The Last Bite

Recreated 8 Sep 2026

Inspired by @HeyAbhishekon XTheir workflow. Rebuilt step by step on OpenClips.

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Prompt85 chars

Generate a 15 second video, with yourself, sharing the last bite with a stray animal.

How it was made

Create an avatar.

Create or select an avatar.

Turns your avatar into the film's character, in the film's world. Edit the animal, the lunchbox and the food at the top.

STYLE LOCK: everything on this sheet is drawn as a premium 3D animated feature film model
sheet — sculpted forms, softly stylized proportions, warm subsurface skin, hair in shaped
clumps, cloth that reads as cloth. It is not a photograph and not a photoreal render.

THE ANIMAL: a tiny stray kitten with cream-white fur, faint orange patches, small ears, round
eyes and a soft fragile look
— the second lead; a puppy or another small animal works the same way
THE LUNCHBOX: a small dented metal lunchbox with a hinged lid
THE FOOD: one small cocktail sausage
— the single piece of food that gets shared

ASSET MAP

@avatar — the lead's identity reference. Their face structure, eye colour, hair colour and
texture, freckles, skin tone and the clothes they wear are read entirely off @avatar and
nothing about them is invented. Draw them as a child of about 9 to 10 years old: the same
person at that age, with a child's head-to-body proportions, a softer rounder face and a
smaller frame, keeping every identifying feature listed above clearly recognisable. The
clothes from @avatar are cut to fit a child. Translate all of it into the STYLE LOCK above.
Preserve their gender presentation exactly as shown in @avatar; do not masculinize, feminize
or otherwise reinterpret it.

Create a single vertical character design sheet for an original emotional 3D animated short
film titled "The Last Bite", set in a quiet neighborhood park in warm late-afternoon light.

The output must be one image only: a professional animation character design sheet on a
neutral, understated background.

IMPORTANT
The lead is a child, drawn as the person from @avatar at that age, and nobody else.
THE ANIMAL is a fully original design; do not imitate any existing animated film character.
Keep every design simple, clear, and emotionally expressive.
Label the lead on the sheet only as THE CHARACTER, and write every label without gendered
words or pronouns.

STYLE
Professional animation development sheet.
Loose hand-drawn style, pencil sketch lines, light gray shading.
Small handwritten labels only.
It should feel like a real studio planning sheet, not a polished final poster.

LAYOUT
Clean vertical sheet with 4 sections.

SECTION A — THE CHARACTER
The child from @avatar, in the clothes they wear there. Gentle, kind, slightly tired
expression.

Show the three turnaround views full-body, head to feet, at the same scale:
- front view
- side view
- 3/4 view

Then, as head-and-shoulders only:
- expressions: hungry, thoughtful, soft smile, emotional

Then, full-body:
- pose holding THE LUNCHBOX open on their lap
- pose holding THE FOOD in one hand
- pose offering food on an open flat palm
- seated pose

Every view is the same child at the same scale, with the same face, hair and clothes.

SECTION B — THE ANIMAL
THE ANIMAL. It should feel shy, hungry, innocent, and lovable.

Show:
- front view
- side view
- 3/4 view
- expressions: cautious, sad, hopeful, happy, trusting
- sitting pose
- stepping forward pose
- curled-up pose beside the character

SECTION C — PROPS
THE LUNCHBOX, drawn twice: closed, and open and empty.
THE FOOD, drawn twice at the same scale: whole, and broken into two pieces lying apart with
the two broken ends clearly visible. These two drawings define exactly what whole and broken
look like for the rest of the film.
A small canvas school bag.

SECTION D — SETTING
Three small location sketches of the film's one location, in the same warm late-afternoon
light: the wooden park bench seen from the front, the same bench seen from the side with the
grass and the space underneath it, and a wider view of the quiet neighborhood park with a tree
nearby and a calm walkway in the background.

Add tiny handwritten labels and a few small colour swatches.

FINAL GOAL
A clean production-ready character sheet for an original emotional 3D animated short film.
Keep the designs simple, visually clear, and easy to animate.

NEGATIVE: No storyboard panels, no comic grid, no text other than small handwritten labels,
no label that names what THE FOOD is — the props carry only the labels THE FOOD, THE LUNCHBOX
and the school bag — no adult version of the character, no logos, no watermark, no second
person, no photoreal rendering.

Turns the sheet into eight silent panels.

THE FOOD: one small cocktail sausage
— the single piece of food that gets shared; keep it the same as in the earlier step
THE LUNCHBOX: a small dented metal lunchbox with a hinged lid

ASSET MAP

@image1 — the character design sheet. Take the character, their clothes, THE ANIMAL, THE
LUNCHBOX, THE FOOD, its broken halves, the school bag, the bench and the park from it,
unchanged. The character in every panel is the person drawn on @image1 and nobody else.

Draw a hand-drawn storyboard page for an original emotional 3D animated short film titled
"The Last Bite".

The output must be one image only: 8 cinematic storyboard panels in a clean 4-by-2 grid.

STYLE
Loose hand-drawn storyboard style, pencil sketch lines, light gray shading, red panel borders,
blue arrows for motion.
It should feel like a real studio planning page.

CONSISTENCY
Keep the character, THE ANIMAL, THE LUNCHBOX, THE FOOD, the bench and the park identical to
@image1 across all eight panels.

PANELS, in reading order
1. Close-up of the character sitting on the park bench with THE LUNCHBOX open on their lap,
lifting THE FOOD out of it.
2. Medium shot of THE ANIMAL under the bench, looking up at THE FOOD with cautious hopeful
eyes.
3. Close-up of the character noticing THE ANIMAL and pausing before eating.
4. Close shot of their hands breaking THE FOOD into two pieces, both broken ends visible.
5. Medium shot of the character kneeling on the grass, offering one piece to THE ANIMAL on an
open flat palm.
6. Low closer shot of THE ANIMAL stepping forward and taking that piece.
7. Medium emotional shot of THE ANIMAL curled up beside the character on the bench while they
eat the second piece.
8. Wide final late-afternoon shot of the character sitting on the bench with THE ANIMAL
curled up beside their leg, both clearly visible in frame, THE LUNCHBOX open and empty
beside them and the school bag on the ground.

ENVIRONMENT
The quiet neighborhood park from @image1: the wooden bench, soft grass, a tree nearby, warm
late-afternoon sunlight, a calm walkway in the background, a small school bag beside the
bench.

NEGATIVE: No words, no letters, no numbers, no handwritten notes and no captions anywhere in
the image — the panels carry the story with drawing alone. No character sheet, no turnaround
views, no logos, no watermark, no extra characters, no photoreal rendering.

Generates the film from the sheet and the board.

THE ANIMAL: a tiny stray kitten with cream-white fur, faint orange patches, small ears, round
eyes and a soft fragile look
THE LUNCHBOX: a small dented metal lunchbox with a hinged lid
THE FOOD: one small cocktail sausage
  — the same values as in the earlier steps; where the drawings and these lines differ, the
    sheet in @image1 decides how everything looks

ASSET MAP

@image1 — the character design sheet. The character in every shot is the person drawn on
@image1 and nobody else; take their face, hair, build and clothes from it, unchanged, and
preserve their gender presentation exactly as drawn. Refer to @image1 also for THE ANIMAL, THE
LUNCHBOX and the school bag.
@image2 — the storyboard page. Refer to @image2 for the order of events, the framing of each
shot, the bench, the park, the warm late-afternoon light, and for THE FOOD: it is exactly the
food drawn in these panels, whole in the first three panels and broken into two pieces from
the fourth panel onward.

ONE-SENTENCE SUMMARY

The character sits hungry on a bench in a quiet neighborhood park, breaks the last piece of food
from their lunchbox in two and gives half to a stray kitten, as a premium 3D animated
emotional short film held in slow cinematic close-ups with shallow depth of field.

DETAILED PLOT

[0-2s] Shot 1 — The Last Bite.
Close-up at the character's seated eye level, slow push-in so gentle it is almost still. They
sit on the wooden bench with THE LUNCHBOX open on their lap, lift THE FOOD out of it — one
whole piece, exactly as drawn on @image2 — and raise it toward their mouth. Warm sunlight rims
their hair. They stop mid-motion and their eyes flick down and left, toward something below
the frame.
Sound: the lunchbox lid ticking, a soft breeze, distant birds.

[2-4s] Shot 2 — What They See.
Cut to a low static shot under the bench, at the kitten's eye level, shallow focus on the
kitten looking up with the character's shoes soft-blurred in the foreground. The kitten's
eyes track THE FOOD above it, its body pressed low and ready to retreat, one ear twitching.
Sound: one faint high little mew, park ambience.

[4-6s] Shot 3 — The Decision.
Back to the character's close-up, camera static, the longest hold in the film. Their eyes
shift from the kitten below frame to the whole piece of THE FOOD in their hand and back to the
kitten, and they swallow once. Their expression softens into a small decision. They look down
and break THE FOOD into two pieces with both hands, and the two broken ends come apart exactly
as drawn on @image2.
Sound: near silence, then one soft clear snap as it breaks — the loudest sound so far.

[6-8s] Shot 4 — The Offer.
Medium static shot from the side. They slide off the bench, kneel slowly on the grass and hold
out one of the two broken pieces on an open flat palm, its broken end facing up and clearly
visible. The other piece stays in their closed hand. Their arm settles and goes completely
still; only their hair and clothes move in the breeze. There is one kitten in this shot and no
other animal anywhere in the frame: it sits two steps away on the grass, directly facing the
hand, watching it.
Sound: cloth movement, knees settling on grass, a soft breeze.

[8-10s] Shot 5 — First Trust.
Low static shot at the kitten's eye level, the character's still hand and that same broken
piece in sharp focus in the foreground, the same single kitten walking in from a soft-focus
background into focus. There is one kitten in this shot and no other animal anywhere in the
frame. The kitten stops once, hesitates half a beat, then closes the distance and takes
the piece from their palm. From this moment the two pieces are the only food in the film: one
in the kitten's mouth, one in the character's hand.
Sound: tiny paw steps in grass, a pause, then a soft first bite.

[10-12s] Shot 6 — Side by Side.
Medium static shot, a soft jump in time: the character is back on the bench eating the second
broken piece, its broken end still visible, and the kitten hops up and settles beside their
leg. THE LUNCHBOX sits open and empty on the bench. They glance down, surprised, then rest
their hand gently on the kitten's head. It leans into the touch and its eyes narrow into a
slow blink.
Sound: soft fur under a hand, quiet chewing, distant birds.

[12-14s] Shot 7 — The Curl.
Close two-shot from slightly above, both faces in frame together for the first time, slow
push-in continuing through the shot. The kitten curls into a small circle against their thigh.
The character's hands are empty now, the last of the food gone. They smile softly, the tired
look from Shot 1 gone. The light has warmed to gentle gold.
Sound: quiet breathing, a light breeze through the tree.

[14-15s] Shot 8 — Wide Hold.
Final wide static shot of the whole bench. The character sits upright with their back against
the backrest, shoulders relaxed and head held level, looking down at the one kitten curled
beside their leg with one hand resting on it. Their neck and shoulders stay clearly visible
and their head stays upright above them. The school bag sits on one side of them and THE
LUNCHBOX open and empty on the other, long golden shadows across the grass. Exactly one person
and one kitten are in this shot, and the grass around the bench is empty. Only the leaves and
their hand move. The frame holds to the end.
Sound: soft wind, distant birds fading, calm.

ADDITIONAL NOTES — constant through the whole film

Cast: exactly one person and exactly one kitten appear, and nobody else. Both look exactly as
drawn on @image1 in every shot, and the character keeps the clothes drawn there. The
character's gender presentation stays exactly as the sheet shows it; keep it unchanged
throughout.

Food continuity: there is one piece of THE FOOD in the film, and it looks exactly like the
food drawn on @image2. It is whole and unbroken in Shots 1, 2 and 3. From the break in Shot 3
onward it exists only as two broken pieces of the same size and shape as the broken drawing in
the fourth panel of @image2, and no whole piece appears again in any later
shot. THE LUNCHBOX holds nothing else and stays open and empty from Shot 6 to the end.

Hands: five fingers per hand in every frame, correct thumb placement, no extra, missing or
fused fingers, and no morphing hands — especially while THE FOOD is being broken and offered.

Acting: subtle and calm throughout — small eye movements, slow blinks, quiet breathing. The
kitten's arc runs from cautious to trusting: low posture, hesitant steps and wide watchful
eyes early, relaxed posture, slow blinks and soft leaning later.

Camera: cinematic framing with shallow depth of field, one camera movement per shot, and every
push-in slow to the point of being almost imperceptible. Eye-line logic drives the edit,
cutting between what the character sees and what the kitten sees. Character shots sit at their
seated eye level, kitten shots low at the kitten's eye level. Each shot fills the whole frame
as one continuous view of the real park.

Environment and light: a quiet neighborhood park in late afternoon — the same wooden bench in
every shot, soft grass, one tree nearby, a simple walkway in the background, the small canvas
school bag beside the bench. Warm sunlight with long soft shadows that warms very slightly
across the film and ends in gentle golden tones.

Style: premium 3D animated short film quality, storytelling carried by facial acting and body
language, natural subsurface skin and fur lighting, clean readable blocking, calm pacing with
intentional stillness. The frame stays clean and shows only the park, the character, the
kitten, THE LUNCHBOX and THE FOOD.

Sound: natural sound only, as listed per shot. The quieter the mix, the bigger the small
sounds feel — the snap as THE FOOD breaks and the kitten's first bite are the two loudest
moments in the film. No BGM. No dialogue. No subtitles.

ModelSeedance 2.0

Aspect16:9

Duration15s

Steps4

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