Nothing about the product from @image_1 changes in any shot - keep it exactly as it is. Ignore the background of @image_1: the plain studio backdrop it sits on does not appear anywhere in this film. BACKGROUND COLOUR RULE, applies to EVERY shot: the whole environment is built out of the blue taken straight from @image_1 - a saturated deep-blue field, brightest in a broad uneven halo behind the product and deepening into rich midnight navy at the edges of the frame. The fog, the haze, the reflections and the water all carry that same blue. No white studio, no grey, no teal, no seamless backdrop - every shot reads unmistakably as that one blue, with the only warm accents coming from @image_1 itself. Lighting in every shot: no soft fill anywhere. A powerful blue backlight blooms through dense low fog and falls off hard into deep navy at the edges. One razor-thin specular line burns down the left edge; a brilliant white-blue edge light traces the right side; @image_1 is backlit so it burns from within. High contrast, deep crushed blacks, dramatic chiaroscuro throughout. Opening shot: extreme macro on condensation droplets sliding down the chilled surface in slow motion, deep blue light glowing behind them, the razor-thin specular line burning down the edge, everything else falling into darkness. The camera then smoothly pulls back and drops to a low hero angle as @image_1 is revealed towering on a wet blue mirror floor that runs edge to edge and out of frame - no visible slab, tile, tray or plinth edges anywhere. A violent slow-motion wall of water bursts upward around the base, its crown rising as high as the middle of @image_1, hundreds of droplets and jagged ice shards flying through the blue light, cold vapour pouring off the chilled surface. Final shot: the camera settles into a centred low hero composition with @image_1 towering and filling nearly the full height of the frame, sharply focused, water settling into ripples on the mirror floor, cold mist drifting low, the deep blue glow behind it falling away into black. Ultra-realistic commercial cinematography, high-speed slow motion, physically accurate water and reflections, smooth deliberate camera movement, premium advertising aesthetic, dramatic moody cinematic lighting, shallow depth of field, highly detailed, 4K, vertical 9:16, no people, only the single product from @image_1 in frame, no extra text.