentally pour popcorn onto their own head, freeze in confusion, then awkwardly try to eat it from the bag. Finally, they cautiously taste one piece and instantly become amazed, grabbing another handful like they just discovered the greatest food ever. Photorealistic, fast pacing, realistic popcorn physics, subtle handheld smartphone camera. Coffee shop ambience and popcorn sounds only. No dialogue, music, subtitles, text or logos.
Cinematic documentary style, 16 seconds, 16:9, ultra-photorealistic, anamorphic lenses, subtle lens flares, film grain. Premium fitness documentary color grade, warm golden highlights, deep shadows. @avatar — outfit progression: oversized cream sweatshirt and leggings → premium black full-length performance activewear (no crop tops, no exposed midriff). Keep @avatar's identity and appearance unchanged throughout. No direct camera address. Natural documentary behavior. 1. Wide establishing shot outside a fitness club at sunrise. @avatar arrives carrying a gym bag. VO: ""Every transformation begins long before the first rep."" 2. Tracking shot through the gym entrance, @avatar walks toward the locker area. VO: ""Not with effort... but with preparation."" 3. Locker-room moment: gym bag opens, @product visible among personal items. VO: ""The small choices nobody sees create the results everyone notices."" 4. Macro product sequence: @product powder scooped, water poured in slow motion, particles catching sunlight. VO: ""Energy is built before performance begins."" 5. Close-up of @avatar using @product. Quiet anticipation. VO: ""One moment of focus changes everything that follows."" 6. Mirror sequence: @avatar completes final preparation, activewear revealed, fabric responding naturally to movement. VO: ""Mindset shifts. Posture changes. Confidence appears."" 7. Wide reveal of the gym floor, @avatar walks through with natural energy. VO: ""You don't become stronger in a day. You become stronger every day."" 8. Golden-hour portrait near panoramic windows, @avatar holds @product, composed post-workout energy, camera pulls back. VO: ""Fuel the work. Trust the process. Become your strongest self."" Hyper-detailed textures, realistic fabric physics, authentic gym lighting, natural movement. Preserve @avatar's original identity throughout. Subtle gym ambience, footsteps, shaker sounds, emotional documentary score. Negative: no subtitles, no on-screen captions for the VO lines.
CHARACTER LOCK - HIGHEST PRIORITY: The person in every frame is exactly the person in @avatar. Preserve their facial identity, facial structure, eye shape and spacing, eyebrows, nose, mouth, exact skin tone, hairline, hairstyle, hair length, texture and colour, freckles and distinctive marks, apparent age, build and body proportions - identically, shot to shot. Preserve their gender presentation exactly as shown; do not masculinize, feminize or otherwise reinterpret it. Do not beautify, slim, de-age or restyle them. No identity drift. THE HEAD IS ALWAYS BARE: no hat, no cap, no hood, no sunglasses and nothing covering the hair, the eyes or the face at any point. The face and hairline stay visible in every shot, including the leap, the fight and the climb. ATTACHED IMAGES ARE MANDATORY AND FINAL: If an avatar image is attached, that is the person - reproduce them exactly in every frame. The attached images outrank every word below them; wherever image and text disagree, follow the image. @avatar defines identity only - its clothing, pose, background and lighting are ignored completely. Wardrobe (comes from this text, never from @avatar): an unbuttoned cream linen shirt with the sleeves rolled, worn loose and open over a plain white cotton tank, sand-coloured linen drawstring shorts to mid-thigh, a thin woven bracelet and worn canvas sneakers. The shirt hangs loose and is never fitted to the chest. Unisex cut, no logos or lettering. Fit each garment to the character's body naturally without altering its design, cut, proportions or colour - the garment is fixed, only its drape adapts. The same in every shot. Ultra-realistic cinematic action cinematography, 30 seconds. @avatar is hunted across a modern Greek island town on a holiday afternoon. Hard Mediterranean sun, white and bone against Aegean blue, handheld weight, real motion blur, shallow depth of field, fine grain. Hands stay correct in every frame: five fingers per hand, natural grip on every ledge and wrist. 0-4 seconds - THE LEAP. The film opens already in the air: @avatar mid-leap off a whitewashed rooftop terrace, arms spread, the open shirt snapping, falling toward the lower roofs. No fade in and no still opening frame. Below spread white cube houses, blue domes, stepped lanes and the flat blue sea. The camera falls alongside. 4-8 seconds - THE LANDING. @avatar drops onto a lower terrace into folded fishing nets, rolls out in one motion and comes up running along the white roof. The camera whips down and picks up the run from behind at shoulder height. 8-12 seconds - THE LANES. @avatar sprints a narrow stepped lane between white walls, ducking a laundry line and cutting between tavern tables while tourists scatter. Bougainvillea petals and dust cross the lens. 12-17 seconds - THE FIGHT. Two hired killers in dark linen suits step out of a doorway and reach in. @avatar turns the first one's arm aside and puts them both down on the steps in two fast moves. The camera comes in close on @avatar's face as the arm turns and holds there, the face fully readable. The killers are unarmed in frame: no gun and no knife is ever drawn, and there is no blood and no gore. 17-22 seconds - THE CHASE. @avatar runs a shadowed alley with two more suited killers closing in behind, faces turned away, vaults a terrace wall, slides under a stone arch and takes a corner hard past a blue-domed church. The camera stays close behind and unsteady. 22-27 seconds - THE CLIMB. @avatar hits a white wall of window ledges, a pergola beam and a drainpipe and goes straight up it, hand over hand, back onto the roofs. The camera rises and turns to show the town dropping away. 27-30 seconds - THE TERRACE. @avatar pulls onto the highest terrace, rises out of a crouch and turns to look straight into the lens, face fully readable. Behind: white roofs, blue domes, the harbour and the whole sea under a low sun. Final wide, held. The killers and the tourists are anonymous - hats, turned backs and faces out of frame. Nobody else wears sunglasses and no other face is ever the subject of a shot. Sound: breathing and footfalls all the way through, linen snap in the fall, nets and dust on the landing, tavern voices and cicadas, scuffs in the fight, sneakers on stone steps, wind and gulls on the last terrace, under a restrained low score. No subtitles.
Rooftop ApocalypseRecreate workflow